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I N D I R E C T N E S S
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MASTER OF METAPHOR
Not to take anything from the other techniques which are like favorite restaurants
you want to go to over and over again, but true metaphoric genius resides within
this one technique, which is more like a three star Michelin restaurant. Not as easy
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to go to often, but when you do, it satisfies you like nothing else and it ll blow your
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mind.
One of my favorite indirect metaphors that I ve ever heard is from the TV show
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In a scene between the famous lawyer Harvey Specter and his young associate
Mike Ross, they are walking out of court after winning a case with Mike s in the'
First, he is trying to say that they are not even close to being partners yet.
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MASTER OF METAPHOR
Second, he is also implying that he s Batman and that Mike is merely the sidekick,
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If he was being direct or literal, he would just say No. We re definitely NOT
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partners. "
But, instead he says all of this indirectly. And, there are two levels of indirectness
going on.
The first level is the implication that he s Batman and Mike is merely a sidekick.
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We re not even sure if he sees Mike as Robin at this point in the TV series.
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The second level is that when implying that he s Batman, he doesn t directly say
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he s Batman, but instead he says it indirectly: Don t move your stuff into Wayne
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Manor yet , Wayne Manor being Bruce Wayne s aka Batman s mansion.
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And all of this is Harvey basically saying to Mike don t think you re all that great yet .
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So, the moral of the story is that in phrasing your metaphors, the more indirectly
you can phrase your metaphor without making it too obscure, the better and more
genius it can be.
Now, let s just do one quick exercise here. If you were Harvey, what s another way
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you can say to Mike that you two are not partners yet? And make sure you do it in
an indirect way.
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Here s my suggestion:
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Don t put a deposit down for the photographer and banquet hall yet .
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Here I use a wedding as a underlying metaphor for the budding partnership, but I
state it indirectly by using items that are related to a wedding.
Originally, I was thinking Don t book the photographer and banquet hall yet , but I
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changed it slightly put a deposit down instead of book to add a little more
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It s these little tweaks that can add so much impact, and those are the things you
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will develop more intuition in doing as you practice metaphoric speaking over
time.
Here s another one from the TV show Californication , by yet another master of
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In musing about the difference between men and women, Hank Moody said:
"When it comes to emotions, women know how to paint with the full set of oils,
while men are busy doodling with crayons. ”
This is a truly amazing metaphor that only a true master can create, but the first
step is to think of a direct metaphor that relates to the underlying idea of men
being underdeveloped when it comes to emotions. Roughly speaking, this is
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MASTER OF METAPHOR
Then, using contrast, you think of painting with oils as the counterpoint to
doodling with crayons. And voila...you have an indirect metaphor!
Now, my point here isn t to tell you exactly how to do this, but just to illustrate the
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thought process.
Indirect metaphors are the most challenging type of metaphor to create and there
is not necessarily a specific step by step formula. There s no GPS to creating an
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indirect metaphor. All I can do is to give you a hand drawn, crusty, browned, torn,
vague, and ambiguous pirate s treasure map for you, and the steps would go
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1. Decide on the idea concept you are trying to convey with your metaphor.
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MASTER OF METAPHOR
So, let s go through one more indirect metaphor, this time from House of Cards :
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I'll give Claire some time. But for her sake, I hope she comes out of her tree before I
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So, the underlying idea he s trying to convey is that Claire is being immature and
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he hopes that she ll come back to him, and if not, he ll have to do something
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So, instead of saying she s immature, he goes indirect with an implication she is a
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child.
So, instead of calling Claire a child directly, he calls her that indirectly using the
treehouse metaphor.
There s also a second level of indirectness going on too. He throws in the concept
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of the axe to indirectly state that she better come back to him or else... . ( )
There you go, I hope you now know how powerful the indirect metaphor is.
Start practicing how to do this today!
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