ISRAEL BOROUCHOFF ff is currently Professor of Flute at “University and flutist with the Richards State. schoff studied at Juilliard, and has since been a = Little Orchestra Society of New York, solo ‘tut of the St Louis Symphony for eight years and solo flutist of the Chamber Symphony of Philadelphia. He has worked with many eminent conductors and musicians, such as Pierre Montewx, Georg Solti, Jean Martinon, Igor Stravinsky, Aaron Copland. Elizabeth Schwartzkopf, Dietrich Fischer- Dieskau, Pablo Casals and many others. His orchestral playing can be enjoyedon RCA. Columbia and Angel records, and his solo and chamber music on Orion, Crystal and Musical Heritage records. In addition to his teaching and performing responsi- bilities, Mr. Borouchoff is an active recitalist and clinician. He is also a past-president of the National Flute Association (1975-76).FIFTY MELODIC STUDIES = (Op. 4) By JULES DEMERSSEMAN Edited by ISRAEL BOROUCHOFF Allegeto un poco eno (de72) 4 1 PP supple legato aa ee ee ‘# Thos are to be considered expresiv acent and shouldbe executed with breth and vitate rather than with hard {onguing; percussive effet sto be aelded her. "© cape by Sor Mac Company en oi, To nt ‘tonaton! ope neues Prien SA Att areBasmf Un poco lento (4 =69) * *Ze,. gate P * ie -# Care mast be taken not to emphasize the hgh nove. Bson. o == aa ino non opp dae ‘nt oppo de B46: SS F Allegretto, un poco lento (4 =72) ae ee P dolce He Perse eo a2 Sempre pti animate Baas346PP ers. ed accel Ist Tempo B34610 ? =p oreae en Ly mma nied) ee e sf Tele ee page sou be played ano, with no empha o any ge ot B-346t¥e fat shuld yf prouce an even vam Sought ends Oe ntUn pac ene gon (43) pp 2 TARANTELLA PASTORALE a 7A. page u get itAllegro (J =144) Sa 15 ? 7. a Brittantty ee —— a rr 33461B Allegro (= 104) 16 ca ip “dm poco poco al fe“ Allegro maestoso (4 108) 346Atego modento (J-104) “PP lear eB camato oF a ‘Un poco animato SSS | OSS oS16 Allegretto maestoso (J =96) Larrgt— 19 T sosteratoecantable P lesen 4 Te lgntostaccato eighth note shuld be payed without onging oF act, bsp hot cungopc betwee ech acted pomp, PP Epp B46nv #rtmpetto d=30) 5 pers : > Ata poco ine (23 T inant oF o ‘singer tobe ept x lone othe ke posse; peruse sapling ofthe hey sto be acide. B4618 Allegretto leggermente (4. egret ent 22 Se old back sghly B4619 Andante maestoso (d= 80) B346Allegretto wae ds 26 Andante grazioso (J =84) eee SS PP ben lego exprenbo 346a Allegro_(¥=112) Cte? RE é AIR VARIE (Theme and Variations) Andante Gd =76) eae Be apr P kz = as =e oa ——=“7 ‘Un poco pit vivo (d=88) 5) at a VARAncora pit vivo (Js 108) 2nd VAR. Bas‘Tempo di Marcia (J =126) 2 30 (22 eee ce. ce 83464 Andante (J 84) (Supple) ie Sin Eee eS 84) (aoa TorAllegro vivace (J -160) 33 B46Allegretto (d = 8) ——— eg 35 BP dolce eben ete =F —— Bae% Moderato (d - 80) Ze eee en 39 1X IF Brillant GX Aa) ‘Largs Tneals shouldbe practiced lowly witha supple embouchure. Cae shouldbe taken to produce a homogenous ound throughout the whole range, o = 80. gal to alm fr. B-346 *4Doubic ronguing. = 190 és gosl to sim for, not a practice tempo.oi > Se ne Mol t ‘Schero Dal fine ‘$544 nthe note Af, the Bb shake key shouldbe fingered forthe sake of smooth lepto B4631 B46346Allegro (4=112) ag 43 Peet ‘# Tooughout this etude care should be taken not o push the high note. {Low notes should be emphasized Irthey lon the Ist or 3rd 8 proup of four sixteenth, B346Allegretto (472) tonto = a:ere. €aceh molt4 Alero vice Jett) P lesion Seen 45 48 Toland harmon ingrings shoud be wed throughout this tue, Baissabes pesaspott aa) ee 46 1xf, 5 2KP ue = RES 83468346* Alege matiocd-148) pesca ths 1s hep to practice this etude in dot Mf and EFF" tower than sug 8346346% Allegro moderato CJ =104) ad i 2 48 _—————— ion nf oa oteetesterteateete, CCPEetettre Ce ctr, ‘ieee. eceaseepeey! ae PS ‘#1¢is nepal to practice this study in the following shythmic patter: CECCEP, GCG EFF ana ELLELL siower than J~104 B468346B346Migs ap Ss Allegro (d =120) a - “ 2 : = B46* Allegro molto mosso (J -144- 4-176) 50 IX B,2xf, Sa a eee 2 Pasages ial donot con of repeated oes, rsh a ale hind ec shoud be practiced slowly legato and tacato ‘wth double tnguing for biter Anger: tong synchronization he indented pects should nor be attempted ul the above is satiety, 3346a errr relerite eclecrete Etie! SS B46 Tepe* Allegretto un poco lento (#--60) —s = a Bp dokee Tapa aabacte Ope Se 3S — ‘# Tis etude shouldbe played with attention to evennes intone quality throughout the register 346 Lito slurred nteraly should be practced dow) and without forig.