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  • Piazzolla's Ausencias for contralto saxophone

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    EnricoLeonarduzzi
    45 views2 pages
    This musical composition is titled "Ausencias" and was written by Astor Piazzolla. It includes musical notation written in a unique notation style. The piece has shifting tempos between molto rubato and a tempo sections, and explores themes of absence through its melodies and rhythms.

    Original Description:

    Original Title

    Ausencias-Sassofono_contralto

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    This musical composition is titled "Ausencias" and was written by Astor Piazzolla. It includes musical notation written in a unique notation style. The piece has shifting tempos between molto rubato and a tempo sections, and explores themes of absence through its melodies and rhythms.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    45 views2 pages

    Piazzolla's Ausencias for contralto saxophone

    Uploaded by

    EnricoLeonarduzzi
    This musical composition is titled "Ausencias" and was written by Astor Piazzolla. It includes musical notation written in a unique notation style. The piece has shifting tempos between molto rubato and a tempo sections, and explores themes of absence through its melodies and rhythms.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Sassofono

    contralto Ausencias

                                
    Astor Piazzolla

                  
    Tempo molto rubato  = 72

         
           
     
                 
       
    4

      
               
                          
     
    8

                    
                  

    12


        
                            
              
    Poco rit


    a tempo (non rubato)  = 88


    15

                 
                         
     

        
     

    23

                                    
    cresc.

              
     
    34

      
                  
     
    subito  Molto rit

          
    Meno mosso


    45

     


                                   
    Come prima

        
    (tempo molto rubato)  = 72


    54
     
                           
             

    58

          
                          
         
    62

         
                      
         

    66

                  
    rit molto


    69

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