Professional Documents
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You've thought about writing a screenplay and we're here to make it happen.
Many people come to No Film School (https://nofilmschool.com/) because they want to get information about cameras,
gear, and storytelling. We’re aware that the luxury of attending film school is not available to most of the world, so we do
our best to keep you all up to date on what’s out there and how you can shoot and create with your utmost potential.
Storytelling.
And before you can start telling the story on the screen you need to tell it on the page.
So over the next ten weeks, I’m going to give a free screenwriting seminar.
You're going to learn ALL the fundamentals of screenwriting, we'll coach you through ten-page sprints, and answer your
questions about how your story can move forward in the comments section below each week.
We’re going to release one lesson every Friday, so if you’re joining late, take this link back to week one. That link won’t
https://nofilmschool.com/write-screenplay-seminar-week-one 1/7
17/01/2019 Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)
If we’re going to finish this screenplay, we should get started right away. If you have stuff to do, and just want to find out
what to do this week, scroll down to the TL;DR portion.
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Why Should I Listen To You?
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This is the internet. The first thing you’re going to do is Google “Jason Hellerman (http://www.jasonhellerman.com)” and
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realize that I’m not an A-list screenwriter. Then you’ll probably find the only movie I have listed online, Shovel Buddies
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(https://www.imdb.com/title/tt3416674/), and see that it’s only a 5/10 on IMDB.
If that makes you think these posts are worthless, then I encourage you to go out there and seek out any of the extremely
I’m not going to sell you a book. I’m not going to ask you to pay for this service.
What I am is a D-list working writer in Hollywood. I had a script on the Black List. I’ve sold pitches and even a treatment. I
do comedy punch-ups, dialogue passes, give professional notes, and I even handle a ton of commercials and some live
television.
I have my Masters of Fine Arts in Screenwriting from Boston University. So I’m certified to teach and have taught some
courses, on the collegiate level.
I’m going to tell you my experience, occasionally reference people much further ahead than myself, and if I don’t know
the answer to your question I’m going to direct you to someone that does, or just Google it until I think I do have the
answer.
Oh...and while you’re all taking the next ten weeks to write a script.
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17/01/2019 Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)
No so fast.
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Before you start writing, I hope you’ve consulted our Eight Best Screenwriting Software (https://nofilmschool.com/free-
screenwriting-software) post and have an adequate way to get your ideas onto the page.
If you picked one with an outlining or treatment feature, you’re in luck. Because before we dive into our pages, I want to
What Is Prewriting?
In general, prewriting is all the work you do before you sit down to write your screenplay. It can be outlines, treatments,
Look, we all love to procrastinate. There’s an essential fear when it comes to staring at the blank page. I have it. You have
it.
So before we dive into all that, I want to prewrite. Your prewriting will become part of your process, so you want to tailor it
What Is A Logline?
A logline is a one to two sentence summary of a film or tv show. It should wholly encapsulate the main drive of the plot,
and also include the tone if possible.
screenplay).
https://nofilmschool.com/write-screenplay-seminar-week-one 3/7
17/01/2019 Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)
In an unprecedented move, here’s the logline of the screenplay I’ll be writing along with you guys. It’s an original idea.
Please don’t steal it.
The Left Outs: After their high school bully decides to run for Senate, a group of people perennially left out of parties form
a friendship and vow to get revenge on their tormentor.
The logline needs to be evocative of the tone. Hopefully, you can tell this one is a comedy. So how is your logline helping
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you?
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After I’m done the logline, I explore the idea in a treatment.
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While I don’t want to post the treatment for The Left Outs, I’ll tell you that it’s 15 pages, single-spaced, and I used the
screenplay treatment template available in the article I linked.
I don’t like to just sit and write without knowing where I’m going. A treatment eases that stress, and allows me to fix story
beats or add nuance on the screenplay page, without thinking too hard about what needs to happen next in the story.
If you’re having trouble finding the beats in your screenplay, try using our Story Map (https://nofilmschool.com/Rocky-
Script-Story-Map?
utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+nofilmschool+%28nofilmschool%29).
1. Unraveling The Map - Do you have an opening scene that defines the movie?
2. The Launch Point - Where are we, and who are we with?
3. The First Leg - What’s a normal day look like in this world?
4. Change Course - What sets our characters off on their journey from normalcy?
5. The Foot of the Mountain - Okay, we’re going on this journey together
6. Climbing The Side - It starts hard, but you get used to the problems as you go
7. Through The Cave - Do you have a B story? Set that story off on its own now too.
8. Reassess the Problem - You’re at the middle. Is there another way to get it done?
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17/01/2019 Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)
9. Try and Fail - Things begin to fall apart, can they handle it?
10. The Fall - The worst thing happens, something so bad you don’t think you can get up.
11. The Hidden Clue - What do your characters discover about themselves/the problem that they never saw before?
13. The Treasure Chest - Did they get what they came for?
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14. Where We Go From Here - Show us the world in a new light, hint what’s next.
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Once you have your logline and treatment, it’s time to open that software and get to writing.
Let’s be real, we learned from an Acquisitions Executive (https://nofilmschool.com/Script-writing-tips) that most people
know if they like a screenplay within the first few pages. So you have to nail these.
Generally, you want to introduce your characters, their central conflicts and show us the world.
If you look at movies like Se7en (https://en.wikipedia.org/wiki/Seven_(1995_film)), the opening of the movie sets up the
cops. We learn who they are, their dispositions, and we even get some case details.
Same thing with Superbad. We get the guys, their friendship, the tone, and the fact that they won’t be together in college
next year.
https://nofilmschool.com/write-screenplay-seminar-week-one 5/7
17/01/2019 Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)
The opening of No Country For Old Men starts with a question. Who is this man being out in the back of a police car?
You want your opening pages to grip the reader. Get them emotionally involved, laughing, or just absorb them in the
world. If you can execute that, you’ll be able to carry them along for the rest of the script.
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I try to make my opening scene emblematic of the entire story.
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One adage I like to employ is “arrive late, leave early.”
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I don’t need to see these characters when they wake up, I like all my opening scenes to start on some sort of conflict that
can show who these characters are, and where we will go with them on their journey.
After you’re done with the opening scene, I try to use the rest of the opening ten pages to establish the world.
This works on a Lord of the Rings level, but it also works on a Stand By Me level. When I’m talking about the world, I don’t
In Lord of the Rings we know there’s magic and in Stand By Me we know we’re in the real world. Comedies can have
some elbow room.
Home Alone is in the real world, but given Kevin’s antics, we know this is a heightened sense of reality.
Just like Up! Asks you to believe that a house could fly. It plants that possibility in the first ten pages by showing us how
those kids live their lives. Be it balloons that travel through windows, or just a house surrounded by skyscrapers.
Use your first ten pages to tell people about the world, characters, and tone.
This is your foundation. The whole story needs to build from here.
Nail it.
https://nofilmschool.com/write-screenplay-seminar-week-one 6/7
17/01/2019 Free Screenwriting Seminar: Write a Screenplay in 10 Weeks (wk.1)
Writing is blue-collar manual labor. It’s digging a hole. It’s blasting rock. Over the next ten weeks, you’re going to write and
rewrite your idea. You’re going to bang your head on the desk, wall, shower door, and pretty much any hard surface in
your home.
You’re going to curse. Curse me. Curse the page. Curse Hollywood.
I’m a writer not because there’s nothing else I could do, I’m a writer because this is the only thing I want to do. And for
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now, that pays the bills. Maybe it doesn’t pay yours, but if you love it (and you have a roof over your head), you should do
it too!
I’m here for all the complaints, the frustrations, and to brainstorm.
So get to work on pages 1-10. Next week we will tackle 11-20, and go over some ways to rewrite as you continue to also
push forward.
A Logline.
A Treatment.
Pages 1-10.
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