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The Jazz harmony comes from piano and wind instrument like saxophone, but Flamenco
harmony comes from guitar, like Brasilian and Blues, therefore the tonalities and the vocings
more used are different. Although the tonal phenomenom is the same, there are another
aesthetic issues that conforms each style.
The Flamenco voicings are restricted to another rules, normaly, the upper structure is
mixed with lower structure, forming clusters. When a tension is forming cluster with a chord note
can be formalized with ADD sign and a number less than seven. In Flamenco poliphony almost
always the melody is in the bottom voice, and top voice is a pedal note. Most of Flamenco
melodies are based on A-G-F-E, that are the fundamental notes of the Andalousian Cadence.
The melody itself induces harmonize from the bottom voice with Andalousian Cadence in the
Phrygian tonality. This is something that has been extrapolated to the rest of Flamenco, and it
can be heard in the other tonalites.
The open strings are very important to Flamenco sound, and usually an open string is a
pedal note in the cadence. The Flamenco sound does not accept soft and smooth chords like
CMaj7, in any case should be C/B or CMaj7/E, it needs complex chords with deep sound,
otherwise it is preferably a simple triad. In Flamenco style C7b9 is not a usefull chord, but
Caddb2/bB is one of the most important.
In Flamenco style avoid notes do not exist, the voicing is a matter of taste. It is a
cosequence of the downward harmonic continuity in Riemann sense, it is not because it be a
descending cadence. And of course, it is not because Andaluosian Cadence is a modal system,
it is completly tonal.
2. Flamenco keys.
It is necessary to review all the habitual tonalities to know each possibilities, and the most
common voicings. They do not must be studied from key, since the "cejilla" allows to change it.
The Flamenco keys must be studied from voicing, voicing and pedal notes define the colour in
absolute way, no in relative. The seven keys used in Flamenco are the keys that contain the
natural E note, evidently the first open string is the pedal note always. It should know what note
of the key is each open string. Out of key notes have interest too.
Phrygian key
String E D# C# B A G# F#
E 1 b2 b3 4 5 b6 b7
B 5 b6 b7 1 2 b3 4
G b3 3 #4 b6 b7 7 b2
D b7 7 b2 b3 4 b5 b6
A 4 b5 b6 b7 1 b2 b3
E 1 b2 b3 4 5 b6 b7
String C B A G F E D
E 3 4 5 6 7 1 2
B 7 1 2 3 #4 5 6
G 5 b6 b7 1 2 b3 4
D 2 b3 4 5 6 b7 1
A 6 b7 1 2 3 4 5
E 3 4 5 6 7 1 2
String A G# F# E D C# B
E 5 b6 b7 1 2 b3 4
B 2 b3 4 5 6 b7 1
G b7 7 b2 b3 4 b5 b6
D 4 b5 b6 b7 1 b2 b3
A 1 b2 b3 4 5 b6 b7
E 5 b6 b7 1 2 b3 4
1 1
2 3 2 3 2 1
3 4 4 3 4 2 3
2 3 4
1 2 1 1 2 1
2 3 2 3 4 2 1 2
1 3 4 3 4 3 3
1 1
3 2 1
4 3 4 3 4 2 3 4 2 3 4 2 3 4
1 1 1 1 2 3
3 1 2 1 2
2 4 3 4 1 1 1 3 3 4
1
1 1 1 1 2 2 3 1 1 1
2 3 4 2
3 3 2 3
4 4
1 1
2 3 1 2 1
1 4 2 3 2 3
2 4 3 4
3
1 1
1 1 2 2 3 1
2 4 1 2
3 3 4 2
4 3
1 1 2
2 3 1 1 1
3 1 2
3 3 2 3 4 3 4
4 4
1 2
1 1 1 2 3 1 2 3 4 1
2 2 3 4 2 2 3 4
3
4 4
1 1 1 1 1 1 1
2 1 2 1 1 1 2
2
4 1 4
2
3
1 1 2
1 2 3 2 3 4 3 4 1 1 2 1
3 4 3
1 1 1
1 1 2 3 2 3 1 1 2 1
4 4 2
3 4 3
4 4 4
1 1 1
1 1 2 3 2 3 4 2 3 4
2 3 4 2 2 3 4 2 3 4
1 1 2 1 1
2 1 1 1
2 3 4 2 3
4 2 3 4 1
4 2
4 3