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The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
In spite of the confusion that has existed since its introduction more than a century ago, it must be
understood that the Vatican Edition of Gregorian chant is truly a rhythmic edition. With one exception,
the “pure” Vatican Edition notates the rhythm by the same means that Dom Joseph Pothier's Liber
Gradualis employed. This is quite natural because (1) Dom Pothier was in charge of creating the Vatican
Edition; (2) his publications were in wide use at the time; and, most importantly, (3) it was ultimately
decided to use Pothier's Liber Gradualis and Antiphonale as the basis for the Vatican Edition.
Furthermore, large sections of the Preface to Pothier's Liber Gradualis1 were adopted verbatim for the
Preface to the Vatican Edition.2
The Vatican Edition presupposes an equalist interpretation. Since the late Renaissance, the
mensuralist interpretation (which assigned different time values to chant notes with different shapes) had
been accepted as the correct rhythmic interpretation of chant, and this was a great obstacle to Pothier's
work of Gregorian restoration. Today, one can easily see the way the melodies were sung during the
nineteenth century by comparing the chant notation of the “corrupt” Gregorian editions to the
corresponding organ accompaniment books (written in modern notation).3 Here is an example:
Having studied the Medieval manuscripts, Pothier became convinced that the notes were shaped
differently in the Medieval manuscripts to make them easier to sing, not because they were intended to be
sung with the rhythm of the “measured” music of Renaissance polyphony (with longa, brevis, semi-
brevis, etc.). A surprisingly explicit reminder of Pothier's view was published in the Vatican Preface:
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
Before 1. and 4., a ritardando is often taken. Pothier himself seemed to favor a pronounced
ritardando before the final division (as evidenced by the few precious recordings we have of him
conducting chant). Before 2. and 3., a smaller break is required.
The duration of the ritardando is not specified, and this has led to various interpretations. One of
the major differences among the different schools is what to do with a spondee coming before a bar
(whereas all are in agreement when it comes to a dactyl in the same place).4 There are literally thousands
of examples like this one in the Kyriale, Graduale, and Antiphonale:
Some schools will always double the length of both notes on “nóbis” (A & B). Other schools tend
to lengthen only the final note (B). Some schools treat each individual case differently. Some schools
claim to give a slight emphasis to the tonic accent of “nóbis” (A) and a longer length to the final note (B),
but this is difficult in practice.
In conclusion, Dom Pothier seems to have left it up to individual choir directors to decide the
length of each ritardando before the different bars.
As the Vatican Preface explains, the “blank” space of a notehead or more in the Vatican Edition
indicates that one must insert a mora vocis (that is, a ritardando and/or pause). To distinguish this type of
mora vocis from the ritardando that is required before a bar, the term “melismatic mora vocis” will be
used henceforth.5
4 A spondaic word has the accent on the penultimate syllable (e.g. Páter). A dactylic word has the accent on the antepenult
(e.g. Fílius).
5 What is remarkable is that the Vatican Preface was not issued with the Vatican Edition Kyriale (1905), but with the Vatican
Edition Graduale (1908). This is akin to publishing a vehicle's operating instructions three years after issuing the vehicle
itself. The thought may have been that singers would know to apply the same rules they had been applying to the Pothier
books. Still, this approach seems open to criticism: why not clearly state the rules of rhythmic interpretation when the
Vatican Edition Kyriale was first published? It is unanimously accepted that the Vatican Preface rules for interpretation
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
For example, the following example has no melismatic mora vocis, since there are no melismas
with the space of a notehead or more (remember that the syllables change at the star, so it is not a
melisma):
However, the following example would have a mora vocis at the arrow (because it has a blank
space of a notehead or more). However, that is the only melismatic mora vocis present. There is not a
melismatic mora vocis at either of the places below a star, because those instances have a change of
syllables, and there can be no melisma where syllables change.
This example has a melismatic mora vocis on the neum above the word “nos” (because there is the
blank space of a notehead or more at the arrow):
apply “retroactively” to the Vatican Edition Kyriale (and, as mentioned above, there are very few melismatic morae in the
Kyriale anyway). It seems probable that the Preface was not issued in 1905 (with the Kyriale) due to internal
disagreements among members of the Pontifical Commission (of which Pothier was the president). However, this
fascinating history will not be treated here, since it is the subject of several books. In this author's view, the most valuable
sources (available in English) treating this history are:
Combe, Pierre. The Restoration of the Gregorian Chant: Solesmes and the Vatican Edition. Trans., Theodore
Marier. The Catholic University of America Press: Washington D.C., 1969.
Wagner, Peter. Der Kampf gegen die Editio Vaticana Pamphlet. Graz: Styria, 1907. Published in English as
“The Attack on the Vatican Edition: A Rejoinder.” Caecilia 87 (1906): 10-44.
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
The following example shows the way an editor who put the Vatican Edition into modern notation
(there were many such editors!) chose to notate that melismatic mora vocis:
Dom Pothier's Liber Gradualis (1883) Dom Pothier's Liber Gradualis (1895)
When singing, it can be difficult to instantly know where a melismatic mora vocis is indicated.
For example, there is a melismatic mora at the star but not at the arrow in the following example. Above
the star, “imaginary” noteheads are added for the reader to verify that there truly is at least one notehead
of blank space:
In the following example, there are three melismatic morae (indicated by arrows). However, there
is not a melismatic mora at the star, because there is not the space of a notehead or more.
6 This note is provided at the end of this document, courtesy of Monsignor Hayburn.
7 Most publishers did not want to bother doing that, so they almost always end a melismatic line with some kind of bar.
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
“sloppy,” and, in spite of the injuction from the Vatican, altered the spacing between the notes in
melismas. In such an instance (i.e. where different editions have different spacing), one must have
recourse to the Vatican Press edition to find out whether a melismatic mora was intended.
(2) Most of the editors felt that Vatican Edition was not practical when it came to the notation of
the melismatic mora vocis, so many invented their own system of notation, which was then superimposed
on top of the Vatican Edition. This is understandable, since (as eluded to above) it often happens that the
only way a singer can tell if a melismatic mora vocis was intended is to place the book by one's nose and
gaze outward. Doing this makes it possible to see whether there really is the space of a notehead.
(3) The idea of “space” indicating the mora vocis is foreign to modern musicians, but makes more
sense when one considers this excerpt from the Preface to the Vatican Edition:
In other words, the sections of the melisma are apparent to the ears when one hears morae, while
the same sections are apparent to the eyes when one sees spacing. Dom Pothier dwells on this idea at
length in the Preface to his Liber Gradualis.
(4) There are often discrepancies between the various editions. Incidentally, out of all the editions,
the Solesmes editions published by Dom Mocquereau are the least faithful when it comes to adherence to
the Vatican rhythm.8
However, there is one thing that did not appear in Pothier's Preface, but was added in the Vatican
Preface, namely example (D):
8 The explanation for this is that Dom Mocquereau was trying to match the St. Gall rhythmic markings, rather than adhere to
the Vatican Edition. Solesmes published several pamphlets clearly stating this fact (cf. Plainchant and Solesmes, by Paul
Cagin and André Mocquereau, published in 1905).
9 N.B. the words “equal and unchanging.”
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
With regard to example (D) and the explanation for it, it must be understood that this was a very
poorly phrased section of the Vatican Preface and has led to serious consequences. As a matter of fact,
the Latin wording employed could be translated as either “preceded by” or “followed by” a neum
subordinate to it.10 Some editors translate it as “preceded by” while others translate it as “followed by,”
with obvious (conflicting) results. Furthermore, in example (D) Dom Pothier left the required notehead of
space, but the explanation does not require that space. Suffice it to say that each and every edition treats
instances of example (D) differently, and many are internally inconsistent. Furthermore, one cannot have
recourse to the earlier Pothier editions for clarification because (as stated) this rhythmic rule was
mysteriously invented for the Vatican Edition.
When the student finds different interpretations for melismatic morae in the different editions, one
need not necessarily infer sloppiness or ill intentions. Sometimes, the editor was doubtless trying to be
rhythmically consistent (when the same melodic passage occurs in more than one Proper, for example). It
is also possible that some editors were trying to correct what they perceived to be typos in the Vatican
Edition, and having recourse to the earlier “tradition” of the Pothier books in use for decades. The fact
that the Vatican Edition contains errors cannot be denied, and typos are entirely understandable,
considering how quickly these massive volumes were published. In his book, Joseph Gogniat11 has
pointed out some indisputable Vatican Edition typos; for example, the inconsistent application of
liquescents.
Finally, with regard to the rhythm of the quilisma, it could be noted that the Vatican Preface seems
to allow for the possibility of lengthening the first note (as has become traditional) when it says:
10 The writer owes this linguistic point, along with so much of his knowledge and interest in this subject, to a humble servant
of Christ who will be rewarded “in secret.” (Matthew 6:6)
11 Little Grammar of Gregorian Chant: to Propagate the Principles Contained in the Vatican Edition. Fribourg: Switzerland,
1939.
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
To give just one example of the ways Dom Mocquereau departed from his teacher, this excerpt
from Mocquereau's 1903 Manuale should suffice:
However, when it comes to the assimilation of all available manuscripts, the scholarly impetus and
rationale for the equalist interpretation of rhythm and “restored” melodic text from the Middle ages, the
artful combination and musical adaptation of (literally) the whole Gregorian repertoire into a consistent
whole accepted by the musical community, and the conquest over every form of political and
ecclesiastical opposition to produce the Vatican Edition, the credit here belongs to Dom Pothier. Pothier's
editions of chant, officially adopted by the Church, have been sung, studied, and loved by hundreds of
millions of Catholics.13 Now that our Holy Father, Benedict XVI, has called for a renewal of the liturgy,
interpreters of the Vatican Edition may consider singing the chant according to the rhythm that Abbot
Pothier originally envisioned. Indeed, on 30 September, 2008, when the Church Music Association of
America generously released the preliminary version of the 1908 Graduale for free download on its
centennial, the traffic was so overwhelming that the server actually crashed. In his wildest dreams, while
painstakingly hand-copying manuscripts of Gregorian chant, could Dom Pothier ever have imagined that?
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
The Nova Organi Harmonia rhythm is based on the rhythmic system of the Editio Vaticana.
Article by Jeff Ostrowski. Published in the Sacred Music Journal, Winter 2008 (Vol. 135, No. 4).
ORDINARIUM MISSfE
PARS V
IN DOMINICIS AD ASPERSION EM AQUiE BENEDICTJE
Ant.
VII.
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PARS V
AD ASPERSIONEM AQUlE BENEDICTlE
2
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TEMPORE PASCHALl.
Scilicet a Dominica Paschce usque ad Pentecosten inclusive.
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AD ASPERSIONEM AQUJE BENEDICTJE 3
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Repetitur Antiphona Vidi aquam.
11. Ostende nobis, Domine, misericordiam tuam. (Tempore Paschali, additur Alleluia.)
a, Et salutare tuum da nobis. (Tempore Raschali Alleluia.)
!t. Domine, exflUdi orati6nem meam.
a. Et clamor meus ad te venial.
tI. Dominus vobiscum.
a, Et cum spiritu tuo.
Oremus. ~. Amen.
PARS V
"1 AD ASPERSIONEM AQUJE BENEDICTJE
Ant.
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12 II. IN FESTIS SOLEMNIBUS 1
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II. IN FESTIS SOLEMNIBUS 1 13
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11
n. IN FESTIS SOLEMNIBUS 1
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pec- Cel _ la
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II. IN FESTIS SOLEMNIBUS 1 15
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16 ll. IN FESTIS SOLEMNIBUS 1
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PARS V
m. IN FESTIS SOLEMNIBUS 2 17
I te. mls _ sa est.
De _ 0 grl _ ti _ as.
Ill. < ~ T
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Vel secundum communiorem usum.
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18 m. IN FESTlS SOLEMNlBUS 2
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m. IN FESTIS SOLEMNIBUS 2 19
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20 m. IN FESTIS SOLEMNIBUS 2
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m. IN FESTIS SOLEMNIBUS 2 21
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22 m. IN FESTIS SOLEMNIBUS 2
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PARS V
IV. IN PESTIS DUPLICIBUS I 23
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PARS V
24 IV. IN FESTIS DUPLICIBUS I
e Ie _ i_son. Chri_ste
fl .u
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7.
IV.
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. ho _ nlr VI) _ lun _ t a _ ti s . Lau _ da mus te.
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PARS v
IV. IN PESTIS DUPLICIBUS I 25
7
ca mus te. Cnl _ ti _ as a gl.., mus li _ bi
•---
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77
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DCl-mi_ ne Fi _ Ii U _ OJ - ge _ n I _ te It> _ su Chri sle .
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PARS V
26 IV. IN FESTIS DUPLICmUS I
---
6 nem no _ slram. Qui se _ des ad dex_Ie _ ram Pa _ tris. I ml _ se
.Ll-
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06 _ ml _ nlJ~. 11) so _ 1110 Al _ tis _ si _ milS. Je _ 511 Chr;
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PARS V
IV. IN FESTIS DUPLICIBUS I 27
Pa tris. A men.
, ___u ..
a
•
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ctus
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':l_..._.----.9.....J---....-o...y
--9 • ...-...-n ,.-...~
_ _- -e- •
... 0 -8-
~.
+-
-
-
PARS V
28 IV. IN PESTIS DUPLICIBUS 1
VI.
1
•
@) _~....... J"'"--,,,-9
'9___
,,+ - '-- ::::;;>.~
1,,,
~ •
h" ""....-
~ =""
..-
•
+
'-"
0&- 0
+-~ ./~--.fr
....
I.
- - --
,
Be. ne .di. ea _ mus 06 ml _no.
I.
M. d. J.
PARS V
29
V. IN FESTIS DUPLICIBUS. 2.
(Kyrie magnCE Deus potentiCE)
•I e Ie _ i_son.
~) ...... - _ . 0
VIlI, ~
In
e Ie _ _ son.
Kv _ ri _ e I e
Ie _ _ son.
-------,...,,~
~ ~f'
...
~ ..ft ...
t'A RS V
30 V. IN FESTIS DUPLICmUS 2
Ky_ ri _ e e Ie _ _ son.
Ky _ n _ e e Ie _ _ son.
1J
:9 •
./
Ky _ rr _ e * e Ie _ _ son.
, ~
~
GI6- n
• •
a in
•
ex eel - SIS Df. _ o. £t In ter
-
--:::::""
VIII. <
, """""
, -- ho mJ - bus bo - vo _ lun
-
ra pax _ III Ole ta tis.
11 -
-
.
~
~
0
•
. ...
u .. -'-"-'_',0"---,, -
I')~ .
. I') J) ~ I') 06-
•
Lau _ oa - mus te . Be - ne di - CI
- n~,us te .
.. -
II
~ 06-
06- - •
06-
-~
~
0_
06-
___u
PAHS V
V. IN FESTIS DUPLICmUS 2 31
___ -~o
-&"---------
•
III _ am. ne -
fJ
-
g/6 n - am D6 Irll - De us.
~
--..
0
/'
--
-9_______
•
... 0
,.,
-9
-----
•
•
' - ~-----._/
-9
- ~
---------
, fJ
~
Rex ne _ Ie
o~o~ ..
- sti s • De _ us Pa - ler
'"
0
-
mnl
o~u
- po -
______ ..
lens.
--.. -9 ..-----' ..
06 ml _ ne Fi _ 'I u _ nl _ ge _ 01 _ Ie Je _ su Chri_sle.
~
~ -
.. .f2.
0
n ~ .- 0 -9 7'7
.-
-9-
----..--
... ::
PARS V
32 V. IN FESTIS DUPLICmUS 2
- -
,
'--------- ""-"""
n
...
L
. ~-------~ --~ ... .- - ....-
.a.
Spi _ri _ t II
AI
- tis • Sl _ mus, Je _ su Chri • ste. Cum San _ eto
-+
,
PARS V
V. IN FESTIS DUPLICmUS 2 33
0,,-, ~~~ _
IV.
, De _ us Sa _ ba
..
olh. Ple_ni slInt cre_Ii el ter _ ra gl6 _ n a
,
~ . Ho san - na In ex r-el SIS.
---,::,~""",-,
~ .fr
~) o o~_----.:.
,
PARS v
34 V. IN FESTIS DUPLICIBUS 2
IV.
, 1
_ ea,
~
ta mun di ml _ se _
•
re
~ -e-
re no
•.L' -9--------~~
bis.
-----
0 -6'-
______-9 -9
---
~
-6'-
~-
t
re no bis.
PARS V
VI. IN FESTIS DUPLICmUS 3 35
I _ Ie, mis _ sa est.
, De _ a
o
7'7
grL ti _ as.
VlIl.
, - -
H. O.
VII.
g2
...----.....
'-----==---'
1°
e Ie _ I _ son. Ky _ ri _ e
, II
(!)
.u rl
e
.v -6"
Ie _ _ son Chrj
~
;~
- sle
. e _ son.
, ·· II/")..""--' r- ---~
,-....
9 • ~ ()
•
· - 9 Q
5 0
.~
e Ie _ _ son. Ky _ n _ e e _ Ie _ _ son.
- .-
- -
PARS V
VI. IN FESTIS DUPLICIBUS 3
rJ _ e e Ie _ _ son. Ky _ rl
.u u
I _
_ e **
,
Cia _ rJ _ a In ex _ eel _ SIS De _ 0 • Et HI ler ra
~ I
VIII.
, I
pax ho _ mt _ n, _ bus bo _ n<e vo _ lun _ ta _ tis. Lau _ da _ ITIUS te.
...
f} I
Be _ ne _ di _ CI _ mus te. Ad.. 0 _ ra _ muo Ie. Clo _ ri _ fj
- -
...
PAR~ V
VI. IN FESTIS DUPLICIBUS 3 37
•
~
•
--
~
~
..-:P"
n
f
-
pro _ pter ma _ gnam glo _ fI _ am tu _ am. Do _ nil _ qe De _ us,
II I
77
•
D6 _ ml _ ne De _ us. A _ gnus De _ I, F. _ Ii _ us Pa _ Iris.
, I
, I(")~ ,n-
, Ii I
Qui 101 - lis pee ca _la mun _ di , mI _ Se _ re _ re
PARS V
38 VI. IN FESTIS DUPLICIBUS 3
-
-
Je - su Chri _ ste. Cum San cta SPI _ rJ _ tu. In gl6 _ fI _ a
, fl \
De _ Pa tris . A men.
@.l T
--- -9 .. .... ,w-
?7----Y' ~______T"
I
.~o _________ v ______ • ~-------- .
PARS V
VI. IN FESTIS DUPLICmUS 3 39
.
,
tt' a . Ho san _ na In ex _ eel _ "s .
II L
~
@.l u~
-.
---- Q ..
(
,
qUI ve _ nIt In 06
1', I
. ....
, ---- .------.
, _ cel
Ho san _ na In ex SIS.
..
fJ L
~
u ~
~ -'-' ... ~ -<9
ZT-----.y .... ...
,
?7
------
- 77" 7J'
.-. -
PARS V
40 VI. IN FESTIS DUPLICmUS 3
• ca _ ta
VIII.
-
- - o
'-'~.""7'.~J~b-'
---J
. -
,
fJ I
pec - ca - ta mun d. : do _ na no - bis pa .. ce m.
eJ
..,
- -o~ ... .... - .--(lj---
~~Ir-:
77· ~
I"').,~~~,
..,
•
I te, mls _ sa est.
fl a # De 0
. gr~
- Ii - as •
VIII.
t> -9____~ ~
o6l- ~()
0
/
- - ~
~,.......-.,./
'---'" ?J'~77
....,..,......-......,
H. D.
PARS V
'11
Kv _ r, *
vm.
Ii - le_ _ son.
_ Ie _ i_so n . Ky _ ri _ e e
Chri _ste
~-----;-.... ..--..
, Ie _ _ son.
PARS V
42 VII. IN FESTIS DUPLICIBUS 4
Chri _ ste
e Ie _ _ son.
Ky _ II e
~~~~~~~~~.~ 06"_
Ie _ , • SOil. Ky _ II e
---~
~
~~~~~~~~§~~~~===±
e Ie _ _ son.
~ ~ ,,.
-------~
~----
PARS V
VII. IN FESTIS DUPLICIBUS 4 43
VI.
I --.-
<
~ ~ .~o 0 _______- ~---:-~ -= • Z7---JT
• ~-9~ • -~
!.2 09- .0,
f
fl.u Ad. 0 - ra - mus te. GJo.ri _ fi _ d .mus teo Gra.ti _as a. gl.mus ti.bi
.
o 9
• ...•
- -
pro _ pter ma _ gnam gin. ri _ am tu _ am. D6. mi • ne De_us. Rex ere _ Ie - stis.
'"------- ---------
..
~
~
--- --
?J
.....-
-9
• .-..--------
.~r--.n~-.
- LV~
~..-.
0
PARS V
44 VII. IN PESTIS DUPLICIBUS 4
• • ,~
--- .-./
------- '--
- o
.. rJ .
AI _ tis. Sl • mus,'
. Je. su Chri _ ste. Cum San cto Spi. fl' • tu,
t!J
. '9
0
n - ....
'--'""'~-------
0
..--....
~
-e-~
- "-1!9:
---
~
.,,--
'-'
~
---
~
....
PARS V
VII. IN PESTIS DUPLICmUS 4 45
.. ..
ler ra gl6 _ r 1 _ a tu a .
I:
..
I
I
• -& •
I
• ..
- -
ne _ fl. ctus qUI ve nit In nIL mi_ne
~)
.
~
• qUI
101 _ lis pee _ ca _ la
vnt.
Il 1
mun _ di : mi _ se _ re re no bis. A _ gnus De
.
J.
.
?J' ..
..
'
H. D.
PARS V
47
e Ie _ _ son.
-
Ky _ rI e e Ie - _ son.
-
____u_ _u__._u v v v, • y- .
, .Q
e- n -6'" ~---f2.
f2.
rJ
, fl J.l
Chri _ sle
... _.
e Ie - - son .
•
---
~ •'---p y e-/ .~-
<
f
n ,.- -
Chri _ sle e Ie _ _ son.
"-- ---'0,...- - - -
PARS V
i8 VIII. IN PESTIS DUPLICIBUS 5
Ky _ n _ e e Ie _ _ son.
Ky_ n e e Ie - _ son.
-
•
- -
** e Ie _ i _ 'lOn.
, 1J.u
@.l
GI6- n - a In ex _ cel _
•
SI S De _ o.
•
Et III ter _ ra
V.
~/'-'"---
pax ho_ ml _ III _ bus bo _ nil! vo _ lun _ ta _ tis. Lau_ da _ mus te.
, ,
Be- - ne - - CI - mus Ie o - ra - mus te Glo - n - fi - ca - mu< Ie '.
fl .u
I
,
<
~
----- --- 0
.Q -9
0 __ y ~
eo
,.,
~
PARS V
VIII. IN FESTIS DUPLICIBUS 5
• o
,
<
Dc) _. ml _ 1;.' Dp _ us. A_ gnu. D" _ I • Fi _ Ii _ u< Pa_ tris, Qui tol_
,
pec _ ca _ t3 mlln di, m, _ se _ re no _ hi •. Qui tol_lis pec_
- lis
-- re
.
fJ ..
l jt\
o -
--
~
Q.
PARS V
50 VIII. IN FESTIS DUPLICIBUS 5
"----------
0 __
=-=
•
f . rJ ,..-
----
-~ "
~~
,-.,
VI.
PARS V
51
VIII. IN PESTIS DUPLICIBUS 5
,
ml _ ous De_ us Sa ba _ oth.
~) -- ~
.. .. '
'
~ D
-&----.--+
r. ~
- -
,.......-....
f~~~~~§~-~... ~
.....~
.....~.~.a~~%~~~
06 _ Ho _
- --- -
ve nit 111 n6 _ mi _ ne ml _ nl. san na
~
'"
".
. •••.Q
~
, fl
In ex eel SIS.
, --
<
to)
______u
- & -. . . .
-- ~
D
.........
~
•
-
PARS V
52 VIII. IN PESTIS DUPLICIBUS 5
* to I _ lis muo _. di :
VI.
-
•
--- •
do _ na no _ his pa _ ('l"m.
-- F. P.
te, mls_ sa
grL ti _ as.
v.
PI\RS V
53
o
1.
, fj.u
e _ It; _ 1 _ s'm. Ky n _ p ~~
•
_ Ie _
0-. .-
---
0" -'if
-.... -
It' _ Kv _ ri _ e e _ Ie _
e _ 1 _ son.
--..
-
~
- - o
<
** - Ie - _ son.
fl ~ - ,......... e
~ -<-.-'"'-------- 0___..___0
?7 -6- - • 0
-. - --...
PARS V
54 IX. IN FESTIS B. M. V. 1
vn.
. . ... . . . ......
• • ~.--. ...•
..... .... ........
-9 • • ••
t~iflg.u~~G~I~O~_~n~_~f~i~_~e~a~~~m~u~s~t~e~.~~G~r~a~_~ti~_;a;s~~:~_~g~,~_~m~u~s~ti~_~b~i~~.~p~r~o~_~I~~t~:~r~
@) -6- 0 0 • ?7'. -9 '7
- ..--.....~-....
fJ .u
rna _ gnam gl6 _ fl - am tu am. De_us,
. Rex ere _ Ie _ stis •
~
- --.
-9 •~
~
.-
-~
PARS V
IX. IN FESTIS B. M. V. 1 55
l!-)
, fJ U
Pa
-- -'--"'"
- I ri s . Qui tal _ lis pec_d _ ta mun_di, ml _ se _ re - re no -
T....:9____.__-.
bis.
---
0 0 0_
~ -&
---
tel! _ I is (1 _ pe de _ pre _ ca _ ti
_..._0.-- -
------------
---------- -------
l
~
----... 0 ________0 - •
...
I
rf-----r'"
----- n
.....-......
.Q..a --- - & ~••••
.' ------"""
PARS V
56 IX. IN PESTIS B. M. V. 1
i ~
--
0
v.
12
...----.......-.......
.a "'....... ..
.... ..o.... ....
,
..-.......
~ ,C')~ -
¥r n n
ra g 16 .. ri .. a tu _ a. Ho .. san • na In ex _ eel .. Sb •
PARS V
IX. IN PESTIS B. M. V. 1 57
-'\ _ gnus De I •
.. qUI tal lis pee _ ca ta
Y.
mun _ oi his. .\ _ !}
- ml se I e . I .. Ii'Hh I.
"> <
-
r
?' ...........
-
!\ _ gnus De qUI - ,1':
--------:e.
d'" na rl'"·' pa Ce rn .
I (f~ • tT11:'; _ s~
D,. gr~ _ ti
,. -
-- v o
• •
F P.
58
X. IN FESTIS B. MARIlE V. 2.
(Alme Pater)
Ky n _ e * e Ie _ i_son. Ky _ ri _ e e
l.
..
0''__''''0-----
Ky. ri _ e e _ Ie _ i_son. Ky _ rr _ e e
..-.
- I:I____.__I:I,--_ _--fl •
~
"
---
Ky. fJ • e *
.cr----~.a
e Ie _ _ son.
27'__ _ ...
PARS V
X. IN FESTIS B. M. V. 2 59
~\
VIll.
-
vo _ lun _ til
fj
ho - ml _ nl - bus ho - n<e _ tis. Lau.da _ mus te . Be _ ne -
~) -6'
,,-....
0
"--- • ..-/(,1,--- ~o
• - -----.... ------
.,.,:-- -6'
,
fl - di - CI
- mus te Ad - o - ra - mus te Clo - rl - fi - ca - mus te
I o_____ ~ - . •..•-9- ~
~.
-9'---- -
'-----------
,--
•
. ..
PARS V
60 X. IN FESTIS B. M. V. 2
.-----------. "----------
, f'J -
•
PARS V
X. IN FESTIS B. M. V. 2 61
In Pa _ trIS. A men.
fJ
l!J - •••~ •
~-6'-~-6' •• ,.
•
IV. 0 :===:::::::__•
f..l --'-
------./_/.-.
r, ". 0__
• .__ ~....-
"D
,.....,.....
O.----~.P
n
e
In ex - cel - SIS Be _ ne
- <Ii - ctu s qUI ve - nit
----
•
...-- -.
<::: ;>
SO <
ce I
, In no _ ml _ ne D6 _ ml _ nl. Ho _ san _ na JO ex _ _ SIS.
. o •
--- - -
A _ gnus De _ I. * qUI tol _ lis pec _ CII _ ta mun _ <Ii
IV. •
PARS V
62 XI. IN DOMINICIS INFRA ANNUM
II)
,-.....
~
0
• ....
• ~..---,.,-...o .Q
• ne-
•
.
• •
-
, pee _ c8 _ ta
o _"'
rnun _di : do - n8 no _ his pa _ eern.
F. P.
Ie _ _ son. Ky _ n _ e e
PARS V
XI. IN DOMINICIS INFRA ANNUM 63
"
-- u u ~ u""-"'_
.. '
_
", ",
~
Ie _ _ son, Ky _ rr ._ e e
--I
• • .L
" ~
'19-~
* e Ie _ _ son.
" _ e
- ..
-G-
• .L
+
II.
PARS V
XI. IN DOMINICIS INFRA ANNUM
o •
~-----
fl I
Be _ ne - di - c, - mus te , Ad - Q - ra - mus Ie, Clo _ ri
- fj _ c8 •. mus
-.- -.-
n
0
08-
"-
..9-
--"
~
.. ------ -6
77~
•
-6'- Q:
.'
---------' --------
," gl6 _ lu _ am. m, _ ne
I
rJ _ am 06 - De _ us. Rex cre.le _ stis. De. us
@) ~o ________o_______o
06-
~. • .f2.
Je _ su Chri _ste, 06 _ ml _ oe
" I
PARS V
XI. IN DOMINICIS INFRA ANNUM 65
Qui 101 _ Ii" pec _ ca _Ia mun _ di, ml_ se _ re _re no_bis. Qui tal_lis
fl I
o o...... ~y~-----.
'A ~
Q
•
-
D'J_rni .. 'lUS . Tu so _
0----.9G ~'-- •
• n
Sp; _ ri _ ttl.
• ---'
·
.. Q
o o .....-----
z
PARS V
66 XI. IN DOMINICIS INFRA ANNUM
II.
ml _ nt Ho _ _ na In ex eel _ S I~; •
.• ,., -
1.
PARS V
XI. IN DOMINICIS INFRA ANNUM 67
,--...../
°
--.. .-
1-
.,.~
-
.. -
o______ _______o---!,
~
0
T
-e
---~
-
~ .-
6
-
••.77 ....
.L
--' -
I te. sa est.
De _ 0 ti as .
I.
Be ne _ di _ d _ mus 06 ml _ no.
r. "---------
G. N.
PARS V
68
VIII.
0 - ... o .....
--
Chri _ ste I'
- Ie - - son. . Chri.ste I' _ Ie _ I _ son.
I
"
I
<
tJ T
""--""
?J'- ~
-.
- ________'17 ~
..
• .. - .-.
..........
- '. .... r>
t
- -
Chri~ste I' • Ie. i _ son. Ky. ri .1' I' - Ie - I _ son"
.-
I
!.> . -- --- ..
09- '17
~
.
•
.~
.a....--..~
- --- 4 --'-)r
0
rYl
"
- -
Ky. n. I' I' _ 16 _ I _ son. Ky _ n _ I'
Il I
o 0 - ..
/
•
- IT
PARS V
XII. IN PESTIS SEMIDUPLICIBUS 1 69
e _ Ie _ i_son.
fJ I
~ -.-/-
n
. -9 .... 77 ..
-
GI6 _ n _ a In ex _ ee I _ SIS De o. Et In ter _ ra
fJ
IV.
@.)
- • .o---=-...---(;/
_ _ _-.7 ..
Be - ne _ di _ ci _ mus Ie. Ad -0 _ ra _ mus te. Glo - ri _ fj - ca _ mus te.
~
~ ------=-(..I ...
0
.,._____ - 9 ~
6 - - - 0
..
_ ___ -6"~
~ .~ ...
t
~)
----~
/"~----- ....- --------- ----------
--------
-9 .,. '6'
I
6-
~-----------
6-
"---------
... ..
PARS v
70 xu. IN FESTIS SEMIDUPLICIBUS 1
o
.-------.. -e-. ?7
. -
so Ius san _ etus Tu so - Ius 06- mi_ nu's. Tu so _ lu s AI _ ti s _ si _ mu s •
fJ
:::=t
~
-e- • -e-
-6-
_ _ _ _- 6 - ~. .
----" '--
---
PARS V
XII. IN FESTIS SEMIDUPLICIBUS 1 71
'----_/ ------- • • •
IS
n. o
~
Q
,.;
A
... o
-
•
,-" ------ '-------
u 0 .-..0 •
- -
-
Be _ ne _ di _ ctus qUI ve _ nit 10 06 _ ml _ oe Do _ ml _ 01.
...
PARS V
72 xu. IN PESTIS SEMIDUPLICmUS 1
rI.
- o
• -
VIII.
.
G.N.
PARS V
73
e e Ie _ i_son. Ky _ fl _ e
I.
e Ie _ _ son. Ky _ r, _ e e Ie _ i_son.
fJ
,r--I-
~ .::... • . ... ~ ..L .......... .. --. _ • .. • L
,
... -6"_...._#-----_ _---6"__._-6"__.__#- ..
< _&_-6"
'__'v'-"v
@) • .' ......
.............-6"~. .
o
, Ky - fJ - e
7'-...;
Ie - - son. Ky - ri - e
l
-- ---....
I
~ •
Q -6"
-6" r -------
.Q... Q
---------'
n
------- .-
.V-...-D------J"'_V
e Ie _ _ son. Ky _ n _ e •
~ ~~~
o
Q
G
Q
'--------$
.......... .........
e
PARS V
74 XIII. IN FESTIS SEMIDUPLICIBUS 2
** e Ie _ son.
..... -------
, Et
GI6-ri - a In ex_cel_sis De o . In ter _ r,~
fJ
~ - .- • •
I.
,
~
,
fl
Be - ne - dl - CI - mils te Ad - 0
- ra - mils tf>~ . Glo - ri - fi - ca - .,
mu'~te
I
~ ... ...
...
- .....
____...
_____-9____- 6 ' - ~ - 9
~ ~- 0 ... '---" --- ....
- -
't!T f2 ~
I ·
Gra _ ti _ as a _ 81 - mus tj _ bi pro _pter rna _ gnam gl6 _ ri _ am tu ., am.
• ... .
U
o •
, ··
PI\.RS V
XIII. IN FESTIS SEMIDUPLICIBUS 2 75
-6'-
-.- .Y"
tal liS pee _ca _Ia muo _ di. 011 _ se _ re re 00 _ bis. Qui 10 I _ I is
•
_ 6 oem 00 _ stram.
~,..--.,...--- ------
o@
------- -----~-,
-9 ~
o
o
~
•
I 0=-==------.
PARS V
76 XIII. IN PESTIS SEMIDUPLICIBUS 2
-
-.---.:f9"~ .. I
•
-
San _ elliS, * San _ etus, San. etus 00_ ml _ nus De_ us Sa _ ba _ oth.
VIII.
, I
PIe - nl sunt ere - Ii et ter - ra glo - n - a tu - II
I
...
@.l 0 '6'
,r> ~
l
o''____
• ---?:J---- --?:7
........ ./
,
Ho _ san
,
n6 _ ml _ ne 06 - ml _ OJ - na In ex eel _ SIS.
fJ I
•
• .. 4IP@
•
• ----- '-----------
O'?:J '0'"
~
PARS V
XIII. IN FESTIS SEMIDUPLICIBUS 2 77
1:£. •
1.
: It
no _ his. A _ gnus De tol lis pec _ d _ ta
fJ - re I,
--------- ..... ./
~)
I.
I.
G. N.
PARS V
78
VIII.
n _ e e Ie _ _ son.
o
~---
...
ri _ e e Ie _ _ SOil.
~-----
"
I
I
@)
_ u
'---"'
..-"
--- -
u -6l-
-
06-
"-"" ' - " ~
----
-6l- -.. ..... -
I
77
06- 77'
7'
..
-- ""
-
Ie _ _ son.
Chri - ste e
" I
.....
--- ...
i
@) 0 _ _ _ _ _0'---'0
06-.......--9 -
?7____ ~.- 06-
<
- -
f
. .,:-;.,
. ............ .- ..-..-..............,... ri "'>-,
PARS V
XIV. INFRA OCTAV AS 79
,
<
fJ
~
I
Chri
--P
ste e Ie _ • son.
f
•
Ky ri _ e e Ie _ . son. Ky
...-----------...
~ I
- n. t'
I
e le_i . son. Ky
-
-
f
1_ n - e * e Ie _ - son.
Il
"'_______ u____.___o
~
-------- -
~
?7 -G-
u--Y ....
--------..- -
9 6 u •
~
~
III. ------
....--... --------
r;.
,,--..... ~--------
PARS V
XIV. INFRA OCTAVAS
80
, fJ 1
Be _ ne _ di _
0, .-0_ P
CI _ mus Ie. Ad _.0 _ r<i _ mus Ie.
n-n:---n---n ..
·
----- '--------- """"-"" .. .---- ...------t)
~
~ ----..
...
·
mOl _ po _ tens. 06 _ mi _ ne
II I
t
- I
, I
06 _ mi _ ne De _ us, A gnus De _ I, F. _ Ii _ us Pa Iris.
o~ ----u ~o o~o~.-----!!?
1 _
PAR~ V
XIV. INFRA OCTAVAS 8f
0 t) 0
0 0 <Q:
....... ;;;> ;;;> ....... ?
---
, , I
no stram. Qui se _ des ad dex. te _ ram Pa _ tris, ml _ se re
I -
- 0 ----0
.
•
r:
t •
:-- - -=---.Y"-- --
PARe; V
XIV. INFRA OCTAVAS
82
l.
• •
sunl ere
o
Ii
.. -~
- ---
qUI ve _ nit 10 no _ mi _ ne D6 _ ml _ nl Ho San _ ns
In ex _ eel SIS.
f
..-....
PAHS V
XIV. INFRA OCTAVAS 83
vm.
·0
==:E ?.. . . . 2
0 ...,.. .? ;25;
~---
II >5
"
Il'-
ca _ ta muo _ di ml _ se re _ re no _ bis. A gous
f)
1/.," e ·······-;/-=-o
I I". sa esl.
De o ti as .
vrn.
]. V.
PARS V
84
Ky _ n _ e • e Ie _ _ son. Ky _ n _ e e
IV.
o •
-
, f1 l.I -
V
Ie - - son. Ky
0
- rJ - e e
•
Ie _ _ son.
0
Chri _ sle
~--=-ca=
_"IT
• "IT 06- "5
, n n 06- ,.;--
z::::=:
o •
· •• I •
e Ie _ _ son. Ky - n - e • e Ie _ _ son.
~ J,I
.) 06- • -0
.e. 75-'
(J
• ?7
"'---'"
·
,,-....
- ••
- -
PARS V
XV. IN FESTIS SIMPLICIBJlS 85
IV.
··
$~ .-:-~ .. ..- -
0 ____ -
, · .. .
0 0_.__--
<
~ ° -&------+
r; n@
- - -& r;---'..
I
<
.. - u
o
·· G
;;;;;;;;;;::a <
~ -&
--/"-..
n
..-- 0
r,
--- y
- - -
0
PAHS V
86 XV. IN FESTIS SIMPLICIBUS
• u
fJ II
Quo _ ni - am tu so - Ius san - etus • Tu so - Ius Do _ ml _ nus.
l
,
(I) 0
" ~
.... .----"
r;
"
~
PARS V
XV. IN FESTIS SIMPLICIBUS 87
-
- -
San etll" • * San etlls. San - etus 00_ m, - nus De - liS
--+-
II. ----
°
iWo •
~..............-
: • - •
0,--
• ~
-@ $ .J2 -6'
__"0---
-----
_ __.__0________-
•
-9- 77
~
-@
?
°
'---"" -6' .. ..
--------
9 <9
- - 6
, fJ
(II)
I
u
Hn San _ na III
•
ex _ eel SIS. Be _ lif' _ eli _ clln
~
--- =
•
1',<\RS V
88 XV. IN FESTIS SIMPLICIBUS
r. ~ • • t;-
77_ _ _
0 09-
C •
U ---T
----
I
~ 77 .. 77 77· • • ~ .... 09- u
, ~
,.
-
Q
do _ na no _ bis pa cern .
I te • mls _ sa est.
De _ 0 gra . _ ti as.
IV.
(
J. V.
PARS V
89
.. e _ le._ i __ 0 n • Ky _ rl _ e e _ Ie _ _ son,.
- - - - .----- '------~, ?
III.
• 6'
• • -
, fJ
~
Ky _
-
n - e
-
p . Ie - - son.
_--
Chri_ste
-------- .....
e .' Ie - _ son. Chri.ste e
-
.- e .Q.
• • ~
........
I
~
.. ..a
-
09-
• • r)
_ _ _ _ _0"'- 0 -
II.
SL ba PIe _ ni c~ ter _ ra
I - oth. sunt .Ii et gl6 _ ri 11 tu - 11 •
...
---~-----
- ------ -
.Q.
~
e
----------- ",..---
PARS V
90 XVI. IN FERIIS PER ANNUM
.
u
~ -=•.
---- -- -----
0 0---
0 •
I. ?7' ?7'
--------
~
---
,.
------
mu n dl ml _ se _ re
- re no bis • A _ gnm; De -
Il u - ::::::::i
I,
~
@) 06- • 77________U~77~_ _ _T '--"
..---,
..- ~.-...,. ~ rP~
·
.. •
··
....... n ~ . - - •
,. ,
A gnus De _ I, qUI 101 _ lis pec _ ea - ta mun di :
0_ _ -
----- ---- *
F3
--
,--....--- ---
-----
PARS V
XVll. IN DOMINICIS ADVENTUS ET QUADRAGESIMlE 91
na no bis pa cern . Be _ ne _ di _ ca
------~
De _ a gra ti as.
I
}. V.
~------
r.
Ie _ _ son. Ky _ ri
-----
~--------
PARS V
92 XVll. IN DOMINICIS ADVENTUS ET QUADRAGESIMlE
-- - -
ste e
_0.-
Ie - - son.
<
•
@)
-----
-
?)" i- ~---
n -<"
0
~
'Z7__________
Ky _ ri _ 16 _ I _ son. Ky _
e e
-- rJ
< __ 0
Ie _ _ son. Ky _ ri _ e *
~
-- '9
~
Ie _. i _ sCln .
'9 - --9
IV.
n
PARS V
xvn. IN DOMINICIS ADVENTUS ET QUADRAGESIMl£ 93
e Ie _ son. Ky _ ri e e Ie _ J _ son
o~ o~o ~
,.,--.
-
Chri _ ste e Ie _ son. Chri _ ste e
I~
~-'
.....--...
.f212 %
---
~
-
Ie _ son. Chri_ st~ e Ie _ son.
II
@) --/," -9 -9
~ ,.,
J
Ky_ n e e Ie _ sao. Ky _ ri e
-
@)
.. .---' 0
--
f
-9 .a.---- ,.,------,.,
-9~
~
-
e Ie _ son. Ky _ ri
- *I
-
-
-
e Ie _ son.
II
PARS V
94 XVll. IN DOMINlCIS ADVENTUS ET QUADRAGESIMlE
v.
+=
--'
~ r -- ~ --
06-
=::s:
Ii et te r _ ra gl6 _ fI _ a lu a • Ho
- ffil - ne D6 - ffil _ nl Ho
- san - na In ex _ eel
- UIS.
" I
I
~
~ ...
0 06- 06-
-...----
06-
../ ?7'
----
-....--..".
'1'-
PARS V
xvn. IN DOMINICIS ADVENTUS ET QUADRAGESIMlE 95
v.
rnl _ se
- re _ re no bls . A. -" gn us De - I, " qUi 101 - lis
'J I I
0) -
~.Q.
- '--"'
,.,
?:i_ __.___T
-
l1'!7 ... 77
---- ..... ~
T
• l L ...--...- -----
, ~ ..... ~~
"--
De o gra Ii _ as.
o
I. -----...___oe
, De 0 gr;i Ii - as .
VI.
~ -6l-
'--- ...-----.-.' u
J. v.
PARS V
96
Il I
Ky n - e •e _ Ie _ i _ son. Ky - rJ - e e _ Ie _ i .. son.
I
IV.
~ 0 y • 7:T •
-6- ,{
_ e e _ Ie _ _ son. Chri_ste e Ie _
, , I
Chri_ sle e - Ie - I _ son. Chri_ste e - Ie _ i _ son. Ky _ rl _ e
<
(
~
$$ ~ $ u .-
------- - n ...
' """"
0-.....-(7
"777
------
~
Il I
e
- Ie _ - son. Ky fJ - e e _ Ie _ i - son. Ky - ri e
t -.-
~
~ "" • u
• '-'
.9-
.. n 09- 0
~
PARS V
xvm. IN FERIIS ADVENTUS ET QUADRAGESIMl:E 97
I
10 ex - eel - SIS. Be - ne _ di _etus qUI ve _ nit 10 no _ml _ ne
oJ .- -
a•
- --.a. ...
"--'"
----
06-
• - --- ~~
,
II j
06- ml _ 01. Ho - san _ oa 10 ex _ eel - sis
I
V -'-
----.a. - ~
- -
06>- v 06>- 'U
--
---
-- r;;
PARS V
98 CREDO I.
mun. di : do. na
-- --------
00 _ bis pa - cern .
I I
,
~0
~
0
I
06- o~o
r·
•
.u
De _ 0 gra _ t i - a, .
I ) 0
<
f
J. v.
CREDO.
I.
_______0 (;1---..;..-/
l! 0 ...........
IV.
~~~~~~~~~~~
Et In u _ oum D6 In Inurn
PARS V
CREDO L Y9
o ..
Et Pa _ tre na _ ~urn an ie 6 _ mOl _ a S<f _ eu la.
o~ ~ _
--------~-
-----_.-"
PARS V
100 CREDO I.
• 0 ~ 0,, -
.- - " ' - "
n _
_ _ _-'u u~ -_u,- -
, .u
Pa _ t ris'. Et - te _ rum ven_ tu _ rus est cum giL n - a
~
P=
I
@) ...-u
,--....
0 _____""
n D
--- .-:---
~-.... ----
===:I:
PARS V
CREDO 1. 101
~ • • •
...... · 9
~
--- --~--- ---
-~ ~ ::::>
.
,n Spi _ n _ tum San _ ctum. D6 _ ml _ num,
• • ;~
-----
~....... ../~
'---------
------ ---
-=
-------------
------~
----
a ··········l~ -----------
1\ .LI - glo - .... fi - d - tur qUI 10 - e'J _ tus eSI per Pro_ phe_ tas. Et u _ narn
'--------- ---------- ..
PARS V
102 CREDO II.
0---.--- ~ ----
pee_ ca _ 10 _ rum.
- - -
Et VI _ tam veo_ iu _ ri cu _ Ii . A
•
•
.,..-------
U -& M. d. J.
PrCRter prCRcedentem tonum authenticum, alii subsequentes usu jam recepti assumi possuni'.
CREDO.
n.
Cre _ do In u"" num De _ urn. Pa _ trem 0 _ mOl _ po _ ten _ I,~m,
~~a~~~IE~~~~:::::::±
IV. --------- -----
fac _ cto _ rem ere _ Ii el ter_r~, VI_ sl_bi_li_um 0 mOl_urn.
--------
PARS V
CREDO II. 103
PARS V
104: CREDO n.
------
-- -
~ ..
.. EI re _ sur_ re _ xii ler_Ii _ a di _ e se _ cun _dum Seri _ pili _ ra!1 •
u
u -'---'u--------u
•
n • I? •
-
Et a _ seen _dil In ere _ tum se _ det ad de _ xte _ ram Pa _ tiris.
.------------...
PAHS V
CREDO n. 105
~ -
qUI ex Pa _ tre Fj _ Ii _ 6 _ que pro _ ce _ dit. Qui cum Pa _ tre et
o ----
.a.~
0 __
e) --' ----o~ ..... 0 D~--u
~ 10
.a. -e- n
I ·
•
V 0 "
- '/'''-
-----..0... .- ----
a
---- ---
~.(;L -9
PARS V
106 CREDO III.
I .u
_0
- ru m. Et VI - tam Yen - tu - ri see - cu - Ii A - men
I
~ ..
~
... 0_
n--- --.."
.-----.Y~
10 • • • • • • • • • •
..
"
...-
c:T_0____7
n
t
H. D.
CREDO.
m.
Cre_ do In u _ num De _ urn. Pa _ trem 0 _ mnl _ po _ ten .• tern.
v.
" .u
• --. . -0 -0
~--
PARS V
CREDO m. !O7
0_
'--"'
0-
.-& •
.. . .-------,.- ---------... .
o----~
per quem 6 _ mnl _ a fa _ cIa sunl. Qui pro _ pIer nos h6 _ ml _ nes,
• • • •
:'------------
t)
>.
----
------- .a
•
PARS V
108 CREDO Ill.
f----"fJ.
~--------
4tJ
sur _ re _ xit di _ e.
flu
Et re - ter _ ti - a se - cun_dum Scri _ ptu _ ras .
t @)
~
0 ._"D •
,
< -6-
~ n '::----r, ..............
••
..,
~."
.. .. .. ,
, ,
---------
~~~~~~~~-==== 0__________
PARS V
CREDO m. 109
--------- .. '
•.• ' ..•-9
06-
.......
e
'9_
qUI 10 _ cu _ tus est per Pro _ phe _ tas • Et u _ nam san _ ctam
.• ,'9
...... .
PARe; V
110 CREDO IV.
• o • o o~ -./o
o
·
,
·
Et VI.
'--""
.a.~~
tam ven.tu _ ri
,0
sre.cu.li.
1":l.
..
-
A
.;'--""U. ..
n •••
-6l- .•
.
=
---.....
men .
F. P.
CREDO.
IV.
• .... Jr--
I. -6------:'t.--
~~~~~~~~~~
fa _ eto _ rem ere _Ii et te r ree , VI • SI. bi. Ii _ urn 6 _ mni _ 11m, et
~~~~~~~~~
~
-5r
---------- ----- ----
In • VI _ SI _ bl _ Ii _ urn. El u _ num 06 _ ml _ num ie _ sum
~~~,..-.....~.a.§~~~~~~~~~~~~~~~l~~~~~~'----~-~~~ii~-"'~~~~~~~~~---~
::
R\RS V
CREDO IV. III
------..
'----------- ----------
Pa _ trf na _ tum an _ te 6 _ mnl _ a scr _ ClJI _ Ia . De _ um de De _ 0 ,
....
per quem 6 _ mOl _ la cta sunt. Qui pro _ pter nos no _m! _ neS ,
?7 -&
..........
-&
------ ......-...
...
----
" -&-
- :-+
'--- --'
PARS V
112 CREDO IV.
+ + ---6"
"Z7~ -----'..
-9_
--------- 09
'----"""
.. ""----------'
--------- '-""'"
PARS V
CREDO IV. 113
_____----9---- -
qui 10 • eli _ Ius est per Pro _ phe _ tas. EI u _ !lam san • ctam
'--------" '---------
o 0
-&
0.....
PARS V
IIi TONI PR.lEFATIONUM
'-------_...--"
'19~
- . _ ......
-_'19_-6"_.
G.N.
1 Qualislibet cantas hujus Ordinarii superius in una Missa posHus adhiberi potest etiam
in {Jlia, Feriis tamen exceptis " itemque, pro qualitate MisSCE, aut gradu solemnitatis, aliquis
potest assumi ex Us qui subsequuntur.
TONI PRlEFATIONUM.
1. Tonus solemnis.
fJ .Ll I
'f. Per L mni _ a s~ _ cu _ la Sir _ cu _ 10 _ rum.It'. A _ men.
- • •
1
,
If. EI cum spi _ n _ III lu o.
"".Ll I
PARS V
TONI PR.l:EFATIONUM us
fj ~ .L
if. Ha - be mus ad Do _ 011 _ num.
• ?7 -77 •
~. Sursum corda.
..
fj ~ I
ft· Oi gnum et IU sturn est.
o _e
CratB' agamlJs -6'-
Domino Den nostro.
· I
2.
If. Et
, sP~
cunl _ ri _ tu tu _ o.
fl I IJJ +1\
~. Sursum COf(L,.
.. -9 -~
~. Grattils agamu,
Don'Ino Deo no~trn.
·
•
PAH.S \'
116 TONI PRJEFATIONUM
" I /1.1 ~ ,,,. Per 0 - mni _ a sre _ cu _Ia s<e _ cu _ \6 - rum.&,. A - men .
3. •
"
j " I /JJ.
u ___
@) u
-=
I
Yj. Sursum corda 1- n n
11
fl I /JJ. * '\
If. Di gnum et JlI _ slum I~st •
• !.l u
~. GrB'tias agamus -/!..
~
4. ~
,
If. Et cum spl _ rl _ tu Iu _ 0 •
, •
'f. D6minus vobiscum.
PARS V
TONI PRJEFATIONUM 117
5. ~ tJ
fJ L
If. Et cum spi _ TI _ tu tu _ o.
mus ad D6 _ ml _ num .
'I /U '\
~. Sursum corda. 1.
'I IU "\
gnum et JU _ stum est.
PARS V
118 TONI PRlEFATIONUM
2. Tonus ferialis.
fl'u/I
~. Per
.<
6- mni _ 8 S~ _ ell _18 Slf:'_ ell _ 16 rum. If. A _ men.
1.
.... . • • •
.~.=
WEt cum spi _ r, _ tu tu _ 0 •
, Jl / I .'\
2. ..
If. Et cum spi _ Tl _ til tu .0.
.......
-
=
'-. -9
'f. Dominus vobiscurn. 0-
PAHS V
TONI PRlEFATIONUM 119
~. Ha _ be _ mus ad D6 _ mi _ num.
I !.u 11\
··
I
...
_
3.
•
11
..
o
..
fl I /.u H.."-
If. Ha - be - mus ad D6 _ ml _ num.
··
1I!
fl L t.u H "
If. Di - gnllm et lU _ sturn est.
PARS V
120 TONI PRJEPATIONUM
4.
I
t
~
:--::=
II
If. Et cum Spl _ n - til tu - 'J •
~
@)
~. Dominus vobiscum.
0
-
!2. - --.......
-! . ~
~. SlIrsum corda.
@)
't!. Gratias
Domino
agamus
Deo nostro. -r- --- ----
---
-- ---- 0
, 10 _ rum .If. A
, d~ f· _ men.
I
Per 0 _ mnl _ a SIE _ cu _ la SIE _ cu _
I
5. ~
~
+~~=
II I
If. Et cum spi _ ri _ tu tu _ 'J.
~. Dominus vobiscum.
:!t
-----------.....:rT ..~.
PARS V
AD PATER NOSTER 121
~. Sursum corda.
I
Domino Deo nostro.
n---
AD PATER NOSTER.
~. Per 0 _ mni _ a sre _ cu _ la see _ cu _ 16 _ rum.lf. A _ men.
fl ~
..
I
1.
- •
- -
IJ~ I
If. Sed II _ be _ ra nos a rna _ 10.
t
~
t Et
In
ne nos
tentati6nem.
inducas .... ?7
--..- "-----------
7'7- -
I ·
If A - If Et
, IJ ~ I I
...
men • J cum spi rl - - tu tu -a
<
f
~
·
~. Per omn ia srecu la
seecul6rum.
_~ 'f. Pax Domini sit
semper voblscum
~
--- - ?7 -::. ...-
• -9
,
fl I /~ *l· Per 6- mn I _ a see _ cu _ la see _ cu _ 16 _ rum. If. A - men.
I
~ • - .----~
2.
t
.. I ",
PARS V
122 AD PATER NOSTER
I -#""-~H
fl I /J,! 1+ '\
If A - men If Et cllm spi - n - tu til - 0
_.
..
f--- ~, -
~
~
@) f. Per omnia SleClI1 a - ____0
~. Pax Domini Sit
0 _______0
•----~'"
f
.• "
slI'clI16rllm. rJ semper vobisCIIIT
11
4.
PARS V
AD PATER NOSTER 123
--.... --------------
~. El ne nos indtlcas /n lenlali6nem.
..
. ~
~. Pax D6mini sit
semper v6biscum.
'--':---.--"
n
-""---'- ..
~ ·
5.
fJ I
If Sed II _ be _ ra nns a rna _In.
j
-.
~ ~. Per ()mni a slf:cula
S<ecu larum.
.. "-"""
.;f
~ Pax D6mini sit
semper vohlscum. -------
-6"
-.::=7
.-
·
rl
J. V.
PARS V
12'4
CANTUS AD LIBITUM
KYRlE.
I.
(Clemens Rector)
•
IJ .u
Ky rJ _ e
. -
e Ie _ i_son.
I
-
I.
,
Ky _ n e e Ie _ _ son. Ky rJ _
, e
-
e Ie _ I _ son. Chri _ ste
-!:::::::IC;+:
PARS V
CANTUS AD LIBITUM - KYRIE 125
,
<
fl
@J
ti
e
........'7
Ie _ i_son. Ky ri _ e
( .• .~
e Ie I _ son. rl e
fl l.l
....
-9
_ son. Ky n _ e *
* * **
• 0___.___01 q-9?7.
3 ru:?{)
e Ie _ _ son.
fl ti
....
-
-
PARS V
126 CANTUS AD LIBITUM - KYRIE
D.
(Summe Deus)
e Ie _ i_son. Ky _ n _ e
.. 46'-~-6'-
Q-,
-6'-
ti
77-.. ~i____
~~
lit
z
:=:
, I
Chri s_le
--- e Ie - - son. Chri _ sle
<
@)
..--~
- ~ -6'- ~
- '-
~ .....----..-~------- .-
0 ,.
------
.....-. I
-~
"...--.-.
=::i
I
Ie _ Ky _ ri
Il I
e - son. - e e
.0....-
-. •• _-6J- - . /
~
..
0-
~ -9 77______77" ~-9'--'
,.--..,,, ....... 77-:- n
··
\.
rz=
~
Ie _
- son Ky_ ri _ e e Ie _ i _ son ..
fJ I I
~ I..O'C?'uc==..
~- .~
l
@..l 0- .. 06- -.... 0
ri- ----n
- - U
• we · -6'- .....
........ ".J"""" d
CANTUS AD LmITUM - KYRIE 127
Ky _ ri _ e * **
- 6
e Ie _ _ son.
I "
tJ
L
7.7____
--
.-'
77
-----
--
"'---.
------
--'-""...........
m.
(Rector cosmi pie)
n.
~;o n • _ II p
II I
"> I
•
o
-
@) 0'__ ---- 0 • o
. -& •
-
Chri _ sle Ie _ i_son. Chri _ sle I' Ie _ i_son.
fJ I
-
u
PARS V
128 CANTUS AD LmITUM - KYRIE
Ky - Ie i _ son. Ky_ ri _ e
n - e e - e
I I - - I
- -¢
- --- --.a.
~
u
-9 .Q£2. -9----'
0
- . 06-
Ie - _ son. Ky - n - e *
fJ I ~
~
'--"~ (J
~
(J
...--.,
-
••
-66'-
• ;? ~ ~ ..... d ... A ...." h
, I
- . e
.-
Ie _ son.
~
09-
----- - n
-
•
'--"'" u
n ~.
(J
-
·
•
PAES V
CANTUS AD LIBITUM - KYRIE 129
~ ---.
~,..-....
0,-- - __-p____----o~o
~
• .-_____
c :;r_________ c;l~
n -
·
e Ie... _ son. Ky _ rJ e
I
·
-
e Ie I _ son. Ky _ ri ... e
...------
Ie _ J _ son. Ky... r, _ e
e
- -
...
-
* ** e Ie - I _ son.
fJ .. - I
~
0 -6" -'-"'" - -------- c;I....-:Q:.... :3Z.- ::;v -.- I
-6"
....-- n ,--.....~ .Q -6l t:§J ~
·
rJ. rJ
PARS V
130 CANTUS AD LmITUM - KYRIE
V.
(Conditor Xyrie omnium)
* e Ie _ i_son.
VII.
Ie _
Ky - rJ e e _ son. Ky - ri
..
I
- --- - ~
~ ~. -6'- -6'-
() ~pe=
n
'~
V 0 ''-'' 0
- 0 ~
0 -'-~
rr-r,~n ~ n ,~ n'-----
,
Ie _
(
II I'
e
-- e
- - -.
I- so n. Ky
-
- rJ - e
-
,~
<
,
~
~ :S'
:!!!:.....• : a ~
~
- $ ~~~ ------ ~
PARS V
CANTUS AD LIBITUM - KYRIE 131
Ie ~
fl I
e _ i_so n.
--
Ky _ n _ e
- .-
*
-
~.
....
.a:----a. .
, "6'.:---=4-~
** e _ Ie _ _ so n .
" I -
- -
VI.
(Te Christe Rex supplices)
Ky * e
vm. - . ...
fJ .u If - Ie - - son. Ky ri _ e e
-- o 00--=
'"--'"
Ie _ _ son. Ky n _ e
~ ...! ..
6/:;(3£{
::: . ....
-
PARS V
132 CANTUS AD LIBITUM - KYRIE
"
, fl u 1+
..
e Ie - I
_ son. Ky
- --
ri _ e e
~
<
t
~ '6--
r--../-",~
~ 77 :t • .... ][4""~6 ~ --
~,..
_;0--
-- -
Ie _ - son. Ky - ri - e e Ie - _ son. Ky ri
flu+!-
,
f!}
II
-6
7r ... ~--------
~
'6'-
---./ -
o.
~.---...
?7" . -==
.,...-~.....--.."
_ e
* **
e Ie _ _ son.
VU.
(Splendor ceteme)
ri _ e * e Ie _ son.
I.
PARS
CANTUS AD LIBITUM - KYRIE 133
rl _ e e Ie _ I _ son. Ky _ ri _ e
Ie _ I _ son. Chri_ste e
,
Ie _ _ son. Chri_ ste e
, Jj
y --
Ie Ky _ ri Ie - son
II Jj
- - son. - e
.-
e
~
~
J!. 06- 0
~
0
- ~~
- n .II.
PARS V
134 CANTUS AD LIBITUM - KYRIE
Ky _ fI _ e
*
.a.
** e Ie _ .. son.
~~o~-&
7"r'-~~o~~-rr-=
.....---..-. . .....-6"
v .• , .•. 7'7 v
vm.
(Firmator sancte)
Ky _ ri e * e - Ie - _ son. Ky _ ri
fJ I
----
~
----- -9
-----
n
46-
~"
e _ Ie _ _ son. Ky _ ri _ e e _ Ie _ _ son.
=
fJ I - e
-:=:~ $.
--
e _ Ie _ _ son. Chri _ ste e _ Ie _ i_son.
Il I
o
::: ...
f
PARS V
CANTUS AD LIBITUM - KYRIE 135
Ky _ r, _ ~ e _ Ie _ _ Son.
fl I
,·
, Ie- i_son _ Ky _ n -
e_
II I
Ky - r, - e
--
~
,· ~
.Q .t2 "6- -6l- ..Q. ~
e * e _ Ie _ i_son.
fl \ -
I
~ ........ ~ $ ....
..Q. ~ 4r t:"'i'~ ..Q. .. , .. , .. ,
f
IX.
(0 Pater excelse)
le_
, .LJ * Ky _ ri _ e * e _ _ son.
...r._ - ......
VIII .
. It
Ky _ ri _ e e _ Ie _ _ son. Ky _ r,
------------ .'
'.
PARS V
136 CANTUS AD LmITUM - KYRIE
-9- - -. ~
- € r _rc7' ~ • --.- <7:::::~
.....-.. I"i""\ n··········
Ie _ _ son. Chri_ste e
~ JJ H e
'..l
.........?7
11
-- u~·.
_,.,
•
•
--
I _ so n. Ky _ rJ _ e e
-~
_ son. Ky _ rJ _ e e
-
_ son. Ky _ ri _ e *
- -.~
o
..........0
11 n_ •• •••• o ,..........-.........1
<
=-
e Ie _ son.
11-
PARS V
CANTUS AD LffiITUM - KYRIE 137
X.
(In Dominicis per annum)
, Ky _ n e * e
I
Ie _ I _ so n _ Ky _ ri _ e
~
I.
,
<
fJ J.l
e Ie - - son. Ky - n - e
I
e Ie - I - son.
.. -- --------
,--...
.... ---- ---
rJ b-9 ,..,
q06-
~
7'7
,
....
.. .--06-
Ie _ _ son. Chri_ste
fJ J.l
Chri _ ste
- e
-.
@)
?7
...
-9 .... -------- r-"
0 ~
Ie _ Ie _
-
e _ son. Chri _ sle e J _ son_
Ky _ ri _ e e . Ie _ i_son. Ky _ ri _ e e
Ie _ _ son. Ky * e Ie _I _ Son .
I
... ...
PARS V
138 CANTUS AD LffiITUM - KYRIE
XL
(In Dominicis Adventus et Quadragesim(P)
Ky _ ri Ie _ Ky_ ri -
, e * e I _ son. e
fl l.l
I.
~
._"'!':T___ o~"V,
fl q~ 7Y .----Y___o'--~
,. n'" ";>, -~
, e Ie _ _ son.
-
Ky _ rJ _ e
I
e
1J"
~ '1T
'---------i;) '-"'
~\ 7Y______u.. . .
---i·
u ...... -,0
• q-6l-
. r. b-9 ,.,- -n.., .~
==:::±
--.·.0000.0
e Ie - - son Ky - n e
_0 __T
-9 (7~
~ -----'"~-6......... --...
Ie - - son. Ky - n e
__T
...--",.......
FARS \'
CANTUS AD LIBITUM - GLORIA 139
Ie _ _ son _ Ky _ n _ e * **
.---- I
Ie son.
,"""""'"
GLORIAa'
1.
In fX SIS De _ o. EI In ler
VIl!.
.~ n ..
-
()
Be _ ne _ di CI rnu, Ie • Ad - 0 - ra mus Ie
Il i
~) -6'- 0
7'5 ..... ...J ~. 77
........
. ~ ~
PARS V
140 CANTUS AD LIBITUM - GLORIA
i
~ • ~
=-...
.
--------- "-'"" -
11'
D6 _ ml _ ne Fi _ Ii u _ nl _ ge _ 01 _ Ie Je su Chr i _ ste.
-61- ~ r-~
09-
.a.
o6J- i:
:=
Qui tol_ lis pec- d _ ta mun -di, ml se _ re _ re no _ bis.
_.....
re no _ bis. Quo_ ni _ am tu so_Ius san _cllls. T u so_Ius Do_mi_nus.
11 I
I
!J oR.
~ -- ~-...-Y~--.>"
•
,........., .'
........
•-fi'
"""
...Q. -&~
- !7 ... -
~
---...
, Ii I
T~ so _ IllS ~ _ tis _ si _ m\l~. Je _ su Chri _ stc. Cum San_ cto
! . .:.:.
SPI _ r, _ lu.
-&- 7
-....- ....--
~------- .--_~
------
-9' .-.--
De _ i Pa _ Ir is. A men.
fl \
~ ,
." "".," "
,,1'"___..__.
- - -
n.
a III e It _ ce I _ SiS De _ o• EI Ie r _ ra
II. • ....,.,..~ .Y
PARS V
142 CANTUS AD LIBITUM - GLOR£A
·· Q 9
, II
Clo _ n - fi ca - mus Ie •
----- ---- -
, ··
<
~
-9- r."--'. ~-7'- ..Q ..Q
-
a_ gl _ ruus tl gl,
n
---
0/1 _ 11\ 1_ np Fi _ II
PARS V
CANTUS AD LIBITUM - GLOR£A 113
~
...--.-....~~
~--------~ ------
ml _ se re re on bis.
.,J
- ~
~
.....
- ..-
-- '"
---
C/
-&-
'"
"Q -&-
'-' ~ ~
~ 0 _____
.. rJ~rJ ~-G~~-6I-
• If' ez.
PARS V
CANTUS AD LIBITUM - GLORIA
114
gl6 _ ri _ a A
,., 10 De Pa tris . men.
t> ........_-9~-9
----- -
n .. -9
-
-- '"1
.a.~~
m.
,
GI6 _ ri 8 In ex _ eel SIS De - o. te r _ I'a
11
@)
II.
f
( ~
PARS V
CANTUS AD LIBITUM - GLORIA 145
ra
, Ad_
___
;0
0
mus.
.-.0
Ie.
_ rf~ - -6----,.,
fl
Glo _ rI - fi - ca mus Ie . Gr~ _ Ii
~ -
. ~~ -0&
rJ -9-~
0
I')
~ u"-"_
r, ~~
0
~
--
ne Ii u _ nl _ ge _ nl _ te
...
PARS V
CANTUS AD LIBITUM - GLORIA
1"1:6
,
ste.
Il
@)-
, ~ .t2
Pa - to 1_ pec _
A - gnus De - F~ Ii us t ris . Qui lis
IJ
I.
-
---
~
~
~ '..-' • "-'"'
~
Pa - :ris.
PARS V
CANTUS AD LIBITUM - SANCTUS 147
•
• n-----::-=O
--
o
:;), gJ :- • t
..Ii' ~
•
~
---
bf- ~
In gl,) rJ a De - I Pa
0
•
~ ...-- ....
-- .-
---- ---
00 ~
,-....,
~.
~ rcY
, A'
I r is. men,
-
..
....
(.)
. a ~ ~.. ,.,
SANCTUS.
I.
Il I
vu
1.
PARS V
li8 CANTUS AD LffiITUM - SANCTUS
Ii g16 n _ a a •
Pie _ nl 5unt ere _ et ter _ ra tu -
II I
Ho _ s;{n _ na In ex _ ce I SIS • Be _ ne _ di _ ctUg qUI ve -
=
ni t
--+
c::::::
• '"--
....0""" • ~
~n""""""
............ ~_lCI
IV,
, I
Sa _ ba _ oth. Pie _ nl sunt ere _ Ii et ter _ ra gJ6 _ ri _ a tu _ a ,
Ho _ san - ex _ ce I di - ve _
II I
na In
~
~
~
u
n -9~ .a
-9~L
PARS V
CANTUS AD LmITUM - SANCTUS 149
n6 _ Tnl _ ne 06 _ mi SIS •
..
m.
±
--
VIII. ~
./
I
~ ---
·.....1
o
~----
z 8 •
--
-
l~.--n-
D...... :,I'--"".~'___".---.fJ_~O
. -e-~ Q -
.... v
PA.RS V
150
AGNUS.
I.
VIII.
:-.
£2
--- ~
-6'_ _ _ _ + -
~
~ '-- -~
-e--
0 (9 e..: , (9........
U -- u u
......
.. u II::=::::
--
09 ~ ?7
.. • - ,.., ~
07'7.
-----~
PARS V
CANTUS AD LIBITUM - AGNUS 151
do _ na no - bis rem.
n.
VI.
~
.t2.~-------- .
q
£""a;.................
•
•
rnl - se - rp
- re no - bis. A - gnus De - I, * qUI ted Ii s pee -
...."
\
• • •
u
'- .---' q~
-----
•
.
E. D. L.
P\HS V
152
GLORIA IN EXCELSIS.
More Ambrosicmo.
IV. --------
-9- -e-
pax ho _ rna _ 01 _ hus bo _ oee vo _ luo _ ta _ tis. Lau _ d<i _ mus teo
~ .--
.
•
.a~
------------- o
o ..
~
0 -----.
, d. _ C I ,
Be _ oe _ _ mus teo Ad_ o _ ra _ mus te. Glo_ri_ fi _ ca _ mils te .
fl
•
@)
•
'-------------e--
.......-
f -----.......,;Q,..... 0
.
... ----
-9
•
.....----
PAns v
CANTUS AD LmITUM - GLORIA IN EXCELSIS 153
, tJ
6
------ --
• • •:;fl-• •
---- ~
o
...
O •
---
U)
ml_ se _ re_re no_ bis. Qui 101_ lis pec _c6 _Ia
11 - di, -
,
~
, r--., I~
o ~ 08- 08-
"--------- '~
.
PARS V
151 CANTUS AD LIBITUM - CREDO V
A men.
-------
CREDO.
v.
Cre _ do In u _ num De um. *7'el ere_do In u _ ntJm De _ um. *
--+
~
IV.
.. ---I-
PARS V
CANTUS AD LIBITUM - CREDO V 155
F; . Ii De _ i
Et In lJ - num D6- ml . nllm Je - slim Chri _ sturn, - lim
I
• $ • • • •
~ ________ o 0
'---"""
I: ~
:..... ::5 J¥t --
u - D\ - ge - nl • tum. Et ex Pa - tre na - tum an . te 6 . mnl - a
- --------- .....--.....
.1XJI.. .f2
Q
B
.t:J..
B,;
..........
---
....
I
......
_____-- o~ ------
....7J'
.. '
--------- ----
,~------.....-
'----------' ....... _-- .. .... ------
?:J
' .'
?:J
PARS V
1~6 CANTUS AD LIBITUM - CREDO V
.~~g~~~~~~~~:=:::±
~~~~~~~E~
'----------- ~
.
, _
euo
se _ pu I _ Ius est. EI re - sur _ re _ xii ler _ Ii _ a di _ e, se -
" .u
....-
j 0
l!J ?7
.----......~
n ..-...-... ,., b~ ..aa. .;? ,.e.<.
_ dum Seri _ Plu _ ras. Et a _Iceo_dit 10 cre _Ium: se _ del ad deLte _ rllm
PARS V
CANTUS AD LIBITUM - CREDO V 157
"-----_/ '-------
-- -
Qui cum Pa _ tre et R _ Ii _ a 81 _ mu I ad _ a _ ra _ tur. et
PARS V
158 '. CANTUS AD LmITUM - CREDO VI
'----:::==::::--
..--- ---.. '-----------""
,
CREDO.
VI.
IV.
PAR., V
CANTUS AD LIDITUM - CREDO VI l59
-
•
Fl _ Ii _ urn De _ i u _ nI _ ge _ n I _ tum. Et ex Pa _ t re
-- "---------~
-9r n
-
lu _ men de 10 _ ml _ ne. De _ urn Ve _ rum de De _ 0 ve _ ro.
o
I ____
-9 ~-9
;~ e- ~£A') Q .-
----------~
PARS v
160 CANTUS AD LmITUM - CREDO VI
6 _ mnl _ a fa _ cta sunt • Qui pro _ pter nos ho_ mi _nes, et pro _ pter' .
'--'" ~-------
o~ ?7
"---------- ----'
.----.
----'- .'
.. , .... ---- .....
.?7 T
PAIi:S V
CANTUS AD LffiITUM - CREDO VI 161
----------~ -----------
Et ; _ Ie _ (urn ven _ tu _ rus eSI cum gIG _ ri _ a /u _ di
•
-------- '"---------"~::!
--------- -------
'"--
--- ... U
~
rz ~
c' ....... J6J J
PARS V
162 CANTUS AD LmITUM - CREDO VI
di~~~~~~~~~~§~~~B'~
-B----'y
'--- -- ?7----.:.-.--T - - - '------__
---
" .u
.. , ••.••• -0
, .f2.' •
n
?7
~ ~
U 77
.J
- U
.-'"
yo
""'---------------
----
77 ---- ?7
E. D. L.
PARS V
163
~
0_...___.,_.. .. .0--9
0________ '-" ___e
,
~ ~ 0,--
~ -
J~j' .. O~8_
..--..... ---- ----- ~ ""-
8-
• 0
----
PA.RS V
1M MISSA PRO DEFUNCTIS
, II - ne el lux e I!; .
,
06"
-
- o
ri _ e * e Ie _ _ son. Ky
VI.
, e Ie - - son. Ky ri _ e
. e Ie _ _ son.
..
II
,.
~
•
'6"
--------
-
09-
-
0
-
------
.a.~ ~
-619- .~
o
~n -----
09- ....
•
,
~ '--"'"
--
~
-
?J~
- -
.. [u...y
,,'-"" ~
o6J6-
0
,.G.,
- -8-
"">,
"'---/
•
-o~.
Chri ste
. e Ie _ _ son. Ky r, _ e e Ie - I
_ son,
~
"
V '9
-- _-e_____~-'9
I
- -
0 .. .a.
---
n
-=
~-e~
~
----...-----......•
~
nn
PARS V
MISSA PRO DEFUNCTIS 165
Ky _ r, _ e
. e Ie _ i_son. Ky _ ri _ e
- * e Ie _i_son.
u~ •
f
-- -
- o
-----
•
Grarl .
II.
D6 ffir _ nl'
---------
et lux per _ pe tu _ a
lu CI' _ at Is.
- I
~-
f
- I
, .Ll lot
- -
, -....
PARS V
166 MISSA PRO DEFUNCTIS
'f. In me _ m6 _ ri _ a IE _ ter
--------' a
~~~~~~~~~~~£f
Il u ~
- - -- na e
- - ~
~
11
-"'-""
,-.,
.e__.__-e-........;fr
- -~ ~n
0
- -------
ri I ]u !;tus :
au _ di _ ti _ 6 _ ne ma la
*non Ii _ me bit.
II
PARS V
MISSA PRO DEFUNCTIS 167
Tract.
VIII.
de _ Ii '/1
1:' r'
,~t gra, _ t I a lu _ a
eto rum. _
---..
PARS V
168 MISSA PRO DEFUNCTIS
me _ re _ an _ lur e _ va _ de _ re !u _ d. _ CI _ urn ul _ Ii -.
-- 77
_ nle be _ II _ Ii _ III di
f ru .. I •
?L --?:J
PARS V
MISSA PRO DEFUNCTIS 169
Sequen
I.
Tes _ Ie Da _ virl cum Si_byl_la. Quan _ tus Ire _ mar est fu _ tu _ rus.
-
·
Quan _ rio IU _ dex est v~n _ttl _ rus, Cun _ eta stri _ ete dis_ eUS_SI) _ rus!
j
( ·
o
_ bit et na _ tu _ ra,
.
, fl ~
ClIm re _ sur_get ere _ a _ to _ ra, .Iu _ eli _ can _ Ii re _ sponsu _ ra .
--- -
- -
PAHS V
170 MISSA PRO DEFUNCTIS
f/
L.
con _ ti
- ne - tur. Un - de mun_ dus IU - di - ce - tur.
A
bit: Nil In _ 01 _ tum re _ rna _ ne _ bi t • Quid sum ml _ Sl~r
tunc di _ cto _ rus ? Quem pa _ tra _ num ro _ ga _ tl) _ rus? Curn VIX lu-
PARS V
MISSA PRO DEFUNCTIS 171
t)
12
tJ
--./"
--- -
o _ u______C(
r;
• _u
•
"'---.
/"
- --.
-
las _ sus: Re_ de _ mi _sti cru _ cern pas_ sus Tan _ tus la
_'!-------- -!
'-----_.---'- ----_.-/
'r.7 ..
PARS V
172 MISSA PRO DEFUNCTIS
'---------
PAns v
MISSA PRO DEFUNCTIS 173
Cor con_ Irf • lum qua.sl CI. nls Ge. re eu. ram me. I fi _ nls.
}u . dl . I
can. dus ho rna re _ us Hu.ic er. go par ce De. us.
fl~
~
.. ~
- --
*~~JL
- ~
0
U
v______-v-
-~
U
e _
fl .u
Pi • e Je . SII Do_ mi _ ne, rh. na 18 n~ • qUI. em . A men .
~
u _______u
_'-"" 0 ______ - 75
_ ____..- ... ~
-
~
7'f
- n ~-'::..
PARS \
MISSA PRO DEFUNCTIS
174
~~~~~~~~~Ir- 0 ________
-&
•
la cu : II _ be _ ra e _ as de 0 _ re Ie _ 6 nlS,
t •
12
PARS V
MISSA PRO DEFUNCTIS 175
~ o _ u _ c ;_ _ v ~ _
,
- Sl
- sl i . Jet se rnl _ nl e JUs.
" .y u
@} o ~o
-......---- -----
0 "6'-
"., -e- n 10
J
- f~ - fl mlls: tll pro a_ 01 _ m' . . hus il _ lis.
il ---- ~
06- •
..
0
. o
I
, /:
qua _ rum
-
hL di _ e me _ m6 _ rl _ am fa _ CI _ mus: fac e _ as.
, .. .. ...
~
o ~ - _
•
..
I
0'-- ---0 •
PARS V
MISSA PRO DEFUNCTIS
176
"""----------' ~ "'-----------
.......
o '___ -------
----
_ di -
In ex - eel - SIS Be - ne _ etus qUI ve nit In n6 _ mJ .. ne
-
• - ~
-
06- mi _ nl. Ho_ san - na In ex - eel _
, '"
SIS.
~~
0 '19-
PARS V
MISSA PRO DEFUNCTIS 177
-6t" ----#
....
!2
Comrn.
VIII.
Cum --an _ ctj ... ttl _ IS In re _ ter _ nllm ~ QtJl_ a Pi _ us 1'5. 'f. Re - qui - em
.-D-. - . ---- ----- --- --f---
·
--
o ••
el luxper_pe_ltJ_a lu_ce_at
·
0 ....
----.--
-e- -e-
-- ... T
j. V. N.
PARS V
178
ABSOLUTIO PRO DEFUNCTIS.
Libera.
Finita Missa pro DejuncUs, si jacienda est Absolutio, Cantore incipiente, Clerus drcum-
stans cantat sequens Responsorium.
l.
--
-9
- -
, eu _ )ulm
Sle
- --
-9
----_.-/- ~
. ..
....:? ... •
PA.RS V
179
·tJ ~.
09_
• -6"
~
77
y. Di _ es il _ la. di - es
-6"__
_ -.:ff~09-
-----~-
ne _ rlS JU - di _ d re CU _ lum
'-------
~ _-6" ~
~------ ~------
...-------.......- ...---------....-
~------.
Finito Responsorio,
Cantor c:om 10 Chota 2"' Cl,orus
Omnes simul :
Ky _ ri _ e e Ie . _ son.
IN EXSEQUIIS DEFUNCTORUM.
Subvenite.
In Exsequiis Defunctorum, ecclesiam ingressi, canlant Rf.sponsorium, Contore incipienl'e. et
Clero aliernatim respondente, videlicet
IV.
An _ ge _ Ii 06 _ mi 111: .. Sus_ei_pi.el1_les
"t9-'-- *
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II _ ni _ mam e Ius: + Of _ fe _ rell. tes e _ am m con_
PAHS V
IN EXSEQuns 181
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et ,n 51 _ num A _ bra _ hie An_ge •. li de _ dtl
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cant Ie. 'II Sus_ci_pl _ en_ tes a _ nJ _ mam e JUS
+
PARS V
182 IN EXSEQUUS
do _ na e _
DLmi ne: et lux per _ pe _ tu _ a ce _
11 I
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e I. 01· Of. fe _ ren_ tes e _ am con •
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Finita Missa, in Exsequiis prcesente corpore defuncti, Sacerdos absolute dicit Orationem Non
intres. Deinde cantore incipiente, Clerus circumstans cantat. ft. Libera me, ut supra. Deinde
Kyrie eleison etc.
In Paradisum.
Finita Oratione, dum corpus defertur ad sepu[crum, Clerici cantant. Antiphonam
In '.
pa _ ra _ di _ 'sum '" de _ du - cant Ie An _ ge Ii
VII.
PARS V
IN EXSEQUDS 183
,...------...... --
quon _ dam pau _ pe _ re re _ lef _ nam ha_ be _8S re _ qui _ em.
Canticum Zacharice.
Quod si corpus tunc ad sepulturam non deferatur, omissa Antiphona In paradisum, etc., Sa-
cerdos prosequatur Officium, ut infra, quod nunquam omittitur ,. et intonet Antiphonam :
II •
PARS V
184 IN EXSEQuns
Sicut locutus est per os sanct6rum, ... qui a Ht tu puer, propheta Altlssimi vocaberis : ...
sreculo sunt, prophetarum ejus : prreibis enim ante fflciem Domini, parare vias
Salfitem ex inimicis nostris, ... et de manu ejus :
omnium qui oderunt nos : Ad dandam scientiam salutis plebi ejus, ... in
Ad faciendam miseric6rdiam cum pfltribus no- remissibnem peccatorum eorum :
stris : ... et memorari testamenti sui sancti. Per vIscera misericordire Dei nostri : ... in qui-
Jusjurflndum, quod juravit ad Abraham patrem bus visitflvit nos, oriens ex: alto :
nostrum, ... l:laturum se nobis: l11uminare his qui in tenebris et in umbra mor-
Vt sine tim ore, de manu inimic6rum nostro- tis sedent : ... ad dirigendos pede£ nostros in
rum liberati, ... serviamus iIIi : viam pacis.
In sanctitate et iustltia coram ipso, ... omnibus Requiem reternam ... dona ei (eis), Domine.
diebus nostris. Ht lux perpetua ... luceat ei (eis).
Et repetitur Antiphona
~
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J V. N.
PARS V
INDEX PARTIS V.
ORDINARIUM l\USS~£.
Pag. Pag.
Ad asperslonem Aqua; bcnedictre extra Tempus Paschale. I XI. In Dominicis infra ar.num.• Orbis ((1clor • 62
Tempore Paschali. 2 XII. In Fesris Semidupliclbus" I. . Falt,r cuncla • 68
Alii Cantu!! ad libitum pro Ant.· Asp,rKtJ me 4 Xiii. In fest!li Senlidupliclbua. 2•• Sit/liferz Co"tii/or. 73
l. Mis. Tempore PaschalL - Lux el origo 5 XIV. hlfraOct.GLllC DODsuntdeB.M. V.' /esu .R,I1,,,,p,o<,. 78
II. In Festls Solemnibus. I.. Kyrie (o"s bmilalis II XV. In FeSl1s SlmplicibllS • f)om,nalor DillS 84
Ill. In FeStili Solemnlbull. 2•• Kyrie Deus se",piler"e. 17 XVI. In Feriu. :'et IOOUPl 89
IV. In festis Duplicib'us. I. • C,."clipolens Genitor. 2.3 XVii. In Dominicis Adventus e: Quad'"~e•.lma" 91
V. In Festis DuplidlJull. 7.• K,'i" magna Deus po. XVIII. In Feri!1 Adventlill et Quadfagt!lIIl1~, ;1Ji Vigilii:l,
tentia ~ Feriis IV. Temporum et in M'.!'.s.l RngJ:io'.t'.,..
VI. In Featis Dupldl'H,U'. 3•• ?{jYi< Rex {,,,,,itor Cred(), I \i;g
CANTUS AD LIBITEM.
Pag. Pag.
Kyde l. Clem.'." R,cfor 124 Kyrle Vl/I. Fim:,:.:m· sc"de 134
Kyrie II. S",,;me £inlJ. 126 Kyrie IX. 0 Pal,r exals' l;~~
Kyrie III. Ru tor <OJ",i pie 127 Kyrie X. (/" Dominieis !er an"u",). 137
Kyrie IV. Ky.i' allirs'».e 128 Kyric XI. (Jr, Dom",ieis A dvml"J et QUild",,,esim,z). 138
Kyrie V. ::olllditor Kyrie o",nium 130 Gloria l. n. 111. 139·144
Kyrie VI. T, Chn,te .R,x su!'Plicts 131 Sauctua I. II. III 1~7·149
Credo V 154
Credo VI 158
MECHLINJ;E, H. DESSAIN.