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C#m7

- F#7 - Bmaj7
Autor: James Aebersold

  
Transcripción: Diego Biondelli

          
Patterns empezando por la fundamental de la escala/acorde

    
C♯- F♯7 B B

          
          
5 C♯- F♯7 B B

      
             
9 C♯- F♯7 B B

        
        
  
13

        
                  
 
17

    
            
21

 
     
         
25

   
                     
    
29

     

           
 
33

 
      
      
37
       
             
  
41

             
            

45

    3             
     
  
49

               
      
53

          
       
    
57

                 
          
61

 
                           
65

         
                  
69 3

                        
    
73

      
                
77

               
      
81

2
            
       
85

                       
   
89

 
                    
  
93

 
            

          
97 3

 
                  
101 Patterns empezando con la 3era de la escala/acorde

   
             
    
  
105

          
       
 
       
109

                
           
113

         
            
117

    
                

121

 
                        
125

3
 
                  
   
129 3

                             
  

133

        
            
137

      
       
3

          
141

         
             
145 3

           
        
149
Patterns empezando con la 5ta de la escala/acorde

                
   
153

                
   
157

        
             
161

             
          
165

                    
    
169

4
      
                   
 
173

            
                  
177

                  

  
3


181

   
                      
185

               
       
189

                     
    
193

  Patterns empezando por diferentas notas de la escala/acorde


                     
197

 
                        

201

 
                   

205

     
          
       
209

                      
           
213

5
              
      
217

             
      
   
221


                    
              

      
225 Patterns usando la escala Disminuida de V7

               
     
  
233

              
            
237

   3            
                            
 
241

           
               
249

              
            

253

             
                                
Patterns usando escala por tonos de F#
257

              
                    
        
  
265

          
               
273

6
       
                                       

277

                
          
285

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