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Occasional Paper 5 - Formalist Approach - Lament For The Littlest Fellow PDF
Occasional Paper 5 - Formalist Approach - Lament For The Littlest Fellow PDF
Formalist Approach
Shawn Mendez’s Treat you better was famous for its persona looking at a
couple while the girl is experiencing domestic violence. Also, the persona in the
said song is having a quite envy on the boy that he even compares himself to her
guy who does not deserve her that the persona even reiterates “I can treat you
better than he can.” Consequently, Edith L. Tiempo’s Lament for the littlest fellow
primarily talks about a man who compared his wife to a marmoset or a monkey
which, they think, kept looking at them. Thus, through defamiliarization techniques
using metaphors in each of the lines, Tiempo’s poem basically declares the point
of view of the woman, whom the persona in the mentioned song wanted to save
like the song Treat you better by Shawn Mendez, waiting for a woman to be freed
Metaphors, on one hand, are figurative languages which are typically used In
any form of literature. This includes a direct comparison of two alike things. Hence,
in the poem, metaphor is the leading figure of speech one can be able to notice.
On the first two lines in the poem: “The littlest fellow was a marmoset. He held the
bars and blinked his old man’s eyes.” As one can see, it clearly suggests that the
persona in the poem is looking at the one she described, which is the littlest fellow
(LT). Also, she even compared it to a marmoset which is a small monkey. Thus,
this initially instructs the readers that the persona somehow demote the LT
because originally fellow means ‘a male companion’ but the word to describe the
LT was marmoset. Likewise, she even stated that the LT was even holding the
bars which manifests that the LT was inside a cage. Similarly, LT was being
Diaz, Benedict B. Formalist Approach
identified for blinking his old man’s eyes which chiefly suggests that LT was
almost waiting and staring for a lot of time that it even aged a lot. In the song, one
can see that the persona is expecting the woman to be with him but find her happy
with her beloved as in the lines: “I won't lie to you. I know he's just not right for you.
And you can tell me if I'm off but I see it on your face when you say that he's the
one that you want.” Hence, this can now be paralleled to what can one infer in the
poem as in these can be the things the LT are thinking about the woman. How so?
First is with how she described him, that is likely downgrading the position of the
LT which evokes that when a woman did it to someone having the interest to her,
it can only mean rejection. Second is with how he acted together with the bars,
that is likely a person in prison. And what does usually a prison person want if one
held the bar while blinking his eyes? Naturally, he wants someone to notice him
for him to be able to be freed. Thus, the first line means that both of them was
staring at each other but the woman was with her guy rejecting the LT while he
one will see that the persona changes its person from third person to second
person, that is through the pronoun you. Hence, the pronoun you has clearly
done three actions namely: (1) said he knew us, (2) took my arms, and (3) set my
fingers around the bars which surprisingly happened in just one line that may
certainly imply the immediateness of actions of the you in the lines. Also, there
Diaz, Benedict B. Formalist Approach
occurred such sounds as squeak and twitter that forsooth indicates swiftness and
shortness of the actions but undeniably suggest quiver or the ability of being
shaky. Thus, this primarily talks about a quick sexual intercourse of two person
even the woman is trembling. On the other hand, the lines in the song: “And you're
spending all your time in this wrong situation and anytime you want it to stop”
indeed insinuate that he is giving the chance to the woman to stop anytime
One will be able to look at that since the line is quoted, one may constitute it that
someone has said it different from the persona’s thought. Hence, the line
manifests that it was spoken by another person in the poem because if it is indeed
the persona, why would she quote it when in fact she can just say it? So, who said
it? Definitely, the person with her - her guy. Now, since it is already cleared that
the one who said the quote was the guy, it can now suggest that the guy noticed
the act of staring of the LT, concluding that she is like another marmoset in a cage.
And like what has been mentioned earlier, marmoset suggests the act of
downgrading where he, according to the text, demote him by thinking about her
the same situation as the LT. Furthermore, when a cage was being talked about,
certainly, prison was the first thing one may infer. Thus, it is doubtless that the
like in a jail, which is, at the first place, the LT then, according to the guy’s quote,
Diaz, Benedict B. Formalist Approach
her woman as well. Accordingly, this followed what the song inferred as in the
lines: I know I can treat you better than he can. And any girl like you deserves a
gentleman. Tell me why are we wasting time on all your wasted crying when you
should be with me instead. I know I can treat you better, better than he can
wherefore this suggests that the woman the persona in the song has described
was suffering from the man, primarily with the underlined words, that he even
A proud denial
Since the poem goes back from the usual flow, which is not having a quote, the
one talking in the poem becomes the woman again. This assuredly proved that,
since it came from the words of the woman, the conclusion on the previous part is
indeed true that the man had demoted the position of the woman or simply
that something is not true. Ergo, the woman now revealed the subconsciousness
of her guy for not knowing that she has indeed in sufferance. Also, the word
laughing in the line can suggest mocking, making her asked a big question to
herself. And if one made a big question to oneself, basically, that person seems to
be problematic. So, this appeared similarly, again, to the next lines in the song as
in: …Would be everything I need and this could be so different, tell me what you
want to do which frankly showed that if the persona in the song thought that she
has something she wants to do, that simply exhibit that that could be the big
Diaz, Benedict B. Formalist Approach
question she is thinking, making her problematic that even him, the persona in the
song which is similarly to the LT in the poem, noticed the something that she
clearly suggests the misunderstandings between the couple. Sleeping face upon
the pillow, on one hand, denotatively evokes a person sleeping using his/her
pillow. But if one would look at the words, sleeping face can mean that one
he/she is already asleep is forsooth, one became unaware. And that would
particularly deepen on the context of pillow because usually, a pillow was only
used when one would be sleeping, and when is that happening? Most particularly
at the end of day. On the other hand, little truant unaware contrive that one is
defined as something that is small in size hence, if that so, it would now become
hard to notice, making it elusive or, solely, subtle. Truant, on one hand, is
distinguished as one who shirks duty. Hence, all of these constitute to the
misunderstanding normally arose when (1) a couple was not aware of each other,
(2) the end of a relationship was about to happen, and (3) the subtle and
subconscious avoidance between them happened. Thus, this now talks about the
Diaz, Benedict B. Formalist Approach
act being opaqueness of the couples’ relationship as seen throughout the song,
And that would lead to the next conclusion as seen in the lines:
He had fled from our pain and the dark room of our rage,
Thus, the words in the lines establishes the fact that it talks about the violence the
couple is experiencing with each other and that the LT has been involved with
them. Our pain clearly suggests that the woman is not the only one experiencing it
but both of them. Dark room of our rage, on the other hand, unarguably invokes
violence because of the word rage which means a strong feeling of anger that was
emphasized through the phrase dark room because normally, what do one usually
see in a dark room? Nothing. Until the eyes has adjusted from the dark. It is the
same feeling when one has gotten a black eye. On the first seconds, naturally,
one cannot see anything for he/she cannot open his/her eyes until he/she has
adjusted from the pain. Hence, these things generally states domestic violence
which is, accordingly, the same as the theme with the involved song - that is of
promoting the awareness of domestic violence as well. Thus, the song and the
techniques using metaphors in each lines concluding the likeness of the involved
song and poem. Specifically with the persona in the song that suggests both a
love triangle but in the song, the persona is a boy wanting to save the woman from
her guys while in the poem, the persona is the woman, together with her guy,
Diaz, Benedict B. Formalist Approach
looking at a man which clearly manifest another angle of the triangualar love story.
Indeed, both the text certainly showed that a man is the one looking at a couple
until the the woman is experiencing violence that the reason the man is looking at
them is that he wants to save her from him. Likewise, from the angle of the couple,
it seems like the one caged was the man but actually it is them being caged from
pain they had suffered, making the man - which is the littlest fellow and the
persona in the song as well - do not have anything to do with the situation even if
Bibliography:
https://www.azlyrics.com/lyrics/shawnmendes/treatyoubetter.html