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ARA Journal of Arts and Culture 1/2017

0($685,1*7+(())(&762)02=$57¶6086,&
ON ADULT AUDIENCE
6WHOD'UăJXOLQ1, Fulvia Anca Constantin2*
7UDQVLOYDQLD8QLYHUVLW\%UDúRY5RPDQLD
1

Academy of Romanian Scientists – AOSR, Assoc. Member


2
7UDQVLOYDQLD8QLYHUVLW\%UDúRY5RPDQLD
*fulvia.constantin@gmail.com

Introduction authority in the relationship music – education -


7KH H൵HFW RI 0R]DUW¶V PXVLF ZDV ORQJ GHEDWHG medicine showed that music is not only an unique
On one side there were the views claiming that a aesthetic experience, but also a resource for a more
child is getting smarter for just listening to music. FUHDWLYHLQWHOOLJHQWDQGKHDOWKLHUOLIH>@,QDQRWKHU
On the other side were situated the neuroscientists study it has been investigated the electrical dis-
who explained how music (not necessary Mozart’s charge patterns of the brain areas after experiencing
music) can and does really impact brain develop- Mozart music. For example, listening about ten min-
ment and cognition. The aim of this paper is to show XWHVRI0R]DUW¶VVRQDWD.QRWRQO\SUHVHQWVDQ
IURP D GL൵HUHQW SHUVSHFWLYH LI 0R]DUW¶V H൵HFW LV D enhanced synchrony of the patterns of the right and
P\WK RU D UHDOLW\ :H ORRN WR ¿QG DQVZHUV RQ WKLV left areas of the brain, but also an increased power of
E\PHDVXULQJWKHH൵HFWRI0R]DUW¶VPXVLFRQDGXOW WKH EHWD VSHFWUXP RI WKH HOHFWURHQFHSKDORJUDP>@
audience with the help of MindWave device headset. Moreover, a notable sign of the existence of Mozart
H൵HFWZDV VHHQLQHSLOHSV\SURYHGE\WKHIDFWWKDW
2YHUYLHZRQ)LQGLQJVDERXW0R]DUW¶V0XVLF DXGLWLRQLQJ0R]DUWLQGLFDWHGDVLJQL¿FDQWGHFUHDVH
(൵HFW LQHSLOHSWLIRUPDFWLYLW\>@
The arguments included in the overview present Regarding the stress, the main concern of the
SURDQGFRQVRSLQLRQVRQWKHH൵HFWSURGXFHGE\OLV- present, one of the methods implying relaxation is
tening to Mozart’s music. OLVWHQLQJWRPXVLF7KRXJKWKHPXVLFR൵HUHGWRUH-
$UJXPHQWVRQ³0R]DUW(൵HFW´ duce stress is often too slow, almost sedative, lead-
7KHFRQFHSWGHVFULEHGDV³0R]DUWH൵HFW´ZDVH[- ing to a passive state with drowsy tendencies. This
plained by dr. Tomatis in 1991, while he looked in is not necessarily the best choice of relaxing and re-
solutions for dyslexia, autism and other learning dis- storing oneself. As a better choice, Mozart's music
RUGHUV+HXVHG0R]DUW¶VPXVLFWRSURYHWKDWGL൵HU- LVOLJKWDQG¿QHDQH൵HFWLYHWRROIRUDFRQVFLRXVDQG
ent frequencies helped the ear and favored healing creative relaxation used against the overstimulation
DQGWKHLPSURYHPHQWRIWKHEUDLQSHUIRUPDQFH>@ of the brain and an over activity of the body.
Two years later, F. Rauscher et al. found a momen- And even if Mozart is not the favourite compos-
tary improvement of spatial-reasoning after playing HUIRUDOORULIFODVVLFDOPXVLFLVQRWWKH¿UVWRIWKH
a part of Mozart Piano Sonata. Though, the study preferences, his music (simple and concise) creates
didn’t make any statement of an increase in IQ in a positive atmosphere good for learning, relaxation
JHQHUDO>@ and creation at full potential.
In time, there were researchers on music therapy
SURYLQJWKDWZKLOHDQ\NLQGRIPXVLFKDVDQH൵HFWRQ $UJXPHQWVDJDLQVW³0R]DUW(൵HFW´
us, Mozart’s music is more directly. It is clear, orga- In 2010 it was conducted an analysis that com-
QL]HGH൶FLHQWDQGQRWYHU\HPRWLRQDO,WSHQHWUDWHV bined the results of 40 studies on the subject of the
WKH SV\FKp DQG ERG\ DW WKH VDPH WLPH LQ D VXEWOH H[LVWHQFH RI WKH 0R]DUW (൵HFW 7KH DXWKRUV FRQ-
and powerful way. Dr. Campbell, an international cluded that there is slight evidence to sustain it, the
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Social Sciences

H൵HFWVL]HVEHLQJVPDOO>@$OVRWKHUHSURGXFWLRQRI The user could make any activity during the reg-
Rauscher and Shaw's 1993 experiment proved the istration the movement not changing the actual re-
RULJLQDO¿QGLQJVVWDWLVWLFDOO\LQVLJQL¿FDQW>@0RUH- sult. Data is expressed in terms of frequency. The
RYHULQRWKHURSLQLRQV0R]DUW(൵HFWLVMXVWDQRE- OHYHOV RI DWWHQWLRQ FRQFHQWUDWLRQ DQG PHGLWDWLRQ
MHFWRIDURXVDODQGKHLJKWHQHGPRRG>@>@WKHUHLV relaxation are obtained by comparing mean scores
no direct evidence for improvement of overall intel- when listening to music.
OLJHQFHDQGQRLQÀXHQFHRQVSDWLDOFRJQLWLRQ The EEG band frequencies and their basic char-
acteristics are shown in Table 1 as appear on the de-
3. The Actual Research scription of the program.
We structured the research information on three
levels: description of the device used for measuring Table 1. EEG band frequencies and their characteristics
WKH DFWXDO H൵HFW RI 0R]DUW¶V PXVLF RQ WKH OHYHO RI Brainwave Fre- Characteris- Associated
relaxation, the experiment and the obtained results. quency Range tics of mental colour
stage
3.1 The Neurosky MindWave Delta Deep sleep, red
The Neurosky MindWave (Figure 1) is a device (0-4 Hz) unconscious
used to register and keep track of the electrical sig- Theta Deep relax- orange
nals caused by neural activity in the brain. It could (4-8 Hz) ation
be used easily and in any circumstance regarding Low Alpha Wakeful yellow
the user (lying down, sitting, dancing, more or less (8-10 Hz) relaxation,
conscious
healthy). Regarding the device, it is needed a laptop
ZLWKLQWHUQHW%OXHWRRWKFRQQHFWLRQ High Alpha Increased self- green
(10-12 Hz) awareness
Low Beta Active think- light blue
(12-18 Hz) ing, attention
High Beta Mental activ- navy blue
(18-30Hz) ity, alertness
Figure 1. MindWave Headset Low Gamma Cognitive violet
(30 – 50 Hz) processing,
senses, intel-
MindWave device evaluates the user’s brain waves, ligence
precisely the raw signals, the EEG power spectrum, High Gamma Cognitive bright purple
and the eSense meters for attention (concentration) (50-70 Hz) tasks such as
and meditation (relaxation) during a certain task. memory
The interface of the MindWave headset as it appears
RQWKHVFUHHQFDQEHVHHQEHORZ )LJXUH >@ 3.2 The experiment
The research focuses on measuring the level of
attention and concentration of the audience listen-
ing to Mozart’s music. A number of three listeners
RIGL൵HUHQWDJHVEDFNJURXQGVDQGKHDOWKVWDWXVHV
having or not a musical background, who listened
more or less frequently Mozart, were included in the
research lot. The music (CDs of quality) had been
chosen based on the musical characteristics (melo-
G\KDUPRQ\UK\WKPDQGWLPEUHLQVWUXPHQWDODQG
Figure 2. MindWave Headset Interface or vocal). We also avoid the music works listened by
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ARA Journal of Arts and Culture 1/2017

WKHVXEMHFWVLQGDLO\EDVLVFDUHIXORIWKHLQÀXHQFH In our experiment the comparison between the


this fact could have on the experiment. subjects showed a variety of data. Although both
The measurements were done carefully, one per- heart rate and attention and meditation values could
VRQRQHDXGLWLRQDWWKHWLPHH[FHSWIRUWKHODVWDXGL- be tracked, the interpretation of the results focused
tion of the two opera fragments which were listened on the main outcomes. These showed diversity,
WRJHWKHU ZLWK D SDXVH RI ¿IWHHQ PLQXWHV EHWZHHQ even if there were cases when two responses were
them. The reception of music was done in a relax- VLPLODU0RUHRYHUOLVWHQLQJWRWKH¿UVWPRYHPHQWV
ing and free of stressors environment. The listener of Sonata for Two Pianos in D major and Concerto
sat down relaxed, only listening to music. We gave for Flute, Harp and Orchestra in C major showed
the subject information about the experiment assur- consistency. The same answer for all listeners ap-
ing the subject to feel free to use his imagination, to peared on the screen. We considered it interesting,
behave as he feels at the moment. The list of music on one hand unusual since the subjects were of dif-
LQFOXGHVZRUNVRIGL൵HUHQWFDWHJRULHV ferent ages and interests on the other hand we had
3LDQR&RQFHUWR1RLQ&PDMRU. $QGDQWH  WKHSURRIWKH0R]DUW(൵HFWZRUNV
6\PSKRQ\1RLQ*PLQRU. 0ROWR$OOHJUR Table 2 includes the results. We noted the simi-
 6RQDWD IRU 7ZR 3LDQRV LQ ' PDMRU . D ODULW\DQGDOVRWKHGL൵HUHQFHVEHWZHHQWKHUHVXOWV
(Molto Allegro) :H KDYH DOVR IRXQG GL൵HUHQFHV LQ WKH EHKDYLRU RI
9LROLQ&RQFHUWR1RLQ*PDMRU. $OOHJUR the audience. If one subject was “vocal” keeping the
5. Serenade No. 13 for string quartet and bass in G rhythm with his foot and waving the arm as a con-
PDMRU (LQH NOHLQH 1DFKWPXVLN .  5RQGR ductor of orchestra, the other two subjects were low
Allegro) on moving and extremely quiet. The expression on
6. Concerto for Flute, Harp and Orchestra in C major, their faces explained the feelings of the moment, a
. $QGDQWLQR deep concentration, pleasure, sadness, tiredness, so
7. The Magic Flute, Queen of the Night on. In order to keep them anonymous the subjects
8. The Marriage of Figaro, Non Piu Andrai were noted with X, Y and Z.
Table 2. Example of the results
3.3 Results
During the music session the listeners showed an
increase in either their levels of concentration or re-
laxation, depending on the music work they listened
to. Once the music ended, on the screen appeared
the brainwave frequency type describing ranges of
DFWLYLW\GXHWRH6HQVHFDOFXODWLRQ>@
Although we measured the mental activity, psy-
chological factors such as mood or tiredness were
considered only theoretically.
The steps taken in the session are described brief-
ly below:
- Set MindWave headset and connect to the laptop
via Bluetooth.
/LVWHQWRL781(PSPXVLF
- Whenever the music stops, the software shows
the average value at the end of the software, mak-
ing a qualitative estimate of the test. This estimate
materializes as the corresponding color.
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Social Sciences

The results were saved for a further comparison. References


We recognized at the moment that the experiment >@ 5DXVFKHU ) + 6KDZ */ .\ .1 %0
QHHGHGPRUHLPSURYHPHQWEXWZHJRWVDWLV¿HGZLWK Thompson, S.R. Andrews, An Historical Commen-
the measuring done with the Mindwave device. WDU\RQWKH3K\VLRORJLFDO(൵HFWVRI0XVLF7RPDWLV
Asking the subjects about their experience, all of Mozart and Neuropsychology. Integrative Physi-
ological and Behavioral Science 35. (2000). 174.
WKHPJRWVDWLV¿HGDQGUHDG\WRFRQWLQXHWKHH[SHUL-
>@)+5DXVFKHUHWDO1DWXUH  
ment. Apart from the outcome their mood improved,
Music and Spatial Task Performances. Nature. 365.
got more relaxed and let their minds to dream, to
(1993). 611.
become creative. >@6DUQWKHLQ-YRQ6WHLQ$5DSSHOVEHUJHU3HWDO
Persistent Patterns of Brain Activity: an EEG Coher-
Conclusion HQFH6WXG\RIWKH3RVLWLYH(൵HFWRI0XVLFRQ6SDWLDO
Although our research is an evidence for mainly temporal Reasoning. Neurol Res (1997) 19. 107.
SRVLWLYHUHVXOWVUHJDUGLQJWKHH൵HFWVRI0R]DUW¶VPX- >@+XJKHV-5'DDERXO<)LQR--HWDO7KH0R-
sic on the level of concentration and emotions, we ]DUWH൵HFWRQ(SLOHSWLIRUPDFWLYLW\&OLQ(OHFWURHQ-
FRQWLQXH WKH UHVHDUFK IRU IXUWKHU VWURQJHU ¿QGLQJV cephalogram 29. (1999). 109.
First of all, we will add a higher number of listen- >@&DPSEHOO'7KH0R]DUW(൵HFW7DSSLQJWKH
ers, subjects of the research. Second, we will include Power of Music to Heal the Body, Strengthen the
more of Mozart music works, and third, we will re- Mind, and Unlock the Creative Spirit (2001)
>@ - 3LHWVFKQLQJ 0 9RUDFHN 0 )RUHPDQ .
peat the measuring being more careful at their mood.
$QWRQ 0R]DUW (൵HFW6KPR]DUW (൵HFW $ 0HWD
It will also be necessary to develop a LabVIEW ap-
Analysis. Intelligence, 38. (2010). 314.
plication meant to integrate all data in one multi-
>@&KDEULV&)3UHOXGHRUUHTXLHPIRUWKH0R-
media platform and to perform a deeper statistical ]DUWH൵HFW"1DWXUH  
analysis together with a higher number of recorded >@ .0 6WHHOH $URXVDO DQG 0RRG )DFWRUV IRU
signals from other various types of sensors. WKH 0R]DUW H൵HFW 3HUFHSWXDO DQG 0RWRU 6NLOOV 
In our case we plot the BrainWaves medium val- (2000). 188
ues (Delta, Theta, Low Alpha etc., see Fig.1) with >@0+-RQHV6':HVW'%(VWHOO7KH0R-
reported percent relative to the highest level (con- ]DUW(൵HFW$URXVDOSUHIHUHQFHDQGVSDWLDOSHUIRU-
VLGHUHG DQGLQWKHVDPHWLPHVWKHPD[LPDQG mance Psychology of Aesthetics, Creativity, and the
medium values of attention and meditation index. Arts. S (2006). 26
All this parameters were calculated and plotted with >@ KWWSVVWRUHQHXURVN\FRPSDJHVPLQGZDYH
WKHLQWHQWLRQWRVHHDQGPRQLWRUWKHH൵HFWVRIPXVLF (2017)
>@ KWWSVVWRUHQHXURVN\FRPSDJHVPLQGZDYH
therapy.
(2017) - screen details.

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