Professional Documents
Culture Documents
Section 5
Section 5
1) to ring the changes on/with smth. – делать что то по другому, вносить разнообразие
Michael flattered himself that there was not a management in London where less money was
spent on the productions. He exercised great ingenuity in disguising old sets so that they looked
new, and by ringing the changes on the furniture that he gradually collected in the store-room
saved the expense of hiring. They gained the reputation of being an enterprising management.
3) to take the rough with the smooth – принимать всё как есть, как плохое, так и хорошее
They opened with a failure and this was succeeded by another. Julia was frightened and
discouraged. She thought that the theatre was unlucky and that the public were getting sick of
her. But Michael was unperturbed. He said that In this business they have to take the rough with
the smooth. And he was sure that the next play’s bound to be all right and then they shall get
back all they’ve lost and a packet into the bargain.’
8) exacting – требовательность
Michael told Julia that he would direct the play himself. Julia was doubtful. But he made a much
better job of it than Julia expected.Julia, strangely enough, felt that he was getting more out of
her than any other director had done. With the cast he was at once conciliatory and exacting.
11) to sacrifice oneself/smth. for smb.‘s sake – жертвовать собой ради кото то
Michael sacrificed himself for Julia s sake. Any ambition he may have had for himself he had
abandoned in order to foster her career.
14) to get the better of smb. – взять верх над кем то, выиграть кого то
It seemed to Julia that none but she knew what it was like to live with a man who was such a
monster of vanity. His complacency when he had beaten an opponent at golf or got the better of
someone in a business deal was infuriating.
16) to spare no pains to do smth. – прилагать все усилия, чтобы сделать что то, не жалеть
трудов
Nor was Michael only vain of his business acumen; with advancing years he had become
outrageously vain of his person.As a youth he had taken his beauty for granted: now he began to
pay more attention to it and spared no pains to keep what was left of it. He devoted anxious care
to his figure.
21) it’s no use crying over spilt milk – не расстраивайте из за ерунды, потерянного не
вернёшь
Julia sat on the floor and looked at the pictures of Michael. He looked unbelievably self-satisfied.
Julia has been thinking of the past, she was crying. And Evie said that it’s no good crying over
spilt milk. We need to think about the future.
1 They gained the reputation of being an enterprising management because Michael in order not
to pay the high royalties of well-known authors was always willing to give an unknown one a
trial. .
as enterprising management / not to pay high fees / to give an unknown person a test
5 She was about to step from the world of make-believe into the world of reality .
She had to move from the world of pretense to the world of reality.
6 She was pleased that they liked her, these smart, idle women, but she laughed at them up her
sleeve because they were dazzled by her glamour
but she laughed at them out loud / they were struck by her charm.
She had a reputation for being a good woman in both of her worlds.
8 At the beginning of her career Julia had been somewhat sensitive on the point, but when she
was established as a great actress, she changed her mind .
was somewhat scrupulous about this issue
1 Michael and Julia opened with a failure and this was succeeded by another. Julia was
frightened and discouraged. She thought that the theatre was unlucky and that the public were
getting sick of her. It was then that Michael showed himself at his best. He was unperturbed and
said that in this business we have to take the rough with the smooth. There are only three people
who bring money into the theatre regardless of the play, and Julia is one of them. They’ve had a
couple of duds. The next play’s bound to be all right and then we shall get back all we’ve lost
and a packet into the bargain.
2 Miss Phillips, the masseuse, liked Michael. He always said the same things and you knew
exactly what to answer. No side to him. He was a terribly good-looking. He has got the figure of
a boy of twenty. Phillips didn’t know how he did it. It was Plain living and high thinking. Julia
was paying no attention to it.
3 Lord Charles Tamerley was the oldest and the most constant of Julia’s admirers. He was taken
by Julia. He liked to impart information and she was glad to receive it. He wished her to elope
with him.
4 Julia let herself into her house with a latch-key and as she got in heard the telephone ringing.
Without thinking she took up the receiver. It was the blushing young man whose name she did
not know. The only thing that had struck her was that he lived in Tavistock Square. He invited
her for a Cup of tea. Julia did not feel at all like going to bed that afternoon. So she agreed to
come the young man. It was an old house that had been divided up into flats. The room into
which he led her was fairly large, but dingily furnished. The room reminded her very much of
some of the lodgings she had lived in when she was first on the stage. He seemed shy, much
shyer than he had seemed over the telephone. He told her that his parents. They talked of the
theatre. Then he put his arm round her waist and kissed her full on the lips. She was so taken
aback that she never thought of doing anything. And soon she left.
6
1 Julia was now a rich woman. She could not but admit that Michael was as careful of her money
as of his own. He watched her investments and was as pleased when he could sell stocks at a
profit on her account as if he had made the money for himself. They shared the expenses of the
house and the cost of Roger’s education. It was impossible to deny that Michael was
scrupulously fair and honest. Michael tried to help Julia with the money. Any ambition he may
have had for himself he had abandoned in order to foster Julia s career. Even Dolly, who did not
like him, acknowledged his unselfishness.
2 He was a perfect husband. But it seemed to Julia that none but she knew what it was like to
live with a man who was such a monster of vanity. His complacency business deal was
infuriating. He gloried in his artfulness. He was a bore, a crashing bore.
3 Michael gloried in his artfulness. He was a bore, a crashing bore.He liked to tell Julia
everything he did and every scheme that passed through his head.He could describe nothing
without circumstantial detail. Nor was he only vain of his business acumen; with advancing
years he had become outrageously vain of his person. Also he devoted anxious care to his figure.
4 Evie had come to Julia first at Middlepool and had accompanied her to London. She was a
cockney, a thin, raddled, angular woman, with red hair which was always untidy and looked as if
it much needed washing, two of her front teeth were missing but, notwithstanding Julia’s offer,
repeated for years, to provide her with new ones she would not have them replaced.
5 Julia often went to the luncheon parties Charles was fond of giving at his house in Hill Street.
At the bottom of her heart she had a profound contempt for the great ladies and the noble lords
she met there, because she was a working woman and an artist, but she knew the connexion was
useful. It enabled them to have first nights at the Siddons which the papers described as brilliant,
and when she was photographed at week-end parties among a number of aristocratic persons she
knew that it was good publicity.
6 There were one or two leading ladies, younger than she, who did not like her any better
because she called at least two duchesses by their first names. Julia had a great gift of mimicry,
which ordinarily she kept in check thinking it was bad for her acting, but in these circles she
turned it to good accout and by means of it acquired the reputation of a wit. She was pleased that
they liked her, these smart, idle women.
7 Julia was inclined, especially among the great, to insist on the fact that her father had been a
vet. She could not quite have explained why, but she felt that by so doing she put them in their
place.
8 Charles was taken by Julia. She had a warmth, a force of character, and a bubbling vitality
which were outside his experience. It seemed to him that she had in her something quite
individual. Her magnetism was incontestable. And it gave him quite a thrill to realize on a
sudden that she had genius.
9 Julia knew that Charles had fallen in love with her some time before he knew it himself. But
she had already prepared her course of conduct for the declaration which she felt he would
sooner or later bring himself to make. Charles Tamerley and Julia had been for a walk in the
park. They went back to Julia’s flat to have a cup of tea. Then Charles got up to go. He took a
miniature out of his pocket and gave it to her. ‘It was a portrait of Clairon. Julia said she couldn't
accept it.It was very expensive.
10 Julia let herself into her house with a latch-key and as she got in heard the telephone ringing.
Without thinking she took up the receiver. It was the blushing young man whose name she did
not know. The only thing that had struck her was that he lived in Tavistock Square. He invited
her for a Cup of tea. Julia did not feel at all like going to bed that afternoon. So she agreed to
come the young man. It was an old house that had been divided up into flats. The room into
which he led her was fairly large, but dingily furnished. The room reminded her very much of
some of the lodgings she had lived in when she was first on the stage.
1) We with Julia put on the play, and it was a success. After that we continued to produce plays
year after year. Because I ran the theatre with the method and thrift with which he ran his home.
We gained the reputation of being an enterprising management. I sought out actors who had
never been given a chance and whose salaries were small. As soon as I had felt himself safe I
had tried to buy Dolly out, but she would not listen to my persuasion. Dolly saw no reason to sell
out an investment that seemed sound, and her half share in the partnership kept her in close touch
with Julia. But soon I made another effort to get rid of her. But Dolly indignantly refused to
desert us when we were in difficulties. The third play was a winner. As time went on I began to
act less frequently. I found myself much more interested in management. And then I had taken to
directing. Then there was the opportunity to put on the play. Julia was doubtful, but I made a
much better job of it than Julia expected. After that there was no question but that he should
continue to direct our plays. Julia was now a rich woman. I sacrificed myself for Julia s sake.
Even Dolly, who did not like me, acknowledged my unselfishness. Soon Julia began to suspect
that I was having small Affairs
2) I was sitting on the floor surrounded by masses of photographs when Evie came in. One was
of Michael as Mercutio in all the radiant beauty of his youth and the other of Michael in the last
part he had played with a pair. I’ve been thinking of the past and I’m as blue as the devil. Evie
asked me to get up and she’ll clear up all this mess. Evie was Julia’s dresser and maid. Evie
looked bad. And Michael had long wanted I at least to get a maid whose appearance was more
suitable to our position, and he had tried to persuade Evie that the work was too much for her,
but Evie would not hear of it. Evie bustled me upstairs. When I had no matinee I went to bed for
a couple of hours in the afternoon and then had a light massage. I looked at the clock on the
chimney-piece. And I had no notion that she had stayed so long in Michael’s room, looking at
those photographs and idly thinking of the past. I decided to retire when I was sixty. Trying to
remember any plays in which there was a first-rate part for a woman of five-and-forty I fell
asleep. I slept soundly till Evie came to awake me because the masseuse was there. Presently
Michael came in and sat on my bed. Evie complimented Michael, saying that he had a great
figure. When the massage was finished Evie brought me a cup of tea. Michael went on to dine at
his club. Then I saw the flowers that MrThomas Fennell had sent me. After that, I made up my
makeup and wrote a thank-you note to Mr. Thomas Fennel.
3) Next day I had luncheon with Charles Tamerley. I often went to the luncheon parties he was
fond of giving at his house in Hill Street. There were one or two leading ladies, younger than I,
who did not like me any better because she called at least two duchesses by their first names. I
was pleased that they liked me. I good-naturedly offered them advice on make-up and let them
copy my clothes. Everyone knew that my marriage with Michael was exemplary. At the same
time many people in that particular set were convinced that I was Charles Tamerley’s mistress.
This belief had been started by Lady Charles. I was glad that Michael was not there. Then
Charles asked me if he might be allowed to call and brought her some beautiful flowers. He did
not pay much attention to Michael who seemed to him, notwithstanding his too obvious beauty, a
somewhat ordinary young man. Also he used often to take me for walks in the Park. He liked to
impart information and I was glad to receive it. Alhough I was madly in love with Michael.
Charles once told me that he was in love with me, but I couldn't accept his feelings. But Charles
wished me to elope with him. And I persuaded him that I had a duty to Michael, and then there
was the baby. Soon a young man called me and offered to meet me, and I decided to go. When I
got home the masseuse was already waiting for me.