Editor's Note Sator's Note “Fo. Gais a2 aruch as possible from the following studies, the trombonist should make a special effort to articulate exsclly ae mmcked rd te incorporate the F attachment as much as is reasonably possible. As an example, in addition to the obvious SE one 1 2 should also use porticulatly the SE played in flat 3rd and flat 4th positions (with valve), °3 >4 After the study has been prepared, the articulation should be varied — essentially making it a new study, Neo fox] [ex:] To develop a maximum technique and an outstanding legato the trombonist must acquire the ability to move the slide as smoothly as possible, N20 Tex:]20 STUDIES for Bass Trombone or Trombone with F attachment Bdited by KEITH BROWN K. STEPHANOVSky Commodo ~ I. mf | | | (Adagio) D.C.al Fine 2. (7) Pay 1964 by uerasnationaL se Con ¥ dil of IMC Mate Coreraton, New Yok oy Ineraton! Conga Seared‘eresc. poco @ poco D.C.al Fine> y—= —«sJ—= ~—F dim. poco a poco [Andante] 6. [2] maz .CAntegretto}9. {Andantino} gp = Zz F simile P poco.a poco cresc.Andante- Allegro To; © simile wm oP (Tranguitto| mca[Moderato] 12. | Poco a poco cresc. [mp] Pee(Grave) 3. i) [Andante con moto] 4. =“ 2 * = CFI .[Allegretto] 15. alAndantino 16. ya B poco crese. a tempo — ).C.al Fin [Allegro moderato] _ be DGalFine 17. e[Moderato] 18. {ft( Maestoso)} 19. ¥ zai[Allogretto] 20. yt