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Bbm7

- Eb7 - Abmaj7
Autor: James Aebersold
Transcripción: Diego Biondelli

        
 
Patterns empezando por la fundamental de la escala/acorde

       
B♭- E♭7 A♭ A♭


                 
  
B♭- E♭7 A♭ A♭


5

 
        
     
   
9 B♭- E♭7 A♭ A♭

     
          
    
13

             
           
    
17

   
            

21


      
     
   
25

    
                   
       
29

   
            
   
33


                        
    
37
 
                   
   
41

        
                 
 
45

     3             
     
  
49

                  
       
53

        
     
           
57

    
               
        
61

  
                          
 
65

      
      
               
69
3

                        
    
73

   
      
            
77

            
        
81

2
             
      
85

                        
   
89

                        
  
93

     
                  

  
97
3


                    
101
Patterns empezando con la 3era de la escala/acorde

 
                   

105

       
       
           
109

   
      
              
113

     
                 
117

  
             

  

 
121

    
                  

  
125

3

                      

 
129

                        
3

      

133

 
                          

137 3

     
                 
141

         
            

145
3

     
               
149 Patterns empezando con la 5ta de la escala/acorde

      
           
 
153

    
             
  
157

  
        
          
161

  
        
            
165

                     

   
169

4
 
                        

 
173

  
                                
177 3

               
        
181

 
                       


185

                 
     
189

                        
  
193

                       

 
Patterns empezando por diferentas notas de la escala/acorde
197

   
                          

  
201

               
         
205

                
         
209

              
         
    
213

5
 
            
       

217

               
      
   
221

     

               
                     
 
 
225 Patterns usando la escala Disminuida de V7

            
         
233

   
                            
237

   3                        
             
     

241

   
                         
249

       
             
  
253

         
                                    
 
257 Patterns usando escala por tonos de Eb

             
                
            
   
265

 
                 
     
273

6

                                            
 
277

  
                            
285 3

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