A Series of Moral Dialogues Synopsis

The American colonies has been developing for over one hundred
fifty years since John Smith landed on the shores of Virginia.
Seeking religious freedom brought the majority of colonist to
cross the ocean and establish the thirteen colonies. Many of the
wares from Mother England had found their way to the American
shores that helped to make most settlers feel at home. It became
obvious in the early years of 1750 that there was one commodity
from home that was missing, live entertainment and theatre.
There was an attempt from some troupes from Jamaica to produce
some theatre, but their unsavory practices were not tolerated.
Early in 1752 William Hallam a failing London theatre manager
took a chance and sold everything he had to fund sending a
professional theatre troupe to America. He enlisted the help
from his brother Lewis who saw the value in the endeavor and
they formed The Hallam Theatre Company. The company arrived in
Yorktown, VA on June 2 1752. The rest is history.

Character Breakdowns
(In order of appearance)

Narrator Female:
30 year old female dress in modern day clothes with long red
hair.

Narrator Male:
Mid-forties clean haircut with greying temples and close greying
beard dressed in a three piece suit and tie, a sharp dressed
man. Looks very much like presenters at an awards show.

William Hallam:
Fifty year old man who is the struggling manager of Goodman's
Field Theatre in London and the older of actor Lewis Hallam, and
Senior Partner of “The Hallam Theatre Company”.

Lewis Hallam Sr.:

Forty year old male who is a struggling actor in London and
youngest brother of William Hallam and Partner and Tour Manager
for “The Hallam Theatre Company”.
Mrs. Hallam:
A thirty year old woman that is a sought after actor in London,
and is a better trained player than her husband. She is stunning
in any centuries standards.

Lewis Hallam Jr:

Twelve year old son of two working players in London who wants
learn their craft, and is eager to get on stage.

Adam Hallam:
The youngest son of the Hallam’s and he like his brother Lewis
is an eight year old boy eager to get on stage, but has
confidence issue due to his awkward looks.

Isabella Hallam:
The youngest child of the Hallam’s. She is a six year old beauty
that is the spitting image of her mother. She has a deep fear of
the possible journey to the colonies. She is put in the care of
her Aunt, and left behind.

Captain Lee:
A rugged Captain of the “Charming Sally” in his late-forties and
in very good shape, greying beard and blue eyes. He is the
classic 18th Century Captain that walks a thin line between
merchant and pirate.

Zekle:
First Mate of the “Charming Sally” in his early-twenties. He is
a confident and serious sailor.

Handsome Murray:
A deckhand on the “Charming Sally” in his late-teen early
twenties who has a big nose and ears. He has a traveling eye,
and a sparse beard.

William Rigby:
A member of “The Hallam Theatre Company” who is a working player
in London and throughout England and Europe in his early-
fifties. He is very well known in the London theatres.

Mrs. William Rigby:

A member of “The Hallam Theatre Company” and wife of William
Rigby and a small player in her early-forties.

Thomas Clarkson:
A member of “The Hallam Theatre Company” and is a sought after
player in London in his early-forties.

Mrs. Thomas Clarkson:

A member of “The Hallam Theatre Company” and wife of Thomas
Clarkson and a small player in her early-forties.

William Adcock:
A member of “The Hallam Theatre Company” and is a sought after
player in London in his early-fifties.

Mrs. William Adcock:

A member of “The Hallam Theatre Company” and wife of William
Adcock and a small player in her mid-thirties.

Niles Jones:
Master Mate of the “Charming Sally” in his mid-twenties clean
very handsome, smart young man who has a secret.

Isaac Hampton:
First Master Mate of the “Charming Sally” in his mid-twenties.

John Singleton:
A member of “The Hallam Theatre Company” in his mid-forties.

Leroy:
A deckhand on the “Charming Sally” in his late-twenties.

Patrick Marlone:
A member of “The Hallam Theatre Company” in his mid-thirties.

Mr. Herbert:
A member of “The Hallam Theatre Company” in his late-fifties.

Miss Helen Hallam:

This is the niece of Mrs. Hallam who has been trained to follow
her after retirement, and is now a member of “The Hallam Theatre
Company” in her late-teens.

Robert Johnson:
Second Master Mate of the “Charming Sally” in his late-twenties.

John Irving:
The Ship's Pilot of the “Charming Sally” in his early-thirties.

Maxwell Sleigh:
The Ship's Doctor of the “Charming Sally” in his early-forties.

David Douglas:
The Manager of the “Old American Company” Early forties very
handsome and confident gentleman. He has a feel of strength and
leadership.

Mr. Sturt:
A member of the “Old American Company” in his early-thirties.

Mr. Allyn:
A member of the “Old American Company” in his early-forties.

Mr. Morris:
A member of the “Old American Company” in his mid-fifties.
Mr. Quelch:
A member of the “Old American Company” in his late-fifties.

Mr. Wynell:
A member of the “Old American Company” and his early-fifties.

Leroy:
Late-teens
 1.

ACT I
Scene 1
There are two large panels on stage one (SR) and
one (SL) with 18th century ornate theatrical
scenes projected on each. On (SR) is a scene of
the Globe Theatre, (SL) a scene from Theatre
Royal. The stage is dark except for these two
panels dimly lit. Enter NARRATOR FEMALE and
NARRATOR MALE (CS) between two panels. Narrator
Female is a 30-year-old female dress in modern day
clothes with long red hair. Narrator Male is a
mid-forties clean haircut with greying temples and
close greying beard dressed in a three-piece suit
and tie, a sharp dressed man. Looks very much like
presenters at an awards show.

NARRATOR FEMALE.
The theatre history here in America goes back to the
beginning of our nation, even before the thought of
revolution is born. Even when John Smith landed in
Jamestown and The Mayflower came ashore in Plymouth the
settlers enjoyed being entertained.
NARRATOR MALE.
In the beginning the New World was about survival.
Entertainment was the last thing on people’s minds. But
as time passed and the towns of Williamsburg, New York,
Boston, Philadelphia and Newport began to make
decisions about the prospects of bringing or not to
bringing live theatrical entertainment to their
communities.

NARRATOR FEMALE.
Many of the colonists came from progressive and
developed places in Europe, but mostly England since
the colonies were English, and ruled by the King of
England. There were a few theatre troupes that produced
some live theater. But they were mostly actors banding
together out of the West Indies and Jamaica.
NARRATOR MALE.
Walter Murray and Thomas Kean were one such troupe and
their reviews were questionable and deflating, mostly
because of their choice of repertoire and aggressive
tactics.
NARRATOR FEMALE.
It wasn’t until June of 1752 that a professional London
theatre troupe arrived in the New World managed by the
Theatre Manager Lewis Hallam Sr. and financed by his
brother William who brought with him an outstanding
 2.

NARRATOR FEMALE.
trained troupe of members who changed the way theatre
and live entertainment was approached, managed and
performed.

NARRATOR MALE.
William Hallam the Manager of Goodman’s Field Theatre
in London and his brother Lewis who was an actor known
as an excellent low comedian and after many worldly
embarrassments he decided to try his skills in America.

(SR) panel projection changes to William and Lewis

Hallam
(SL) panel projection changes to Goodman Field
Theatre
They were the sons of Thomas Hallam an accomplished
actor who had seen some success in early 1700’s, but
was killed in 1735 by fellow actor, Charles Macklin who
accidentally trusted a cane through Hallam’s eye that
pieced his brain during an argument over a wig while
performing the farce Trick or Treat. The incident
occurred in the scene room of the Theatre Royal, Drury
Lane in front of many witnesses.
Lights fade, Narrator Male and Female exit. (SL)
panel projection changes to Theatre Royal and the
(SR) panel moves off revealing, Dark candle lit
dressing room of Goodman’s Field Theatre in
London. Lewis Hallam SR. a forty-year-old male
sitting in front of a candlelit mirror removing
make-up with parts of his costume laid on a chair.
The look of the room is a contradiction in time
and space. There are pieces of the time and also
those of the modern time. The costumes are
combinations of the two eras and the speech is a
mix of both 18th century London and 21st century
America.

WILLIAM HALLAM.
(Enters William a fifty year old man and Lewis’s
brother into the dressing room and sits.) I am sorry
brother for the light attendance.

(SL) panel projection changes to image of David

Garrick
It seems we are being out billed by David Garrick at
the Drury Street Playhouse.
LEWIS HALLAM SR.
William how are you going to continue to stay open with
these numbers?
 3.

WILLIAM HALLAM.
That is the problem...I don’t think I will be able to.
I am on the edge of bankruptcy and frankly I don’t know
what to do.

LEWIS HALLAM SR.

Do you have any ideas?
WILLIAM HALLAM.
Yes, I am working a plan.

Song "The Plan" - William and Lewis (RAP Style)

(SL) panel projection changes to say "The Plan"
WILLIAM HALLAM.
It’s become so hard to put on a show,

More shillings and pounds with no compensation,

My position on the line with no profits that grow,
But, I have a plan that will end this deflation.
The plan is quite simple and positively true,
It will pay my debts and end the hysteria,
And yes my brother, prosperous for you,

Let’s load a ship and head to America.

CHORUS.
WILLIAM & LEWIS HALLAM. (CHORUS)
America lets us entertain you.

Bring you the latest in plays and farce,

Introduce you to writers, dedicated and true,
Captivating players playing their parts.

WILLIAM & LEWIS HALLAM. (CHORUS)

Take all the curtains and the candles,
Fold them up neatly and pack them for travel,

Find us some players the journey they can handle,

Fair weather ocean so we don’t sink and unravel.
 4.

WILLIAM HALLAM.
Bringing to you a distraction, for just a moment,
That will take you away from your uncertain day,
Leave with a thought other than your own,

We were successful if we took you away.

Repeat Chorus

The End
LEWIS HALLAM SR.
So, tell me brother how does this benefit me?
WILLIAM HALLAM.
Well, I will pay for all the travel, and expenses for
the trip and the players until production are produced.
Plus, pay you handsomely to be the manager of the
company.
LEWIS HALLAM SR.
And what of my family?
WILLIAM HALLAM.
Well, I assumed and would encourage you take them with
you. Your wife is already an accomplished players and
you can develop the children to be the same.

LEWIS HALLAM SR.

Do you realize that you are asking me to pick up my
family from the comforts of London, and put them on a
ship for a six week journey of rehearsing on the
quarterdeck a repertoire of 20 plays, weather permitted
only to land in a strange country and start from
scratch building a theatre company?
WILLIAM HALLAM.
Yes I do.

LEWIS HALLAM SR.

It might be difficult to get the Misses to buy into
this plan since she is a sought after player here in
London at all the venues.

WILLIAM HALLAM.
She is your wife and will go if you tell her to go.
LEWIS HALLAM SR.
We will see.

William and Lewis shake hands.

 5.

The (SR) panel projection changes to Mrs. Hallam,

and (SL) panel remains "The Plan" lights fade up
on both panels.

Enter (SR) Narrator Female.

NARRATOR FEMALE.
Lewis had the daunting task of convincing his wife Mrs.
Hallam who for some reason has managed to go down in
history with no first name. There are many references
to her accomplishments, accolades and abilities but
with no first name.
Enter and (SL) Narrator Male

NARRATOR MALE.
At first Lewis wasn’t sure he wanted to travel six
weeks on a ship and tour the colonies with his family
who would come with him and be a part of the troupe.
His wife, Mrs. Hallam was actually having better
success than Lewis, and was getting bigger roles in
larger theaters. Lewis had a challenge to sell the
misses on picking up and going on tour in America.
Lights fade out Narrators. (SR) panel remains with
Mrs. Hallam, as the lights on (SL) panel fade out
and the panel moves off (SL), Lights fade up
revealing the Hallam family sitting at the dinner
table of a modest home. LEWIS SR. at the head of
the table, MRS. HALLAM who is a thirty-year-old
woman who is stunning in any centuries standards
at the other end, LEWIS JR. is a twelve year old
boy who takes after his mother when it comes to
beauty. (SR), ADAM a 8 year old boy who as an
awkward look about him (SL) and ISABELLA a six
year old beauty the spitting image of her
mother.(C)

MRS. HALLAM.
How was your day Lewis? Did the show go well last
night?
LEWIS HALLAM SR.
Very small audience. I did however get an interesting
proposal presented to me today from my brother William.
MRS. HALLAM.
Really, and what was that?
LEWIS HALLAM SR.
Well it seems that he is funding a full professional
troupe to travel to America and tour the colonies, and
he asked me to manage all the aspects of the tour.
 6.

LEWIS HALLAM JR.

Wow, that sound very good father. Do we get to go with
you?
MRS. HALLAM.
Hold on Junior, No one is going anywhere. At least not
yet. Tell me more Lewis.
LEWIS HALLAM SR.
Well, William wants all of us to go to America with the
Hallam Theatre Company managed by me. He wants us to
build a troupe and have a repertoire of twenty plays,
farces and prologues. He will fund all the
travel,equipment, costumes, props, drapes and anything
else we need till we get the company producing.
ADAM HALLAM.
That sounds like fun father. Would I be able to get on
stage?
LEWIS HALLAM SR.
Adam your time is coming soon along with you too Lewis.

MRS. HALLAM.
Lewis I am just now getting the roles I have worked so
hard to get here in London...I am not sure I would like
touring in America.
LEWIS HALLAM SR.
Sure you would Mrs. Hallam. You would be the starring
member of your own touring company. This is a chance to
not only play the roles you want, but make history at
the same time. We could be remembered as the mother and
father of American Theatre if we play our cards right.

Song: "We Will Be a Part of History" - Mrs. and

Lewis Hallam (Soft Rock Style)
(SR) panel projection changes to say "We Will Be a
Part of History"

LEWIS HALLAM SR.

Since the moment I saw you...
I could see your sense of wonder...

Watching you go to places in your own mind...

As you watched others steal your thunder...
I know in your dreams you fly to the places...
Where the greats are received and talents shine...
 7.

LEWIS HALLAM SR.

You grow tired of your life being a mystery...
But when you awake your life is unchanged...

MRS. HALLAM.
The thought of a journey is scary and bold...
To leave what is familiar for what is uncertain...

All new audiences in the wilderness I am told...

Their disapproval will sure close the curtain...
LEWIS HALLAM SR.
Think of the adventure...

MRS. HALLAM.
All the packing and livery...
LEWIS HALLAM SR.
Sailing the seas with fair weather winds...

MRS. HALLAM.
Losing my breakfast along with our kin...
LEWIS HALLAM SR.
Landing at a new home and prosperous future...
MRS. HALLAM.
I want to believe in your wonderful plan...
LEWIS HALLAM SR.
Throw caution to the wind and take my hand...
LEWIS HALLAM SR. & MRS. HALLAM.
Throw caution to the wind...
And take my hand...

They reach out their hands to each other and pull

each other close.
Here is our chance to be a party of history...
Throw caution to the wind and sail to the new land...

The End
MRS. HALLAM.
Have decided on the shows we will produce?
 8.

LEWIS HALLAM SR.

William and I are going to compare notes tomorrow.
MRS. HALLAM.
If I am going to have to do this I would like to make a
few recommendations.

LEWIS HALLAM SR.

Write them down and I will bring the list with me to
William’s office.

ISABELLA HALLAM.
Mummy does this mean we are going to travel on a ship?
I don’t want to travel on a ship. Please don’t make
sail on a ship...please....please!
MRS. HALLAM.
Bella don’t worry it will all be OK!
Lights fade out and (SL) panel moves in and the
lights come up on (SL) panel with the projection
of The Globe Theatre, Lights fade out on (SR)
panel and it moves off (SR). Lights up revealing
William Hallam’s office with a table with a stack
of set plans, costume and prop list and a globe on
a stand. Hanging of the pack wall is a painting of
the Globe Theatre. LEWIS is standing over the
globe looking for America and William is behind
the table.

WILLIAM HALLAM.
So, did you talk to the Mrs. last night?
LEWIS HALLAM SR.
Yes, I did.

WILLIAM HALLAM.
How did she take it?
LEWIS HALLAM SR.
She had a problem with it at first, but came around.
(Reaches in his pocket and pulls out a piece of paper.)
Here is her list of shows she wants to be part of the
repertoire.
WILLIAM HALLAM.
(Taking the list and glancing at it.) Wow this is a
tough list. Some of these shows would require some
really talent. Hamlet, The Merchant of Venice, Othello
and Richard III, by Shakespeare were all on my list,
The Constant Couple that is a good one. Inconstant, The
Recruiting Officer and The Careless Husband, by Cibber,
This is actually a good list. She is playing into the
 9.

WILLIAM HALLAM.
hearts the women. The Conscious Lovers, by Steele, Jane
Shore, by Rowe, The Provoked Husband, by Vanburgh,
Suspicious Husband, by Hordly, Woman’s a Riddle, by
Bullock. There are no farces on the list.
Lewis and William Hallam freeze and light on the
office dim. Enter Narrator Male from behind office
wall.

NARRATOR MALE.
I believe that there should be a little back ground on
some of these playwrights that William mentioned.
Enter Narrator Female from behind (SL) panel.

NARRATOR FEMALE.
Of course everyone knows the name William Shakespeare
and the vast amount of works he left behind. On Mrs.
Hallam’s list there were four well known plays by
Shakespeare: Hamlet, The Merchant of Venice, Othello
and Richard III.
NARRATOR MALE.
Heading to America with just those four plays would
have been a daunting task but there were plays by
Colley Cibber an English actor-manager, playwright and
Poet.
NARRATOR FEMALE.
He wrote twenty-five plays for his own company at Drury
Lane, which led Robert Lowe and Alexander Pope, among
others, to criticize his "miserable mutilation" of
"crucified Moliere and hapless Shakespeare". Cibber’s
brash, egotistical personality was not appreciated by
contemporaries, and his play "The Careless Husband" is
considered his best play

NARRATOR MALE.
While at Drury Lane, Steele wrote
sentimental comedy "The Conscious
immediate hit. In 1724 he retired
homeland of Wales, where he spent
life.
and directed the
Lovers", which was an
to his wife’s
the remainder of his

NARRATOR FEMALE.
Nicholas Rowe and his work "The Tragedy of Jane Shore"
was said to be an imitation of Shakespeare’s style, and
played at Drury Lane with Mrs. Oldfield in the title
role in 1714. It ran for nineteen nights, and kept the
stage longer than any other of Rowe’s works. In the
play, that is mostly domestic scenes and private
distress, the wife is forgiven because she repents, and
the husband is honored because he forgives.
 10.

NARRATOR MALE.
The Provoked Wife (1697) is the second original comedy
written by John Vanbrugh. It has a much different tone
from his first play, which was a farce. Plus, it was
written for a new highly skilled acting company that
was chosen for its premiere, the actors’ cooperative
included many established star performers of the
period. Vanbrugh tailored The Provoked Wife to their
specialties.
NARRATOR FEMALE.
Christopher Bullock, actor and dramatist was described
in playbills as junior because he was the son of
William Bullock also an actor. "Woman’s a Riddle"
comedy was an adaptation of the Spanish of ’La Dama
Duende.

Lights fade out on Narrator and fade up on

Williams’s office, Lewis and William unfreeze.
LEWIS HALLAM SR.
The lady hates farces. thee can chooseth those folk. We
might not but has’t the talent to doth aught before we
leaveth. so if ’t be true we has’t not the most
wondrous to starteth I am not int’rest’d
WILLIAM HALLAM.
OK, you’re right. This is a good list. I will add a few
of the more modern and some farces. I am sure she will
like my list. She will be a huge hit in America with
these roles.
LEWIS HALLAM SR.
(Looking at the Globe.)The colonies are further than I
thought. How long is this voyage going to take?
WILLIAM HALLAM.
Around six weeks.
LEWIS HALLAM SR.
Around? Does that mean seven, or eight weeks? Remember
I am taking my whole family and a troupe of players. If
you could be a little more exact it would make me feel
better.
WILLIAM HALLAM.
It all depends on the ship and the weather. I am
meeting with A Captain Lee tomorrow. His ship is
"Charming Sally".
LEWIS HALLAM SR.
I want to go with you. If I am going to entrust my
family, and ten other people I will be responsible for
 11.

LEWIS HALLAM SR.

I want to know the Captain. Remember that must be a
space on board for the troupe to rehearse so we can be
ready when we arrive in the colonies.

WILLIAM HALLAM.
I will let you discuss your needs with the Captain.
LEWIS HALLAM SR.
(Crosses to William and hands him another slip of
paper.) This is the number.
WILLIAM HALLAM.
What is this?
LEWIS HALLAM SR.
That is what I will need to be paid for the first year
of the tour with half up front.
WILLIAM HALLAM.
(William looks at the slip.)Lewis this is a ridiculous
amount to demand.

LEWIS HALLAM SR.

Really, William. I am taking my family...they are all
going to be working in many capabilities to make your
tour a success, I will be for the most part starting
from scratch with mostly hostile Puritans...not to
mention our accommodation will not be royal or even
close. I think that is a fair request. But if it is too
high then you are welcome to find someone else to do
this for you.

WILLIAM HALLAM.
Now hold on...lets not get crazy here. I will rework
the finances and try and make this work.
LEWIS HALLAM SR.
Oh, one other thing. I want to be a one quarter partner
after the first year...and if we are successful I want
a fifty percent partnership in the second year.
WILLIAM HALLAM.
You are killing me brother!

LEWIS HALLAM SR.

No, Garrick is killing you. I am saving you...and
taking all the hazardous, uncertain and personal
risk...and don’t you ever forget that. What time is
your meeting with Captain Lee tomorrow?
 12.

WILLIAM HALLAM.
At ten o:clock.
LEWIS HALLAM SR.
I will meet you down at the docks at nine forty five
sharp. Have a good night brother.

Lights fade out on William’s Office, sets and

panels move of stage. Lights come up on full stage
revealing a backdrop of the city of London at
mid-day with ships mast in the distance. There is
a street lamp with a bench (C) Lewis enters
strolling deep in thought. Crosses over to the
bench, sits, removes his hat and drops his face
into his hands.
Song "What am I thinking" Broadway Style - Lewis
Hallam, Broadway Style[U+0080][U+008B]
LEWIS HALLAM SR.
(Looks up.)
What am I thinking?

I’m crazy I fear...

Packing my family and leaving from here...
A long uncertain voyage across the sea...
With no idea of our future...

What’s happening to me?

What am I thinking?
Have I lost my mind?
Is accepting this challenge...
Really a sign?
That ego has finally got the best of me...

Or is taking this chance actually the key...

Rises from the bench.
CHORUS.
I know what I am thinking...
I have what it takes to change our lives...
To think I am powerful and able...

Fear is my companion who will share the ride...

 13.

CHORUS.
But one thing is certain...
I will not confide...

Yes, I know what I am thinking, and it is right...

Onward and upward the winds are on my side...
LEWIS HALLAM SR.
What am I thinking? So much danger ahead...
If we stay here we will continue to thread...
If we go there is a chance in the New World...

Just walk on a ship and watch the sails unfurl...

Crosses (DC)
What am I thinking? A new life and new promise...
Opt for a home like my Father, Thomas...

Provide for my family a most wonderful bounty...

Walk through the life thrilled and proudly...
I know what I am thinking and it all makes sense...

Take my feet out of the mud in the present tense...

Don’t look back and start with a clean blank canvas...
Just a short voyage across the sea to end all the
madness...
CHORUS.
I know what I am thinking...
I have what it takes to change our lives...

To think I am powerful and able...

Fear is my companion who will share the ride...
But one thing is certain...

I will not confide...

Yes, I know what I am thinking, and it is right...
Onward and upward the winds are on my side...

The End
 14.

The lights fade out, street lamp and bench roll

off. Gangplank rolls on in front of backdrop that
reveals only ships mast on backdrop. There are
wooden barrels on the deck of the ship. (CS) the
main mast rolls in and a set of stairs (SL) that
represent entrance to the "Poop Deck" Light fade
up and there are crews tying ropes, sweeping and
working to prepare the ship for a voyage. Supplies
are being tossed up to a crew member. (SR) of mast
is Captain Lee, a rugged late forties man with a
greying beard wearing the classic swashbuckler
attire yelling commands to the crew.
CAPTAIN LEE.
(Speaking loudly.)First Mate Zekle watch the gangplank.
I am looking for two men probably in fancy suits.
ZEKLE.
(Moves to the gangplank.)Aye Aye Captain.
One crew member stacking cannonball drops one and
it is rolling around the deck and almost hits
Captain Lee.
CAPTAIN LEE.
(Jumping out of the way of the rolling
cannonball.)Watch out! Zekle what do we have here a
castaway? (Stops the boy from chasing the cannonball.)
What is your name sailor? And I say that slightly.
HANDSOME MURRAY.
(A late teen early twenties boy who has a big nose and
ears. He has a traveling eye and a sparse beard, he
cowls down to the Captain.)Handsome Murray, Captain.
CAPTAIN LEE.
(Laughing)Yes you are a beauty...Handsome Murray. How
long have you been a on this ship?

HANDSOME MURRAY.
Just a couple of weeks, sir.
CAPTAIN LEE.
Well you drop another cannonball on my ship and I will
hang you by your feet from the yardarm in the hot sun.
Now get back to work.
Handsome Murray scurries to get the rolling
cannonball. Zekle rushes up the gangplank.

ZEKLE.
Captain Lee there are two men on the pier asking to see
you.
 15.

CAPTAIN LEE.
Let them aboard.
William and Lewis Hallam enter from the gangplank
with First Mate Zekle.

ZEKLE.
Captain (Chuckling) These "Gentleman" wish to seek your
audience. That’s what they said.
WILLIAM HALLAM.
(Reaches his hand out to Captain Lee and the Captain
just look at it.) My name is William Hallam sir, and my
friend Thomas Plapple spoke with you about rite of
passage to Virginia. This is my brother Lewis who will
be heading up our company.

CAPTAIN LEE.
I remember the conversation. You are the land-lovers
who are play actors.
LEWIS HALLAM SR.
(Lewis steps right up close to the Captain.)Yes that is
right Captain Lee. I can tell you don’t care too much
about us or our needs so I think my brother and I will
take our currency somewhere else in this harbour.
CAPTAIN LEE.
(Steps back from Lewis)Now let’s not get carried away.
I am interested in taking your money.
LEWIS HALLAM SR.
We are only interested in a Captain that is interested
in helping us with our very unique situation and needs
so that they will make a good penny for their
assistance. Come along Brother.
CAPTAIN LEE.
Wait! Why don’t you tell me what you need and let’s see
if I can be the Captain you are looking for on your
journey?
LEWIS HALLAM SR.
(Lewis steps to the main mast and reaches in his coat
to pull out some rolled up papers. He on rolls on the
barrel placed next to the mast.) We will need the ship
to exclusive to our journey. All the cargo on board
must be only ours, and the accommodations must be
private and clean. There will be twelve adults both
gentlemen and ladies and three children... The ladies
will all be the wives of the gentlemen in out troupe as
well troupe members themselves... and the children
belong to me...and I will not tolerate any
 16.

LEWIS HALLAM SR.

inappropriate behavior by the crew or anyone else. All
meals must be planned and be bountiful.

CAPTAIN LEE.
What you are requesting is highly unorthodox, but
possible.
LEWIS HALLAM SR.
Also, once we are at sea we need to have access to the
deck for three hours in the mornings and three hours in
the afternoon to rehearse the plays we will be
producing in the colonies. Plus have a space readily
available close by to keep costumes and props. We will
it clean and organized. And finally we will like to
have you and your crew to be our audiences and offer
constructive reviews.
CAPTAIN LEE.
Well, this is a list of request I have to say I have
never heard before and I have been doing this a long
time. First, I will have a crew of thirteen who are men
I trust and will obey my orders...According to this
list there is not that much the store below so we could
make some temporary private housing to would be
comfortable. I would be willing to give my quarters to
you and your wife and children so you all will be
comfortable and together...as far as space for
costumes, props and needing to rehearse weather
permitting in the morning and afternoons I believe it
will make the voyage more interestin. But for all these
unusual request there must be an accommodating fee.

LEWIS HALLAM SR.

Captain from the many other ships we discussed this
voyage with I have learned that the average price for a
voyage to America is twenty pounds. Is that correct?

CAPTAIN LEE.
For my ship it is twenty five pounds.
LEWIS HALLAM SR.
Well Sir considering all the accommodations you are
make for our journey I feel that it is reasonable. So,
here is our offer. We will pay you on the day the
voyage begins, after we are stored, loaded, set-up and
organized in all our spaces... four hundred and three
pounds... which is thirty one pound per person in our
troupe. Plus, there will be an additional payment of
two hundred pounds paid to you when we have landed
safely in America and unloaded.
William is looking at Lewis with a surprised look.
 17.

CAPTAIN LEE.
(The Captain seems a bit surprised about the offer.)
Well, that seems very fair based all the additional
accommodation needed for your journey. Do you mind if I
go to my quarters and work on the offer with my first
mate.
LEWIS HALLAM SR.
Not at all Captain.

The Captain walks up the stairs and of stage.

WILLIAM HALLAM.
Lewis what are you doing? We don’t have that kind of
money. Plus, we didn’t talk to other Captains.

LEWIS HALLAM SR.

We know that but he doesn’t. Don’t worry I got this.
WILLIAM HALLAM.
What do you mean you got this?

LEWIS HALLAM SR.

Just what I said, I have the money to cover the voyage
to America...but you have all the rest. You should
liquidate and hide your money because if I get stranded
halfway across the world I will find a way to come back
and kill you.
WILLIAM HALLAM.
How do you have that much money?
LEWIS HALLAM SR.
It is not your business.
Captain Lee enters (SL) and comes down the stairs,
cross to the Hallam’s.

CAPTAIN LEE.
I have checked your numbers and everything seems in
order.
LEWIS HALLAM SR.
I will want that agreement to be in writing, with the
execution of the fee at the other end, of course.
CAPTAIN LEE.
Of course, I will need a down payment to pay for
supplies for all the renovating.

LEWIS HALLAM SR.

I have no problem with that once the agreement is drawn
up and signed. Is half enough?
 18.

CAPTAIN LEE.
Yes...That would be fine.
LEWIS HALLAM SR.
Good, why don’t you meet my brother and I at his off
tomorrow with the agreement? How long do you think it
would take to get the renovations done?
CAPTAIN LEE.
A week to ten days?

LEWIS HALLAM SR.

That will work...It gives us time to acquire all our
supplies that we will need to bring and start to stow
on board so when you get finish with the renovations
LEWIS HALLAM SR.
all we will need to do is move on board and prepare to
cast off to America.
CAPTAIN LEE.
Aye.

Lewis and William turn and begin to move to the

gangplank.
LEWIS HALLAM SR.
(Turns to Captain Lee.) Oh, I forgot to ask. What is
the name of your ship Captain Lee?

CAPTAIN LEE.
Charming Sally.
LEWIS HALLAM SR.
(Smiles) You will have to tell me about Sally someday.
 19.

ACT I
Scene II
Light fade out, mast and stairs roll off and both
(SR) and (SL) panels roll in with wagons. Lights
come up on both panels with a projection of London
skylines.
Lights fade on (SL) panel and it moves off (SL),
lights fade up revealing The Hallam’s Parlor.

LEWIS HALLAM SR.

William and I met with a Captain Lee and came up with
an agreement for our journey to America.
MRS. HALLAM.
I am sure that the cost almost made William convulse.
LEWIS HALLAM SR.
Well, actually...I agreed to pay the price of the
voyage.

MRS. HALLAM.
Lewis, please tell me you are joking.
LEWIS HALLAM SR.
No I am not. It occurred to me as I was standing there
on the ship that the only way I was going to control
this trip and protect my family was to own a piece of
it. I would have to be the leader of this troupe with a
sea captain and thirteen unsavory crew men. Unless I
was seen as the man in charge and the man with the
money they could take our money and throw us overboard
halfway there.

ISABELLA HALLAM.
(Starts crying.) No Mummy please don’t make me go.
MRS. HALLAM.
Lewis would you please be careful with what you say.
Bella is scared to death about this journey.
LEWIS HALLAM JR.
They are not going to do no such thing Bella. Father,
Adam and I will make sure of that.

LEWIS HALLAM SR.

Don’t worry I bought us some protection from that and
anything else that might happen.
 20.

MRS. HALLAM.
Just what does that mean?

LEWIS HALLAM SR.

I offered a substantial stipend to be paid to the
Captain after we have arrived safely in America and our
cargo was unloaded and stored.
ADAM HALLAM.
What’s a stipend?
LEWIS HALLAM JR.
It a payment for services rendered brother.
MRS. HALLAM.
What did William think of my list?
LEWIS HALLAM SR.
He liked it very much. He will use it along with a few
of his own choices.

MRS. HALLAM.
Good. So, when is all this going to happen?
LEWIS HALLAM SR.
William and I are meeting with the Captain to sign the
agreement...and the Captain will need a couple of weeks
to renovate the ship for our accommodation...and then
we pack and load on board. Probably two weeks or so.
Now, lads give you Mum and I a moment to talk.

MRS. HALLAM.
(Still comforting Isabella.) Bella, go to your room so
Papa and I can talk about all of this. Lewis we will
need to talk about Bella. I really think this journey
will be too much for her.

LEWIS HALLAM SR.

What do you suggest dearest?
MRS. HALLAM.
I believe that we should leave her with my sister, Mrs.
Barrington. I have spoken to her and she would like
very much to do so, and like feel it would be
detrimental to make Bella make the journey to America.
LEWIS HALLAM SR.
I fear you are correct and that is why I will have to
agree with your suggestion. I will miss her dearly, but
I want to do what is best for her. We can send for her
later when she is older and better able to handle the
journey.
 21.

MRS. HALLAM.
I believe this is the right thing to do Husband.
LEWIS HALLAM SR.
Why don’t we go and tell her she will not have to make
the voyage so she can calm her heart.
Exit Lewis and Mrs. Hallam

Light fade and (SL) panel moves and lights fade up

with London skyline, (SR) panel rolls off stage
and lights fade up revealing William Hallam’s
office with William standing behind his desk,
Lewis standing next to globe and Captain Lee next
to the desk.

WILLIAM HALLAM.
Captain Lee have your drafted the agreement for the
trip to the colonies?
CAPTAIN LEE.
Yes, (Takes rolled papers from under his arm and hands
to William.)
WILLIAM HALLAM.
Let me take a look at this for a moment. (William
sits.)

CAPTAIN LEE.
By all means.
LEWIS HALLAM SR.
Captain Lee can you tell me how long this voyage will
take?
CAPTAIN LEE.
Well it all depends on the weather. If we have
favorable trade winds than it would take around five to
six weeks.
LEWIS HALLAM SR.
And if we don’t have favorable winds?
CAPTAIN LEE.
Seven to eight weeks.
LEWIS HALLAM SR.
Can you give your experienced opinion based on the time
of year how long you believe this voyage will take?

CAPTAIN LEE.
Well, if will leave in the next couple of weeks we
should be have favorable conditions, sir.
 22.

WILLIAM HALLAM.
Everything looks in order. (William hands agreement to
Lewis.)
CAPTAIN LEE.
As you see I did not include the side agreement between
the three of us.
WILLIAM HALLAM.
I did notice that and assumed you would. However I have
drafted a note for us all to sign to keep this
official.
LEWIS HALLAM SR.
I have agreed to pay thirty one pounds for person as
well as all the renovation to make our accommodations
pleasing and comfortable. Plus, you will relinquish
your quarters to my family and I for the journey and
the use of the deck for rehearsals and a positive
relationship with you and your crew. In addition, two
hundred to you personally when we have safely landed in
America and unloaded in storage.

CAPTAIN LEE.
And you agreed to give a deposit so we can begin the
renovations.
WILLIAM HALLAM.
Yes, we have a twenty-five percent deposit for the
journey for you to begin renovation after we all sign
this agreement.
LEWIS HALLAM SR.
And in good faith I will give you Captain Lee a quarter
of our side agreement today. I just want you to
understand that once this agreement is signed we will
be looking to depart as soon as possible.
CAPTAIN LEE.
Understood!

LEWIS HALLAM SR.

(Steps to the desk and dips the quill and signs the
agreement.)Now you William. (William signs the
agreement.) And Captain. (Captain Lee signs agreement.)
The deal is done. (Reaches out the shake the Captain’s
hand and the Captain shakes Lewis and William’s hands.)
WILLIAM HALLAM.
(Open desk draw and pulls out money and hands to
Captain Lee.) Here is your deposit to start
renovations. Now I need you to sign this side
agreement.
 23.

Captain Signs.
LEWIS HALLAM SR.
(Reaches in his coat and pulls out envelope.) Here is a
quarter of our arrival agreement. I look forward to a
great relationship Captain Lee.

CAPTAIN LEE.
Me as well, I will get back and start the renovation.
(SL) Panel moves in and lights fade up on (SL and
SR) panels. Enter Narrators from (C) between
panels.
NARRATOR FEMALE.
The deal was done. Captain Lee heads back to adapt his
ship to house a theatrical troupe for six weeks.

NARRATOR MALE.
Captain Lee know he had taken on a very difficult task.
His ship "Charming Sally" was used for hauling European
wares, food and clothes for the colonies and
unbeknownst to the Hallam’s was scheduled to become a
slave ship running slave Africans from Africa to
Charleston, South Carolina and Newport, Rhode Island
after the Hallam voyage.
NARRATOR FEMALE.
It is certain that Captain Lee would have known this.
As every other sea Captain of the times he saw a chance
to make some real money for himself and took it. But he
had to redesign his ship with unskilled builders and
only had two weeks max to shove off.
Lights fade to black.
 24.

ACT I
Scene III
Lights fade up on the deck if the Charming Sally
with the sounds of a week of construction,
hammering, nailing and sawing. The crew is moving
in many directions with what seems like more tasks
they can handle. Some are building and remodeling,
others are loading supplies and cargo from the
dock. Most of the cargo is crated up in boxes with
the name Hallam Theatrical Co. stamped on the
sides. Captain Lee is (CS) at the main mast
looking at navigational charts and yelling out
orders as needed. From the gangplank Zekle calls
out,

ZEKLE.
Captain the Hallam’s are here on the dock requesting to
come on board.
CAPTAIN LEE.
Allow them on board.

Enter William and Lewis Hallam on the Charming

Sally. Captain walks over to greet them and shakes
their hands. This was a surprise to the men but
took it as an honest greeting.

LEWIS HALLAM SR.

Captain Lee we have come by to check on your progress.
I know that you have been very helpful to our people
packing up and delivering our cargo to you each day.

CAPTAIN LEE.
Yes, and since you have neatly packed everything up in
boxes it has left us more room for you and the
amenities you requested.
WILLIAM HALLAM.
Where do we stand with the renovation, and will we be
able to leave in a week?
CAPTAIN LEE.
Almost all the sleeping quarters for your cast are
finished. We are working on the last one today. Also,
my quarters has been completed as well as my new
quarters below for this journey is completed.
LEWIS HALLAM SR.
When can we start moving on board that belongs of the
troupe?
 25.

CAPTAIN LEE.
Well, everyone can begin moving on board tomorrow
morning. We will just have some small thing to finish
but nothing that will involve your troupe.

WILLIAM HALLAM.
That is great. This will give everyone the opportunity
to unpack and fit their space to their needs.
LEWIS HALLAM SR.
Yes, I am sure the ladies will fancy them up. Captain
Lee what about the costume and prop space?
CAPTAIN LEE.
The extra space we found I was able to add to that
space along with benches and closets.

LEWIS HALLAM SR.

May I see it?
CAPTAIN LEE.
Zekle, take Mr. Hallam below and show him all the
living quarters and costume and prop space as well as,
his quarters in my old quarters.
ZEKLE.
Aye, Captain! Follow me...sir.
They move to stairs to Captain Quarters and exit
up the stairs.
WILLIAM HALLAM.
Captain Lee now that we are alone there is something I
wish to discuss with you.

CAPTAIN LEE.
Yes?
Song: "What’s Your True Intentions" Sea Shanty
Style

LEWIS HALLAM SR.

What is on the Captain’s mind?
Are his words and actions honest and true?

Does he care about his cargo?

With his promises, will he follow through?
LEWIS HALLAM SR.
Is he a mariner or just a pirate?
 26.

LEWIS HALLAM SR.

Looking for gold pieces to line his pocket...
Will our journey be safe and bring us ashore?

Or are we in danger in the hands of a tyrant?

CHORUS.
What are your true intentions?

With this journey of players...

Will you bring them to shore?
And you treat them with civil affections...

Should wind and waves be our only fear?

As we make our way to our new beginnings...
Or must we stay alert to deceptions...

Because that is what is your true intention?

LEWIS HALLAM SR.
My family and friends are all aboard...

I’ve trusted the "Sally" and her Captain...

To get us all to places for us explore...
And hear our ovations with sound clappin...
We may be pretenders and players on stage...

And our passions can be misunderstood...

We are out of our element among the waves...
But we love to play in people neighborhoods...

CHORUS.
What are your true intention?
Are you a noble and honorable man?

That’s offended that we asked these questions?

Because your believe in the journey at hand?
We have no choice but to trust you, with cargo and
lives...

To deliver us safely to the destination we choose...

 27.

CHORUS.
Lands us on shore with our cargo and wives...
Where we can be the players spreading the news...

The End
WILLIAM HALLAM.
I realized while I was lying in bed last night that
even though we have a written agreement, and my
brothers has advanced you a quarter of a promised
payment for when he, his family and the troupe arrive
in America. There are no assurances that when you get
out in the middle of the Atlantic Ocean you won’t
through them all overboard and take all their
belongings.

CAPTAIN LEE.
Now Mr. Hallam...
WILLIAM HALLAM.
Please Captain lets drop all the pretense and call it
what it is. I have done some asking about you, and
frankly sir it is well within your character to do just
what I said. So, please don’t assume I am just a meek
and stupid brother.

CAPTAIN LEE.
Yes, sir.
WILLIAM HALLAM.
I am not going to just give you more money because you
would just steal it before you got there. So, here is
what I am going to do. I know that you have a beautiful
wife named Sally and a young son that don’t’ treat very
nicely, but do care for very much based on the nice
home you built them.
CAPTAIN LEE.
(Reacts very angry.)What is that supposed to mean?
WILLIAM HALLAM.
Well, very simple if my family arrives in America and
unloaded after being treated like royalties by you and
your crew I will deliver to your wife one hundred more
pounds with great appreciation. (Very sternly.)But, if
I never hear from my family again...let’s just say what
I will deliver won’t be appreciated by you.
CAPTAIN LEE.
I don’t appreciate being strong armed on my own
ship...and wonder how your brother would feel if I told
him what you said.
 28.

Enter Lewis down the stairs from his new quarters.

LEWIS HALLAM SR.
Said what? That there is no guarantee you won’t rob us,
kill the men and rape the women. I am the one that told
him Captain. We have paid you above market prices for
this voyage, as well as a handsome side deal for you.
So, let’s be gentlemen and have some fun on this trip.
We are not bad people. But to keep everyone honest we
will be bringing no currency with us the ship. There
will be no need for it, so why bring it.

CAPTAIN LEE.
How will I get paid on the other end?
WILLIAM HALLAM.
I have already made arrangements for that. Do we have a
deal Captain Lee?
CAPTAIN LEE.
Yes, we have a deal...and just for the record, I wasn’t
planning on hurting you. I think it is great what you
are doing. My mother was in the theatre.

LEWIS HALLAM SR.

I behold f’rward to hearing m’re about yond Captain. We
shall taketh our leaveth and prepareth our family and
belongs and starteth to moveth in tom’rrow. Thanketh
thee. (Reaches to shake his hands, and Captain shakes
his hand.)
Blackout
Enter Narrator Female

NARRATOR FEMALE.
So, all has been arranged. The first troupe of
professional actor would be beginning their journey
very soon. Are they aware of the dangers? Have they
really thought this through? Will Captain Lee keep his
word?
Lights fade out, the sounds of the very busy deck
of Charming Sally are heard in the dark. Lights up
revealing cargo being moved around the deck,
loaded into the ship with ropes and pulleys as the
Hallam Theatrical Company members begin entering
from the gangplank with suitcases and trunks being
assisted by crew members which are showing all of
them the way to their quarters. The movements of
crew and passengers are carefully choreographed.
 29.

WILLIAM RIGBY.
(Handing his carpet bag you young crew member.)Thank
you lad.

MRS. WILLIAM RIGBY.

(Being helped of gangplank by William.)Where are
quarter’s young man?
LEROY.
(Taking bag from Mrs. Rigby.)Just follow me Ma’am.
THOMAS CLARKSON.
(Enters (SR) from lower deck, to Mrs. Rigby.)Have you
seen my wife?

MRS. WILLIAM RIGBY.

She is on the dock heading this way.
MRS. THOMAS CLARKSON.
(Entering from gangplank and helped down by
Thomas.)Thomas, please take my bags. My arms are weary.

MRS. WILLIAM ADCOCK.

(Entering from gangplank and helped down by Thomas
Clarkson.)Will is coming up behind me with several bags
can we get some help?

WILLIAM ADCOCK.
(Entering from gangplank with three suitcases.)Can I
get some help with our baggage?
Stepping forward is NILES JONES, ISSAC HAMPTON and
ROBERT CLARKE.
NILES JONES.
Yes sir, I am Niles, Masters Mate. Masters Mates Issac
and Robert will take your baggage and show you to your
quarters. (To Issac.) Masters Mate Hampton you and
Master Mate Clarke show Mr. (Looking at Mr. Adcock for
help with his name.)
WILLIAM ADCOCK.
Adcock.

NILES JONES.
Mr. and Mrs. Adcock to their quarters and unload their
belongings.
ISAAC HAMPTON.
Aye, sir (Both Isaac and Robert pick up the baggage and
lead the Adcock’s to the lower deck.)
Enter (SR) from lower deck MR. JOHN SINGLETON, MR.
PATRICK MALONE and MR. HERBERT.
 30.

JOHN SINGLETON.
(To Patrick Malone.)I am unpacked and ready to get the
storage area set-up.
PATRICK MALONE.
Is everything on board?
Enter Lewis Hallam from stairs going to Hallam
quarters.
LEWIS HALLAM SR.
Yes, the final crate was deliver this morning.
MR. HERBERT.
Where is the costume and prop room?
LEWIS HALLAM SR.
It is on the lower deck toward the stern. Why don’t the
three of you get started on that if you are all
unloaded?
PATRICK MALONE.
I haven’t seen Mrs. or Miss Hallam. Have they arrived
yet?
LEWIS HALLAM SR.
No they probably have stopped for some feminine item
for our quarters.

JOHN SINGLETON.
They are like that. Let’s get started. (The three men
exit.)
Enter from gangplank is William, Lewis Jr. and
Adam Hallam all carrying suitcases and carpetbags.
WILLIAM HALLAM.
Hello Brother, here are your boys and they are all
packed.

LEWIS HALLAM JR.

(Looking and acting amazed and every excited.) Father
where is our quarter?
LEWIS HALLAM SR.
Up those stairs.

LEWIS HALLAM JR.

That is the Captain’s quarters.
Enter Captain Lee (SL) looking as if he just woke
up.
 31.

CAPTAIN LEE.
No for this journey lad.

LEWIS HALLAM JR.

Are you the Captain of this ship?
CAPTAIN LEE.
Aye, young man. I am Captain Lee the captain of the
Charming Sally. Who might you be?

LEWIS HALLAM JR.

I am Lewis Hallam Jr., Captain
CAPTAIN LEE.
(Looking him over and then looking at his father.) Of
course you are.
LEWIS HALLAM SR.
Boys, go and unpack you can talk to the Captain later.
WILLIAM HALLAM.
Captain is everything in order.
CAPTAIN LEE.
(Sarcastically)Why yes sir, all is good.
LEWIS HALLAM SR.
Excuse me Captain? Do you have something on your mind?
CAPTAIN LEE.
(Realizing that he has over stepped his bounds.) I
apologize gentlemen. I always get a bit punchy just
before I long journey away from home. How about you, is
everything in order?
WILLIAM HALLAM.
It is with me. How about you Lewis?

LEWIS HALLAM SR.

Frankly, I have no complains. The quarters you have
afforded all of us are exceptional, as well as storage
rooms and cargo. Thank you Captain.
CAPTAIN LEE.
Good. It is my desire to cast off at sunset tonight
because the tides will be right to get a jump start.
LEWIS HALLAM SR.
That would be acceptable to us. I believe that when
everyone is on board you and I should introduce
ourselves, and our people to each other, so as to get
any possible concerns out of the way while we are still
in port.
 32.

CAPTAIN LEE.
I was going to suggest the same thing.
Enter on gangplank is Mrs. Hallam and Miss Helen
Hallam. The Captain and crew are all stunned by
the beauty of the elder Hallam. Mrs. Hallam looks
radiant with her beautiful royal blue dress with
matching travel bonnet, expensive jewelry,
crushing blue eyes and rosy cheeks, she is
carrying a small bag. Lewis moves to the gangplank
to greet and help his wife.

MRS. HALLAM.
Lewis darling could you please help us down?
LEWIS HALLAM SR.
My pleasure dearest. (Offers his hand to Mrs. Hallam
that she takes that guides her down the uneven wooden
stairs to the deck. William follows behind him and
helps Miss Hallam is niece down. Lewis moves his wife
toward Captain Lee who is frozen in his boots.) Captain
Lee I would like to introduce my wife Mrs. Hallam.

CAPTAIN LEE.
(Trying not to show his weak moment and loss of words.)
It is, I am pleased to welcome you aboard the Charming
Sally, Mrs. Hallam. (Takes her hand and bows to kiss
it.

MRS. HALLAM.
(Very Gracious.)Thank you Captain Lee for all that you
are doing to get us safely to America. I look forward
to getting to know you better.

CAPTAIN LEE.
(Gracious) Me too Mrs. Hallam. If there is anything you
need please don’t hesitate to ask me personally.
MRS. HALLAM.
Well, right now I would like to see our quarters and to
prep it for my family and our voyage. I have some
curtains to hang.
LEWIS HALLAM SR.
Come with me darling I will take you to our quarters.

MRS. HALLAM.
(She takes Lewis’s arm and crosses upstairs.) Helen
please come and help.
Exits
 33.

MISS HELEN HALLAM.

Yes Aunty. (As Miss Hallam moves the entire crew is
watching her every move. She climbs the stairs and
exits. The Captain the crew watching.)

CAPTAIN LEE.
Get back to work all of you or you will be walking a
very short plank.
Lights fade out, (SR) and (SL) wagons roll out and
meet at center for the Hallam Quarters wagons. The
back wall of the wagons have four windows with a
wooden canopy bed (SL), a table centered with four
wooden chairs and a small desk (SR). Lights fade
up,
Enter Lewis and Mrs. Hallam.

LEWIS HALLAM SR.

Dearest are you regretting your decision?
MRS. HALLAM.
(Moves to the windows and takes lace material from the
bag in her hand and holds them up to the window.) No,
my darling. I have bought some new curtains for the
journey. Captain Lee seems like a good man. The troupe
is all loaded, the costumes and props are on board. You
have done well my husband. I know you will make this
journey and tour a success. It’s time for this ship to
sail.
Song: "It’s Time for This Ship to Sail".
MRS. HALLAM.
Saying farewell to our home...
Not afraid of what’s ahead...
Seeking our fortune that why we roam...

I see the horizon where we are lead...

LEWIS HALLAM SR.
Our voyage is determined and right...
With our company ready and willing...

Though the seas may get rough...

The plan has been laid and is in sight...
 34.

MRS. HALLAM.
Waking each day and you by my side...
No problem is too big or too small...
Conscience is clear, steady and focused...

Ready and will with nothing to hide...

LEWIS HALLAM SR.
Feeling the sea foam spray on my face...

Bouncing of wave jolting my bones...

Fate and the winds setting the pace...
Sounds of the seas cavernous zones...

MRS. HALLAM.
A world full of fresh new possibilities...
Awaits our Labors and gifts...

Talents we share to enjoy and reveal...

A world full strife and hostilities...
MR. AND MRS. HALLAM.
All that I bring in my heart and soul...

A performance that touches and moves...

Just for a moment to take them away...
Hoping the audience enjoys and approves...

End of Song
Lights fade out and the wagons roll off (SL) and
(SR) and lights fade up with Captain Lee and all
of his crew are gathered (SR) and all of the
Hallam Theatrical Company are gathered (SL), Lewis
and Mrs. Hallam enter coming down the stairs from
their quarters. Mrs. Hallam stops at the bottom of
the stairs and Lewis meets Captain Lee at the
center mast.

CAPTAIN LEE.
We are about to begin our voyage to America with this
troupe of comedians. I want it to be understood that I
have given them the run of the ship. You will continue
your duties on the Sally, but if time and weather
permits you are to assist them in any way they ask.
 35.

CAPTAIN LEE.
They will be doing rehearsals of plays on the deck,
again weather permitting. As long as your work is not
interrupted you may watch and enjoy.

LEWIS HALLAM SR.

Or not enjoy, based on our performance.
Lewis Laughs

CAPTAIN LEE.
I would like to introduce ship officers to your troupe
Mr. Hallam. Ship’s Master, Niles Jones
Niles Jones steps forward.

NILES JONES.
At your service Mr. Hallam.
CAPTAIN LEE.
Maters Mates, Issac Hampton and Robert Johnson

Isaac and Robert step forward.

ISAAC HAMPTON.
Welcome sir...I look forward to our journey together.

ROBERT JOHNSON.
(Moves toward Mrs. Hallam, and bows.) My mother is a
very big fan ma’am. I am honored to travel with you.
Moves back to crew.

CAPTAIN LEE.
John "Guide" Irving our Ship’s Pilot and Master’s Mate.
JOHN IRVING.
(Steps forward.) Welcome, you may call me "Guide" that
is what I answer to mostly.

Steps back.
CAPTAIN LEE.
Our Ship’s Doctor, Maxwell Sleigh.

MAXWELL SLEIGH.
(Steps forward.) Welcome, just a note of warning. Many
of you will feel some sea sickness which can be very
severe for some. Please come see me if it gets to be
unmanageable.

Steps back.
 36.

CAPTAIN LEE.
The remainder of you many just raise your hands to
identify yourselves. Ship’s Master Gunner, William
Arnold, (Raises his hand.) Ship’s Master Carpenter,
Joshua Allan, (Raises his hand.) Ship’s Master
Boatswain, Billy Bullock and Boatswain Mate, Samuel
Remeley, (Raises his hands.) Four Quartermasters, Adam
Franklin, Charles Dubbens, Gerald Watson and Peter
Thomas (They all raise their hands.) and finally the
most important on board, Our Cook Benjamin "Gravy"
Jackson, (Raises his hand.) We call him gravy because
his gravy is heavenly.
LEWIS HALLAM SR.
Thank you Captain Lee for that introduction. To save
time I will just drop the formalities and just give
last names for now. There will be plenty of time to get
to know each other. First, I am Lewis Hallam and this
is my wife Mrs. Hallam and my two sons Lewis, Adam, my
niece Miss Hallam and my brother William. Mr. and Mrs.
Rigby, Mr. and Mrs. Clarkson, Mr. and Mrs. Adcock, Mr.
Singleton, Mr. Herbert, Mr. Malone and Mr. Wynell.I am
looking forward to beginning this journey with you.

CAPTAIN LEE.
Just so final warns and expectations. When we are
casting off it is important for all of you to be below
simply because every man on deck has a job to do and
you would just be in the way. Also, once we are out to
sea and foul weather is the forecast all loose costumes
and props must be removed from the deck, and you should
be below to avoid anyone get thrown overboard. Please
take this seriously. It can get very dangerous on the
seas and we must be prepared for when it is coming.
Crew please prepare to cast off.
Song "The Shores of the Colonies" - Full Ensemble,
Broadway Style
CAPTAIN LEE.
Load up the "Sally" with costumes and props...
LEWIS HALLAM SR.
Gather the cast with their scripts to rehearse...
WILLIAM HALLAM.
Throw caution to wind like the ropes off our bow...
MRS. HALLAM.
A journey that puts out all the stops...
 37.

LEWIS HALLAM JR.

Our hearts are full with hope and possibility...
MRS. THOMAS CLARKSON.
As winds and waves carry us away...

MRS. WILLIAM RIGBY.

We’ve cast a way on a new beginning...
MRS. WILLIAM ADCOCK.
To hit the shore ready and play with no delay...

CHORUS.
MALE PLAYERS.
Sinking our boots in the shores of the colonies...

We long to perform for our brothers and sisters

abroad...
Entertainment that can build their economies...
Stories for enjoyment that they can applaud.

FEMALE PLAYERS.
Building a theatre for the community at large....
A place they meet and socialize...

Comedy and traded for to digest...

Produces for the mass so there is no protest...
LEWIS HALLAM SR.
Virginia is our first port of call...

LEWIS HALLAM JR.

Williamsburg is a stop we long to perform...
MRS. WILLIAM RIGBY.
On to Annapolis, Charleston and Philly...

MRS. THOMAS CLARKSON.

Places will be tough to conform...
LEWIS HALLAM SR.
Then to New York, Newport and Providence...
LEWIS HALLAM JR.
Bringing our talents to a stage in their cities...
 38.

MRS. THOMAS CLARKSON.

Expanding our troupe and their experiences...
MRS. WILLIAM RIGBY.
So that our performance are best of their abilities...

CHORUS.
ALL PLAYERS.
Walking in the dirt roads of the New World...

Talking and listening to the settlers before us...

Staging a distraction to some of the harsh
environments...
We will entertain and earn so trust...
Players who are proud to share their talents...
In America’s thirteen colonies...
Or passions and desires unfold on stage...

In the classic comedies and tragedy...

The End
Everyone begins to move, with troupe members
exiting to their quarters and the Hallam’s exiting
up the stairs to their quarters. The crew working
with ropes, sails and stowing the gangplank. Enter
(SL) Narrator Female and Narrator Males (SR)
speaking as they enter.
NARRATOR FEMALE.
Early in the month of May of 1752 the Hallam Theatre
Company left London on the ship Charming Sally with
Captain William Lee.
NARRATOR MALE.
The ship was loaded with all the theatrical equipment
and ready to produce productions in the New World.
NARRATOR FEMALE.
On board was Captain Lee...15 crew members...thirteen
actors and three children.

NARRATOR MALE.
With a comprehensive repertoire to learn Lewis Hallam
was anxious to get started with the company rehearsals.
The troupe had spent the past year with memorizing so
that no time would be waste on the voyage.
 39.

NARRATOR FEMALE.
This would be voyage like no other.
 40.

ACT II
Scene I
Lights up on the deck of the Charming Sally where
the troupe is rehearsing "The Merchant of Venice"
The Duke, played by Mr. Herbert. Lewis Hallam who
is directing is dressed down with rolled up
sleeves. Mrs. Adcock is following the script,
while the remainder of the troupe and crew members

MR. HERBERT.DUKE
With all my heart. Some three or four of you, Go give
him courteous conduct to this place. Mean time the
court shall hear Bellario’s letter.
Reads.

"Your Grace shall understand that at the receipt of

your letter I am very sick, but in the instant that
your messenger came, in loving visitation was with me a
young doctor of Rome. His name is Balthazar. I
acquainted him with the cause in controversy between
the Jew and Antonio the merchant. We turn’d o’er many
books together. He is furnish’d with my opinion, which
better’d with his own learning, the greatness whereof I
cannot enough commend, comes with him, at my
importunity, to fill up your Grace’s request in my
stead. I beseech you let his lack of years be no
impediment to let him lack a reverend estimation, for I
never knew so young a body with so old a head. I leave
him to your gracious acceptance, whose trial shall
better publish his commendation."

Enter Portia, played by Mrs. Hallam. (Not looking

well but trying very hard to do here roll)
You hear the learn’d Bellario, what he writes, and here
I take it is the doctor come. Give me your hand. Come
you from old Bellario?

MRS. HALLAM.PORTIA
I did, my...my...my...lord. Excuse me!!!!
Puts her hand over her mouth and runs to the (US)
ship rail and vomits over the side.

MR. HERBERT.
I have to tell you if she keeps that up I will be
joining her.
Lewis moves to Mrs. Hallam side.
 41.

LEWIS HALLAM SR.

Dearest this is the second day this has happened.
Please will you try to control your urges?
MRS. HALLAM.
(Lifts her head up from the rail looking green with
seasickness.)Lewis my darling if you say that to me
again I will throw you over board.
Drops her head and continues

Enter Captain Lee with Lewis Jr.

LEWIS HALLAM JR.
Father is mother alright?
LEWIS HALLAM SR.
Yes son, she is seasick.
LEWIS HALLAM JR.
Why do people get seasick?
CAPTAIN LEE.
Some people cannot handle the rolling of the ship over
the waves and that motion makes them sick.
Patrick Malone is affected by the motion and runs
to the rail followed by Thomas Clarkson.

LEWIS HALLAM SR.

(Frustrated)Dear God, how are we going to get any work
done if they are all getting sick?
CAPTAIN LEE.
(Laughing)Relax Lewis, it has only been two days and
the seas have been a bit choppy.
LEWIS HALLAM SR.
How long does this last?

CAPTAIN LEE.
It is different for everyone. When I was young I
couldn’t be on a ship tied up to the dock without
getting seasick. I made my father so angry, but as I go
older and was on ships more it eventually went away.
Frankly, I am surprised that more of you are not sick.

MR. HERBERT.
Lewis I am so sorry...
Runs to the rail to join the others.
 42.

LEWIS HALLAM SR.

Well, Captain there are three in their cabins that are
sick and five hanging over the rail. That would be most
of us. If you will excuse me I will be joining them.

Lewis scurries to the rail next to his wife.

Captain Lee and several crew members begin to
laugh out loud. Miss. Hallam steps to the (DS)
rail. Mrs. Adcock, Lewis Jr. and Captain Lee exit.
Niles Jones enters with rolled charts under his
arm. Crosses to the main mast and unrolls one. The
seas are calming and the clouds are clearing as
the sun is just above the horizon.
NILES JONES.
(To Miss Hallam)Beautiful isn’t it?

MISS HELEN HALLAM.

(Surprised some was on deck.)Excuse me?
NILES JONES.
I said, beautiful isn’t it?

MISS HELEN HALLAM.

Yes, it is quite beautiful. I can see how someone could
fall in love with the sea.
NILES JONES.
(Moves (DS) to Miss Hallam.)Don’t be taken in. As
beautiful as she can be, she can be equally as ugly,
frightening, terrifying and deadly.
MISS HELEN HALLAM.
Why when someone of the sea, refers to the sea, it is a
she.
NILES JONES.
I don’t know. Possibly because those who are at sea are
mostly men and it would be weird if it was a he?

Laughs
MISS HELEN HALLAM.
Why did you chose the sea?

NILES JONES.
Well, like most of us we didn’t chose her, she chose
us. She offered us a way to explore, challenge
ourselves, meet other cultures and face our fears.
 43.

MISS HELEN HALLAM.

(Curious)Face your fears?
NILES JONES.
Much like the King of Naples and his entourage that are
in the midst of a storm on a ship, that is caught in
the magic spell Prospero on land with his daughter
Miranda who believe they are his enemy.
MISS HELEN HALLAM.
(Stunned) Mr. Jones you are a fan of Mr. William
Shakespeare play "The Tempest". How is it that you...?
NILES JONES.
Know about such things?
Laughing and being very coy.

MISS HELEN HALLAM.

Yes, how do you?
NILES JONES.
I wasn’t always a man of the sea and I don’t intend to
be one forever. My mother and father are both thespians
and comedians in Scotland. My bedtime stories were the
comedies and tragedies of William Shakespeare., Richard
III, King Lear and A Midsummer Night Dream are my
favorites. Please don’t tell anyone on board. I would
like for them to not know.

MISS HELEN HALLAM.

(Flirting)Your secret is safe with me.
Song: Your Secret is Safe with Me. Ballad Style

MISS HELEN HALLAM.

Riding the waves with adventure in your heart...
Watch the skies and horizon all day...

Fighting the motion in your stomach and mind...

Making the journey and doing your part...
NILES JONES.
The wind deciding my direction and speed...

At night when stars are clear and bright...

Culture and artistic values in the chapters I read...
Taken away with fantasy and flight...
 44.

CHORUS.
MISS HELEN HALLAM.(CHORUS)
Your secret is safe with me...
Foley and fancy are the words you read...

Takes you to places the best have all written...

Mystery and suspense are the story you need...

The life of a sailor is lonely and rough...

NILES JONES.(CHORUS)
Finding a moment to take you away...
Blowing the ship with bellowing sails...

Watching the stars to avoid a stray...

Storms that test your resolve...
MISS HELEN HALLAM.
Never showing your fear or fright...
Keeping your head level and clear...
And fighting to keep your ship upright...

Never allowing doubt to get to near...

NILES JONES.
Docking the ship in port after my journey...
Feeds a desire for more books and stories...

Searching the libraries and stores in town...

Preparing to cast away and hide my worries...
CHORUS.

MISS HELEN HALLAM.(CHORUS)

Your secret is safe with me...
Your love of the classics and stories...

A love story that makes you tear...

Passion that makes your chest pound...
 45.

NILES JONES.(CHORUS)
My secret is safe with you...
Longing for a soft hand in yours...
Reciting poetry to a lady thee lorns...

I share your desires, and my secret is safe with you...

The End

Meanwhile the seas of calmed and the troupe is

recovering from the earlier episodes of
seasickness. Lew wishes to try and finish the
scene they were rehearsing.
LEWIS HALLAM SR.
Could we please try to pick up where we left off and
finish the scene everyone?
NILES JONES.
You have to get back to work...We can talk again soon?

MISS HELEN HALLAM.

If you wish.
Crosses back to the rehearsal and Niles gathers up
his charts and exits.

LEWIS HALLAM SR.

We were at Portia, "I did my Lord"
MRS. HALLAM.PORTIA
I did my lord.

MR. HERBERT.DUKE
You are welcome, take your place. Are you acquainted
with the difference that holds this present question in
the court?

MRS. HALLAM.PORTIA
I am informed thoroughly of the cause. Which is the
merchant here? And which the Jew?
MR. HERBERT.DUKE
Antonio and old Shylock, both stand forth.

MRS. HALLAM.PORTIA
Is your name Shylock?
PATRICK MALONE.SHYLOCK
Shylock is my name.
 46.

MRS. HALLAM.PORTIA
Of a strange nature is the suit you follow, Yet in such
rule that the Venetian law Cannot impugn you as you do
proceed.- You stand within his danger, do you not?
THOMAS CLARKSON.ANTONIO
Ay, so he says.
MRS. HALLAM.PORTIA
Do you confess the bond?
THOMAS CLARKSON.ANTONIO
I do.
MRS. HALLAM.PORTIA
Then must the Jew be merciful.
PATRICK MALONE.SHYLOCK
On what compulsion must I? Tell me that.
MRS. HALLAM.PORTIA
The quality of mercy is not strain’d,
It droppeth as the gentle rain from heaven Upon the
place beneath. It is twice blest:
It blesseth him that gives and him that takes. ’Tis
mightiest in the mightiest, it becomes The throned
monarch better than his crown.
His sceptre shows the force of temporal power,
MRS. HALLAM.PORTIA
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings; But mercy
is above this sceptred sway,

It is enthroned in the hearts of kings, It is an

attribute to God himself;
And earthly power doth then show likest God’s When
mercy seasons justice. Therefore, Jew, Though justice
be thy plea, consider this, That in the course of
justice, none of us Should see salvation. We do pray
for mercy,
And that same prayer doth teach us all to render The
deeds of mercy. I have spoken thus much

To mitigate the justice of thy plea,

Which if thou follow, this strict court of Venice Must
needs give sentence ’gainst the merchant there.
 47.

PATRICK MALONE.SHYLOCK
My deeds upon my head! I crave the law, The penalty and
forfeit of my bond.
MRS. HALLAM.PORTIA
Is he not able to discharge the money?
WILLIAM RIGBY.BASSANIO
Yes, here I tender it for him in the court, Yea, twice
the sum. If that will not suffice, I will be bound to
pay it ten times o’er, on forfeit of my hands, my head,
and my heart. If this will not suffice, it must appear
that malice bears down truth.
To the Duke.
And I beseech you, Wrest once the law to your
authority:

To do a great right, do a little wrong, and curb this

cruel devil of his will.
MRS. HALLAM.PORTIA
It must not be, there is no power in Venice, Can alter
a decree established. ’Twill be recorded for a
precedent, And many an error by the same example, Will
rush into the state. It cannot be.
PATRICK MALONE.SHYLOCK
A Daniel come to judgment! Yea, a Daniel! O wise young
judge, how I do honor thee!
MRS. HALLAM.PORTIA
I pray you let me look upon the bond.

PATRICK MALONE.SHYLOCK
Here ’tis, most reverend doctor, here it is.
MRS. HALLAM.PORTIA
Shylock, there’s thrice thy money off’red thee.

PATRICK MALONE.SHYLOCK
An oath, an oath, I have an oath in heaven! Shall I lay
perjury upon my soul? No, not for Venice.
MRS. HALLAM.PORTIA
Why, this bond is forfeit, and lawfully by this the Jew
may claim a pound of flesh, to be by him cut off,
nearest the merchant’s heart. Be merciful, Take thrice
thy money, bid me tear the bon.....oh...excuse me
again!
Mrs. Hallam runs to the rail followed by everyone
except Miss Hallam.
 48.

Lights dim enter (SL) and (SR) Narrators. Note:

Set change is happening behind the Narrators.
NARRATOR FEMALE.
The Hallam Theatre Company arrived in Yorktown Virginia
on June 2, 1752 have rehearsed all their plays on the
quarterdeck of the Charming Sally, and they were ready.
On June 12, an advertisement in the Virginia Gazette
proclaimed:
NARRATOR MALE.
"Mr. Hallam from the New Theater in Goodman Fields is
daily expected here with a select Company of Comedians
the scenes, clothes and decorations are all entirely
new, extremely rich and finished in the highest taste,
the scenes being painted by the best hands in London
and excell’d by none in beauty and elegance, so that
the ladies and gentleman may depend on being
entertain’d in as polite a manner as at the theaters in
London. The Company being perfected in all the best.
NARRATOR MALE.
Plays, Operas, Farces and Pantomimes that have been
exhibited in any of the Theaters for these ten years
past"
NARRATOR FEMALE.
This advertisement was act of faith from Governor
Robert Dinwiddie in response to Hallam’s application to
perform plays. The Governor was concerned about giving
his approval because of the offstage activities of
native performers under Murray and Kean Management.
NARRATOR MALE.
In fact he was so concerned that the Governor’s Council
sent a bill to the House of Burgesses to prevent and
theatrical productions within two miles of
Williamsburg. He was advised to turn down Hallam’s
application, which he initially did, but after much
debate Lew Hallam was given a license to perform plays.

NARRATOR FEMALE.
The first order of business was the company had to find
a place to perform. Since there was a theatre in
Williamsburg, which was the one that Murray and Kean
used Hallam purchased the building from Alexander
Finnie for one hundred fifty pounds.
NARRATOR MALE.
The Hallam Company went fast to work to refurbish the
theatre, and on September 15, 1752 they opened their
first production in the English Colonies with Lord
Lansdowne’s version of The Merchant of Venice. This
 49.

NARRATOR MALE.
first play performed by a regular company of British
comedians was opened with a lengthy prologue written by
John Singleton a member of the Hallam Theatre Company.
It his highly likely that this was the first prologue
to be sited in the colonies, which began:
Exit Narrators
Lights dim to black with a single down spot at
(CS)

Enter Mr. John Singleton dressed in his "Merchant

of Venice", GRATIANO costume.
JOHN SINGLETON.
"To this New Word from fam’d Btittania’s shore,

Through boist’rous seas where foaming billows roar, The

Muse, who Britrons cham’d for many age,
JOHN SINGLETON.
Now sends her servants forth to tread your stage;

Britain’s own race, though far removed to show Patterns

of every virtue they should know".
Through gloomy mind through ignorance may rail,

Yet bold examples strike where lanquid precepts fail.

The world’s a stage where mankind act their parts; The
stage a world to show their various arts;
While the soul, touch’d by nature’s tenderest laws, Has
all her passions rous’d in virtue cause.
Reason we hear, and coolly may approve, But all’s
inactive till the passions move. Such is the human
mind, so weak, so frail,

"Reason’s her chart, but passion is her gale." Then

raise the gale to waft fair virtue o’er The sea of life
where reason points the shore, Lest passion, listening
to some siren’s song, Rush on the rocks of vice, where
all is lost, And shipwreck’d virtue renders up the
ghost.
Too oft, we own, the stage, with dangerous art, In
wanton scenes has play’d the siren’s part: Yet if the
muse, unfaithful to her trust,
 50.

JOHN SINGLETON.
Has sometimes stray’d from what is pure and just, Has
she not oft, with awful, virtuous rage, Struck home at
vice, and nobly trod the stage?

Made tyrant weep, the conscious murderer stand, And

drop the dagger from his trembling hand?
JOHN SINGLETON.
Then, as you treat a favourite fair’s mistake, Pray
spare her foibles for her virtue’s sake; And while her
chastest scenes are made appear...for non but such will
find admittance here. The Muse’s friends, we hope,
will join our cause, And crown our best endeavours with
applause."

Lights fade, exit Mr. John Singleton. Lights up on

Williamsburg stage with set in different levels of
strike, and Lewis Hallam Sr. staring out into the
audience. Enter Mrs. Hallam and Lewis Jr.
MRS. HALLAM.
Lewis I can’t believe we have to pick up and leave. We
are doing so well here.
LEWIS HALLAM JR.
Yes, father. We have been performing in this theatre
three nights a week for over a years with good house of
over three hundred pounds per performance. I was
enjoying "Othello" and the people here.
Enter Mr. Herbert, William Rigby, Thomas and Mrs.
Clarkson. William and Mrs. Adcock, Patrick Malone,
John Singleton and Adam and Helen Hallam.
WILLIAM HALLAM.
Lewis is it true that we are packing up and moving to
New York?

PATRICK MALONE.
Lewis is this because of our debts?
MRS. HALLAM.
What debts?

MRS. THOMAS CLARKSON.

Yes, what debts?
MRS. WILLIAM ADCOCK.
(To Mr. Adcock.)Did you do something to sabotage us?
 51.

WILLIAM ADCOCK.
Well...
They all begin to question and attack each other.
LEWIS HALLAM SR.
(Very Loudly.)QUIET!!! Yes we have had a good run here,
but the finances have not been in relation to the
company as a whole short at best. For that I take the
blame, and that is why I have put up a deed to pay all
of our expenses. Now we can leave here with our heads
up and with no one in debtor’s jail.
WILLIAM RIGBY.
How can we afford to make the journey to New York?
LEWIS HALLAM SR.
The deed for the theatre paid our debts and left us
enough to travel to, and get set up in New York,
provided nothing catastrophic happen.
THOMAS CLARKSON.
When do we leave?

LEWIS HALLAM SR.

Tonight, so we need to pack our personal belongings
only. The costumes and props we part of the deed.
WILLIAM RIGBY.
Lewis how are we going to get a fresh start in New York
without costumes and props?
LEWIS HALLAM SR.
Honestly that is the least of our worries. (Begins to
laugh.)We don’t have a theatre either.

Enter Mr. Wynell hearing Lewis’s comment and

laughter.
MR. WYNELL.
Plus, New Yorker’s are really upset because official
and the public were lied to and embarrassed by the
Murray and Kean Company just recently.
Joins in Lewis’s laughter.

WILLIAM RIGBY.
I don’t understand? Lewis who is this man.
MR. WYNELL.
Wynell is the name. I have come to join your company as
a defector of the unscrupulous Murray and Kean Company.
 52.

WILLIAM RIGBY.
(Looking at Lewis laughing.)Really?
Starts to laugh.
MRS. HALLAM.
Everyone stops and listens to Mrs. Hallam. The
deafening silent is obvious and almost frightening.
(Very angry.)So, you mean to tell me that we have to
move to New York because some of our company was put in
debtors jail because they couldn’t stop their excessive
drinking, gambling or prostituting...and you put the
deed of the theatre up for sale with all of our
costumes, props and lighting...paid off everyone’s
debts and we are forced to leave Williamsburg to go to
New York where theatrical productions have been
squandered by Murray and Kean Company...and we have no
theatre, costumes, props, lighting or drapes...and we
have to start with nothing except the clothes on our
backs?
You could hear a pin drop.

LEWIS HALLAM SR.

Yes!
The silence is broken with a chuckle from Mrs.
Adcock who covers her mouth to stop the sound from
escaping, that causes a spontaneous chuckle from
Mrs. Clarkson, then to Mr. Clarkson and Mr. Adcock
which contagiously spreads to everyone except
Lewis and Mrs. Hallam. Continuous laughter in the
background.

LEWIS HALLAM SR.

What?
MRS. HALLAM.
(A smile begins to rise on her face.)Lewis?

LEWIS HALLAM SR.

(Liking his response he tries again)What?
Mrs. Hallam begins to laugh, which lead to Lewis
laughing and the entire company is in a fit of
uncontrollable laughter with some of the men
rolling on the ground and the wives siting on
their husbands on the ground. Mr. Wynell stops
laughing for a moment.
MR. WYNELL.
Wait??
 53.

The troupe goes silent.

MR. WYNELL.
Does this mean I can join the company?
They all look at each other and then back to Mr.
Wynell and break back into uncontrollable
laughter.
MR. WYNELL.
I will take that as a yes.

Joins the laughter.

Lights dim to black and traveler curtain closes.
 54.

ACT II
Scene II
Enter Narrator Female (SL)

NARRATOR FEMALE.
The Hallam Theatre Company decided it was time to head
to New York with a couple of new players Mr. Wynell and
Herbert who had defected from the Murray & Kean
Company, which had also made a bad impression in New
York with their off stage behavior and had stirred
again the Puritan beliefs that live entertainment was
bad for the community. Again, an appeal was needed to
get a license to perform, which was granted.
Enter Narrator Male (SR)

NARRATOR MALE.
Lewis Hallam immediately went to work and razed the old
Nassau Street Theater and built a much larger one to
accommodate larger houses. The company opened on
September 17, 1753 with The Conscious Lovers and Damon
and Phillida.
NARRATOR FEMALE.
It was in these performances that English actors
William Charles Hulett, Charles Love and his wife,
Miller and Mrs. Becceley join the company. Also, the
young Hallam’s Lewis, Helen and Adam made regular
appearances. The season ended with The Beggar’s Opera
on March 18, 1754.
NARRATOR MALE.
The companies’ next stop was Philadelphia and
Charleston. But before leaving town Lewis Hallam placed
and advertisement asking that anyone who had demands on
him to bring in their accounts and receive their money.
After arriving in Charleston, South Carolina the
community quickly made it clear that this southern
"Bible Belt" city was not interested in comedians or
theatre. Lewis had to come up with a quick inexpensive
exit. These turn of events, turned out to change the
Hallam Theatre Company, but also the history of theatre
in America.

Lights dim and traveler curtain opens to Lewis

Hallam and his troupe standing on the docks in
Jamaica with crates, suitcases and bags stacked
around them.
 55.

WILLIAM RIGBY.
Lewis I have tried to believe in you, but why have you
moved is to this place?
MRS. HALLAM.
Mr. Rigby, I am sure that my husband has his reasons.
He has never complained about your drinking during
performance and the slurring that continually happens
when you are on stage.
WILLIAM RIGBY.
How dare you ma’am!
LEWIS HALLAM SR.
Stop!!! Both of you. It was apparent after the harsh
treatment we were bombarded with in Charleston that we
needed to move to a warmer climate and perform for
audiences the desire our presence.
Enter Mr. David Douglas (SR) followed by a few
locals dressed in very different and obviously
cooler clothes most of them had never seen before.

DAVID DOUGLASS.
Mr. Hallam?
LEWIS HALLAM SR.
(Steps forward.)Yes, I am Lewis Hallam. Mr. Douglass?

DAVID DOUGLASS.
Yes sir, I am glad that you have arrived intact. I have
brought some help to get your belongings and cargo to
town.

LEWIS HALLAM SR.

(Surprised.)Thank you sir. This is my company of
actors. Everyone this is David Douglass a gentleman I
have been corresponding with to come to Jamaica. The is
my wife Mrs. Hallam.

Mr. Douglass is taken back by how beautiful and

stunning Mrs. Hallam was even in wool clothes and
humid heat. He takes her hand and kisses the back
of it.
DAVID DOUGLASS.
It is my pleasure ma’am. Please let’s get you all back
to town so you can change into appropriate attire.
MRS. HALLAM.
(She can’t help notice how strong and handsome he
appeared.)Thank You Mr. Douglass.
 56.

They all begin to move offstage. The locals a

gathering the bags and suitcases.
Lights dim to back
From (SL) David Douglass’s Office rolls in with a
tropical look to it. Douglass and Hallam are
seated in rattan chairs drink a cool drink with a
local fanning them with a big palm leaf.
LEWIS HALLAM SR.
Well now that we have been here a few weeks and we are
settled in when can I meet you company? It is February
all ready. I don’t want 1755 to slip away from us.
DAVID DOUGLASS.
Honestly Lewis some dramatic circumstance has happen
since our last letter two months ago. And to tell you
the truth I really didn’t think you would make the
journey. If you had arrived a day later I would have
been on a ship back to London to recruit some more
troupe members.

LEWIS HALLAM SR.

Why is that David? You communicated to me that you a
strong professional troupe that was doing very well
down here.
DAVID DOUGLASS.
Well Lewis I did the last time you talked to me. But
many of my company got sick, very sick and several of
the died.
LEWIS HALLAM SR.
Died! How?
DAVID DOUGLASS.
Disease Lewis, apparently it is common down here. Then
the desertion started because of the disease.

LEWIS HALLAM SR.

Really, David? (Coughing)You brought me, my family and
my company down here to a disease ridden part of the
word?
DAVID DOUGLASS.
I am sorry Lewis. If I had known you were coming I
would have advised you. It appears that the worst of it
has past.
LEWIS HALLAM SR.
I hope so because if my troupe starts to die off I will
be leave very quickly. (Coughing)
 57.

Lights dim and Hallam Bedroom wagon rolls in from

(SR), Lewis Hallam is propped up on the bed, and
Mrs. Hallam, Lewis Jr, Adam and Helen are by his
side.

MRS. HALLAM.
(Running a cool cloth over her husband’s
forehead.)Lewis is there anything I can get you?
LEWIS HALLAM SR.
(Coughing)No my darling, I am feeling myself slip away
so please all of you listen to me.(Coughing)Adam and
Helen when I am gone please listen and respect any
decisions your mother has to make, for they will be in
your best interest.
MRS. HALLAM.
(Upset and on the verge of tears.)Lewis...please.
LEWIS HALLAM SR.
(Coughing)I am sorry, my dearest but I need to say what
I have to say. I don’t have much time left. (Coughing)
Lewis the younger.

LEWIS HALLAM JR.

Yes, father.
LEWIS HALLAM SR.
You will be the man of the family when I am gone, or at
least till your mother takes on a new husband.
Mrs. Hallam begins to cry.
Please be there for her and the rest of the family.
Also, don’t give up on the dream and your talents on
stage. Learn from your mother and others.
LEWIS HALLAM JR.
(Holding back tears.)Yes, father.
LEWIS HALLAM SR.
(Weakening Cough.)Now please all of you please let me
have a private moment with your mother.
All of them leave the room. Leaving Lewis and Mrs.
Hallam alone.

MRS. HALLAM.
(Crying)My husband, I am not sure I can go on without
you?
LEWIS HALLAM SR.
(Weak speaking)My darling wife please try to be strong.
I am going to tell you what to do...I hope you will
 58.

LEWIS HALLAM SR.

follow my instruction because it will bring you and the
children out of this place and keep you on the stage
where you belong. Now listen carefully.

MRS. HALLAM.
I am listening.
LEWIS HALLAM SR.
Inside the two soles of my Richard III costume shoes
that I kept you will find one hundred and fifty pounds.
LEWIS HALLAM SR.
That money will go a long way. Do not tell anyone you
have it. Do you understand?

MRS. HALLAM.
Yes.
LEWIS HALLAM SR.
Also, in my desk are the deeds to the theatres in New
York and Maryland. They are still there and you use
them to sell or perform. Again, do not speak of it as
well.
MRS. HALLAM.
(Sobbing silently.)I won’t...

LEWIS HALLAM SR.

(Very weak and almost a whisper.)Finally, I want you
reach out the David Douglass and merge your company
with his, as well as consider him being you partner in
life.

MRS. HALLAM.
(Shocked)Don’t be ridiculous Lewis!
LEWIS HALLAM SR.
(Slipping Away.)I have seen the way he looks at you.
Trust me when I say he is a good man and he will love
you and provide you with the stages and roles you
desire. Don’t waste your life after I am gone. Promise
me you will think about it...please promise me my love.
MRS. HALLAM.
(Lifts his hand and she gentle grasp it know he is
saying good-bye.)I promise. (She feels his hand go limp
and lays it down on the bed.
Song, Promise Me My Love...Pop Ballad Style
 59.

MRS. HALLAM.
I can’t say goodbye to you...
Being a part of my life for so long...
Everything I am is because of thee...

You not here feels so scary and wrong...

I’m lifted up with the light in your eyes...

Nothing seemed impossible or bleak...

Always making me feel satisfied...
Filling my heart with the love I seek...

CHORUS.
You asked me to promise my love...
To another when you leave...
You can’t hold my heart in your hand...

Transfer my love because you believe...

I can’t honor your dying request of thee...
The breaking of my heart is too strong...

Only because my hurt is the deepest...

So I can’t promise these my love...
MRS. HALLAM.
It will take an eternity to to love again...
Allowing my heart to open and receive..
The touch of an others warm hand...

It is not possible to achieve...

Praying you will make it to heaven...
Thinking of you all the while...

Making a life without direction and meaning...

I only look forward till I see you again...
 60.

CHORUS.
You asked me to promise my love...
To another when you leave...
You can’t hold my heart in your hand...

Transfer my love because you believe...

I can’t honor your dying request of thee...

The breaking of my heart is too strong...

Only because my hurt is the deepest...
So I can’t promise these my love...

The End
Lights dim, Hallam bedroom wagon rolls off (SR)
Enter Narrators (SL)
NARRATOR MALE.
It only took a year for the climate of Jamaica to kill
Lewis Hallam. The exact date of his death is unknown.
His death left his family and company stranded.
NARRATOR FEMALE.
Sometime between 1754 and 1758 David Douglas and Mrs.
Hallam married in Jamaica and combined their companies.
Douglas was not very conspicuous as an actor, but he
was a man of character and ability. He was a gentleman
with an education. His most important role in the
American Theatre was as a manager. They named the new
company the London Company and in 1758 headed for New
York
NARRATOR MALE.
The London Company and on December 28, 1758 opened a
new theatre at Crugar’s Wharf with Jane Shore. That
season lasted till February 7, 1759.
NARRATOR FEMALE.
In the spring of 1759 Douglass and his troupe moved on
to Philadelphia. Where he built a new theatre on
"Society Hill". The Quakers tried to stop the
performances by addressing the House.
NARRATOR MALE.
On May 22, 1759 an address was made that, "they have
with real concern, heard that a company of stage
players are preparing to erect a theatre and exhibit
plays to the inhabitants of this city which they
 61.

NARRATOR MALE.
conceive, if permitted, will be subversive of the good
order and morals which they desire may be preserved in
this government."

NARRATOR FEMALE.
The House could not ignore these representations and a
bill against play-acting was presented on May 28th and
passed on May 31st this really put Governor Denny in a
dilemma. He had given Douglas his permission and he
wanted to keep faith with him so he withheld the bill
until June 15th when he returned it with some
amendments. The measure was finally passed but was set
aside in the King’s Council September 2nd 1760.
NARRATOR MALE.
Douglas was quick to take advantage of this opportunity
it began his new season at the new theater on Society
Hill on June 25, 1759 and remain open until December
27, 1759

NARRATOR FEMALE.
When the Douglas troupe left Philadelphia they went to
Maryland and visited several small towns and then
proceeded to Annapolis.
NARRATOR MALE.
The Annapolis cast was worth mentioning because of the
changes that were happening in the company. The names
of several newcomers appear. Mr. Palmer, Mr. and Mrs.
Morris, Mr. Murray, Mr. and Mrs. Dowthwaite and Miss
Crane. It is thought that Mr. Murray may have been the
same Murray who was Thomas Kean’s partner in 1750.

NARRATOR FEMALE.
It was here that Douglas built another theatre and
beginning a new season on March 3, 1760 with Otway’s
tragedy "The Orphan" and followed by the Garrick farce
"Lethe." At this time it was not the custom of
newspapers to make comments on theatre productions.
They were afraid losing subscribers who were against
the theatre performances. But, on March 6th three days
after the opening this review was in the Maryland
Gazette.

NARRATOR MALE.
"On Monday last the Theatre in this city was opened,
when the tragedy of "Orphan" and "Lethe" (a dramatic
satire) was performed in the presence of his Excellency
the Governor to a polite and numerous audience, who all
expressed their satisfaction. The principal characters
both in the play and entertainment were performed with
great justice, and the applause, which attended the
 62.

NARRATOR MALE.
whole representation, did no less honor to the
abilities of the actors than to the taste of their
auditors. For the amusement and emolument of such of
our readers as were not present we here insert the
Prologue and Epilogue, both written by a gentleman of
this Province, whose poetical works have rendered him
justly admired by all encouragers of the liberal arts."
NARRATOR FEMALE.
It should be noted that this was the first time any
newspaper had acknowledged their performances in any
American newspaper, and it was unlikely that Douglas
paid for this review.
Exit Narrators, Light fade up to a backdrop of
Colonial Newport’s "Colony House"
The entire London Company Troupe is standing on
Touro Street in Newport.

MRS. HALLAM/DOUGLAS.
Darling why are we in New England, and here in Newport,
Rhode Island? It is said to be the hardest on
theatrical productions.
DAVID DOUGLASS.
I feel that I have come prepared with a letter from
Governor of Virginia that speaks to our character. This
is a great opportunity to be the first to perform in
New England. There is no recorded of any other company
performing in New England. This could be an untapped
market.

All Company Members freeze. Enter Narrators

NARRATOR FEMALE.
Douglass before arriving in Newport changed the name of
the company to The Old American Company, possibly to
try for a fresh start in Newport. Plus, the company had
changed again and had all new players.
NARRATOR MALE.
Douglass still faced opposition and a difficult
situation. There was a reason that no actors had ever
come to Newport or Rhode Island before. Throughout New
England the feelings and attitudes toward theatre and
the stage was of uncompromising hatred and hostility.
There was no state statue prohibiting stage plays in
Rhode Island, but the theatre and playhouse was
denounced as the "House of Satan", and play-actors were
Beelzebub himself.
 63.

NARRATOR FEMALE.
But there was justification for the hatred and
bitterness of the theatre. The settlers of New England
were all descendants of Puritans of who the Seventeenth
Century dramatist who had ridiculed. Plus, the moral
defects, looseness of tone and the mockery of martial
ties that the players represented, and the liberalism
of the plays of the time, which were all sensual and
licentious in tone and treatment and this was most
offensive of the Puritan beliefs.
NARRATOR MALE.
Finally, when actors came town the community became
demoralized.

NARRATOR FEMALE.
In one petition begging that play acting be forbidden
reads:
NARRATOR MALE.
"It is well known that on the nights of performance the
theatre is surrounded by a large concourse of people,
who resort there not to see the performance within, but
to take part in the performance without. Riots,
drunkenness, and obscenity are among the least of the
evils nightly practiced. While the audience within are
strengthening their morals, and adding to the stock of
their religious principles by listening to the precepts
of the stage, the rabble without are drenching
themselves in rum, and wallowing in open and public
prostitution".

NARRATOR FEMALE.
With all this intense opposition to the stage and its
players Douglas who wanted to avoid offending the
anti-theatrical elements. So he decided he wanted to
get a feel for the public, see what the pulse of the
people before proclaiming his plans to build a theatre.

NARRATOR MALE.
Douglas disguised his first productions "Othello" under
the cloak of "A Series of Moral Dialogues." His plan
was instead of building a theatre and labeling it a
theatre like he had done in other towns up and down the
Atlantic coast he rented space at the King’s Arm’s
Tavern on Cross Street.
Narrators Exit. The Troupe Company Members
unfreeze.

LEWIS HALLAM JR.

David do you really think this is a good idea to try
and pull the wool over these people eyes disguising
"Othello" with this "Series of Moral Dialogues"?
 64.

DAVID DOUGLASS.
I don’t want to build a theatre here until I am sure we
have an audience.
MRS. HALLAM/DOUGLAS.
Dear Lewis is right. Tricking them I feel could back
fire on us.
DAVID DOUGLASS.
We will know after the first night of performing if
they want us here. If they don’t we will leave. Now we
need to get over to Cross Street to the Kings Arm
Tavern so we can set-up rehearse and pass out some
playbills for tonight.
Lights fade, two panels enter (SR) and (SL)
revealing streets scene of Cross Street and Thames
Street with the King’s Arms Tavern meeting at the
end in a perspective view.
Lights fade up with members of the Douglass
Company handing out Playbills to the random people
entering from (SR), (SL) and (C) stage strolling
the streets of Newport.
MR. STURT.
(Passing a Playbill to a passing couple.)Please if you
have the time join us tonight for a conversation that
is "A Series of Moral Dialogues" at the King’s Arms
Tavern at the end of the street.
The couple takes the playbill, looks at it and
continues on.

LEWIS HALLAM JR.

(Hands a playbill to an older gentleman with a cane,
who stops and takes a look at it.)I hope you can join
our conversation tonight at the King’s Arm Tavern sir.
OLD GENTLEMAN.
What is this? Is this a theatrical production young
man?
LEWIS HALLAM SR.
Why no sir. It is "A Series of Moral Dialogues"
performed to great debate.
OLD GENTLEMAN.
So, it is a performance?
LEWIS HALLAM SR.
Yes, in as much professional comedians will portray
characters sir.
 65.

OLD GENTLEMAN.
Then I will look forward to attending. I very much like
to see performances.
The Old Gentleman continues and exits.

MR. ALLYN.
To Mr. Sturt)How is your respond to the Playbills?
MR. STURT.
Actually, quite positive. And yours.

MR. ALLYN.
It is mixed, but mostly positive.
LEWIS HALLAM JR.
My responds have been very good. It will be interesting
how this plays out here in Newport. Are you ready?
MR. STURT.
As ready as we will ever be I guess.
Lights fade and the panels are moved and turned
around by the cast members on stage revealing the
inside of the King’s Arm Tavern, a dozen or as
many needed to show a standing room only scene of
spectators enter carrying a bar, tables and chairs
that they place and sit in and around. The Old
American Company troupe are all standing along the
front wall of the tavern. MRS. Hallam/Douglass
steps to (C).
MRS. HALLAM/DOUGLAS.
Welcome to "A Series of Moral Dialogues" in Five Parts.
Depicting the Evil Effects of Jealousy and other Bad
Passions, and Proving that Happiness can only Spring
from the Pursuit of Virtue. Mr. DOUGLASS (Steps forward
and bows and returns.) will represent a noble and
magnanimous Moor named Othello, who loves a young lady
named Desdemona, and after he has married her, harbors
(as in too many cases) the dreadful passion of
jealousy.
DAVID DOUGLASS.
"Of jealousy, or being’s bane. Mark the small cause and
the most dreadful pain."

MRS. HALLAM/DOUGLAS.
Mr. ALLYN (Steps forward and bows and returns.)Will
depict the character of a specious villain, in the
regiment of Othello, who is so base as to hate his
commander on mere suspicion, and to impose on his best
friend. Of such characters, it is to be feared, there
 66.

MRS. HALLAM/DOUGLAS.
are thousands in the world, and the one question may
present to us a salutary warning.

MR. ALLYN.
"The man that wrongs his master and his friend. What
can he come to but a shameful end"?
MRS. HALLAM/DOUGLAS.
Mr. HALLAM (Steps forward and bows and returns.)Will
delineate a young and thoughtless officer, who is
traduced by Mr. ALLYN, and, getting drunk, loses his
situation, and his General’s esteem. All young men,
whatsoever, take example from Cassio.

LEWIS HALLAM JR.

"The ill effects of drinking would you see. Be warned
and keep from evil company".
MRS. HALLAM/DOUGLAS.
Mr. MORRIS (Steps forward and bows and returns.)Will
represent an old gentleman, the father of Desdemona,
who is not cruel or covetous, but is foolish enough to
dislike the noble Moor, his son-in-law, because his
face is not white, forgetting that we all spring from
one root. Such prejudices are very numerous and very
wrong.

MR. MORRIS.
Fathers beware what sense and love ye lack. ’Tis crime,
not color, makes the being black".

MRS. HALLAM/DOUGLAS.
Mr. QUELCH (Steps forward and bows and returns.)Will
depict the fool, who wishes to become a knave, and
trusting one gets killed by him. Such is the friendship
of rogues--take heed.

MR. QUELCH.
When fools would knaves become, how often you’ll,
perceive the knave not wiser than the fool.
MRS. HALLAM/DOUGLAS.
Mrs. MORRIS (Steps forward, curtsy and returns.) will
represent a young and virtuous wife, who, being
wrongfully suspected, gets smothered in an adjoining
room by her husband.
MRS. MORRIS.
"Reader, attend; and ere thou goest hence, Let fall a
tear to hapless innocence".
 67.

MRS. HALLAM/DOUGLAS.
Mrs. DOUGLASS (Curtsy’s) will be her faithful
attendant, who will hold out a good example to all
servants, male and female, and to all people in
subjection. "Obedience and gratitude, Are things as
rare as they are good"?
Song: "Moral Dialogues" Broadway Style
DAVID DOUGLASS.
I believe what you say is always true...

MRS. HALLAM/DOUGLAS.
And your ethic always shine through...
LEWIS HALLAM JR.
Your integrity deep in your monologues...

MR. WYNELL.
Hiding your silent Moral dialogues...
DAVID DOUGLASS.
Riding a line between facts and fables...

MR. STURT.
Becomes a hidden and quiet demagogue...
MR. QUELCH.
Standing undaunted and stable...

MR. MORRIS.
Still hiding your Moral Dialogues...
CHORUS.

FEMALE PLAYERS.
Integrity, goodness and purity are right...
MALE PLAYERS.
Striving for excellence and kindness...

Keeping it clear with high-mindedness...

A trustworthiness with merit and virtue...
With no negative to refer or refer to...

DAVID DOUGLASS.
Moral Dialogues speak to the facts...
MRS. HALLAM/DOUGLAS.
And keep the subjects in the open...
 68.

LEWIS HALLAM JR.

The debate clears up the fiction and gaps...
MR. MORRIS.
Assuring that truth will be spoken...

MR. QUELCH.
With your thoughts foggy and unclear...
MR. STURT.
Speaking will help lift up the fog...

LEWIS HALLAM JR.

As long you are honest and sincere...
DAVID DOUGLASS.
Keep open with you Moral Dialogues...

Repeat Chorus
FEMALE PLAYERS.
Integrity, goodness and purity are right...

MALE PLAYERS.
Striving for excellence and kindness...
Keeping it clear with high-mindedness...
A trustworthiness with merit and virtue...

With no negative to reveal or refer to...

The End
Light fade, the cast rolls the panels off and all
exit the stage, Enter Narrators.
NARRATOR FEMALE.
On June 10, 1761 David Douglass in a room at the tavern
not only performed the first Shakespeare play to be
performed in New England, as well as the first
production of Othello in New England.
NARRATOR MALE.
This is worth noting because the King’s Arms Tavern
building still exist and is owned by a restoration
company in Newport, Rhode Island founded by Doris Duke.
NARRATOR FEMALE.
Douglas had no idea how well received this gamble would
pay off, but it did. It was actually genius on his
part. The nights of the "Dialogues" he would send out
his actors in character on to the streets surrounding
 69.

NARRATOR FEMALE.
the Kings Arms Tavern with playbills. The actor would
meet people on Church Street, Spring Street and tell
them about The Dialogues. This would fill the tavern to
capacity every night. The "Dialogues" were so well
received that Douglass was encouraged to stay on.
NARRATOR MALE.
Despite the intense opposition the plays Douglass
disregarded the adverse vote against the building of a
theatre at Easton’s Point, near Dyers Gate the north
part of town. It was here that the company opened on
September 7, 1761 with "The Provoked Husband", by
Vanburgh. It was the first dramatic performance in New
England by a regular company of professional actors.

NARRATOR FEMALE.
The 1761 Newport season closed with the performance of
the tragedy "Douglas"
Exit Narrators. Lights fade up exit to reveal the
set of "Douglass" on the Newport Stage.
MRS. HALLAM/DOUGLASS.LADY RANDOLPH.
Which way the current of thy temper sets:
Today I’ve found thee. Oh! My long lost hope!

If thou to giddy valor giv’st the rein, Tomorrow I may

lose my son forever.
The love of thee, before thou saw’st the light,
Sustain’d my life when thy brave father fell.

If thou shalt fall, I have nor love nor hope in this

waste world! My son, remember me!
LEWIS HALLAM SR.DOUGLASS.
What shall I say? How can I give you comfort

The god of battles of my life dispose as may be best

for you! For whose dear sake I will not bear myself as
I resolv’d.
But yet consider, as no vulgar name that which I boast
sounds amongst martial men, how will inglorious caution
suit my claim?
The post of fate unshrinking I maintain. My country’s
foes must witness who I am.

On the invaders’ heads I’ll prove my birth,’Till

friends and foes confess the genuine strain.
 70.

If in this strife I fall, blame not your son. Who, if

he lives not honor’d, must not live.
MRS. HALLAM/DOUGLASS.LADY RANDOLPH.
I will not utter what my bosom feels.

Too well I love that valor which I warn. Farewell, my

son! My counsels are but vain.
Embracing.

And, as high heav’n hath will’d it, all must be

Separate.
Gaze not on me, thou wilt mistake the path:

I’ll point it out again.

Just as they are separating, enter from the wood Lord
Randolph and Glenalvon.
DAVID DOUGLASS.LORD RANDOLPH
Not in her presence.
Now...
MR. ALLYN.GLENALVON
I’m prepar’d.

DAVID DOUGLASS.LORD RANDOLPH

No: I command thee stay.
I go alone: it never shall be said that I took odds to
combat mortal man.

The noblest vengeance is the most complete.

Exit Lord Randolph.
Glenalvon makes some steps to the same side of the
stage, listens, and speak.
MR. ALLYN.GLENALVON
Demons of death, come settle on my sword, and to a
double slaughter guide it home!

The lover and the husband both must die.

Lord Randolph behind the scenes.
 71.

DAVID DOUGLASS.LORD RANDOLPH

Draw, villain! Draw.
LEWIS HALLAM SR.DOUGLASS.
Assail me not, Randolph not as thou lov’st thyself.

Clashing of swords.
Glenalvon running out.
Now is the time.

Enter Lady Randolph at the opposite side of the

stage faint and breathless
MRS. HALLAM/DOUGLASS.LADY RANDOLPH.
Lord Randolph, hear me; all shall be thine own, but
spare! Oh, spare my son!

Enter Douglas, with a sword in each hand.

LEWIS HALLAM SR.DOUGLASS.
My mother’s voice! I can protect thee still.

MRS. HALLAM/DOUGLASS.LADY RANDOLPH.

He lives, he lives:
For this, for this to heav’n eternal praise But
sure I saw thee fall.

LEWIS HALLAM SR.DOUGLASS.

It was Glenalvon. Just as my arm had master’d
Randolph’s sword, the villain came behind me; but I
slew him.
MRS. HALLAM/DOUGLASS.LADY RANDOLPH.

Behind thee! Ah, I thou’rt wounded! O my child,

How pale thou look’st! And shall I lose thee now?
LEWIS HALLAM SR.DOUGLASS.
Do not despair: I feel a little faintness;

I hope it will not last.

Leans upon his sword.

MRS. HALLAM/DOUGLASS.LADY RANDOLPH.

There is no hope!
And we must part! The hand of death is on thee, O my
beloved child! O Douglas, Douglas!
 72.

LEWIS HALLAM SR.DOUGLASS.

Too soon we part; I have not long been Douglas.
O destiny! Hardly thou dearest with me:

Clouded and hid, a stranger to myself, in low and poor

obscurity I liv’d.
MRS. HALLAM/DOUGLASS.LADY RANDOLPH.
Has heav’n preserv’d thee for an end like this?

LEWIS HALLAM SR.DOUGLASS.

Had I fall’n as my brave fathers fell, turning with
great effort the tide of battle!
Like them I should have smil’d and welcom’d death. But
thus to perish by a villain’s hand!
Cut off from nature’s and from glory’s course, which
never mortal was so fond to run.
MRS. HALLAM/DOUGLASS.LADY RANDOLPH.
Hear, Justice! Hear! Stretch thy avenging arm.
LEWIS HALLAM SR.DOUGLASS.
Unknown I die; no tongue shall speak of me.
Some noble spirits, judging by themselves, May yet
conjecture what I might have proved, And think life
only wanting to my fame:
But who shall comfort thee?
MRS. HALLAM/DOUGLASS.LADY RANDOLPH.
Despair! Despair!
LEWIS HALLAM SR.DOUGLASS.
Had it pleas’d high heav’n to let me live, A little
while!

My eyes that gaze on thee, grow dim apace! My mother

Oh, my mother!
Douglass Dies
Enter Lord Randolph and Anna.

DAVID DOUGLASS.LORD RANDOLPH.

Thy words, the words of truth, have pierc’d my heart, I
am the stain of knighthood and of arms.

Oh! If my brave deliverer survives, the traitor’s

sword...
 73.

MISS HELEN HALLAM.ANNA.

Alas! Look there, my Lord.
DAVID DOUGLASS.LORD RANDOLPH.
The mother and her son! How curst I am! "Was I the
cause? No: I was not the cause.

Yon matchless villain did seduce my soul, to frantic

jealousy.
MISS HELEN HALLAM.ANNA.
My Lady lives: The agony of grief hath but supprest
awhile her powers.
DAVID DOUGLASS.LORD RANDOLPH.
But my deliverer’s dead!

The world did once esteem Lord Randolph well.

Sincere of heart, for spotless honor fam’d, and, in my
early days, g’ory I gain’d beneath the holy banner if
the cross.

Now past the noon of life, shame comes upon me,

reproach, and infamy, and public hate.
Lights fade and cast freezes on stage. Enter
Narrators

NARRATOR FEMALE.
The final performance in Newport, Rhode Island received
a comment in Gaines Mercury on November 3, 1761 the
printed:
NARRATOR MALE.

"On Friday evening last the company of comedians

finished their performance in this town by
enacting the tragedy of "Douglas" for the benefit
of the poor. This second charity is undoubtedly
meant as an expression of gratitude for the
countenance and favor the town has shown them; and
it cannot without an uncommon degree of
malevolence be ascribed to an interested or
selfish view, because it is given at a time when
the company are just leaving the place, and
consequently can have neither fear nor hope from
the public. In returned for this generosity, it
ought in justice to be told that the behavior of
the company here has been irreproachable: and with
regard to their skill as players the universal
satisfaction they have given is their best and
most honorable testimony. The character they
 74.

brought from the Governor and gentlemen of

Virginia has been fully verified, and therefore we
shall run no risk in pronouncing that they are
capable of entertaining a sensible and polite
audience".

NARRATOR FEMALE.
The following year The Old American Company came back
to Newport with the hopes to repeat its previous year,
but their theatre was gone. The story that was told it
blow down in a gale. With is company stuck in Newport
with no place to go, and winter at his doorstep
Douglass made the decision to sail up the Narragansett
Bay to Providence, Rhode Island.
The lights fade up and Lewis Hallam Jr. unfreezes
and moves center and Narrators cross to (SR)

LEWIS HALLAM JR.NARRATOR.

Douglass hoped and believed his success in Newport
would transfer to Providence. His hopes were shattered
only to find the opposition to be more intense than
ever experienced. It was more pronounced in Providence
that the sentiment for live theatrical stage plays and
the building of a theatre was out of the realm of
possibilities. Douglass tried to work his way around
the difficulties by building a "School House" on
Meeting Street and then announced in the Newport
Mercury on August 10, 1762 the he was giving
performances at the Meeting Street School House. This
was in defiance of the clamor against what was called
profane stage plays.
MRS. HALLAM/DOUGLAS.NARRATOR.
(Unfreezes and moves (SR) of Lewis.)This was the first
time a theatre had been called a "School House". But
what might seem as funny now is sure to have been very
serious in 1762. The two seasons in Newport and
Providence were the first and last that Douglass and
his company was able to get a hearing or play anywhere
in New England before the Revolution. The Rhode Island
General Assembly passed an act in August 1762
forbidding the further building of theatres of any more
acting under the severest penalty and the act was
proclaimed throughout the streets of Providence by beat
of a drum.

DAVID DOUGLASS.NARRATOR.
(Unfreezes and moves (SL) of Lewis.)David Douglass and
his exceptional players, repertoire and capacity to
build theatres commanded attention and respect wherever
they landed. He alone built theatres New York,
Philadelphia, Charleston, Maryland, Williamsburg and
 75.

DAVID DOUGLASS.NARRATOR.
Newport. His legacy as a giant during the birth of
American Theatre is untouchable. His shrewdness and
ability to organize was obvious in all of his projects.
The fact that Douglass accumulated $125,000 dollars
before his death in 1786 was a true testament as to why
he was a central figure in American theatre history. It
is believed that Mrs. Douglas retired from the stage
due to declining health in 1769 and died in
Philadelphia in 1774. Through the passions, and efforts
of Mr. and Mrs. Hallam and Douglass, their family,
company members, town and city officials that
recognized them as an honorable troupe they gave birth
to the American theatre as we know today.
Blackout