Choro Suite

Para Flauta e Violão

Paulo Porto Alegre

 Choro Suite 1

a José Ananias e Edelton Gloeden

Introdução
Paulo Porto Alegre

        
7
     


Flauta    

    
p accel. cresc.
livre

  

  
     
       
 
 
 3
   
  
mf cresc.


frull.

        
     
frull.


6



  

 
rall. accel. ff f mf
cresc. molto rit


Lento
9
   
          
p decresc. pp a tempo

      
   
11

Flauta       
poco a poco accel. rall

Violão      
             
    
 
 
    
Lento

                  
 
14

  

   

        


 




  
 2


18

      
       

  
       
    
 rall. accel.
cadência livre

 
 
        
19 6 6 Poco meno

    
 
 
Violão
  mf
cresc.
cresc. molto ff


       
         
21

          
 
 
                    

rall. accel.
rall

3 3
accel. 3
6


6

  
Poco più


6 6
   
23 6

 
6

 3
6
    
   agitado 
 poco 
ff
rall.

Meno mosso
  
25
      H12  
  H7

       Ataca
    4 Xaxado
 Xaxado - Choro
3
(Flauta) Paulo Porto Alegre

 
             
       
            
      
 
 

                  
          
6

     
 
                   


11
                  
       


 
                   solo
    
16 1. 2.

    

ppp

     
             
 
       
22

    
28
    
                        

ppp

 
  
33 1. 2.

                 
    
41
    
                               
   
   

         

46
              

     
            

                                   
51
         
  

               
     
   
56

  
frull.
 Valsa - Choro
4
(Flauta) Paulo Porto Alegre

     
                    
     
      
                
6

    

                
             
12


     
             
18

        


               1.     
25

        

 2.          

33
     
    

                 
 
41

 

      

50

     
 
       
      
59

         
         
65

    

                   
     
86

   

 
92
       
       
 Tocata - Choro
5
(Flauta) Paulo Porto Alegre

                       

        


                         
5

    

                      

      
9

 

                         

13

   
      

17
                        
       

               
21 

               


 1.            
              
25 2.

      

      
                 
29

    
  
                     
33

 

    
37
               
     Da Capo a
e segue
  
       
          
         
40


 Choro Suite 1

a José Ananias e Edelton Gloeden

Introdução
Paulo Porto Alegre

        
7
     


Flauta    

    
p accel. cresc.
livre

  

  
     
       
 
 
 3
   
  
mf cresc.


frull.

        
     
frull.


6



  

 
rall. accel. ff f mf
cresc. molto rit


Lento
9
   
          
p decresc. pp a tempo

      
   
11

Flauta       
poco a poco accel. rall

Violão      
             
    
 
 
    
Lento

                  
 
14

  

   

        


 




  
 2


18

      
       

  
       
    
 rall. accel.
cadência livre

 
 
        
19 6 6 Poco meno

    
 
 
Violão
  mf
cresc.
cresc. molto ff


       
         
21

          
 
 
                    

rall. accel.
rall

3 3
accel. 3
6


6

  
Poco più


6 6
   
23 6

 
6

 3
6
    
   agitado 
 poco 
ff
rall.

Meno mosso
  
25
      H12  
  H7

       Ataca
    4 Xaxado
 Xaxado - Choro 3
(Violão) Paulo Porto Alegre

    
        
               
            
      

 
      
5

                

      
   


9

                          
         


    
12
    
    
 
          
   
    

        0
1. 2. 0

     
16 2 1 2 4 solo

       
   
      
  


 


  
19

                
3 0

 
4

           
         
 
22
 3 4 1    

                      
 
   

2

  
          1 2 2 3
3 0 1
25

   
1 2

    0     
 
 1


4 4 2

    
1 3 4 1 4

  
28 2
solo
      
3

           
4 4

         
1 1 2
    
31
 
1.
      
4

     
    
 
  
 solo
         
34 2.

         

       

 
38

       
                 

solo
     
42

        
4

             
    

         H 12  0             
46


       
       4 2    

  

       
50

      

   

            
  

 
    
54

            


           

     

58
           
      
        
     
 Valsa - Choro 5
(Violão) Paulo Porto Alegre

     
                
      
   
    
             
5

     
         

9
        
                
     
    



     
solo
      
        
13 3


0 3

      
 
6
H12 H7 
6
H12 4
H7 2 4 H7 2

  
        
17

             
 
       

             
21

 
           
     
   

 

    
25

        
   
     
 
             
29
 

         
    
  
           
32 1. H12 2. H12

     
              
 
   
37 solo
                   
6


     
 



41

      
  

         

5 6 4 0 3 0

       
45 solo

                  

    

      
49

     
  
          

        

  
                   
53 solo

      

      
57

         
       
   

      
    
61
    
          


 solo
65
                 
            
  

 com intensidade
      


      
      
69

 
  
       
      
   
   

                     
73

     
 
      
   
  
                  
     
    
77 7

 

      
    H12 H7
6

   
H7 4

     
     
81
      
       
 H 12 H7 
    
H7

     
         
85

     
    
    

     
89

            
          
    
pp cresc.

 
      
       
93

           
    


   
96

      
       
 

 

        
 Tocata - Choro 8


(Violão) Paulo Porto Alegre


       
           
Allegro
  
      
  
4 0

         
4 1 3 0

        
             
      
 2

     
7 4 0

 
1 3

    
        
2

          
 3
2 1
 


4

  
10 3 0

 
3 2 4 3

     
2 2

     
4

     
1

      

2 1 
     
13

                   
  
 

        
16

     
   
                
      
 4
2

 
4 3 3 3 2

                   
19 0 3
0 1 2 0 0

        
  1  
2 
 4 
    1 
     
1 3 0 1.

22
  2  
2

     
4 0 4 3

 
3 2

        31  
1 4

 
 
3

     
 
 2. 4  43  
26
 
    32  1         
 2   
 3

  
3 3

  
29 4 9

      
4 0

    
2 2

   
1 2 0

   
   3 

       
32 1 2

 
5 1 3


4

     
2

     
  
 3

4 
    
0 1


35
  
3

   
          Da Capo a 
   
 
e segue
2

     
38
         
    
      
  

  
  
3 2

   
2 4
41
 
0

   
   
 