John Hind

Arranger

United Kingdom, Kelso

About the artist

I started out learning Brass instruments in my local Brass Band at 11 years old and have been
playing ever since in local Brass Bands, Orchestras and Big Band. Arranging music has always been
an interest of mine although not very good at it. I like to arrange music for young up and coming
players using a range of composers who do not usually compose for Brass Bands and in particular
young up and coming Brass players. My biggest regret in life is not having learned to play piano.

About the piece

Title: Concerto Grosso

Composer: Corelli, Arcangelo
Arranger: John Hind
Licence: Public Domain
Publisher: John Hind
Style: Classical
Comment: This piece is from an original string quartet. There is the
option to have Bb Bass instead of Euphonium

John Hind on free-scores.com

http://www.free-scores.com/Download-PDF-Sheet-Music-tromboitus.htm

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First added the : 2012-08-20 Last update : 2012-08-20 18:42:10

 Arcangelo Corelli
Concerto Grosso Arranged for Brass Band
( Per La notte di Natale ) By John hind 2012

  
Vivace q = 138
 
                      
     
Solo Cornet Bb

   


f

Solo Horn Eb                    
      

 


f
 
1st Baritone Bb                   

        
   
f

Euphonium Bb               
  
 
f 
          
      
Bass Bb               
      
        
f

      
 A      
9
Grave q = 40

espress.
Solo Cor.         

  
p

        
espress.
Solo Hn      
 
p

                 
espress.

   
1st Bar.
     
 
p
  
  
espress.
           
     
  
p 
Euph.

 
        
espress.
Bass Bb            
p    

   
cresc.. dim.. allargando
 
15

                 

Solo Cor.

       
        
     
 
Solo Hn

            
1st Bar.           
  
      
Euph.             
     
Bass Bb             
B Allegro q = 120
     
  
22

Solo Cor.        

 
     
 
     
f

Solo Hn  

     
f
1st Bar.    
      
 
    
                 
f

Euph.             
             
   
                
f

Bass Bb        
               
    
f 
2


27

  
    

   
 
Solo Cor.

          
mf

       

Solo Hn

       
mf
1st Bar.      
  
  

                 
f
      
Euph.         
         mf 

Bass Bb    
                      
                 
  mf

   
32

         
Solo Cor.     f 
 
f mf
  
Solo Hn    
     
f mf f
       
1st Bar.            
f
       
f

                                   
  mf
Euph.
f 
    
f

Bass Bb               
 
          
   mf       
f   f


37

           
    
  
Solo Cor.

     
  
    

  
Solo Hn

      
1st Bar.                   
             
Euph.             
       
            
Bass Bb                     
 
C
     
42

Solo Cor.              

    
              
Solo Hn    
 
   
1st Bar.            
     
  
Euph.                                 
         
     
Bass Bb   
                                   
 3


47

          
Solo Cor.
                 
                   
Solo Hn    
      
1st Bar.      
    
  
      
                          

     

Euph.


      
                    
     
Bass Bb
     


51

   
  


   
                
Solo Cor.

            
  
 
 


         
 
Solo Hn


               




   
1st Bar.

 
                                
 
    
Euph.

 
                 
Bass Bb              
  
   


56

      
 
    
         
Solo Cor.

  
p

            
  
  
Solo Hn
p

         
             
 
1st Bar.
p
        
Euph.                    

            
                
p
 
Bass Bb                  
     p
D

allargando
      
61
Adagio e = 60
Solo Cor.           
 
f   

mf

Solo Hn       
       
 

f
       
mf
1st Bar.       
                  
p
      
f

Euph.     
               p  

   
f

      
Bass Bb 
                
f  p
4

    
     
65

Solo Cor.                


Solo Hn  
        

  

   

   
 

   
1st Bar.        
      
p 
     
Euph.                              
      
  
mf espress.

Bass Bb     
                              

mf espress.
  

    
68

         
        
Solo Cor.
    

           
                         
Solo Hn

     
1st Bar.      
     p
      
  
Euph.                   
                 
 
f

Bass Bb                    
                 
f
E
        
72

Solo Cor.           
p  

                                     
    
Solo Hn


p

1st Bar.                           

   
p
 
Euph.              
            
    
p

Bass Bb             
p
             

          
75

         
  

Solo Cor.

                                     
   
Solo Hn


1st Bar.          
               
 
Euph.          
                       

Bass Bb          
                       
 5

     
78

     
         

Solo Cor.
p

Solo Hn              
            

1st Bar.       
                       
 
Euph.  
                         

Bass Bb  
                          
p
81
 
  
Solo Cor.           


 


f

Solo Hn   
           
     f 

p

1st Bar.        
          
       
f

p
 
Euph.       
             f  

p 
Bass Bb       
             f  
F
     
 Adagio     
85

Solo Cor.          

  
mf

   
      
  
  
Solo Hn


mf

                       
  
   
mf espress..  
1st Bar.
p
  
       
          
Euph.
p

mf espress..

Bass Bb                
p
    
mf espress..

          
88

Solo Cor.           
    
    

  
        
           
               
Solo Hn
 
  
    
          

1st Bar.

  
p

                   
p

     
                
Euph.

            
f

                    
Bass Bb
             
f
6

           
92
  
Solo Cor.               
p

dim e allarg.

             
Solo Hn
                   
p

dim e allarg.

1st Bar.                   

  p  allarg. mf
 
 
p

Euph.       
    
           
p p

allarg.mf

Bass Bb       
    
            
G q = 124 p allarg.
mf
p


     
96 Vivace

Solo Cor.    
       
                
      

     
  
f

      
p

      
 
Solo Hn
p f
    
1st Bar.            
        
f

            


Euph.
p

f
      
        

    

Bass Bb
p f
H  
   
104

                        

 
Solo Cor.

        
      
mf

                     
Solo Hn

  
   
mf

      
      

      
1st Bar.
f
   
f

    
     
        
Euph.


mf

 
f mf

f mf

Bass Bb        
  
mf f
   mf f
   
 mf  
112
   
     
    
      
         

Solo Cor.
f

                 
Solo Hn
  

f

1st Bar.        
             
         
mf

Euph.         
    
    
        
f

Bass Bb        
    
f
    
 7
I
 
2 in the bar

120
   
poco allergando
         
   
          
Solo Cor.
f
  
 
p
      

  
    
 
Solo Hn


p f

      
        
   
1st Bar.
p
 
f

       
    
    
Euph.
f

p

       
    
    
Bass Bb
 f
p
128
  
         
      
       
Solo Cor.
  
     
p

              
 
Solo Hn
p

1st Bar.        
       
   
Euph.         
         
p
  
Bass Bb           
       
p

 
134

Solo Cor.                               
       
f p

             

Solo Hn
p

f

1st Bar.              

       
mp

 
f

     
   
 
Euph.


p
      
f

Bass Bb        
   
   p
f

   
139

                              
 f        
Solo Cor.

         
     
Solo Hn    
      
            
f

1st Bar.          
                 
f
   
mf

Euph.      
    
    
           
     
f

Bass Bb      
f     
8
J
          
      
145

     
       
Solo Cor.

  
        
p
       
p


f
    
 
Solo Hn

   
p f

p

1st Bar.              
           
          
    
Euph.

        
p

p

Bass Bb
           




p p


152

                
     p         p      
 p 
Solo Cor.

 f    f
    
 
          
Solo Hn
          f    
 p 

p 

f p

               
     
1st Bar.
f 
     
f

f

Euph.    
 p         
   p       
 p

 f
     
f f

Bass Bb       p        
 p        f    f  p 
f


159

Solo Cor.             

 f
p
Solo Hn           
f
    
 f p

f

1st Bar.            
  p
 
f

Euph.    
      
    
 p

f

Bass Bb    
     
 f     p
 


164

        
                       
Solo Cor.

 p  p

          
f
Solo Hn  
p

f

1st Bar.             
p
f
 
f

Euph.           
f
   p  

f

Bass Bb          
f
    p f  
 9
169
  
                      
   
Solo Cor.
   
    
     
f f

            
 
Solo Hn
p

f f

1st Bar.           
    
p f
  f

    



       
  
Euph.
p f

 
f
          
Bass Bb
 p
   f  
f

 
     
175

                 
   f     p  scherzoso  f
Solo Cor.

  
        
p

         

   
 
 f  
Solo Hn
p scherzoso
 
p f

             
  
1st Bar.

       
f f

Euph.  
      
   
    p 
 
  
p
      
f f

Bass Bb       
   
p  f  p f



182

              
    
Solo Cor.

      
Solo Hn    
   


1st Bar.               
 
   
Euph.                

Bass Bb                
    


Molto rall................................................................................................

188

              
 
Solo Cor.


p

Solo Hn   

     
     

p

      
 
           
1st Bar.
p
  
              
    

Euph.
 

p

Bass Bb   
   

            

 p 