FATEST HITS E> a ana 25 13 +30 34 » 22 * 39 10 16 20 PIANO/VOCAL/CHORDS MARVIN GAYE GREATEST HITS AIN'T NO MOUNTAIN HIGH ENOUGH AIN’T NOTHING LIKE THE REAL THING DANCING IN THE STREET GOT TO GIVE IT UP HOW SWEET IT IS (TO BE LOVED BY YOU) | HEARD IT THROUGH THE GRAPEVINE LET’S GET IT ON MERCY MERCY ME (THE ECOLOGY) PRIDE AND JOY SEXUAL HEALING THAT'S THE WAY LOVE IS TOO BUSY THINKING ABOUT MY BABY WHAT'S GOING ON YOU'RE ALL | NEED TO GET BY ISBN 0-7935-7557-2 HALe¢LEONARD® ORPORATION oral werts conned hare rao cop, ania, separ er ble france a ringer of py nkingor re Habla unde! ho law www.halleorard.comWords and Music by MARVIN GAYE, AL CLEVELAND and RENALDO BENSON int WHAT’S GOING ON Moderate ‘Moth - ex, moth - er ‘There's too man-y of you ery-ing, nf prsizs} — Bro- ther, bro-ther, bro - ther, — there's far too man-y You__ know wo'vo| got to find a way. 2 a 7 bring some | lov-in' here to-day,— a Pick-ot lines — and | plok-et signs, cot |pun-ish me ‘soit ERE (nas Whacs Going On 2-1 copyriens 3 79,1971, 1972 by Jotiee Musi Coo ah dase talk to me 5 7 {Faw mangement Coppight © [914 by Jabete Mase Co. ne Pre ae Ce Youcansee; Oh, ey what's |ro-ing on. es 288 Samet Bl. aly wood, Cail 900257 ft ss — go-ing on. yeah, — what's| go~ing on, ohtywhat’s,_go-ing on. oa =z FE stom Soto OO ee — an,ah, An. a Fp (9 last time fade = vis yi, vis vis vis yasya,! ya, ya, ya, ya, "with no repeat c= = de doot do dode doot badobe do bo do bu | bu Father, father we don’t need to escalate You see, war is not the answer for only love can conquer hate You know we've got to find a way to bring some lovin' here today.( Chorus ) Father, fathor everybody thinks we're wrong Oh but, who are they to judge us simply because our hair is long? ‘Oh you know Wo've got t0 find a way bring some understanding hore today. (Chorue) Whues Gog On 2-2I HEARD IT THROUGH THE GRAPEVINE Werds and Music by Moderate NORMAN WHITFIELD and ep rp BARRETT STRONG, Zz "bout your plans — but these taars. = bet you'tewon-derin*how I knew ain't sup-posedto ory SS i= = ‘| > to make me bite, with some oth - er guy you knew be-fore ean‘ hold_in - side, lo- ein’ _ you__| would end my life you see = a we Fy Te ¥. bo-twoen tho two of us guys: you know 1 loved you more> It took me by sur “eause you mean that much tome. jou could have told . a _ [must say found out yes ~ ter ~ day_ me your ~ self loved” some _one_else.| FAL i _— say = 2 ae Nea Neat it through the geape vine! He a don't you know that t heard | it through the grape-vine, —— = AL ss, i ge se z == = 5 ger would you be mine. uh huh heard it through the grape-Vine gor would you he ___ mine. Oh. I heard _it through the grapevine. = =F 1 Heard 1: Through he Grapevine «2-1 Capgrght © 1968, 1967, 1869 hy Jobgte Mane Co, An 6288 Suns Blvd Hey wand, Calif, 99028 is arargemens Copy ght [988 by Jopete Mae CI Insernsenal Copy ght Secor Made USA AI Rights Roered7 rT Oh__. I'm jet a - bout to lose amy mind. ey, hon-ey FO} And I'm just | a~ bout to lose my mind. a ln ude @ ete yeah. heard itthrough the grape-vine not much| ton - gerwould yoube mine _ba a man — + — DS. 9 al O Code Peo-ple say be-liove half| = Ter LL ttt TUT | pon-oy, non-ey, 1nd | Sab lot-tingme gol yeah,yeah, yeah {heard it through the gray ‘ne much longer would you be mhe.baby yeah) 3. People say believe half of what you see Oh, and none of what you hear; Bat I can't help but be confused If it's true please tell me dear. Do you plan to Tet me go For the other guy you loved before ? 1 Heard 1: Through The Grapevine 2-2DANCING IN THE STREET Weeds and Music by MARVIN GAYE.IUY HUNTER ‘and WILLIAM STEVENSON Moderate = the world —are you read -y for a brand new beat_| Jeroce the “na — ton a chance for folks to meet = ing ost around a vita ~ ten 3 Se east sum-mor's here and the lume is right for cane -ing inthe street. there'll be |laugh-ing singing and) | mu ~ ste swing = ing danc- ing inthe street. | They're dane ~ ing in Cai gown in| New Or = Jeans, — Phila "del ohiar Pe As, barat - more andD.c| Now tet ee } 1 New York cht to, sweet mas - cant for-getthe Motor clt ie Sweet mas -| there'll be |mus-ic er - ‘rr where| ‘There'll be |swing-ing and sna there'll be |mus-ic ey - ‘rywherey ‘There'll be |swing-ing and sway=irg Dancing In The Sect - > 1 com © ya tee ae Cot gE Sune Ew C4 9088 nario Cop gh St ee An gi Renere-cords playing, Gan - cing in the street it does ~ n't mar-ter__ what dan cing In ike street : it does = matter what oe : é 2 cad - See $4 ¥ = z youwear ort ae feng ao you so come on | ev - ory ew souwear just as fone ae yeu teamed — Sy come en few ay By ——— = eu = ley-where — arround | the world. They'll be [dane — ing ev “eyowhere — around the world, They! be [dane = ine | grabs girl grab a girl gery day. Getin time me and you SS Doecing In The Sreet 2-2 they're dan-ein' in tho street they're dan-ein' in the Street. —~/Puncong the sine (Durevie wi che srceey — they're dan-cing in the atreet. ring in the rect, | Mere comes ably strong man, an-cing in the street. ruringin de rees J A~cross theo- Coan blus we're dan-eing in the etrect, (fade)N HIGH ENOUGH Words and Music by NICKOLAS ASHFORD and VALERIE SIMPSON AIN’T NO MOUN Fast Have Bost babyy alk’ no mown - tain high, ain't no yal - ley nd Bc fas low, stin't ne riv= er fvide ¢ ~ nough; ba — by If you need me nomut-terwhere you ; Bon & | . ; call myname; _ — Eas oon FE sea : i a = on wanna mf? me mannan wae [2° Gia acme = taln high enough, Ate No Mountain High Enough ge ed atc 0028 heen A Rowea \ = ough, aint ao riv = ar wide win = tere cols. can stop me % cause vou are my Und voices IL you're E eee — ee bis al Pade a =—2 = a = ee oat fev-er introu - bier I'l! De |there on the double. sust | sere for mes oh} baby. - DS ms — 2 [set van Free: told vou you could always count or mo From that day on, [made 8 vow, [Lhe there when you ware me, Some wav, some how. ‘Cause haiy’ there (Chorus 3. Nr love is alive Way down In my heart Aihough we ave If you aver need! 4 helping hand Litho there an tho. double Ae fast a8 T ean. Don't vou know that there (Chore) ‘Ala'c No Mountain High Enough 2-210 THAT’S THE WAY LOVE IS Moderato oh. L > Yeah, r¢ 7 Ob a and your henrt one guy youloved has de - Like you ain't got a friend thou-sand times you Is car-ry-Ing a part - ed and you're Words and Music by NORMAN WHITFIELD and BARRETT STRONG — ba-by as the | bit-ler tents fall from yoUF ayes_ now [ know you're wall - ing down a - Ione———.. some road ¥ ask your-self beay - y why. load. The feel I _know you ge se pr er alone and * bro - kenhéart world is caveing In. lett girl—and your whole Jove just now is comes and _ it goos the timetobe strong, t's gon - na last got him now that ho!s gono; ~- hats The Way Love = 3 Astorstonal Goppgh Secor no-bod-y Copyright© 1566, 1989 ty Jobe emcre Cuppa that's the way — that's the way knows. Uh hub, juet re-mem - ber, og ys ae $288 Sse Rr, Fan. 90028 epee U9rt by bere Mane Gof Aide nS eada (that’s the way Jove Is nuff! how it is) On {that’s the way love is aulf' how it is) Oh ml 7 that's the way love is, shook up, that's the way love is that's tho wa} Jove is, ba -' by hat's the way love Is To Coda @ 1 cs nuff how it is) that'show it Is. Wo | tha'show it is hon - ey muff how it is) that's how it is. TR | Ths The Way Love 322es ie D.S. al CODA = 8 Wipe away your Coda love is here. _| To - day __ all of your joys —— gone to-mor ~ row: (that's the way love is Sho! | muffhow it is) TW say turn to sor ~ row; (that's the way love is Sho’ | nuffhow it Is) (fade) - 3. Oh, listen to me Little darlin’ The road of love gets rough sometimes Don't lot it get the best of you. Said I've been hurt by love so many times So [ know just what you're going through Oh, you wish that you were never bora You better forget him now that he's gone; Just remember, that's the way love is babe ‘That's the way love 1s. Sho" nuff how it is Oh, that's the way love is, honey, That's the way love is. Sho" nuff how it is ‘That's how it is. has The Way Lowe 513 HOW SWEET IT IS yc ssncey (To Be Loved By You) BRIAN HOLLAND. LAMONT DOZIER and EDDIE HOLLAND isin ta eras os os , ¢ fit or ah THE FE tH How sweet it is to be loved by you. I nocd -"ed the shel-ter. 1 elose my eyes Instrumental S y 7 there you won-der-in' where would I be without How Sweet es 3 * 2 Copyright © 1964 by Jobete Music Co. Ine, 6258 Sunset Blvd. Holly wood, Calif. 90028 This arrangement Copyright © 1975 by Jobete Muse Co. Inc. International Copyright Secured Madein USA. All Rights ReservedHOW SWEET IT IS Words snd Meus (To Be Loved By You) BRIAN HOLT ss LAMONT Dowie RDDIEHOLE ASS: Moderate, with a shufle iat ogee ‘ How sweet it is to be loved by you, © sass) neod - ed the shel-ter____of i close my “eyes at night, 8!_Instrumontal . tn iy tH Wire. fou in my life. some-ono's arid; i ” there “Yu. won-der-in’ whore weuld [ he without ——S E ¥ a How Sweet te-3-} Copyright © 1964 by obete Music Co. Inc. 6255 Sunset Biv. Holly wood, Cai, 90028 This arrangement Copyright © 1975 by Jobete Muse Con ine International Copyright Seeuted Made in V&A All Rights Reserved14 Ineed-ed some-one to un-der - stand my ups and downs, — : there __ you _were, __ Een igeiig raid was juste borer ev tey-where wan soeme 1s a with sweet love and de - vo - tion, been there be-fore, but you bright-en up for me all of my éays__— Jeop-ly touching my on cag Fo wane 10 top and thank you, 7 ba-by;_ 1 want to stop and thank you Mow Sweet Ween 3-2You wore bet-ter 10 was to my-self, __ me there's you and there ain't. no ~ bo ~ dy else.. and thank you Opus : an aft How sweet it is to be loved by you. How Sweet fe Ie-3-3TOO BUSY THINKING ABOUT MY BABY Words and Music by: JANIE BRADFORD, F NORMAN WHITFIELD and irq BARRETT STRONG 16 Moderate FAR I ain't got time to think a - bout mon - ey or what it can buy, and I ain't got time to F ge r op Am Efe sit down and won - dor at what make the bird-ies fly. have time, to. think a ~ bout what makes the flow ~ ers Toe Busy Thinking About My Buby <1 3 + ‘Copyfght 21966, 1969 by Jobots Mie Cr. fas 6266 Somit Ble, ey sen, Cs, 90028 °F rangement Copycteht S197 by donee Muse Cr ne. Gan) Pemsion Inteanational Copy Seeated ‘Md fo Ua Ail Riats Resernev = er giveli a thought oo ee where rly ~ ers flow. ae Ain't got time for noth - in’ else. i 1 ain't got time the weath - er, or know——what's go = ing “Too fesy Thisking About My Raby - 4-2 Po7a7sMix18, cmt : and [ain't got time eae once 1 get out of— class. Ando 'm just a and when It im iy comes {0 think-in’ a-bout an y-thing but my ba-by, | just don't have time. Tow Ray Withing About My Raby 15Ain't gol time for noth ~ int I ain't got time Cause I'm not con - cerned —. with what the fi = ture holds _ fl "ase Het DS. al Fine id Hy if ip ce “Tow Busy “Thinking About My Raby 4-4YOU’RE ALL I NEED TO GET BY Words and Music by 20 NICKOLAS ASHFORD. Moderately e Fe and VALERIE SIMPSON as i Ei) SHE, yoy. GE 2 ae ibe 5 = SS == = == a 5 arr Se 2 SSS avec — morning ov, 1 tock one Look at you, Ard ws plane lo see Ssvude proscct NS wea fer you Pit o'my Geol, std ty gp fe See, pore (GiryWith my arms o-pon wide, you were my (Girl) Dac-lint in you 1 found Z thre any bach vm sac- ri - fice Don't know what's in store te T wit where you Tead— al-ways therein ime of reed. Just to at's good for you and in ~ spire YOUR Ubotle high - er, out AILT Need To Ger By 2-1 Copy thet © 1968 by Jobete Manic Cow Ine 6255 Supret Bld, Holywood, C2, 90028 sions Cipyright Seared Widrie OS. "AM Rights Reserveda a (Boy) And when lose my will you'll bc there. to push me up the (Boy) 1 know you ean meke a man out of a seul_that didn't havea goal ‘Cause no look-ing back. for us, we fot love sure ‘aough that's © —nough... You're we ot the right —found- a” ~~ tion and with lowe and de~ ter” mi-na~ tion.” You're iy , To Get By, want to otrive for and doa lit-ile more. ll, all the Joys un-cer the sun wrapp'd up_in—to one. You're22 PRIDE AND JOY NORMAN WHITFIELD. MARVIN GAYE, J WILTLAM STEVENSON Moderate Shuifle Bn my and Tjust | love you love you | Gan - Tin) ___ alike a anda love like | mine yeah | ba - by BE roe tpt 7 ba = by boy toves his | toy. You've got _| kis - ses_ sweeter than some-thing no-bod-y can ev-erdes - roy. You pickme | up when I'm a es . Garg hon - ey and 1 work |sey-en days a week to give you down andwhenwe | go oul pret ~ ty ba-by you shake up the er Pride And Joy 3-2 Copyright 91963 Py Je Me Cre 288 Se “fheangeneae 19h by Jnbes Mee Invrmaivet Copy et Be Mae nS(aan ps) acd a all my____ mon-ey; andthat' whole dam ——_ town; andthat' why you are | my pride: why [believe you're my pride: | to Code pity = and I'm |tell-ing the world i = 9 ah 2 —— = = —s 7 (oride and joy) A be-Veve rm | your (my = ty ay,) ba = > zs —— BY, fa = by hon.) amd I know that you're! my (pride and jor) pride and4 joy (pre und joy.) yeah — | ba = bysfba - by boy,) yeah fa = by (ba by boy) aap it Cote yeah, yeah, yeah. [/Yeah, (pride and joy.) yeuh — yeahs(pride and joy,)¥eth, —— a (pride and. joy.) (pride and joy.) = by boy) ba = by fade 2nd time boy, (ba - by boy.) 901 (pride and joy.) my pride and joy fprideaul jyJandT love} you ike 2 ba= + EI , i & a li : loves his Yeah, yeah, yeah. ide And Jor 3-9GOT TO GIVE IT UP (Part 1) Words Moderate a ——— [used to go out = too par = and stand a - round; * up = side the wall. Eras rt To os - vous — to real - ly yet dow aiy-selfto~ geth-er, ba- by, now 'm hav—in' a. ball. Pe 5 Go To Give Up $1 conviay neat 7 te Ve Cn. 4388 Sta Bi, Hap wonl CH 90628 eh Sec Ste mS" Rigs Reserved26 i __ - ai = T got up. on the floor, some - bod - y_wateh = in? 80 some ~ bod-y could choose might wan - pa make — ro ~ mance. (Repeat Twice) —_— ee bee Gerba Ghe Up 3-2ae shake it down, Ooh, want to, This is such a groov-y par- ty, ba - by. face to face ev - ery- bod - y's screamin! Go To Give lt Up-5- 3this is such a groov~ y place. You're mov~ tnt your what you're think ~ Gor Te Ge Up 5-4—s Think I'm gonna let you do it? Keep on dane Got To Cae Up-8-5 + Move your body, move baby, and dance all night, ‘To the groovin’, r feel all right. Havin’ a party, ooh, invite all your friends; But if you see me stop by, let me in. Baby, just party all night long. Let me slip into your exotic zone, (We heard that!) (Feira Lyrics for Ad Lib Ending) Keep on dancin’, oh keep on dancin’. Doh, look so z00d, yeah, keep on dancin’, Oh, now sugar, got to give it up. Keep on dancin’, gotta give it up. Keep on dancin’... ee. eee ee,Words and Music bv . LET’S GET IT ON i & & & gion" Slow Sou! Teeat gE 7 try-in' to hold—back this feel- mt "we been really try |= n'y ba = by, TI E+ : ESS S a yo” UF f # |e P int uaa. so tong Andityou fee! | ke 1 feel, barby, honcomeom— obs come | = ees == = Ss = Te 4 ee = on Ooh, Lot's Get t | On. ow, 44 82 a 7 a’. "a I e baby, Let'sGetIt| On. + Let'sGet 11 On, at se f] . Z a @ ¢ a : “ We're ull sen si-tiveped - pie Lets Get it Oa- 4-1 HE RSTn Mag ett 26am ety 028 STL Tacee a Oo aes Chern "Signs Re ‘weratonl copra’ od i & a 8 __ . = i x = eae = if hen PS 1 a . & Ss = how swootand won-der-ful_| life ean be. Ooh.-| a. & 8 Le Se SSS as ee or sewe ee = in! you, Legere Ons-2 | #Lain't goin! tower] ~ SHES a G ry. Iain! goln'ropushy —_ won't pus you, ba ee aS == Poe we ~ fe ty. Just Fome of, comer, comer, comecn, comecnba, by, stop heat-in""7oaa ihe ; a | | ae Ss =": = == ud ‘o.oo B / {SSS ee aS \ 5 SSS | tev'eCet |! 11 On, Ooh, ooh, | les == = we i eee ij ree ee rei | ee - believe in love, ann ant oiis el p Letyeurtoes came : 4 es rat = = 7 “Js 5 et - &# an x E a i ee oy i & & 7 hese a Lets Ger le Oa- 4-3= ——} a a get it om Come on, come on, come on, comeon, comie 2, fn', Stopbeat-in’ ‘round the bush eee = os be "by, want toget it on. | we ; = hey.Giel, yougive megood |fool - ings, se good, | come-thin' Iiko cum-mor-time. « “ « «| Lets Get itOn- 4-4 Pova7smx3 MERCY MERCY M (The Ecology) prot Words and Music by Moderate i MARVIN GAYE cy, mer - oy Ah, Things }— ain't what— they used. to be. No, ne, where did att poi - son Is ¥ from the north-and south and feast - mer-ca ~ ry mer-cy, mer-cy me, Ah — things —| Mevey Mercy Me- 2-1 Copyrid © 1971 by Jobete Muse Ce Ing. 4255 Sante Bind Holy wood, Cali 99028 Zh prangenen Copy © 91 oy ame ie oe Insernatonat Copyright Secu ween AIL Righs Reseved—ain't what they used to be.~ ho, no, ra-di-a >lion un = der-ground-andin the ~ (0 Bow > mals—and | birds who live near by are L¥ * land. how— much more.a-buse from masi<~ can she stand?. Oh an ° g ; HEH 9 bese instrumental and fade 1. Ah things ain't what they used to be, ao, 10. (fl wasted on the ocean and upon Our seas fish full of mercury, Ah. 2. Ah things ain't what they used to be What about this over crowded land Mercy Mey Me- 2-2 How much more abuse from man can she stand?NOTHING LIKE THE REAL THING Words and Music by NICKOLAS ASHFORD and VALERIE SIMPSON Ain't nothing lke the reel thing, Avnait B lke the 1 got your pfe~ wre hangin’ on the wall, PS ‘lo ashing Like The Rea! Thing 3-1 Copy © 1367, {atermons Copies Hottywooe, cab, 90028, IN au mies Reserved3” Dei Wt can't see. orcome to me——when | call your name, fe TE JF = r q Ee eC a Poa ve Ee re-al-ize it's just a pie - tare in - side 8 — Lee let ~ ters _ when you're —_ me, but they don't snove ime, and they don't yrooveme like your sweet voice while ~ per ~ ing Aw Neti Like The Real Thing 3-2(35a is quite the same as your eh Blt ctaim Feit fa ea AC, and fade yey half as much. to make me feol 20. let's got to- geth - er. 3. [play the game, a fantasy. I pretend I'm not in reality. Tneed the shelter of your arms to comfort me. 4. [got some memories to look back on And though they help me when you phone, I'm well aware nothin’ can take the place of you being there. [Ain't Nothing Like The Rest Thing 3-3SEXUAL HEALING Words and Music by MARVIN GAYE, ODELL BROW. and DAVID RITZ, Moderate half time feel (d= 1 beat) = eB 1 Qe. | shh (Whisper) Wakeup. wakeup, | wakeup. wake upt lsing” Oh ba - by now, a | os * = —————— — - 3 = Diy, 3 = = == — ee ee “2 F ¢ SF ooo aa SS SSS SSS SSS SS === = Sexual Healing-9 = (© 1082 BAIT APRIL MUSIC ING, RETZ WRITES and EM BLACKWOOD MUSIC 1. All Righcfr RITZ WRITES Controle and Admintiered by FSHAPIOL, SCSTC TS “AU Kigns RecrvedInierntbenal Capgrph Sout” Card by Parmiaionhot just like an ov = got sick this mom- can’t hold it’ much Ohink Tm cap = Seraal Healing 9.2 lense wes gt-tiv [suone- a, and. foroes- er, = we. Be Bett PS RE AE ma z a Oe aaa ucat | heal oy gate sex = ual heal - ing! Oh ta + by, ex sus al heal (V's good for me) makes makes i swmpeherous) (And | it’s goud for us) Sexaal Healing 9-3=e for for good 00d me, c Fnaj? FIG i ia es = ve Ne Sa SSS po nw? Sex - u-al_ heal ing is ‘some-thing that’s | good for me._| ee er crops} are fall ey =o SSS ee =F ae Fmaj7 Dm? Em? Fimaj? FIG Cf abmay ‘Fn? mF Aba, AB ED 4 } 2 1 —s OS j HESS © T T T a = = aoe = Senesl Healing 9-4some mai? Dm tem? Fri HG Abmaj? Fm? Gm? Abma? —As/Bb | FD get on the tel - e=phonc and \* * 5 wt pp pe pp ey te fatto $e 45" a aT Hon - 1 know you'll be — there} — to re-tieve, me ‘cause the 2 5 = ‘Fat? Dm7 Em? Frmaj? FIG Cc a ats Bs = 8 Ree 4 Sh 4 love, you ‘ive At =75 = ii Seaual Healing 9-5is: T ao 3 a Fmaj7 Dm7 Em? Fimaj7 FIG Abmay? Fm? Gn? Avmaj] AN/BS | | iS a= = = =e +? Soe i = Te ¢ am Em? F c + DS. al Coda ma i & me Wake up, Senual Healing -9 -6 wake up, Gini wake up, wakeup, cause you do it right!— And its good forme, And its. %0 good. Fa? Dm? Emi # ip Asmat Fm? Gm? : — es pt IO . 2 SSS f= SS f | ee ate: mej my ba-} by, Oh. we = = Fimaj7 FIG c ET Asma? —_AB/Rb or 4 ~ ft wd SR = E ig on, Just amb a told FB I i 3 = Fini? domai? =< - = Ste fp = = = = - of my | body and mind Soon we'll be Seneal Healing 9-7Finai? Dm? fan. Abmei7 Finaj7 FIG c i ral Rp Sexual Healing - 9-8a c Am c Ps Bb cm _ = Nyy oS SS # | —$= E t= Let's make ove to night Wake up, wake up, = — Fe 2 c wake up, wake up, ‘cause you doit rights _—————— > ¢ am Em? Fr c et Be aa Re Bb Cm Gm? ‘Ab Bb F —- SS SS \" ia Re ~ j (vocal omprovtsaiions) FS 2 = Para Ie c Am Em? F c. i a sent 3 m Gm? Me i — = — : —— ( C3 — <8 — = i