Professional Documents
Culture Documents
Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper.
Volume six, 1817.
Contents
1Etymology
2History
o 2.1Predecessors
o 2.2Early history
o 2.3Iga and Kōga clans
o 2.4Shimabara rebellion
o 2.5Edo period
o 2.6Contemporary
3Oniwaban
4Roles
o 4.1Espionage
o 4.2Sabotage
o 4.3Assassination
o 4.4Psychological warfare
o 4.5Countermeasures
5Training
o 5.1Tactics
o 5.2Disguises
6Equipment
o 6.1Outerwear
o 6.2Tools
o 6.3Weaponry
7Legendary abilities
o 7.1Kuji-kiri
8Foreign ninja
9Famous people
10In popular culture
11Museums
12Gallery
13See also
14Footnotes
15References
16Further reading
17External links
Etymology
The word "ninja" in kanji script
History
Prince Hikaru Genji and a ninja. Woodblock print on paper. Kunisada, 1853.
Despite many popular folktales, historical accounts of the ninja are scarce.
Historian Stephen Turnbull asserts that the ninja were mostly recruited from the
lower class, and therefore little literary interest was taken in them. [14] The social
origin of the ninja is seen as the reason they agree to operate in secret, trading
their service for money without honor and glory.[15] The scarcity of historical
accounts is also demonstrated in war epics such as The Tale of Hōgen (Hōgen
Monogatari) and The Tale of the Heike (Heike Monogatari), which focus mainly on
the aristocratic samurai, whose deeds were apparently more appealing to the
audience.[12]
Historian Kiyoshi Watatani states that the ninja were trained to be particularly
secretive about their actions and existence:
So-called ninjutsu techniques, in short are the skills of shinobi-no-
jutsu and shinobijutsu, which have the aims of ensuring that one's opponent does
not know of one's existence, and for which there was special training. [16]
Predecessors
Yamato Takeru dressed as a maidservant, preparing to kill the Kumaso leaders. Woodblock print on
paper. Yoshitoshi, 1886.
The plains of Iga, nested in secluded mountains, gave rise to villages specialized in the training of ninja.
The Iga and Kōga clans have come to describe families living in the province
of Iga (modern Mie Prefecture) and the adjacent region of Kōka (later written
as Kōga), named after a village in what is now Shiga Prefecture. From these
regions, villages devoted to the training of ninja first appeared. [26] The remoteness
and inaccessibility of the surrounding mountains may have had a role in the ninja's
secretive development.[25] Historical documents regarding the ninja's origins in these
mountainous regions are considered generally correct. [27] The chronicle Go Kagami
Furoku writes, of the two clans' origins:
There was a retainer of the family of Kawai Aki-no-kami of Iga, of pre-eminent skill
in shinobi, and consequently for generations the name of people from Iga became
established. Another tradition grew in Kōga.[27]
Likewise, a supplement to the Nochi Kagami, a record of the Ashikaga shogunate,
confirms the same Iga origin:
Inside the camp at Magari of the shōgun [Ashikaga] Yoshihisa there
were shinobi whose names were famous throughout the land. When Yoshihisa
attacked Rokkaku Takayori, the family of Kawai Aki-no-kami of Iga, who served
him at Magari, earned considerable merit as shinobi in front of the great army of
the shōgun. Since then successive generations of Iga men have been admired.
This is the origin of the fame of the men of Iga. [28]
A distinction is to be made between the ninja from these areas, and commoners or
samurai hired as spies or mercenaries. Unlike their counterparts, the Iga and Kōga
clans produced professional ninja, specifically trained for their roles. [22] These
professional ninja were actively hired by daimyōs between 1485 and 1581,
[22]
until Oda Nobunaga invaded Iga Province and wiped out the organized clans.
[29]
Survivors were forced to flee, some to the mountains of Kii, but others arrived
before Tokugawa Ieyasu, where they were well treated.[30] Some former Iga clan
members, including Hattori Hanzō, would later serve as Tokugawa's bodyguards. [31]
Following the Battle of Okehazama in 1560, Tokugawa employed a group of eighty
Kōga ninja, led by Tomo Sukesada. They were tasked to raid an outpost of
the Imagawa clan. The account of this assault is given in the Mikawa Go Fudoki,
where it was written that Kōga ninja infiltrated the castle, set fire to its towers, and
killed the castellan along with two hundred of the garrison.[32] The Kōga ninja are
said to have played a role in the later Battle of Sekigahara (1600), where several
hundred Kōga assisted soldiers under Torii Mototada in the defence of Fushimi
Castle.[33] After Tokugawa's victory at Sekigahara, the Iga acted as guards for the
inner compounds of Edo Castle, while the Kōga acted as a police force and
assisted in guarding the outer gate. [31] In 1614, the initial "winter campaign" at
the Siege of Osaka saw the ninja in use once again. Miura Yoemon, a ninja in
Tokugawa's service, recruited shinobi from the Iga region, and sent 10 ninja
into Osaka Castle in an effort to foster antagonism between enemy commanders.
[34]
During the later "summer campaign", these hired ninja fought alongside regular
troops at the Battle of Tennōji.[34]
Shimabara rebellion
A final but detailed record of ninja employed in open warfare occurred during
the Shimabara Rebellion (1637–1638).[35] The Kōga ninja were recruited
by shōgun Tokugawa Iemitsu against Christian rebels led by Amakusa Shirō, who
made a final stand at Hara Castle, in Hizen Province. A diary kept by a member of
the Matsudaira clan, the Amakusa Gunki, relates: "Men from Kōga in Ōmi
Province who concealed their appearance would steal up to the castle every night
and go inside as they pleased."[36]
The Ukai diary, written by a descendant of Ukai Kanemon, has several entries
describing the reconnaissance actions taken by the Kōga.
They [the Kōga] were ordered to reconnoitre the plan of construction of Hara
Castle, and surveyed the distance from the defensive moat to the ni-no-
maru (second bailey), the depth of the moat, the conditions of roads, the height of
the wall, and the shape of the loopholes.[36]
Suspecting that the castle's supplies might be running low, the siege
commander Matsudaira Nobutsuna ordered a raid on the castle's provisions. Here,
the Kōga captured bags of enemy provisions, and infiltrated the castle by night,
obtaining secret passwords.[37] Days later, Nobutsuna ordered an intelligence
gathering mission to determine the castle's supplies. Several Kōga ninja—some
apparently descended from those involved in the 1562 assault on an Imagawa
clan castle—volunteered despite being warned that chances of survival were slim.
[38]
A volley of shots was fired into the sky, causing the defenders to extinguish the
castle lights in preparation. Under the cloak of darkness, ninja disguised as
defenders infiltrated the castle, capturing a banner of the Christian cross.[38] The
Ukai diary writes,
We dispersed spies who were prepared to die inside Hara castle. ... those who
went on the reconnaissance in force captured an enemy flag; both Arakawa
Shichirobei and Mochizuki Yo'emon met extreme resistance and suffered from their
serious wounds for 40 days.[38]
Kishiwada Domain 50
Kawagoe Domain 50
Matsue Domain 30
Hirosaki Domain 20
Fukui Domain 12
Hikone Domain 10
Okayama Domain 10
Akō Domain 5
Contemporary
Mie University founded the world’s first research centre devoted to the ninja in
2017. A graduate master course opened in 2018. It is located in Iga (now Mie
Prefecture). There are approximately 3 student enrollments per year. Students
must pass an admission test about Japanese history and be able to read historical
ninja documents.[50] Scientific researchers and scholars of different disciplines study
ancient documents and how it can be utilized in the modern world. [51]
In 2020, the 45 year old Genichi Mitsuhashi was the first student to graduate from
the master course of ninja studies at Mie University. For 2 years he studied
historical records and the traditions of the martial art. Similar to the original ninja,
by day he was a farmer and grew vegetables while he did ninja studies and trained
martial arts in the afternoon.[50]
Oniwaban
Main article: Oniwaban
In the early 18th century, shogun Tokugawa Yoshimune founded
the oniwaban ("garden keepers"), an intelligence agency and secret service.
Members of the oniwaban were agents involved in collecting information
on daimyōs and government officials.[52] The secretive nature of the oniwaban—
along with the earlier tradition of using Iga and Kōga clan members as palace
guards—have led some sources to define the oniwabanshū as "ninja".[53] This
portrayal is also common in later novels and jidaigeki. However, there is no written
link between the earlier shinobi and the later oniwaban.
Roles
The ninja were stealth soldiers and mercenaries hired mostly by daimyōs.[54] Their
primary roles were those of espionage and sabotage, although assassinations
were also attributed to ninja. Although they were considered the anti-samurai and
were disdained by those belonging to the samurai class, they were necessary for
warfare and were even employed by the samurai themselves to carry out
operations that were forbidden by bushidō.[15]
Espionage
Espionage was the chief role of the ninja. With the aid of disguises, the ninja
gathered information on enemy terrain and building specifications, as well as
obtaining passwords and communiques. The aforementioned supplement to
the Nochi Kagami briefly describes the ninja's role in espionage:
Concerning ninja, they were said to be from Iga and Kōga, and went freely into
enemy castles in secret. They observed hidden things, and were taken as being
friends.[28]
Later in history, the Kōga ninja would become regarded as agents of
the Tokugawa bakufu, at a time when the bakufu used the ninja in an intelligence
network to monitor regional daimyōs as well as the Imperial court.[24]
Sabotage
Arson was the primary form of sabotage practiced by the ninja, who targeted
castles and camps.
The Tamon-in Nikki (16th century)—a diary written by abbot Eishun of Kōfuku-
ji temple—describes an arson attack on a castle by men of the Iga clans.
This morning, the sixth day of the 11th month of Tenbun 10 [1541], the Iga-
shu entered Kasagi castle in secret and set fire to a few of the priests' quarters.
They also set fire to outbuildings in various places inside the San-no-maru. They
captured the ichi-no-maru (inner bailey) and the ni-no-maru (second bailey).[56]
In 1558, Rokkaku Yoshikata employed a team of ninja to set fire to Sawayama
Castle. A chūnin captain led a force of 48 ninja into the castle by means of
deception. In a technique dubbed bakemono-jutsu ("ghost technique"), his men
stole a lantern bearing the enemy's family crest (mon), and proceeded to make
replicas with the same mon. By wielding these lanterns, they were allowed to enter
the castle without a fight. Once inside, the ninja set fire to the castle, and
Yoshitaka's army would later emerge victorious.[57] The mercenary nature of
the shinobi is demonstrated in another arson attack soon after the burning of
Sawayama Castle. In 1561, commanders acting under Kizawa Nagamasa hired
three Iga ninja of genin rank to assist the conquest of a fortress in Maibara.
Rokkaku Yoshitaka, the same man who had hired Iga ninja just years earlier, was
the fortress holder—and target of attack. The Asai Sandaiki writes of their plans:
"We employed shinobi-no-mono of Iga... They were contracted to set fire to the
castle".[58] However, the mercenary shinobi were unwilling to take commands. When
the fire attack did not begin as scheduled, the Iga men told the commanders, who
were not from the region, that they could not possibly understand the tactics of
the shinobi. They then threatened to abandon the operation if they were not
allowed to act on their own strategy. The fire was eventually set, allowing
Nagamasa's army to capture the fortress in a chaotic rush. [58]
Assassination
The best-known cases of assassination attempts involve famous historical figures.
Deaths of famous persons have sometimes been attributed to assassination by
ninja, but the secretive natures of these scenarios have made them difficult to
prove.[14] Assassins were often identified as ninja later on, but there is no evidence
to prove whether some were specially trained for the task or simply a hired thug.
Portrait of Oda Nobunaga, by Jesuit painter Giovanni Niccolò, 1583–1590
Countermeasures
A variety of countermeasures were taken to prevent the activities of the ninja.
Precautions were often taken against assassinations, such as weapons concealed
in the lavatory, or under a removable floorboard. [67] Buildings were constructed with
traps and trip wires attached to alarm bells.[68]
Japanese castles were designed to be difficult to navigate, with winding routes
leading to the inner compound. Blind spots and holes in walls provided constant
surveillance of these labyrinthine paths, as exemplified in Himeji Castle. Nijō
Castle in Kyoto is constructed with long "nightingale" floors, which rested on metal
hinges (uguisu-bari) specifically designed to squeak loudly when walked over.
[69]
Grounds covered with gravel also provided early notice of unwanted intruders,
and segregated buildings allowed fires to be better contained. [70]
Training
The skills required of the ninja have come to be known in modern times
as ninjutsu (忍術), but it is unlikely they were previously named under a single
discipline, rather distributed among a variety of espionage and survival skills. Some
view ninjutsu as evidence that ninja were not simple mercenaries because texts
contained not only information on combat training, but also information about daily
needs, which even included mining techniques. [71] The guidance provided for daily
work also included elements that enable the ninja to understand the martial
qualities of even the most menial task.[71] These factors show how
the ninjutsu established among the ninja class the fundamental principle
of adaptation.[71]
Hitsuke: The practice of distracting guards by starting a fire away from the
ninja's planned point of entry. Falls under "fire techniques" (katon-no-jutsu).[80]
Tanuki-gakure: The practice of climbing a tree and camouflaging oneself
within the foliage. Falls under "wood techniques" (mokuton-no-jutsu).[80]
Ukigusa-gakure: The practice of throwing duckweed over water in order to
conceal underwater movement. Falls under "water techniques" (suiton-no-
jutsu).[80]
Uzura-gakure: The practice of curling into a ball and remaining motionless in
order to appear like a stone. Falls under "earth techniques" (doton-no-jutsu).[80]
Disguises
The use of disguises is common and well documented. Disguises came in the form
of priests, entertainers, fortune tellers, merchants, rōnin, and monks.[81] The Buke
Myōmokushō states,
Shinobi-monomi were people used in secret ways, and their duties were to go into
the mountains and disguise themselves as firewood gatherers to discover and
acquire the news about an enemy's territory... they were particularly expert at
travelling in disguise.[28]
A mountain ascetic (yamabushi) attire facilitated travel, as they were common and
could travel freely between political boundaries. The loose robes of Buddhist
priests also allowed concealed weapons, such as the tantō.
[82]
Minstrel or sarugaku outfits could have allowed the ninja to spy in enemy
buildings without rousing suspicion. Disguises as a komusō, a mendicant monk
known for playing the shakuhachi, were also effective, as the large "basket" hats
traditionally worn by them concealed the head completely. [83]
Equipment
Ninja utilized a large variety of tools and weaponry, some of which were commonly
known, but others were more specialized. Most were tools used in the infiltration of
castles. A wide range of specialized equipment is described and illustrated in the
17th-century Bansenshukai,[84] including climbing equipment, extending spears,
[77]
rocket-propelled arrows,[85] and small collapsible boats.[86]
Outerwear
While the image of a ninja clad in black garb (shinobi shōzoku) is prevalent in
popular media, there is no written evidence for such attire. [87] Instead, it was much
more common for the ninja to be disguised as civilians. The popular notion of black
clothing is likely rooted in artistic convention; early drawings of ninja showed them
dressed in black in order to portray a sense of invisibility. [55] This convention was an
idea borrowed from the puppet handlers of bunraku theater, who dressed in total
black in an effort to simulate props moving independently of their controls.
[88]
Despite the lack of hard evidence, it has been put forward by some authorities
that black robes, perhaps slightly tainted with red to hide bloodstains, was indeed
the sensible garment of choice for infiltration.[55]
Clothing used was similar to that of the samurai, but loose garments (such as
leggings) were tucked into trousers or secured with belts. The tenugui, a piece of
cloth also used in martial arts, had many functions. It could be used to cover the
face, form a belt, or assist in climbing.
The historicity of armor specifically made for ninja cannot be ascertained. While
pieces of light armor purportedly worn by ninja exist and date to the right time,
there is no hard evidence of their use in ninja operations. Depictions of famous
persons later deemed ninja often show them in samurai armor. There were
lightweight concealable types of armour made with kusari (chain armour) and small
armor plates such as karuta that could have been worn by ninja
including katabira (jackets) made with armour hidden between layers of cloth. Shin
and arm guards, along with metal-reinforced hoods are also speculated to make up
the ninja's armor.[55]
Tools
Tools used for infiltration and espionage are some of the most abundant artifacts
related to the ninja. Ropes and grappling hooks were common, and were tied to
the belt.[84] A collapsible ladder is illustrated in the Bansenshukai, featuring spikes at
both ends to anchor the ladder.[89] Spiked or hooked climbing gear worn on the
hands and feet also doubled as weapons.[90] Other implements
include chisels, hammers, drills, picks and so forth.
The kunai was a heavy pointed tool, possibly derived from the
Japanese masonry trowel, which it closely resembles. Although it is often portrayed
in popular culture as a weapon, the kunai was primarily used for gouging holes in
walls.[91] Knives and small saws (hamagari) were also used to create holes in
buildings, where they served as a foothold or a passage of entry. [92] A portable
listening device (saoto hikigane) was used to eavesdrop on conversations and
detect sounds.[93]
The mizugumo was a set of wooden shoes supposedly allowing the ninja to walk
on water.[86] They were meant to work by distributing the wearer's weight over the
shoes' wide bottom surface. The word mizugumo is derived from the native name
for the Japanese water spider (Argyroneta aquatica japonica). The mizugumo was
featured on the show MythBusters, where it was demonstrated unfit for walking on
water. The ukidari, a similar footwear for walking on water, also existed in the form
of a flat round bucket, but was probably quite unstable.[94] Inflatable skins and
breathing tubes allowed the ninja to stay underwater for longer periods of time. [95]
Despite the large array of tools available to the ninja, the Bansenshukai warns one
not to be overburdened with equipment, stating "a successful ninja is one who
uses but one tool for multiple tasks". [96]
Weaponry
Although shorter swords and daggers were used, the katana was probably the
ninja's weapon of choice, and was sometimes carried on the back. [83] The katana
had several uses beyond normal combat. In dark places, the scabbard could be
extended out of the sword, and used as a long probing device. [97] The sword could
also be laid against the wall, where the ninja could use the sword guard (tsuba) to
gain a higher foothold.[98] The katana could even be used as a device to stun
enemies before attacking them, by putting a combination of red pepper, dirt or
dust, and iron filings into the area near the top of the scabbard, so that as the
sword was drawn the concoction would fly into the enemy's eyes, stunning him
until a lethal blow could be made. While straight swords were used before the
invention of the katana,[99] the straight ninjatō has no historical precedent and is
likely a modern invention.
An array of darts, spikes, knives, and sharp, star-shaped discs were known
collectively as shuriken. While not exclusive to the ninja,[100] they were an important
part of the arsenal, where they could be thrown in any direction. [101] Bows were used
for sharpshooting, and some ninjas' bows were intentionally made smaller than the
traditional yumi (longbow).[102] The chain and sickle (kusarigama) was also used by
the ninja.[103] This weapon consisted of a weight on one end of a chain, and a sickle
(kama) on the other. The weight was swung to injure or disable an opponent, and
the sickle used to kill at close range.
Explosives introduced from China were known in Japan by the time of the Mongol
Invasions in the 13th century.[104] Later, explosives such as hand-held bombs and
grenades were adopted by the ninja.[95] Soft-cased bombs were designed to release
smoke or poison gas, along with fragmentation explosives packed with iron or
ceramic shrapnel.[79]
Along with common weapons, a large assortment of miscellaneous arms were
associated with the ninja. Some examples include poison, [84] makibishi (caltrops),
[105]
cane swords (shikomizue),[106] land mines,[107] fukiya (blowguns), poisoned
darts, acid-spurting tubes, and firearms.[95] The happō, a small eggshell filled with
blinding powder (metsubushi), was also used to facilitate escape.[108]
Legendary abilities
Superhuman or supernatural powers were often associated with the ninja. Some
legends include flight, invisibility, shapeshifting, the ability to "split" into multiple
bodies (bunshin), the summoning of animals (kuchiyose), and control over the five
classical elements. These fabulous notions have stemmed from popular
imagination regarding the ninja's mysterious status, as well as romantic ideas
found in later Japanese art of the Edo period. Magical powers were sometimes
rooted in the ninja's own efforts to disseminate fanciful information. For example,
Nakagawa Shoshunjin, the 17th-century founder of Nakagawa-ryū, claimed in his
own writings (Okufuji Monogatari) that he had the ability to transform into birds and
animals.[78]
Perceived control over the elements may be grounded in real tactics, which were
categorized by association with forces of nature. For example, the practice of
starting fires in order to cover a ninja's trail falls under katon-no-jutsu ("fire
techniques").[105]
Actor portraying Nikki Danjō, a villain from the kabuki play Sendai Hagi. Shown with hands in a kuji-
in seal, which allows him to transform into a giant rat. Woodblock print on paper. Kunisada, 1857.
Foreign ninja
Main article: Foreign ninja
See also: Ninja-Russia relations and Ninja-Myanmar relations
On February 25, 2018, Yamada Yūji, the professor of Mie University and historian
Nakanishi Gō announced that they had identified three people who were
successful in early modern Ureshino, including the ninja Benkei Musō (弁慶夢想).[45]
[119]
Musō is thought to be the same person as Denrinbō Raikei (伝林坊頼慶), the
Chinese disciple of Marume Nagayoshi.[119] It came as a shock when the existence
of a foreign samurai was verified by authorities.
Famous people
Many famous people in Japanese history have been associated or identified as
ninja, but their status as ninja are difficult to prove and may be the product of later
imagination. Rumors surrounding famous warriors, such as Kusunoki
Masashige or Minamoto no Yoshitsune sometimes describe them as ninja, but
there is little evidence for these claims.
Some well known examples include:
In popular culture
Main article: Ninja in popular culture
Jiraiya battles a giant snake with the help of his summoned toad. Woodblock print on paper. Kuniyoshi,
c. 1843.
Museums
Ninja Museum of Igaryu
Gallery
See also
Japan portal
Kunoichi
Hashashin
Sicarii
Footnotes
1. ^ Kawakami, pp. 21–22
2. ^ Jump up to:a b Turnbull 2003, pp. 5–6
3. ^ Stephen Turnbull (19 February 2003). Ninja Ad 1460-1650. Osprey Publishing.
p. 5. ISBN 978-1-84176-525-9. Archived from the original on 6 May 2012. Retrieved 1
October2011.
4. ^ Crowdy 2006, p. 50
5. ^ Frederic 2002, p. 715
6. ^ Jump up to:a b Green 2001, p. 355
7. ^ Jump up to:a b c Green 2001, p. 358; based on different readings, Ninpiden is also known
as Shinobi Hiden, and Bansenshukai can also be Mansenshukai.
8. ^ Origin of word Ninja Archived 2011-05-02 at the Wayback Machine.
9. ^ Takagi, Gomi & Ōno 1962, p. 191; the full poem is "Yorozu yo ni / Kokoro ha tokete /
Waga seko ga / Tsumishi te mitsutsu / Shinobi kanetsumo".
10. ^ Satake et al. 2003, p. 108; the Man'yōgana used for "shinobi" is 志乃備, its meaning
and characters are unrelated to the later mercenary shinobi.
11. ^ Jump up to:a b c 吉丸雄哉(associate professor of Mie University) (April 2017). "くのいちと
は何か". In 吉丸雄哉、山田雄司 編 (ed.). 忍者の誕生. 勉誠出版. ISBN 978-4-585-22151-7.
12. ^ Jump up to:a b Turnbull 2003, p. 6
13. ^ Oxford English Dictionary, 2nd ed.; American Heritage Dictionary, 4th ed.;
Dictionary.com Unabridged (v 1.1).
14. ^ Jump up to:a b c Turnbull 2003, p. 5
15. ^ Jump up to:a b Axelrod, Alan (2015). Mercenaries: A Guide to Private Armies and Private
Military Companies. Washington, D.C.: CQ Press. ISBN 9781483364674.
16. ^ Turnbull 2007, p. 144.
17. ^ Jump up to:a b Waterhouse 1996, pp. 34
18. ^ Chamberlain 2005, pp. 249–253; Volume 2, section 80
19. ^ Jump up to:a b Ratti & Westbrook 1991, p. 325
20. ^ Friday 2007, pp. 58–60
21. ^ Turnbull 2003, p. 7
22. ^ Jump up to:a b c d Turnbull 2003, p. 9
23. ^ Ratti & Westbrook 1991, p. 324
24. ^ Jump up to:a b c Ratti & Westbrook 1991, p. 327
25. ^ Jump up to:a b Draeger & Smith 1981, p. 121
26. ^ Deal 2007, p. 165
27. ^ Jump up to:a b Turnbull 2003, p. 23
28. ^ Jump up to:a b c Turnbull 2003, p. 27
29. ^ Green 2001, p. 357
30. ^ Turnbull 2003, pp. 9–10
31. ^ Jump up to:a b Adams 1970, p. 43
32. ^ Jump up to:a b Turnbull 2003, pp. 44–46
33. ^ Turnbull 2003, p. 47
34. ^ Jump up to:a b c Turnbull 2003, p. 50
35. ^ Turnbull 2003, p. 55
36. ^ Jump up to:a b Turnbull 2003, p. 51
37. ^ Turnbull 2003, p. 52
38. ^ Jump up to:a b c Turnbull 2003, p. 53
39. ^ Turnbull 2003, p. 54
40. ^ Turnbull 2003, pp. 54–55
41. ^ Morton & Olenik 2004, p. 122
42. ^ Crowdy 2006, p. 52
43. ^ Yamada 2019, p. 176-177
44. ^ Yamada 2019, p. 188-189
45. ^ Jump up to:a b "嬉野に忍者3人いた! 江戸初期-幕末 市が委託調査氏名も特
定". Archivedfrom the original on 20 August 2018. Retrieved 20 August 2018.
46. ^ Yamada 2019, p. 174-175
47. ^ Yamada 2019, p. 178-179
48. ^ Yamada 2019, p. 180
49. ^ Yamada 2019, p. 176
50. ^ Jump up to:a b "Japan university awards first-ever ninja studies degree". AFP, Yahoo!
News. 26 June 2020. Retrieved 26 June 2020.
51. ^ "Japan university to set up ninja research facilities". Telangana Today. 11 May
2017. Archived from the original on 26 June 2020. Retrieved 26 June 2020.
52. ^ Tatsuya 1991, p. 443
53. ^ Kawaguchi 2008, p. 215
54. ^ Jump up to:a b Turnbull 2003, p. 29
55. ^ Jump up to:a b c d Turnbull 2003, p. 17; Turnbull uses the name Buke Meimokushō, an
alternate reading for the same title. The Buke Myōmokushō cited here is a much more common
reading.
56. ^ Turnbull 2003, p. 28
57. ^ Turnbull 2003, p. 43
58. ^ Jump up to:a b Turnbull 2003, pp. 43–44
59. ^ Jump up to:a b c Turnbull 2003, p. 31
60. ^ Turnbull 2003, pp. 31–32
61. ^ Turnbull 2003, p. 30
62. ^ Turnbull 2003, p. 32
63. ^ Nihon Hakugaku Kurabu 2006, p. 36
64. ^ Nihon Hakugaku Kurabu 2004, pp. 51–53; Turnbull 2003, p. 32
65. ^ Turnbull 2003, p. 42
66. ^ Turnbull 2007, p. 149
67. ^ Turnbull 2003, p. 26
68. ^ Draeger & Smith 1981, pp. 128–129
69. ^ Turnbull 2003, pp. 29–30
70. ^ Fiévé & Waley 2003, p. 116
71. ^ Jump up to:a b c Zoughari, Kacem (2010). Ninja: Ancient Shadow Warriors of Japan (The
Secret History of Ninjutsu). North Clarendon, VT: Tuttle Publishing.
pp. 47. ISBN 9780804839273.
72. ^ Turnbull 2003, p. 12
73. ^ Turnbull, Stephen (2012). Ninja AD 1460–1650. Oxford: Osprey Publishing.
p. 9. ISBN 9781782002567.
74. ^ Jump up to:a b Turnbull 2003, pp. 14–15
75. ^ Green 2001, pp. 359–360
76. ^ Deal 2007, p. 156
77. ^ Jump up to:a b Turnbull 2003, p. 48
78. ^ Jump up to:a b Turnbull 2003, p. 13
79. ^ Jump up to:a b Turnbull 2003, p. 22
80. ^ Jump up to:a b c d Draeger & Smith 1981, p. 125
81. ^ Crowdy 2006, p. 51
82. ^ Deal 2007, p. 161
83. ^ Jump up to:a b Turnbull 2003, p. 18
84. ^ Jump up to:a b c Turnbull 2003, p. 19
85. ^ Turnbull 2003, p. 60
86. ^ Jump up to:a b c Draeger & Smith 1981, p. 128
87. ^ Turnbull 2003, p. 16
88. ^ Howell 1999, p. 211
89. ^ Turnbull 2003, p. 20
90. ^ Mol 2003, p. 121
91. ^ Turnbull 2003, p. 61
92. ^ Turnbull 2003, pp. 20–21
93. ^ Turnbull 2003, p. 21
94. ^ Turnbull 2003, p. 62
95. ^ Jump up to:a b c Ratti & Westbrook 1991, p. 329
96. ^ Green 2001, p. 359
97. ^ Adams 1970, p. 52
98. ^ Adams 1970, p. 49
99. ^ Reed 1880, pp. 269–270
100. ^ Mol 2003, p. 119
101. ^ Ratti & Westbrook 1991, pp. 328–329
102. ^ Ratti & Westbrook 1991, p. 328
103. ^ Adams 1970, p. 55
104. ^ Bunch & Hellemans 2004, p. 161
105. ^ Jump up to:a b Mol 2003, p. 176
106. ^ Mol 2003, p. 195
107. ^ Draeger & Smith 1981, p. 127
108. ^ Mol 2003, p. 124
109. ^ Buckley 2002, p. 257
110. ^ Turnbull 2003, pp. 22–23
111. ^ Waterhouse 1996, pp. 2–3
112. ^ Waterhouse 1996, pp. 8–11
113. ^ Waterhouse 1996, p. 13
114. ^ Waterhouse 1996, pp. 24–27
115. ^ Waterhouse 1996, pp. 24–25
116. ^ Teeuwen & Rambelli 2002, p. 327
117. ^ Waterhouse 1996, pp. 31–33
118. ^ Adams 1970, p. 29; Waterhouse 1996, p. 31
119. ^ Jump up to:a b "嬉野忍者調査結果 弁慶夢想 (べんけいむそう) 【武術家・山伏 / 江戸時
代初期】". Archived from the original on 14 February 2019. Retrieved 20 August 2018.
120. ^ McCullough 2004, p. 48
121. ^ 大膳神社 Sado Tourist Bureau
122. ^ 透波 Kotobank
123. ^ McCullough 2004, p. 49
124. ^ 熊若 忍者名鑑
125. ^ Adams 1970, p. 34
126. ^ Adams 1970, p. 160
127. ^ Green 2001, p. 671
128. ^ Adams 1970, p. 42
129. ^ Turnbull 2003, p. 14
References
Adams, Andrew (1970), Ninja: The Invisible Assassins, Black Belt
Communications, ISBN 978-0-89750-030-2
Buckley, Sandra (2002), Encyclopedia of contemporary Japanese culture,
Taylor & Francis, ISBN 978-0-415-14344-8
Bunch, Bryan H.; Hellemans, Alexander (2004), The history of science and
technology: a browser's guide to the great discoveries, inventions, and the
people who made them, from the dawn of time to today, Houghton Mifflin
Harcourt, ISBN 978-0-618-22123-3
Chamberlain, Basil Hall (2005), The Kojiki: records of ancient matters,
Tuttle Publishing, ISBN 978-0-8048-3675-3
Crowdy, Terry (2006), The enemy within: a history of espionage, Osprey
Publishing, ISBN 978-1-84176-933-2
Deal, William E. (2007), Handbook to Life in Medieval and Early Modern
Japan, Oxford University Press, ISBN 978-0-195331264
Draeger, Donn F.; Smith, Robert W. (1981), Comprehensive Asian fighting
arts, Kodansha, ISBN 978-0-87011-436-6
Fiévé, Nicolas; Waley, Paul (2003), Japanese capitals in historical
perspective: place, power and memory in Kyoto, Edo and Tokyo,
Routledge, ISBN 978-0-7007-1409-4
Friday, Karl F. (2007), The first samurai: the life and legend of the warrior
rebel, Taira Masakado, Wiley, ISBN 978-0-471-76082-5
Howell, Anthony (1999), The analysis of performance art: a guide to its
theory and practice, Routledge, ISBN 978-90-5755-085-0
Green, Thomas A. (2001), Martial arts of the world: an encyclopedia,
Volume 2: Ninjutsu, ABC-CLIO, ISBN 978-1-57607-150-2
Kawaguchi, Sunao (2008), Super Ninja Retsuden, PHP Research
Institute, ISBN 978-4-569-67073-7
Kawakami, Jin'ichi (2016), Ninja no okite, Kadokawa, ISBN 978-4-04-
082106-1
McCullough, Helen Craig (2004), The Taiheiki: A Chronicle of Medieval
Japan, Tuttle Publishing, ISBN 978-0-8048-3538-1
Mol, Serge (2003), Classical weaponry of Japan: special weapons and
tactics of the martial arts, Kodansha, ISBN 978-4-7700-2941-6
Morton, William Scott; Olenik, J. Kenneth (2004), Japan: its history and
culture, fourth edition, McGraw-Hill Professional, ISBN 978-0-07-141280-3
Nihon Hakugaku Kurabu (2006), Unsolved Mysteries of Japanese History,
PHP Research Institute, ISBN 978-4-569-65652-6
Nihon Hakugaku Kurabu (2004), Zuketsu Rekishi no Igai na Ketsumatsu,
PHP Research Institute, ISBN 978-4-569-64061-7
Perkins, Dorothy (1991), Encyclopedia of Japan: Japanese History and
Culture, from Abacus to Zori, Facts on File, ISBN 978-0-8160-1934-2
Ratti, Oscar; Westbrook, Adele (1991), Secrets of the samurai: a survey of
the martial arts of feudal Japan, Tuttle Publishing, ISBN 978-0-8048-1684-7
Reed, Edward James (1880), Japan: its history, traditions, and religions:
With the narrative of a visit in 1879, Volume 2, John Murray, OCLC 1309476
Satake, Akihiro; Yasumada, Hideo; Kudō, Rikio; Ōtani, Masao; Yamazaki,
Yoshiyuki (2003), Shin Nihon Koten Bungaku Taikei: Man'yōshū Volume 4,
Iwanami Shoten, ISBN 4-00-240004-2
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Bungaku Taikei: Man'yōshū Volume 4, Iwanami Shoten, ISBN 4-00-060007-9
Tatsuya, Tsuji (1991), The Cambridge history of Japan Volume 4: Early
Modern Japan: Chapter 9, translated by Harold Bolitho, edited by John
Whitney Hall, New York: Cambridge University Press, ISBN 978-0-521-22355-
3
Teeuwen, Mark; Rambelli, Fabio (2002), Buddhas and kami in Japan: honji
suijaku as a combinatory paradigm, RoutledgeCurzon, ISBN 978-0-415-
29747-9
Turnbull, Stephen (2003), Ninja AD 1460–1650, Osprey
Publishing, ISBN 978-1-84176-525-9
Turnbull, Stephen (2007), Warriors of Medieval Japan, Osprey
Publishing, ISBN 978-1-84603-220-2
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article 1: Notes on the kuji, edited by Peter F. Kornicki and James McMullen,
Cambridge University Press, ISBN 978-0-521-55028-4
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Chiyoda,Tokyo: G.B., ISBN 978-4-906993-76-5
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01753-6
Further reading
Fujibayashi, Masatake; Nakajima, Atsumi. (1996). Shōninki: Ninjutsu
densho. Tokyo: Shinjinbutsu Ōraisha. OCLC 222455224.
Fujita, Seiko. (2004). Saigo no Ninja Dorondoron. Tokyo:
Shinpūsha. ISBN 978-4-7974-9488-4.
Fukai, Masaumi. (1992). Edojō oniwaban : Tokugawa Shōgun no mimi to
me. Tokyo: Chūō Kōronsha. ISBN 978-4-12-101073-5.
Hokinoichi, Hanawa. (1923–1933). Buke Myōmokushō. Tokyo: Yoshikawa
Kōbunkan. OCLC 42921561.
Ishikawa, Masatomo. (1982). Shinobi no sato no kiroku. Tokyo:
Suiyōsha. ISBN 978-4-88066-110-0.
Mol, Serge (2016). Takeda Shinobi Hiden: Unveiling Takeda Shingen's
Secret Ninja Legacy. Eibusha. pp. 1–192. ISBN 978-90-813361-3-0.
Mol, Serge (2008). Invisible armor: An Introduction to the Esoteric
Dimension of Japan’s Classical Warrior Arts. Eibusha. pp. 1–160. ISBN 978-
90-8133610-9.
Nawa, Yumio. (1972). Hisshō no heihō ninjutsu no kenkyū: gendai o ikinuku
michi. Tokyo: Nichibō Shuppansha. OCLC 122985441.
Nawa. Yumio. (1967). Shinobi no buki. Tokyo: Jinbutsu
Ōraisha. OCLC 22358689.
Okuse, Heishichirō. (1967). Ninjutsu: sono rekishi to ninja. Tokyo: Jinbutsu
Ōraisha. OCLC 22727254.
Okuse, Heishichirō. (1964). Ninpō: sono hiden to jitsurei. Tokyo: Jinbutsu
Ōraisha. OCLC 51008989.
Turnbull, Stephen (2017). Ninja: Unmasking the Myth. Barnsley, S.
Yorkshire, UK: Frontline Books. ISBN 9781473850422.
Watatani, Kiyoshi. (1972). Bugei ryūha hyakusen. Tokyo: Akita
Shoten. OCLC 66598671.
Yamaguchi, Masayuki. (1968). Ninja no seikatsu. Tokyo:
Yūzankaku. OCLC 20045825.
External links
Media related to Ninja at Wikimedia Commons
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