Technical Rider 2019 ver.

International
CENRTAL AND
SOUTH AMERICA
Revised March 28, 2019
 PRODUCTION OVERVIEW

SLASH featuring Myles Kennedy & The Conspirators

TOUR MANAGEMENT CONTACT:
Cheryl Hall Mobile: +1 609 284-7680
e-mail: CheryLLhaLL@me.com
PRODUCTION CONTACT:
T. "Quake" Mark M o b i l e : +1 585 576-0988
e-mail: EQsoundz@aol.com
SECURITY CONTACT:
Kimo Silva Mobile: +1 801-940-1159
e-mail: kimo_premier@yahoo.com

PRODUCTION OVERVIEW:
The information contained herein is required as part of the performance agreement between
Snakepit Touring, Inc.; Herein referred to as PRODUCER; and you; Herein referred to as
PURCHASER. Your failure t o adhere to the provisions below may result in the cancellation of
the performance WITHOUT relieving you from your obligation to compensate us.

PRODUCER’S responsibility shall too be limited to furnishing the services of Slash Featuring
Myles Kennedy & the Conspirators, ARTIST as set forth herein.

The Collective / Jeff Varner shall herein be referred to as MANAGEMENT

As PRODUCER is not the promoter of the EVENT, nothing contained herein shall, nor is
intended to, suggest or imply that PRODUCER is the promoter of the EVENT or that
PRODUCER is otherwise responsible for the obligations of PURCHASER.

Any changes, substitutions or omissions to the following Rider; must be confirmed in writing by
the SLASH Featuring Myles Kennedy & the Conspirators Production staff or MANAGEMENT.

In an effort to make sure that your event goes as smoothly as possible, please take the time to
review all of the enclosed information thoroughly.

The information contained herein is subject to change and therefore should reviewed in its
entirety at the time of the Production advance.

We are aware that each show is unique and that some elements described within may not
pertain to your particular date. Should you have any questions or are unable to provide any of
the included requirements, or if it is your intention to make changes or omissions you must
contact Slash Production immediately. All changes must be in writing, and approved by the
PRODUCER’S Production Manager. NO EXCEPTIONS!

Please immediately forward to the ARTIST’S Tour & Production Managers, (at the above-
mentioned contact information), the venue tech package and all available venue information.
Please also include a seating chart of the venue.

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 PRODUCTION ADVANCE:
The following is the Producer’s Production Advance.

PURCHASER must review this information with the PRODUCER’S Production Manager; T.
"Quake" Mark at least fourteen (14) days prior to the engagement.

Any and all Production Related Questions should be directed to the PRODUCER’S Production
Manager, T. “Quake” Mark.

Any and all Travel, Accommodations, Immigration, Tickets, and settlement Questions should
be directed to the Producer’s Tour Manager, Cheryl Hall.

Any Security, or Credential related Questions should be directed to the PRODUCER’S head of
Security, Kimo Silva.

Please provide Venue Specifications, Sound & Lighting Specifications, as well asdoor
time, ticketed show start time and curfew time (if applicable) at time of advance for determining
the show running order times.

PURCHASER’S REPRESENTATIVE:
A representative of Purchaser who is fully authorized to act on behalf of Purchaser must be
present at the venue from the time of load in until the completion of load out. Purchaser’s
representative must be available to Producer by telephone and e-mail at all times within
twenty-One (21) days prior to the Engagement and must have copies of the Agreement
(including this Rider) on hand for reference. The Same Person that advances the show MUST
be the same person we deal with at the show. NO EXCEPTIONS!

GENERAL REQUIREMENTS:
The section and subsection headings contained herein are for convenience only and shall not
be used to interpret this agreement.

MANAGER / PRODUCER shall approve any and all ticket giveaways or promotions in writing,
and such tickets shall be at the PURCHASER’S sole expense.

Please have a current seating chart showing seats sold (highlighted) and manifest
available for the PRODUCER’S Production Manger upon arrival and commencement of load
in.

The PRODUCER will require a Minimum of 100 Complimentary tickets for each performance.
These Comp Tickets must be in the main seating area BUT NOT located in the first 10 rows of
the venue.

Please have SLASH comp tickets in the SLASH Production office by noon of show day.

There is to be no “Guest List” or complimentary tickets distributed for the Venue and / or
PURCHASER without PRIOR WRITTEN APPROVAL of the MANAGER.

PRODUCER reserves the right to approve ANY and ALL persons, groups, performers, or other
Artists to appear in conjunction with this performance at this EVENT as well as, but not limited to,

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the amount of equipment the other Artist or performer may use, the length and duration of the
sound check, length of performance, performance time, amount of stage space, the overall
decibel level of their performance(s), and nature of performance(s).

PURCHASER agrees to obtain at its sole expense, any and all clearances and permits
necessary from local authorities should parking, loading, and / or unloading areas is on a main
thoroughfare or block traffic in any way. Should permits, or a traffic patrolman is required, it will
be necessary for the PURCHASER to arrange and pay for this well in advance of this EVENT.

PRODUCER or its designees shall have the sole and exclusive right to record, film,
transmit, and/or tape ARTIST’S performances or any other activities at the EVENT, for
any purpose, without compensation to PURCHASER or venue.
PURCHASER shall obtain any and all clearances, approvals, consents and the like
required by the venue, unions and any other party, at no cost to PRODUCER, in order for
PRODUCER or its designees to exploit said right.

PURCHASER agrees that no part of the performances rendered hereunder maybe broadcast;
professionally photographed, captured on video, filmed and / or transmitted, audio recorded and /
or transmitted, taped, OR embodied in any form for any purpose without PRODUCER’S OR
MANAGER’S prior written consent. PURCHASER agrees to deny entrance to any persons
carrying recording equipment, or a professional camera or other imaging devices. Without limiting
the generality of the foregoing, the term "persons" shall include members of the audience, press,
venue staff and PURCHASER’S staff. PRODUCER shall not be liable for any loss or damage, for
any reason, to such devices.

SECURITY
As PURCHASER is the promoter of the EVENT, PURCHASER is solely responsible for
providing security for the Protection of all persons and property. To this end, PURCHASER shall
be solely responsible and shall provide and pay for at its sole expense trained, uniformed and
event security personnel (along with adequate facilities, necessary Equipment, transportation
vehicles and radios) for the protection of PRODUCER, ARTIST, their employees, agents, Guests
and contractors and their respective equipment and/or instruments, and for the protection of all
patrons and/or Other persons at the EVENT. PURCHASER shall be solely liable for any damage,
loss or injury resulting from its failure to provide the same.

PURCHASER shall supply and pay for all necessary security for ARTIST, PRODUCER, and all
ARTIST'S personnel for the duration of ARTIST'S stay to ARTIST'S satisfaction. PRODUCER
and ARTIST shall also have the right to terminate the Contract, without incurring any liability or
obligation, if there is inadequate security or a threat to the safety of ARTIST, or any of its
employees, agents, contractors or representatives, in ARTIST's sole opinion. Notwithstanding the
foregoing, PRODUCER shall be entitled to retain and/or receive the full, agreed compensation. In
addition to the force majeure provision(s) of this contract, PURCHASER agrees that ARTIST may
cancel this engagement in the event there is a declaration of war, threat of war, civil unrest,
and/or violence (whether or not in XXXX COUNTRY) in which, in ARTIST'S good faith judgment,
might be unsafe or might result in danger, personal injury, or damage to property, to ARTIST
and/or ARTIST'S entourage. In addition, ARTIST shall also have the right (but not the obligation)
to cancel this engagement in the event that any of the other engagements on ARTIST'S current
tour are canceled for the aforementioned reasons.

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 Specifically For All Countries in Central America, South America, South East Asia, Middle East,
and South Africa specifically, the PURCHASER will be required to supply a Local Security team
consisting of at least 4 Persons; to be available and travel with the PRODUCER, ARTIST and
any of their staff at all times while in your Region, Country, area, or City. All local Security Teams
will be chosen by the Tour Security Director in advance of the tour, and the promoter will make
necessary accommodations for them to travel along with the tour party, and stay at the hotels
with the tour personnel as well as covering the costs. Please note these persons are in addition
to the following Security Team outlined below.

In addition to Local Security Provided & outlined above -

On your Specific tour we will be carrying security with us to be paid for by the PURCHASER Prior
to the ARTIST’S Arrival in to your area.
To that end we have arranged for the following:
We will have Two Brazilian Nationals Plus Two American security Person.
PURCHASER is to pay the South American security team $300 each per day USD from arrival
through departure (total of 3 persons / 1 venue, 1 advance, 1 with Artist)
PURCHASER is to pay the North American security person $400 each per day USD from arrival
through departure (total of 1 person – with Artist)

PURCHASER must also arrange and pay for all Flight’s and lodging and travel with A and B
Party as needed.

ANY changes to this security document need to be approved in writing by Kimo Silva and Cheryl
Hall Prior to departure

PRODUCER, ARTIST and their Personnel require Ground Transportation from and to the
Airport, and / or to and from the Venue, the Vehicles - the PURCHASER should provide
Adequate vehicles for transport of tour party starting with our arrival in their region. Tour party
should always be moved in these vehicles while in the promoters regions. In General we require
Two 15 Passenger Vans (One for Band Party, One for Crew Party), One Limousine style SUV
(For ARTIST and Security), and one Cargo Van for Luggage.

PLEASE NOTE THAT IN CERTAIN SITUATIONS THE PURCHASER MAY REQUIRE A

POLICE ESCORT. Said escort should be no less than 1 Car and 3 Motorcycles. PLEASE
CONTACT THE PRODUCER’S TOUR SECURITY IMMEDIATELY TO DISCUSS THE SPECIFIC
NEEDS FOR YOUR REGION.

As PURCHASER is the promoter of the EVENT, PURCHASER is solely responsible for providing
security for the Protection of all persons and property. To this end, PURCHASER shall be solely
responsible and shall provide and pay for at its sole expense trained, uniformed and event
security personnel (along with adequate facilities, necessary Equipment, transportation vehicles
and radios) for the protection of PRODUCER, ARTIST, their employees, agents, Guests and
contractors and their respective equipment and/or instruments, and for the protection of all
patrons and/or Other persons at the EVENT. PURCHASER shall be solely liable for any damage,
loss or injury resulting from its failure to provide the same.

PURCHASER shall provide security from the commencement of load in until the last of
PRODUCER’S production staff has departed. All security guards must have previous experience
with crowd control. The guards must be easily identifiable, as security and they must report to
Tour Security Director prior to the performance to discuss security arrangements. All persons
engaged as security personnel must be at least eighteen (18) years of age, sober, and hired

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specifically as security personnel. In addition, all security personnel are required to wear identical
T-shirts or other clothing with a visible means of identification. ARTIST Representative retains the
right to demand substitution of any security personnel who, in the PRODUCER’S Tour/Production
Manager or Security Director sole judgment, who are not physically capable, non sober, display a
disruptive attitude, and excessive violence keeping them from performing their duties.

PRODUCER’S Representative reserves the right to demand the immediate dismissal or

replacement of any security personnel deemed by PRODUCER’S Security Director. Any security
personnel who use excessive violence in pursuance of his/her duties shall be ejected from the
venue upon the demand of the Security Director.

PURCHASER assumes all responsibility and liability for the actions or omissions of any member
of security staff or purchaser's staff whether or not such individual(s) is/are found to be under the
influence of alcohol or any drug, and PURCHASER hereby indemnifies PRODUCER, ARTIST
and their employee’s and holds them harmless from any losses and all damages due to failure to
provide adequate security and/or the acts or omissions of the security staff or PURCHASER’S
staff.

None of the security personnel shall carry or posses any firearms, clubs, knives or dangerous
weapons. Security personnel are required to carry handcuffs, Flashlight, and radio.

ALL MEMBERS OF THE SECURITY STAFF MUS BE CHECKED IN, AND DEPLOYED NO
LESS THAN 30 MINUTES PRIOR TO THE OPENING OF DOORS FOR THE ENGAGEMENT!
NO EXCEPTIONS!

The PURCHASER should also have a qualified, certified Team of Law Enforcement officers
along with Explosive Sniffing Dogs do a Sweep of the Venue Prior to the Opening of Doors. This
is for the Safety and security of all the persons at the event! This sweep should be done at some
point during the day prior to doors opening. Additionally, this team should remain at the venue
and be available at the Entrances to the Venue when the Public arrives.

ARTIST must be given a complete sound check prior to the admittance of the audience for the
performance. PRODUCER and ARTIST shall use the full array of equipment, and shall not be
required to perform under any other condition. Doors may be held to enable ARTIST to complete
sound check. The audience shall not be admitted to the venue until PRODUCER’S Production
Manager and Security Director have given approval.

It is to be specifically understood that NO ONE IS ALLOWED TO PHOTOGRAPH, VIDEO

RECORD, OR AUDIO RECORD ANY PART OF THE SOUND CHECK! THIS INCLUDES
THE USE OF CELL PHONES, I PADS, ETC.. This applies to EVERYONE INCLUDING THE
PURCHASER AND THEIR STAFF!

Every member of the audience must be searched upon entry to the venue - full hands on pat-
down searches of all patrons are required. Wands or walk through metal detectors may be used
where law requires. This above process is fundamental to our security structure. If the Security
Detail is not able to provide the Pat downs, the PURCHASER must provide adequate Local law
enforcement officers to deal with this provision. It is to be specifically understood that you will
need to make sure you are adequately staffed with Security to handle this in a timely manor.

Anyone found to be carrying a laser pointer, tape recorder, and portable d.a.t. Recorder, audio
device, video or motion picture camera or a professional still camera must be denied entrance. All

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articles removed on entry to the venue must be returned to the owner upon departure from the
venue.

Any member of the audience found with any weapon or potentially dangerous object must be
IMMEDIATELY accompanied to the exit and denied entrance to the venue (even without the
weapon or Dangerous object). This Includes but is not limited to any type of Gun, Knife, Tasers,
Pepper Spray and / or laser Pointers.

The PURCHASER should also have a Team of Law enforcement officers along with Explosive
Sniffing Dogs do a Sweep of the Venue Prior to the Opening of Doors. This is for the Safety and
security of all the persons at the event!

If alcohol is served at the venue on the date of the Engagement, PURCHASER and/or the
venue management take all responsibility for damages and shall hold PRODUCER and ARTIST
harmless against all alcohol-related damages or injuries.

PURCHASER must ensure that no member of the audience is admitted with drinking glasses,
bottles of any type, or cans on their person. Any beverages offered for sale must be poured in to
Soft Plastic Cups. NO EXCEPTIONS! PRODUCER reserves the right to cancel the Engagement
if Purchaser fails to adhere to this provision and to hold PURCHASER fully Liable for the full
Contracted Guarantee as set forth in the Contract.
Without limiting the foregoing, PURCHASER must provide adequate security for ARTIST,
PRODUCER, their crew, as well as ARTIST’S and PRODCUCER’S equipment and Personal
Gear at all times. This includes stage security during ARTIST’S performance, as well as at all
times with in your particular region.

Security will be under the direction of PRODUCER’S Security Director, Tour Manager, and
Production Manager in consultation with the Venue management as to how many and where
security should be positioned during ARTIST’S performance.

On stage, any security personnel will be solely under the instruction and supervision of
PRODUCER’S representatives. PURCHASER agrees to accept full responsibility for the safety of
ARTIST, its representatives, the technical crew, any equipment and personal belongings at all
times. In the event of theft or damage, PURCHASER will be liable to PRODUCER and/or
ARTIST for the value in full of stolen or damaged items. All security guidelines must be advanced
with the tour Security Director prior to the engagement.

PRODUCER will require at least 1 Security person to be stationed at the ARTIST’S Busses and
Trucks and Touring Vehicles at all times when present at the venue.

PRODUCER will require 1 Security person to be stationed at the PRODUCER’S Production /

Management Office at all times from the arrival of the PRODUCER’S team, for the duration, until
released by the PRODUCER’S Production Manager at the conclusion of the PRODUCER’S load
out.

PRODUCER will require 1 Security person to be stationed at the Artist's Dressing rooms At all
times from the Arrival of the PRODUCER’S team until released by the PRODUCER’S Production
Manager. This person MUST remain until the Last of the PRODUCERS Staff has left.

PRODUCER will require at least 1 Security person for every 4 - 6 feet of Barricade in front of the
stage.

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 PRODUCER will require at least 2 Security Persons at Front of House Sound and Lighting
position.

A good guideline for determining how many Security persons will be required for this Artist's
event is 1 Security for every 65 Patrons.

PRODUCER will require adequate security to cover any and all entrances to backstage at all
times when the Artist is present in the venue.

PRODUCER will require adequate security to cover getting the Audience in to the venue in a
reasonable amount of time with the searches that are required.

In situations where the ARTIST is performing multiple shows / performances on multiple dates in
the same venue, or is loading in the Day(s) prior to their Performance, the PURCHASER must
provide at least four (4) security personnel to secure the equipment and dressing rooms
overnight, and must remain on duty until the PRODUCER’s Production Staff return the following
day.

PRODUCER shall have the right to terminate the performance and cancel this agreement
without liability if, in its sole and absolute judgment, there is any riot, civil disorder, dangerous
behavior from the crowd or security crew, any objects are thrown and/or there is physical action
on the stage, the hall or in any parts of the venue that might endanger the life or safety of the
Artist.
In any of these events, PURCHASER agrees to pay the Artist in full.

PURCHASER shall not in any case hold the PRODUCER, ARTIST or its crew; or vendors
responsible for any damage the audience may cause inside or outside the venue where ARTIST
is to perform.

The audience shall not be admitted to the venue until PRODUCER’S Production Manager and
Security Director have given their specific approval.

PURCHASER will supply at least two (2) medical officer(s) or crew on site, who must be either
medical doctors, emergency medical technicians or paramedics, and be ready, willing and able to
treat anyone one who be injured or become sick during the Engagement. There should also be
available An Ambulance to transport any injured persons.

PURCHASER shall ensure that the medical staff has immediately on hand for ARTIST’S use
one full oxygen tank in good working order, including regulator, on-off wrench and new mask.

PRODUCER has its own particular system of passes and credentials for their crew, local
working personnel, and the ARTIST’S Special Guests. The PRODUCER’S Security Director,
Tour Manager, and or Production Manager will distribute these passes.

WITH SPECIFIC EXCEPTION OF CERTAIN FESTIVAL SITUATIONS, UNDER NO

CIRCUMSTANCES WILL LOCAL OR "VENUE" PASSED BE REQUIRED OR HONORED FOR
THIS ENGAGEMENT. NO EXCEPTIONS!

The PRODUCER’S Security Director will dictate pass access. PURCHASER will honor and
facilitate PRODUCER’S pass system.

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 PURCHASER shall ensure that only authorized persons displaying properly issued access
passes shall be permitted on stage, backstage or in the dressing rooms before, during or after the
Engagement.

The PRODUCER will require a Free standing Proper Concert ('Mojo' style Free standing, L
shaped, Blow though Concert Barricade.) barricade the full width of the stage; plus extend an
additional 8 to 12 feet past the edge of the stage and any wing areas. There must be at least 6'
from the edge of the stage to the edge of the barricade. In addition, we will require additional
Bicycle Style Rack style Police barricades to extend to the walls of the venue from the end of the
Concert Barricade. PLEASE IF YOU HAVE ANY QUESTION AS TO WHETER YOUR
BARRICADE WILL WORK FOR THIS EVENT PLEASE CONTACT US IMMEDIATELY!

The PRODUCER’S Security representative will decide each day on the number of security
personnel required in the pit (between stage and barrier)

The PRODUCER will require that either MOJO Style Concert barricade, or Bicycle Rack Style
barriers appropriate for the venue we are performing in surround the entire area of the Mix
position.

PRODUCER would like to request the presence of a minimum of 2 Uniformed Police officers to
be available at the Venue to be stationed in their vehicle in the Parking Lot OR by the Doors as
patrons enter the event. There should not be any police officers present in or the near the
dressing rooms, stage, or Backstage areas unless requested by the Tour Production or Security
Director.

PURCHASER must provide adequate fresh water containers, paper cups and spray bottles for
use by security personnel, placed behind the main barricade line directly in front of the width of
the Stage.

The PRODUCER requires a detailed report for the number of arrested and ejected persons
immediately following the ARTISTS Performances.

There is to be No master of ceremonies, disc jockeys, or announcers shall appear in conjunction

with this performance without prior written consent of the ARTIST’S MANAGEMENT, and no
announcements of any kind will be made from stage or through the house PA system except by
the PRODUCER’S representative.

Specifically for FESTIVAL Situations, We have some special Requirements. PURCHASER must
provide security UPON ARRIVAL of the PRODUCER’S Production Manager to the venue.
Specifically we will require One Security Person be posted at the entrance to each Dressing room
for use of the ARTIST and each Production office to be used by the PRODUCER’S Production
Staff. These guards must be easily identifiable as security, and posted at theses positions until
dismissed from assignment by the Tour Security Director or Tour Production Manager. We
realize we will be likely be using Festival Credentials; but we respectfully request to only Allow
persons with our Tour Issued Passes be allowed in to our offices and dressing rooms.

Additionally for Festivals, When the ARTIST is scheduled to perform, there must be security
posted at the backstage entrances leading on to the stage, and are to use the PRODUCER
Provided Tour Wristbands and laminates for lockdown of the stage during the ARTIST’S
performance.

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 LOCAL RESTRICTIONS:
It is specifically understood and agreed that PURCHASER shall inform the PRODUCER and
MANAGER in writing at least twenty-one (21) days prior to the engagement, as well as on the
face of the contract, of any and all local laws, ordinances, and / or any other restrictions or
regulations regarding live performances. This must include, but is not limited to, decibel
restrictions, language restrictions, and pyrotechnics, minimum and maximum light levels, local
labor laws, and curfews. PRODUCER may request a copy of the law or ordinance. In situations
regarding decibel level restrictions, decibel levels must be quoted as well as include the scale
used to make the measurements and the distance the measurement is made from. All decibel
measurements must comply with the United States Department of Weights and Measures. All
instruments used to measure the decibels of the ARTIST’S Performance must be properly
maintained, tested, and properly calibrated and certified by the United States Department of
Weights and Measures or other Such Local National Government Authority. In addition, any and
all persons making said measurements must be properly trained and certified by the United
States Department of Weights and Measures and be able to provide certification to prove that
they are qualified to interpret such measurements. A violation of this clause shall entitle the
PRODUCER to refuse or terminate the ARTIST’S performance as described in this contract,
and the PURCHASER shall remain liable to make any and all payments of the full contracted
price to the PRODUCER immediately, and the PURCHASER shall assume all liability for the
ARTIST’S not performing.

The Performance shall not be interrupted by local curfews or building policies. Any reasons for
the show running late that are not caused directly by the ARTIST should be remedied prior to
Performance so as to not affect the full Performance of the ARTIST.

Notwithstanding anything contained herein, decibel, curfew, and / or language restrictions

imposed upon the PRODUCER or ARTIST the day of the EVENT or during any of the ARTIST’S
performances shall be deemed a FORCE MAJEURE occurrence, and the PURCHASER shall
remain liable for the full payment of all of the full contracted price even if the performance(s) are
prevented, interfered with or terminated by such restrictions. The ARTIST retains sole and
exclusive right to determine in good faith whether such restrictions would interfere with the
presentation of the performance, and whether or not they should continue, in which case the
PURCHASER assumes full liability for the ARTIST not performing.

INTERNATIONAL TRAVEL:
In the event that the place of performance of the EVENT is outside the continental limits of the
United States of America, the PURCHASER agrees to procure at the sole expense of the
PURCHASER, for the PRODUCER, ARTISTS, and their employees, contractors, vendors, and
agents, any and all necessary visa’s, work permits, equipment bonds, immigration clearances,
custom clearances, union dues, and / or any other documents of any nature whatsoever to
enable the PRODUCER & ARTISTS and their personnel to enter into, travel throughout,
perform, and exit from the Country or territory in which the EVENT occurs.

It is the PURCHASER’S sole and exclusive responsibility to ensure that any and all border
crossing papers are in order, and that any and all fees are pre-paid.

Should the ARTIST, PRODUCER, or any of their employees, contractors, vendors or agents
are forced to pay any entrance fee or border crossing fee to gain access to any other countries

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other than the United States of America, the ARTIST will not load in and / or perform without
being reimbursed said fees.

When arriving/departing foreign countries via Air Travel, Purchaser agrees to secure & pay for
an English speaking Greeter to meet Artist & touring party gate side /curbside and escort through
customs on arrival & departure.

Where purchaser is providing flights, please note that artist requires the following:
10 - business class seats (artist, band, TM, PM, Security, Management)
9 - economy or economy plus seats (crew & additional security)

In addition to the above please be aware that artist will be carrying on a guitar and it CAN NOT
BE GATE CHECKED! If an additional seat is required to bring guitar on the plane, purchaser will
be responsible for paying for that seat.

Specifically, when the ARTIST is performing in a country that the native language is not
English, the PURCHASER will provide translators & security for each of the following from arrival
until departure as agreed upon in advance by PRODUCER’S Tour Manager/ Production Manager
& Head of Security:
1 – Slash / Myles Kennedy / Kimo Silva
2 - Band party / TM – Cheryl Hall
3 - Crew party / PM – Tim “Quake Mark

HOTELS/ACCOMODATIONS:
Where hotels are provided we require 19 Rooms / 2 of which are SUITES for Slash & Myles and
17 KING Singles. Hotels must be 5 star and approved in advance by management.

GROUND TRANSPORTATION
PURCHASER shall provide First Class Ground Transportation as needed for ARTIST and
Touring Party from arrival until departure.

GEAR TRANSPORTATION
PURCHASER Shall supply adequate, appropriate transportation via Air or Truck for any and all
of the ARTIST’S Equipment from the time it arrives in to the PURCHASERS Country / Territory
until it is delivered to the PURCHASERS Freight Forwarding Agent at the end of the ARTISTS
Engagement. To assist in budgeting space and time you may estimate we will need a MINIMUM
48’ of truck space. Weight is roughly 7,500 Kilos.

LOAD IN AND BUS / TRUCK PARKING AREA:

In Many Situations we will be traveling in Busses and Trucks. PLEASE CHECK WITH THE
SLASH PRODUCTION MANAGER FOR VEHICLES SPECIFIC FOR YOUR SHOW!

Should we be traveling with Trucks and Busses, adequate, on site, secured, reserved Parking
will be required for two Full Size Night liner Busses and two Tractor Trailer trucks; as well as 4 full
size cars. This Parking should be available from AT LEAST 4 Hours Prior to the Scheduled Load

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in time, through the duration of the EVENT, until at least 6 Hours after the ARTIST’S
Performance has ended.

The location of the Parking area designated for the PRODUCER’S use must be within the
venue secure area.

Security must be allocated to watch over all touring vehicles from load-in, through load out until
the vehicles leave.

Busses / Vans should be parked as close as possible to the backstage entrance without
impeding the truck traffic for the load in and out. Busses must be located within seventy-five (75)
feet of shore power.

In times of inclement weather, specifically ice and snow, these areas must be plowed clear,
salt and sand must be applied to remove any hazard.

This area must be maintained (while the weather persists) throughout the day and until the
touring party departs.

FIRE EXTINGUISHERS:
Please supply FOUR (4) multi purpose fire extinguishers to be distributed at the following
locations: Front of house, Dimmers stage right. Monitors stage left, and in the Dressing room
hallway.

TRASH CANS:
It may seem like a trivial thing, but you would be amazed at how many venues do not do this.
At the time of load in, if you could please supply several Large Garbage cans with FRESH liners
for the 4 x Stage, 1 x FOH Mix, 2 x Production office and several in the Dressing rooms at Load
in. And please, whenever possible, we encourage you to recycle.

POWER:
The ARTIST / PRODUCER supplied equipment runs on 120V AC Power. In Countries that do
not have 120V power we will Require Several Transformers to provide us with 20Amp 120v
circuits in the Production Office, Dressing rooms and on Stage. All Power provided must be
properly grounded; be in phase AND MUST BE 120V NOT 110V!

PLEASE MAKE SURE YOU HAVE ENOUGH POWER TRANSFORMERS AND UNITED
STATES POWER PLUGS AND EXTENSION CABLES FOR US!

A general Guideline for our Power needs:

2 x 20A 120V Circuits in the ARTIST Dressing room.
2 x 20A 120V Circuits in the PRODUCER’S Production office.
2 x 20A 120V Circuits at FOH Mix Position for the ARTIST’S Supplied Mixing Console
3 x 20A 120V Circuits at Monitor Mix Position Stage Left for the ARTIST’S Supplied Monitor Gear
7 x 20A 120V Circuits at various points on Stage for the ARTIST’S Stage Equipment.

13
 Please provide Twelve (12) “Yellow Jacket” Style Channel cable ramps to be placed morning
of show at the Direction of the PRODUCER’S Production Manager or Stage Manager. These
cable ramps should be in addition to any required to cover any cabling running in to or through
the audience areas.

In Countries that do not have 120V power we will Require Several Transformers to provide
us with 20Amp 120v circuits in the Production Office, Dressing rooms and on Stage.

ALL POWER PROVIDED FOR OUR USE MUST BE PROPERLY GROUNDED AND IN
PHASE. PLEASE NOTE WE REQUIRE 120V POWER NOT 110V!

PLEASE MAKE SURE YOU HAVE ENOUGH POWER TRANSFORMERS AND UNITED
STATES POWER PLUGS AND EXTENSION CABLES FOR US!

For Certain dates on this tour, the PRODUCER MAY be carrying a Step Down Transformer
and Distribution for their Stage Equipment. Should this be the case, the PRODUCER will
require a 220V – 240V 63A 5wire CEE to be supplied and located DSL. PLEASE CHECK
WITH THE PRODUCER TO SEE IF THEY WILL BE PROVIDING THIS FOR YOUR EVENTS.

TWO WAY RADIOS:

The PRODUCER will be using their own Motorola two-way radios to communicate privately
amongst the members of the Tour. One Radio will be provided for the use of the Main
PURCHASER Contact for the day. Yes, They have to wear it and answer it.

When ever possible, If Security could please provide a radio specific to their staff to our Tour
Security person for the duration of the Tour Security Persons time at the venue.

LOAD IN / LOAD OUT:

Unless otherwise requested, PURCHASER agrees to furnish the venue on the date of the
EVENT at least Twelve hours prior to the scheduled time of opening of doors for the EVENT. The
venue must be clean, well and properly ventilated, well lit, and appropriately heated or air –
conditioned as to the season and weather conditions. PURCHASER shall have the stage set-up
and in place and have the venue, as well as any local provided labor, and any locally provided
sound or lighting set up and ready at this time.

Specifically for Festival situations the PRODUCER will require a Minimum of 4 Hours of set up
time PRIOR to the appointed Changeover time to set up, tune, and prep our equipment for the
ARTIST’S Performance.

PLEASE NOTE: SPECIFICALLY FOR FESTIVALS, The ARTIST’S Backline is to sit static on
the stage. In other words NO SKIDS OR WHEELS! NO EXCEPTIONS!

Unless otherwise SPECIFICALLY requested IN ADVANCE, load out of the ARTIST’S

equipment and PRODUCER supplied equipment shall commence immediately following the
ARTIST’S performance at this EVENT. All loading areas must be cleared of any and all vehicles
not authorized and approved by the PRODUCER’S Production Manager. The Venue, as well as
any locally provided labor, must be ready and under the immediate direction of the
PRODUCER’S Production Manager and / or Stage Manager at this time.

14
 For specific Safety reasons, The PRODUCER will require a minimum noise level be maintained
during Load in and Load out. If you have any other events in the VENUE, (Specifically the
VENUE Becomes a club or rave) we must have a minimum of Two Full hours to do our work
SAFELY. Therefore the PRODUCER’S Production Manager reserves the right to dictate the
Volume of any Music being played, or other type of Noise. We also reserve the right to have set
any Lighting levels. NO EXCEPTIONS!

For specific Safety reasons, The PRODUCER will require a minimum Lighting level be
maintained during Load in and Load out. If you have any other events in the VENUE, (Specifically
the VENUE Becomes a club or rave after the ARTIST’S performance) we must have a minimum
of Two Full hours to do our work SAFELY. Therefore the PRODUCER’S Production Manager
reserves the right to dictate the Level of ALL Venue Lighting. This includes the ability of moving
or intelligent lighting. NO EXCEPTIONS

PRODUCER retains the sole and exclusive right to commence and complete the load out of any
and all of the ARTIST’S, or tour supplied equipment, at their discretion prior to any and all other
ARTIST, or any and all locally supplied equipment, staging or sound and lighting. We will use all
the hands first.

PRODUCER retains the sole and exclusive right to designate the duties of any locally provided
labor (stagehands, Truck loaders, riggers, Security) provided for this EVENT from the time the
ARTIST’S performance has completed, for the duration, until they are released by the
PRODUCER’S Production Manager at the completion of their load out.

LABOR:
PURCHASER shall supply local crew and equipment to assist with the unloading, set-up,
performance, takedown and loading of Producer’s equipment.

All staff, employees, contractors, subcontractors and local crew engaged by PURCHASER
must be sober at all times during the rendition of services in connection with the
Engagement, must speak English and have a valid driver’s license with them.

Should the Native Language of the Country or Territory Not Be English, and the Majority of
Labor Does not understand and / or is able to converse in English, The PRODUCER requires
the PURCHASER to Provide a Minimum of Three Interpreters to work with the Local Labor and
the PURCHASERS crew for the entire duration of the Load In, Set up, Performance, and load
out.

Any and all persons hired to work as a stage hand / truck loader for this specific event, must
wear sturdy, weather appropriate foot wear (I.E. NO SANDALS!); as well as be equipped with
the normal tools to perform their duties for the day.

PRODUCER reserves the right to increase or decrease the number of needed crew and/or
equipment and to change calls as they deem necessary.

We will require at least 4 English Speaking Truck loaders for load in, Load out. Times TBD
During the Production Advance.

We will require at least 14 English Speaking stagehands for load in, the Duration of Set up;
and the Duration of Tear down, as well as load out. Times TBD during the Production Advance.

15
 We will require a Minimum of 6 English Speaking Sober stage Hands to remain for the
Duration, all Day and through the Show. Times TBD During the Production Advance.
These all day hands should be dressed in Black for Show call.

We will require Four English Speaking Follow spot Operators for the Artist's
Performance. Call times TBD During the Production Advance.

A l l The hands the PURCHASER arranges for this event are to be at the Sole Direction of the
PRODUCER’S Production Manager A N D / O R P R O D U C E R ’ S S t a g e M a n a g e r at
All Times. No exceptions!

Should additional Labor be required to load in and / or load out any and all Locally provided
Sound, Lighting & or Video Companies; the PRODUCER will require at least 6 additional
stage hands on top of the PRODUCER’S Stage hand needs.

It must be SPECIFICALLY UNDERSTOOD that the PRODUCER will load out any and
all of the equipment PRIOR to loading out of any Local Production Equipment. Please
make sure your Sound, Lighting, Staging, Video and other vendors understand this in
Advance.

Should they be required for this event, The PRODUCER will require the PURCHASER
to supply adequate Professional UNION Riggers that are familiar with the venue. A
normal Minimum to rig this show would be 6 Up Riggers and 2 Down Riggers. Please
discuss the rigging needs specific to this EVENT with the PRODUCER’S Production
Manager before making the call.

Should any locally provided Sound be required for this EVENT, Three (3) English speaking
sound technicians from the Sound Company, with an excellent working knowledge of the sound
system shall be required by PRODUCER to set up the system, wire the stage, and assist our
Engineers.

Should any locally provided Lighting be required for this EVENT, at least Two (2) English
speaking lighting technicians shall be required to set up, and assist in the operate the lighting
system for the ARTIST’S performance at this EVENT.

PURCHASER agrees to supply one licensed electrician fully equipped with tools as well as
breakers and fuses, and familiar with all power sources, transformers, etc., to be available from
load in throughout the day until released by PRODUCER'S Production Manager.

We will require a Minimum of one runner for our exclusive use, from start of load in until
completion of load out when released by the PRODUCER’S Production Manager. This person
should posses a Valid Clean Driver's License, and be driving at least a well Maintained,
Clean 12 Passenger Van.

The runner’s first duties will include dropping off stage clothes and other items at a laundry or
dry cleaner that must be ready for pick up at least three (3) hours prior to the ARTIST’S
scheduled performance at this EVENT. PLEASE ADVANCE A DRY CLEANER AND A
LAUNDRY FACILITY!

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 STAGING:
In the Event that a stage is being built specifically for this Performance, the Artist will require
48 feet wide by 40 feet deep by 5 feet high sturdy safe stage with Hand rails or toe rails around
the edges. In Addition the Artist will Require Two Wings be built on either side that are Sixteen
(16) feet wide by Thirty-two (32) feet deep by Three Feet Six Inches (3 feet6 inches) high (18
Inches lower that the stage itself). Should it assist in the placement of the audio Subs, these
wings should recessed from the front of the downstage edge of the stage by 4 feet. Stairs to
the Stage with appropriate lighting on the steps need to be on the Upstage edge of BOTH sides
of the Wings.

If the ARTIST’S performance at this EVENT is to be held outdoors, the entire stage and
performance area is to be covered by a proper, safely constructed, load-bearing roof WITH
sidewalls, or Wind Break. This includes but is not limited to the entire stage, any wing space for
tech stations, case storage areas, monitor mix positions, dimmer positions, front of house mix
positions, spot towers, and sound wings. The rear of the stage and sides of the stage are to be
equipped with wind reducing screen masking to cut down the amount of wind on the stage. The
roof structure covering the performance area must be capable of supporting at least Sixteen (16)-
one ton rigging points, and a minimum of 22,000 pounds. The roof covering the sound wings
must be capable of supporting at least four (4)-one ton rigging points per side of the stage, and at
least 8,000 pounds. Please also note that genie tower roofs have been proven to be unsafe and
therefore are specifically NOT acceptable!

Any Temporary Stages being used out doors MUST BE sturdily constructed and PROPERLY
GROUNDED to insure the safety of all persons working and performing.

If the ARTIST’S performance at this EVENT is to be held Outdoors, it is to be specifically

understood that it is the responsibility of the PURCHASER to make sure the ARTIST’S; And any
PRODUCER supplied equipment is kept Completely Dry and Safe at all times.

Specifically for Outdoor Performances, the PRODUCER will require several rolls of “Visqueen”
style of Clear Plastic to make covers for their equipment. Please make sure you have this
available at the designated Load In Time.

In certain venues, the PRODUCER MAY also require 18 sections of tall, black, flame proofed
“pipe & drape” to be available to help mask the ATRIST’S entrance to the stage, and to help
mask off tech stations on either side of the stage. Additional “Pipe and Drape” may be required to
mask off certain Vomitoriums and entrances to the venue should the PRODUCER deem
necessary. The PURCHASER must have an adequate amount of “pipe and drape” on hold just in
case. This should be discussed during the Production Advance.

The PRODUCER will also require that any logos, neon lights, banners, lights, advertisements,
or backdrops be turned off or removed before EVENT begins. This includes but is not limited to
ad rings in arenas, beer signs, bar lights, scoreboards, etc.

PRODUCER requires that PURCHASER make the appropriate arrangements for Ramps or
Forklifts to get the Artists Gear on and off Stage Safely. Should Forklifts be required to load and
unload the PRODUCER’S and ARTIST’S Gear either in and out of the truck or on and off the
Stage, at LEAST 1 VERY EXPERIENCED SAFE FORKLIFT DRIVER will be required.

In Certain Types of Venues (For example Arenas, Coliseums, Civic Centers, etc.) where the
stage is NOT a Proscenium, The PRODUCER MAY request that the area’s Upstage of the

17
Performance area to be covered by a FLOWN Black Drape. This area is to include the Sides
behind the wing area extending at least 20 feet past the Performance area in each direction.

DRUM RISER:
The ARTIST will require the Use of one VERY STURDY 8 Feet Wide by 8 Feet Deep by 18
Inches High ROLLING riser that is Carpeted and skirted with Black Skirt that is Flame Proofed
to local Fire Code. This riser must be for the EXCLUSIVE use of this ARTIST ONLY and must
be available from Load in, for the Duration, until the end of the ARTIST’S Load out. .

DOWNSTAGE RISER:
The ARTIST will require One 4 feet wide by 2 feet deep by 1-foot high riser with Grate Top to
be placed Downstage.

The PRODUCER DOES NOT ALLOW the use of any Risers by any Support acts or other
Artists or performers

SOUND CHECK:
Artist must receive a minimum of one (1) two (2) hour sound check during which all technical
personnel must be present. Purchaser is not to allow anyone other than necessary technical
personnel and house staff, to be in the venue during sound check. NO EXCEPTIONS!

It must be specifically understood that NO ONE IS ALLOW TO PHOTOGRAPH, AUDIO OR

VIDEO RECORD ANY PART OF THE BANDS SOUND CHECK OR SHOW WITH OUT PRIOR
WRITTEN PERMISSION FROM ARTIST’S MANAGEMENT! THIS APPLIES TO EVERYONE!

Specifically for Headline Performances, The PRODUCER Reserves the right to dictate the
amount of set up time and sound check time for any other ARTIST’S performing at this EVENT.
PLEASE NOTE: We prefer to Sound check all bands performing on our shows. Please advise
your staff as to this possibility prior to our arrival.

Specifically for FESTIVAL Situations, the PRODUCER Requires their Audio team be allowed to
set up, and listen to the Sound System PRIOR TO DOORS. NO EXCEPTIONS!

HOUSE LIGHTS:
PURCHASER will make arrangements for all lights, including clocks, scoreboards, advertising
billboards and concessions signage in the hall and the concourse adjacent to the hall, which are
not specifically required to be on by local safety ordinances, to be turned off during the
performance. All doorways to lighted areas must be curtained, as a total house blackout is
required for the entire performance.

Upon Completion of the ARTIST’S Sound Check, the PRODUCER may request a test of the
House lights to determine the level and that all that can be turned off is off!

SNAKE RUNS:
The PRODUCER will Require That any and all Snakes, Power, data or such cabling that is to be
run to the Front of house be covered by either Cable Ramps or Matting. They can also be run in a
Covered trough for venues that provide this. This is to include but not limited to any PRODUCER

18
and / or PURCHASER or Local or EVENT provided vendor Lighting Snakes, Any and all Audio
Snakes, Power cables, as well as any and all Video cabling as required for this EVENT.

At no time are any Vehicles, Chair Carts, or other wheeled devices to be allowed to cross over
any of the Snakes at any time! NO EXCEPTIONS!

SOUND REQUIREMENTS:
PURCHASER must supply the follow sound Equipment for the PRODUCER and ARTIST’S Sole
and Exclusive Use and control.
This includes (but not limited to):
PA Stacks and Racks.
Monitor wedges and side fills.
Avid Profile Mixing Consoles with WAAVES 9 package enabled and licensed for FOH.
Avid Profile Mixing Console with Standard AVID Plug in pack for Monitors.
All Microphones and Microphone Stands as per Input List.
Any, and all cabling necessary.

Please Contact the PRODUCER’S Production Manager to discuss what will be required for your
Specific show.

In ALL situations, the PURHCASER must provide any and all Sound Gear to take care of the
Support act. This includes Separate FOH Console, Separate Monitor Console, Microphones,
Stands, All Necessary snakes and other such cabling.

Support acts May use the same Monitor cabinets and Side fill Monitors as the ARTIST.

Any and ALL Support act FOH Consoles will be run in to the ARTIST’S Console. Under no
circumstances will any secondary Input to the FOH PA System be allowed. In other words, our
console is the Last in line before the Processors.

We will require Two (2) XLR Analog return lines from FOH Mixer to Stage Monitor Console.
This is in addition to any return lines needed for the normal operation of the FOH PA system.

PURCHASER Reserves the right to limit or restrict, in good faith, the amount of FOH PA that
any other Artist or performer may use in regards to Decibels.

Should Local Authorities require Licenses for the Frequencies of the ARTIST’S Wireless
equipment, it is to be understood that securing these Permits is the Sole Cost, Expense and
responsibility of the PURCHASER.

For this particular EVENT, the PRODUCER will provide the FOH Console, Microphones,
Microphone Cables, Sub Snake, Main Snake, Monitor Console, and Wireless In ear gear required
by the ARTIST.

FOH REQUIREMENTS (For Reference Only!)

PREFERENCE:
Avid Profile Mixing Console with WAVES 9 package loaded onboard and licensed NO
SUBSTITUTIONS PLEASE!
4 way XLR link into your system - minimum to be, L, R, Subs, in fills
1 x CDR set up for Playback and Recording

19
1 x IPOD Cable set up for Playback.
1 x computer loaded with SMAART 5.0 or 7.0 and all the necessary Pre-amps, Microphones and
Cables to connect and use Properly.
Appropriate System processing with FULL access to L & R EQ and NO system limiting please.
All necessary power and cabling for any provided gear.
2 x 20Amp 120V circuits at FOH

PA REQUIREMENTS: (You Must Provide)

Sound company is to provide enough PA and power to produce average (not peak) 108dB A-
Weighted undistorted signal at the FOH position regardless of dB limits imposed on the venue.
Professionally known boxes only. The ARTIST’S Engineer Prefers Meyer Sound Leo or Milo.

FOR EXAMPLE:
Arena PA: 48 Line Array Boxes, 20 Subs, 8 front fill boxes.
For outdoors the sound company MUST increase the number of boxes to meet the 108dB
requirement.
For smaller venues the number of boxes can decrease, however the 108dBA requirement
MUST be met WITHOUT distortion.
The PA must also be able to have separated Zones to their processors set up to accommodate
feeds for Left, Right, Sub, Front fill, and Out fills. All EQ should be bypassed.

The sound company will also need to provide the appropriate staff to put up and take down the
entire PA and to assist in the stage assembly (as well as monitors) and dis-assembly

Please ensure all audio system gear is in place and ready to go by the time we begin our
backline load-in.

PURCHASER must also supply a separate Front of House Mixing console, and any and all gear
as required by any and all Support Acts or other Artists appearing at this event.

SLASH Featuring Myles Kennedy & the Conspirators is a high-energy rock band. The
provider of the PA would serve itself well to provide enough gear to get to the 108dBA
requirement with plenty of headroom to go. This makes for a much easier and happier day
for all of us.

ALL OF THIS IS SUBJECT TO APPROVAL BY THE PRODUCTION MANAGER (T. "Quake"

Mark), THE FOH ENGINEER (T. "Quake" Mark), AND THE MONITOR ENGINEER (Pasi Hara)
PRIOR TO THE DATE. PLEASE CONTACT US TO DISCUSS.

ANY AND ALL DECIBEL LIMITS IMPOSED UPON THE VENUE OR ARTIST FOR THIS
SPECIFIC EVENT MUST BE LISTED ON THE FACE OF THE CONTRACT. DAY OF SHOW
LIMITS IMPOSED UPON THE ARTIST WILL BE DEEMED UNACCEPTABLE AND THE
PRODUCER SHALL RESERVE THE RIGHT TO CANCEL THE ARTIST'S PERFORMANCE
AND SHALL HOLD THE PURCHASER FULLY LIABLE FOR THE FULL PRICE OF THE
GUARANTEE AS SET FORTH IN THE CONTRACT! NO EXCEPTIONS!

MONITOR WORLD REQUIREMENTS: (For Reference Only!)

Midas Pro 2 Mixing Console.

20
2 Midas DL431 Modular I/O Box: 48in 32out (8 AES out)

Wireless equipment
1 Shure AD4Q 4ch Axient-Digital receiver
6 Shure AD2/KSM8 transmitters
2 Shure UA874 Antennas
8 Shure PSM1000 Stereo In-Ear transmitter channels
16 Shure PR10 packs to match the transmitters
1 Shure PA821A / PWS GX-8 antenna combiner with patch BNCs
1 Shure AXT600 Spectrum Manager
1 Helical antenna for IEM (PWS HA-8089 / A 5000-CP / similar)
2 Professional 50ft /15m BNC cables for antennas (PWS 9046 / similar)
2 Professional 25ft / 7.5m BNC cables for antennas (PWS 9046 / similar)
2 HEAVY duty HIGH rise antenna stands (Manfrotto / similar)
All wireless equipment must be networked together with a gigabit switch and CAT6
cables.

Additional Processing equipment for Monitors:

1 5GHz wireless router for console remote control.
2 Shure PSM900 hard wired IEM packs
1 Intercom system with beacon lights to FOH, MON and patch positions
2 small active speakers and 4 switch mics for a shout system.
2 Heavy duty high rise antenna stands (Manfrotto / similar).

WIRELESS FREQUENCY RANGES:

(For Reference Only! Please check with PRODUCER for exact Frequencies)
4 x Channels for Handheld microphone - Shure Axient AD 4Q A Range = 470Mhz-636Mhz
8 x Channels for IEM - Shure PSM 1000 G10 Range = 478Mhz - 542Mhz
4 x Channel for Slash Wireless Guitar – Shure U4D L Range = 638Mhz - 698Mhz
2 x Channel for Slash Wireless Guitar – Shure U4D J Range = 578Mhz - 638Mhz
2 x Channels for Todd Kerns Wireless Bass Guitar – Shure UR4D J Range= 578Mhz- 638Mhz
2 x Channels for Frank Sidoris Wireless Guitar – Shure U4D J Range= 578Mhz- 638Mhz

Should Permits be required to License Frequencies, the PRODUCER will provide an updated
list of the Frequencies to PURCHASER, and the PURCHASER will need to apply for the Permits
and provide the PRODUCER will the necessary license information prior to their arrival on the
Show Day.

PLEASE NOTE THIS IS A GUIDELINE. SHOULD PERMITS BE REQUIRED PLEASE

CONTACT THE PRODUCER FOR UPDATED NEEDS BEFORE APPLYING.

LIGHTING SPECS:
The Lighting Plot is to be advanced with PRODUCER’S Production Manager T. "Quake" Mark
and our Tour Lighting Director Kevin “Deuce” Christopher contact info will be forwarded during
the Production advance. All Equipment is subject to final approval by the PRODUCER prior to the
date.
Kevin “Deuce” Christopher can be reached at: iamdeuce@me.com

In General, The PRODUCER will require the PURHCASER to provide all lighting and soft goods
as required for the SOLE AND EXCLUSIVE USE for ARTIST”S performance at this EVENT.

21
PROUDCER requires the PURCHASER to agree to supply the following Lighting System at their
Sole cost and expense.

At the end of this rider you will find a Lighting Plot, Instrument / Gear List. Please review this list
and plot.

We require a four truss lighting rig and floor package.

Backdrop Truss: The Furthest Upstage truss should be designated for Backdrops.
Typical length to be 50’ - Trim Height = 28’.
PURCHASER all provide 2 x 15’W x 30’H Black Legs to fill out stage left and stage right of
PRODUCER’S backdrop (30’W x 28’H).

Upstage Lighting Truss:

Typical length to be 40’- Trim Height = 28’
To be equipped with 8 x ROBE BMFL Spot (Mode 2) Moving Lights, along with, 8 x Clay Paky
Sharpy Wash 330 (Mode: Vector), and 4 x Solaris Flare LED (Advanced RGBW 8-bit) Strobes,
and 4 x Elation Cuepix WW4 Blinder (Mode 2).

The Midstage Lighting Truss: Should be configured with the same number
and type of Instruments as the Upstage truss: to be equipped with 8 x ROBE BMFL Spot (Mode
2) Moving Lights, along with, 8 x Clay Paky Sharpy Wash 330 (Mode: Vector), and 4 x Solaris
Flare LED (Advanced RGBW 8-bit) Strobes, and 4 x Elation Cuepix WW4 Blinder (Mode 2).

The Downstage Truss: To be equipped with 8 x ROBE BMFL Spot (Mode 2) Moving Lights, 10
x Mac Viper Wash DX (Mode: 16-bit Ext.), 8 x Sharpy wash 330 (Mode: Vector), 4 x Solaris Flare
LED (Advanced RGBW 8-bit) Strobes, and 4 x Elation Cuepix WW4 Blinder (Mode 2).
PLEASE HANG ALL TRUSSES AS DRAWN IN ATTACHED PLOTS!

LIGHTING RIGGING:
Here is how we would normally rig our show:
From the DS edge of the stage:
DS truss 10 feet DS of stage edge
Mid truss 20 feet US of DS Edge of the stage
Us truss 35’ feet US of DS Edge of the stage
Backdrop truss 39 feet US of DS Edge of the stage

PRODUCER Will also require a Floor Package to be supplied. It must contain the following
fixtures: 12 x Robe Spikies (Mode 2), 4 x Clay Paky Mythos II (Mode: Standard), 6 x 2 Cell
Elation Cuepix WW2 LED Mole (Mode 4); 6 x Solaris Flare LED (Advanced RGBW 8-bit) Strobes.
Please have the Appropriate Persons Reach out to Kevin to Discuss placement and any other
specifics. PLEASE CHECK WITH THE PRODUCER BEFORE HAND TO SEE IF THE TOUR IS
CARRYING THE FLOOR PACKAGE.

We are carrying a 30' X 28' backdrop. We must be able to hang this backdrop at all shows.
Please be prepared for this. We have ties on the drop, but will need truss or pipe to hang as well
as a Pipe or weights to keep drop in place. PRODUCER’S Backdrop must be able to come into
stage level, fly above proscenium, or be temporarily covered by a black backdrop during any
support act performances. Should the PRODUCER decide to allow the Support act to use a
Backdrop, Masking PRODUCER’S backdrop with the support act’s backdrop prior to
PRODUCER’S headliner’s performance is sufficient.

22
 PLEASE NOTE that whenever necessary, we prefer to have the UPSTAGE Back drop
truss be Wider than the Performance area, and additional Flame Proved BLACK Drapery
be brought in to mask the UPSTAGE walls and / or unused seating area.

Should the ARTIST’S Performance be in an ARENA or other Multi – Purpose Room, the
PURCHASER must make every effort to mask off any Seats behind the stage and any unused
areas of the Arena with Drapes and Trusses.

The PRODUCER’S Production Manager will provide a Lighting Plot for this event during
the Production Advance.

The PRODUCER requires Four (4) High powered follow spots (2.5K-4K) with English speaking,
experienced operators. Follow spots shall be in good working order with adjustable iris and
douser. The exact placement of these lights is to be determined by ARTIST’S Production
Manager Day of the Event. Preferred placement would be at center, directly behind FOH. The
location should be at least 30’ higher than the stage height (ie: 35’H)

GEL LOAD: THIS NEXT PORTION IS IN ALL CAPS BECAUSE YOU WOULDN’T BELIEVE
HOW OFTEN IT IS DONE INCORRECTLY AND INCONSISTENTLY!!! ALL GEL COLOR
SHOULD BE LOADED IN THE ORDER SPECIFIED AS FOLLOWS. ALL GEL COLOR SHOULD
BE LOADED WITH FRAME #1 CLOSEST TO THE OPERATOR AND FRAME #6 FARTHEST
FROM THE OPERATOR. THE LD DOES NOT CARE WHICH WAY YOU THINK IT SHOULD BE
LOADED, THIS IS HOW IT IS TO BE DONE. IF SPECIFIC COLORS ARE UNAVAILABLE,
SUBSTITUTIONS SHOULD BE DISCUSSED WITH LD AT LEAST 3 DAYS PRIOR TO
ARRIVAL.
Frame 1: L206 - 1/4 CTO
Frame 2: R80 - Primary Blue
Frame 3: L343 - Special Medium Lavender
Frame 4: R26 - Light Red
Frame 5: L126 - Mauve
Frame 6: L105 - Orange

PURCHASER must provide an *8 stations, Clear Com, or similar headset intercom

communication to be run between the Lighting Console, Follow Spots, onstage dimmer racks,
and the House Lights Position. PLEASE PROVIDE A SINGLE MUFF FOR LD AT FOH.
*ALL intercom positions, ESPECIALLY LD LOCATION should utilize a belt pack with a headset.
A headset tethered to an immobile box is unacceptable. The Clear Com system (or similar)
should be hard-wired to all locations; WIRELESS SYSTEMS HAVE BEEN PROVEN TO BE
UNRELIABLE AND THEREFORE UNACCEPTABLE!!!

The PRODUCER requires the PURCHASER to supply a separate Lighting Console for
the Support acts or other Artists performing at this EVENT.

The PRODUCER would request that whenever Possible the Local Lighting Company
supply the DMX Snake and 120V Power for front of house. When providing a control snake,
please provide for the following: Grand MA2 Light, software version 3.5.0.6. It can take 6x 5-pin
DMX male, or can be networked via gMA2 NPU v3.5.0.6, Artnet, or sACN. Please confirm current
Operating System version in Lighting Advance with LD.

When TOUR is carrying a Floor Package: The House Lighting tech will receive 2 independent

23
lines of DMX from me to add into the house system. Tour Floor Package can be patched into tail
end of system to avoid patch conflicts with house system.

PRODUCER will require two (2) Good, Water based Hazers, on DMX Controlled by the
Lighting Desk, and several fans. Preferred machines are MDG ATMOSPHERE or MDG ATme.
PURCHASER Reserves the right to limit or restrict, in good faith, the amount of Lighting that any
Support act, other Artist or performer may use in regards to number of fixtures, as well as Haze.

The PRODUCER does not allow any Backdrops for any other Support Artists, other performers,
vendors, or advertisers at any time.

FOH: We will need a 6’ (2m) long Table at FOH for the Lighting Console.
Please provide a desk chair; with wheels if available.

Whenever possible, a 12’ x 8’ x 2’H (2.5m x 3.5m x .3-.6m) high riser equipped with stairs
behind the FOH Audio Console.

Please review the Attached Light Plot and Information. Please review this with your Lighting
Vendor and get back to us as soon as possible with any questions

STAGE POT:
At the end of this rider you will find an attached Stage Plot and Input list for your Reference
Only. Please review them and get back to us with any questions.

DRESSING ROOM AND BACKSTAGE HOSPITALITY:

In an effort to Minimize waste the PRODUCER reserves the right to edit their needs prior to the
EVENT. There fore, you will find a break in the Rider and then the following pages outlining the
Backstage needs we have. These pages may be sent to you SEPARATELY during the Advance
to make it easier for you to pass along to Caterers and such.
Should you have ANY questions or concerns please contact Sam Risbridger.
Tattude13@gmail.com

24
 SLASH Featuring Myles Kennedy & the Conspirators BACKSTAGE:

PRODUCTION OFFICES
Two (2) large rooms for SLASH: 1 x room for Production, 1 x room for Tour
Management. Although the Production Manager does prefer to be near the Stage,
the room s provided do not necessarily need to be locate there; they may be
located anywhere in the venue - it does not have to be close to the stage or stage level.

These offices should be lockable and furnished with at least THREE (3) 6-8’ tables, several
chairs, several wastebaskets, and several electrical outlets. In situations where Power is NOT
120 Volt, we will require Transformers to provide us with several 20 Amp 120 V circuits
terminating in US Style Plugs.

PLEASE PROVIDE CAT 5 INTERNET LINES AS FOLLOWS:

All Internet Lines should be turned, Tested to be on and working, and available at load in with
an open network as we will set up our own Private Network.
ONE (1) HIGH SPEED INTERNET LINE IN SLASH PRODUCTION
ONE (1) HIGH SPEED INTERNET LINE IN SLASH DRESSING ROOM AREAS
ONE (1) HIGH SPEED INTERNET LINE AT SL MONITOR POSITION.
Please make sure an IT person is available to assist in making these all work.

Should the venue / PURCHASER Be able to supply wireless internet trough out the
venue, Please provide the PRODUCER With the Internet Password upon their arrival to
the Venue.

DRESSING ROOMS:
PURCHASER shall supply AT LEAST 4 PRIVATE dressing rooms for ARTIST that are non-
smoking, clean upon arrival, and maintained throughout the day of the Engagement, well
heated/air-conditioned and have private bathrooms and showers. Additionally they must be
equipped with at least a 3 Seat couch, other comfortable chairs, and coffee tables as well.

The dressing rooms must be located in the backstage area of the venue so that Artist will not
be required to walk through the audience to reach the stage. The dressing rooms must lock,
and keys for said rooms must be supplied to Producer's Production Manager.

PURCHASER must post security guards outside of each room.

It is IMPERATIVE that ALL stage, back stage and production areas must be maintained as
non-smoking areas at all times. PURCHASER shall provide a smoking area for crew and staff,
which is not in close proximity to these non-smoking areas.

At PRODUCER’S request, PURCHASER will provide an appropriate area for ARTIST to

conduct a “meet and greet” in connection with the Engagement.

The PRODUCER will also require Showers be provided at the venue. If Showers cannot be
provided at the venue, the PURCHASER must make arrangements at their SOLE cost at a
nearby Hotel.

In addition, if the Local Power is NOT 120Volt, we will require the PURCHASER or the
VENUE to provide appropriate size transformers to provide several 120Volt circuits in each

25
dressing room with United States Power plugs and extensions. Please note these Circuits must
be able to handle (Just as an example) 1500 Watt Blow Dryers.

SLASH, MYLES KENNEDY & CONSPIRATORS DRESSING ROOMS:

ALL FOOD AND DRINKS TO BE SET AND READY BY 1:00PM or 6 Hours Prior to Doors.
WHEN IN COUNTRIES WHERE 220/240V POWER IS STANDARD WE WILL NEED POWER
CONVERTERS IN EACH DRESSING ROOM (220V to 110V) INCLUDING A MULTI PLUG
POWER STRIP

We realize that not all Brands may be available in all regions of the world. Should you have ANY
questions or concerns please contact Sam Risbridger. Tattude13@gmail.com

The rooms should be supplied prior to load-in with the following items:
2 - DOZEN BLACK PRE-WASHED HAND TOWELS (Production office)
3 – DOZEN PRE-WASHED BATH TOWELS (Production office)
1 - FULL LENGTH MIRROR
2 - TRASH CANS W/ LINERS
3 – SIX OR EIGHT-FOOT TABLES
5 - CHAIRS
3 OR 4 MENUS FROM CLOSE BY MID TO HIGH END RESTAURANTS SO THE BAND CAN
ORDER THEIR AFTERSHOW MEALS (Production office only)

BAND HOSPITALITY ROOM REQUIREMENTS:

2 – CASES (48 BOTTLES) OF SMART WATER OR FIJI 500ML SIZE
4 – ORANGE GATORADES
12 – BOTTLES OR CANS OF PERRIER SPARKLING WATER
6 – CANS OR BOTTLES OF COKE
6 - COCONUT WATERS
1 – SMALL CARTON OF 2% MILK
1 – SMALL CARTON OF WHOLE MILK
1 – SMALL CARTON OF SKIM MILK
1 – SMALL BOTTLE OF ORANGE JUICE
1 – SMALL BOTTLE OF CRANBERRY JUICE
2 – UNSWEETENED ICED GREEN TEAS
3 – PLAIN FLAVORED GREEK YOGURTS
3 – FRUIT FLAVORED GREEN YOGURTS
1 – BAG OF PEANUT M&M’S
1 – BAG OF HARIBO GUMMY BEARS
5 – ASSORTED MILK CHOCOLATE CANDY BARS
1 – WHOLE FRUIT BASKET WITH BANANAS
1 – CONTAINER OF SLICED WATERMELON
1 – CONTAINER OF SLICED SEASONAL BERRIES
1 – BAG OF SALTED SUNFLOWER SEEDS
2 – BAGS OF BEEF JERKY
1 – RAW VEGETABLE TRAY FOR 6 PEOPLE (CARROTS, BROCCOLI, CAUIFLOWER,
CELERY ETC.)
1 – ¾ LBS. OF SLICED TURKEY IN BAG FROM DELI COUNTER
1 – ¾ LBS. OF SLICED HAM IN BAG FROM DELI COUNTER
1 – ½ LBS. OF SLICED SPICY SALAMI IN BAG FROM DELI COUNTER
1 – ½ LBS. OF SLICED SWISS CHEESE IN BAG FROM DELI COUNTER

26
1 – ½ LBS. OF SLICED CHEDDAR CHEESE IN BAG FROM DELI COUNTER
1 – CONTAINER OF HUMMUS
1 – BAG OF SALTED PRETZELS
1 – LOAF OF SLICED SOURDOUGH BREAD
1 – JAR OF ORGANIC PEANUT BUTTER OR JUSTINS ALMOND BUTTER
1 – JAR OF JELLY OR JAM (GRAPE OR STRAWBERRY)
MAYO & MUSTARD
1 – BAG OF UNSALTED ALMONDS
1 – BAG OF SALTED PUMPKIN SEEDS
1 – BAG OF SALTED PISTACHIOS
1 – BAG OF MIXED NUTS
1 – BAG OF BBQ FLAVORED POPCHIPS
1 – BAG OF SPICY (JALAPENO, PAPRIKA) FLAVORED POTATO CHIPS
1 – BAG OF SALT & VINEGAR POTATO CHIPS
1 – WHOLE LEMON
1 – WHOLE LIME
1 - BOX OF PEDIALYTE POWDER VARIETY PACK https://www.amazon.com/Pedialyte-
Electrolyte-Powder-Variety-Sticks/dp/B00TDES7J0
1 – PACK OF DENTYNE ICE GUM
1 – PACK OF CINNAMON ORBIT BRAND GUM
1 – PACK OF FRUIT FLAOVRED GUM
2 – GLADE CLEAN LINEN CANDLES
1 - BOX OF KLEENEX
2 – BARS OF SOAP (Dove, Neutrogena etc.,)

FULL COFFEE AND TEA SET UP TO INCLUDE: - ALL REGULAR AND HERBAL TEAS WITH
ELECTRIC KETTLE AVAILABLE- HOUSEHOLD TYPE DRIP COFFEE MACHINE WITH
FILTERS, OR COFFEE PRESS (PLUNGER) OR AUTOMATIC ESPRESSO MACHINE– NO
THERMOS PLEASE - ASSORTED SUGARS & SPENDA SWEETENER & HONEY
(STARBUCKS OR SUMATRA GROUND COFFEE)

ALL OF THESE ARE ACCEPTABLE:

NAPKINS
10 - PLATES
25 PAPER COFFEE CUPS (NO STYROFOAM)
CUTLERY FOR 20 PERSONS
25 LARGE PLASTIC CUPS
ROLL OF PAPER TOWEL
MUST HAVE LARGE SUPPLY OF ICE THROUGH OUT THE DAY FOR ALL ROOMS AS
NEEDED

PRODUCTION OFFICE COOLER: (PLEASE DELIVER TO OFFICE AT LOAD IN AND

PROVIDE COOLER)
24 - BOTTLES (ONE CASE UNBROKEN) STILL WATER
12 - BOTTLES OF SPARKLING WATER

27
6 - PEPSI THROWBACK (PEPSI W/ SUGAR) (IN COOLER)
6 - GINGER BEERS (NON-ALCOHOLIC) (IN COOLER)
3 - COCONUT WATERS (IN COOLER)
12 - BOTTLES OF BEER (HEINEKEN, STELLA, ARE ACCEPTABLE) (IN COOLER)
1 - BOTTLE OF QUALITY ST. EMILLION ($20 PRICE RANGE)
1 - BOTTLE OF QUALITY CABERNET SAUVIGNON ($20 PRICE RANGE)

STAGE RIGHT COOLER: (WE PROVIDE THE COOLER)

1 UNOPENED CASE (24 BOTTLES) OF LOCAL BOTTLED STILL WATER FOR STAGE
6 BOTTLES OF FIJI OR SMART WATER
2 ORANGE OR RED GATORADE DRINKS

STAGE LEFT COOLER: (WE PROVIDE THE COOLER)

8 BOTTLES OF FIJI OR SMART WATER (500ml SIZE ONLY)
2 GATORADES

SLASH DRIVER MEALS:

5 LUNCH STYLE MEALS CONTAIN:
SANDWICH, CRISPS, PIECE OF WHOLE FRUIT AND SOMETHING SWEET

SLASH AFTERSHOW CREW MEALS:

10 AFTER SHOW MEALS. CONTENTS TO BE DISCUSSED DURING ADVANCE

SLASH AFTERSHOW BAND MEALS:

10 AFTER SHOW MEALS. CONTENTS TO BE DISCUSSED DURING THE ADVANCE.

SMKC CATERING REQUIREMENTS:

PLEASE HAVE BUILDING OPEN FOR CATERERS PRIOR TO OUR ARRIVAL WHERE
NECESSARY
*Please take the following information into serious account. Each venue is considered o u r
“Home” for all touring personnel; therefore, presentation is VERY IMPORTANT. Please make
sure the dining area is clean, comfortable, and appetizing, and ready upon tour arrival.
*The meal numbers on this rider do not include any Support acts or personnel, or local or
promoter staff.
*Please have the following items available throughout the day, Toaster, Peanut butter, Jelly,
Bread, Ketchup, Hot Sauces, Salt, Pepper, Mustard, Mayo, Etc. Also, please have
appropriate condiments available (i.e. Steak sauce when serving steak, soy sauce for
Chinese food, etc.)

BREAKFAST for 8 people (3 VEGANS) @ 30 minutes prior to load in time (Does not
include local crew numbers or any opening act numbers)
*The PRODUCER’S Production Manager shall discuss the specific menu for this event and the
PURCHASER’S Representative during the advance and MUST BE approved w e l l in
advance.

BREAKFAST TO INCLUDE:
- Eggs, Bacon, Vegan Breakfast Protein, Potatoes
- Fresh Fruit such as Bananas, Cantaloupe, Apples, Strawberries.
- Assorted plain and flavored yogurts, Greek and regular.
- Pastries, Bagels, etc.

28
- Assorted Juices, Coffee, Water, Sparkling Water.

LUNCH ( please see advance email for correct numbers) @ Approximately 12pm until 4pm
Local Time (Does not include local crew numbers or any opening act numbers)

*The PRODUCER’S Production Manager shall discuss the specific menu for this event and the
PURCHASER’S Representative during the advance and MUST BE approved w e l l in
advance

LUNCH TO INCLUDE:
- 2 Main Hot Entrée
- 1 Main Vegan Hot Entrée
- 1 Vegan soup
- Fresh Deli Meats and Cheeses on Separate Trays
- Lettuce, Tomatoes, Pickles and all Necessary Sandwich Condiments
- Assorted Sandwich Breads
- Assorted Chips
- Fresh Salad bar with a selection of dressings
- Fresh whole fruit selection
- Assorted cookies, brownies and/or ice cream treats
- VARIETY OF CONDIMENTS (mayo, mustard, ketchup, hot sauce, salad dressings etc..)

DINNER (please see advance email for correct numbers) @ 5:pm. (Does not include local
crew)
*This meal is to be served with proper place settings-PLEASE NO PLASTICWARE.
*Sam Risbridger shall discuss specific menu in advance and it MUST BE APPROVED!

DINNER TO INCLUDE: ( please see advance email for correct numbers) @ Approximately
5pm Local Time (Does not include local crew numbers or any opening act numbers)

- 2 Main Hot Entrees (BEEF, FISH, CHICKEN OR PORK)

- 1 Hot Vegan Entree
- 2 fresh NOT frozen vegetables
- Potatoes or Rice
- Fresh Salad Bar with a selection of dressings
- Dinner Rolls or Breads
- Selection of Deserts

The following drinks are to be iced and replenished throughout the day and from load-in
through the end of load-out:
- Milk (Vitamin D, 2%, Skim & Almond)
- Coca-Cola, Pepsi, 7-Up, Squirt, A&W Root beer and assorted sodas
- Assorted Diet Sodas
- Gatorade (Assorted Flavors)
- Bottled Still Water
- Bottled Sparkling water
- Hot water for tea in boiling kettle not on warmer, honey and lemons & limes
- Tea (to include Twining English Breakfast Tea (Red Box) and PG Tips if available)
- Coffee Set Up

29
 *** IMPORTANT - PLEASE NOTE ***
OUR BAND AND CREW CONSIST OF 1/3 VEGANS. PLEASE KEEP THIS IN MIND WHEN
PREPARING MENUS

BUS STOCK:
In an effort to keep the costs and waste low on this tour, we would like to edit our requirements,
as we get closer to the show. Please use this list as a reference only and DO NOT purchase any
items until you speak with the PRODUCER’S team.
In Certain Situations, the PRODUCER May opt to take a $125.00 per Bus / Per Day Buy-out.
Please discuss this option during the Advance.

BAND BUS:
1 case of water (Fiji if possible)
1 bag of raw unsalted almonds
1 bag of trail mix, no candy1
Assorted soft drinks - coke, diet coke Pepsi, 7UP - 6 each
6 Assorted yogurts
Orange juice
Peanut Butter – Creamy
Jelly - Strawberry or Grape
Loaf of sliced bread
6 Assorted Snapple Iced Teas
½ Gallon of 2% Milk
Lots of Ice

CREW BUS:
2 cases of water (Fiji if possible)
Peanut Butter - Creamy
8 Assorted Vitamin Waters (Fruit Punch, Orange, etc.)
1 can of peanuts or cashews
1 bag of trail mix, no candy
Loaf of sliced bread
Peanut Butter
Jelly - strawberry or grape
6 Assorted Snapple Iced Teas
6 Cans of Coke
6 Cans of Diet Coke or Coke Zero
6 Ginger Beer (Sodas)
6 Soda Waters (Perrier or San Pellegrino)
½ Gallon of 1% Milk
6 Assorted yogurts
12 Bottles of Domestic Beer (Please discuss Brand before Purchasing)
Orange juice
1 large bag of Chips
Apple juice
1 box of Pop Tarts
1 Box of Cereal (Please discuss Brand Before Purchasing
6 Starbucks or similar iced Coffee Drinks
½ Lb. Fresh Sliced Turkey Breast
½ Lb. Fresh Slice Low Fat Ham
½ Lb. Fresh Sliced Cheddar Cheese

30
CONCLUSION:
PURCHASER acknowledges having read and understood all of the foregoing terms and
conditions of this agreement. Accordingly, PURCHASER agrees to be bound by all of the
foregoing terms and conditions of this agreement.

MUTUALLY AGREED TO AND ACCEPTED:

PURCHASER: PRODUCER:

By: _________________________________ By: _________________________________

Date: ________________________________ Date: _________________________________

31
Legend - SMKC - Air LX

Symbol Name Count Mode # Channels

Spikie 12 2 21
SPOT COLOR
Cuepix Blinder WW2 6 4 4
F1: L206
Flare 6 Advanced RGBW 8bit 12
F2: R80
Mythos 4 Standard 30
F3: L343
Impression X4 12 Standard 20
F4: R26
BMFL 24 2 33 F5: L126
F6: L105
MAC Viper Wash DX 10 16-Bit Ex. 19

Sharpy Wash 330 24 Vect 22

Cuepix Blinder WW4 12 2 2

SMKC_2019_v4.0

Lighting Design: Deuce Designs, LLC

Lighting Director: Kevin Christopher
Drawn By: KJC
Drawn: 20 - Nov- 2018
Previous Revision: 25 - Jan - 2019
Revision: 5 - Mar - 2019
Phone: +1.310.420.5352
email: iamdeuce@me.com
Production Manager: Quake Mark
Phone: +1.585.576.0988
Rob Kern email: EQSoundz@aol.com
SMKC_v4
File:
 +39'-0"

511 411 512 412 513 413 514 414 415 515 416 516 417 517 418 518
+35'-0"

611 711 712 612 613 713 714 614

421 521 422 522 423 523 424 524 525 425 526 426 527 427 528 428
+20'-0"

621 622 623 625

721 722 723 724

PLASTER 0'-0"
1' 3' 5' 15' 25'
CL
0' 2' 4' 10' 15'

531 101 532 102 533 103 104 109 534 535 110 105 106 536 107 537 108 538
-10'-0"
431 432 433 434 435 436 437 438
631 632 633 634
731 732 733 734

SMKC_2019_v4.0 Legend - SMKC - Air LX AIR LX

Lighting Design:
Lighting Director:
Deuce Designs, LLC
Kevin Christopher
Symbol Name

Cuepix Blinder WW2

Count

12
Mode

2
# Channels

2
SPOT COLOR
1 OF 2

Drawn By: KJC

F1: L206 SCALE: 1/2" = 1'
DRAWING SIZE: 36" x 48"
Drawn: 20 - Nov- 2018 BMFL 24 2 33
Previous Revision: 25 - Jan - 2019
F2: R80
Revision: 5 - Mar - 2019
F3: L343
Phone: +1.310.420.5352 MAC Viper Wash DX 10 16-Bit Ex. 19
email: iamdeuce@me.com
F4: R26
Production Manager: Quake Mark
Sharpy Wash 330 24 Vect 22
Phone: +1.585.576.0988
F5: L126
Rob Kern email: EQSoundz@aol.com
Cuepix Blinder WW4 12 2 2
SMKC_v4
File: F6: L105
 213 214 215 216 221 222 223 224
ROAD CASE ROAD CASE

MOVE IF NARROW STAGE MOVE IF NARROW STAGE

ROAD CASE

ROAD CASE
ROAD CASE

ROAD CASE
301 302 303 304

701 AMP CABINET AMP CABINET AMP CABINET 703 704 AMP CABINET AMP CABINET AMP CABINET 706

401 402 405 406

201 202 203
702
204 205 206 Drum Riser 207 208 209
705
210 211 212

217 403 218 219 404 220

PLASTER 0'-0"
1' 3' 5' 15' 25'
CL
0' 2' 4' 10' 15'

SMKC_2019_v4.0 Legend - SMKC FLOOR LX

SPOT COLOR
2
Symbol Name Count Mode # Channels
Lighting Design: Deuce Designs, LLC
OF 2
Lighting Director: Kevin Christopher Spikie 12 2 21
Drawn By: KJC
F1: L206 SCALE: 1/2" = 1'
DRAWING SIZE: 36" x 48"
Cuepix Blinder WW2 6 4 4
Drawn: 20 - Nov- 2018
Previous Revision: 25 - Jan - 2019
F2: R80
Flare 6 Advanced RGBW 8bit 12
Revision: 5 - Mar - 2019
F3: L343
Phone: +1.310.420.5352
email: Mythos 4 Standard 30
iamdeuce@me.com
F4: R26
Production Manager: Quake Mark
Phone: Impression X4 12 Standard 20
+1.585.576.0988
F5: L126
Rob Kern email: EQSoundz@aol.com
SMKC_v4
File: F6: L105
 +39'-0"
DRAPE TRUSS
Trim = 28'

511 411 512 412 513 413 514 414 415 515 416 516 417 517 418 518
+35'-0"
UPSTAGE TRUSS
Trim = 28'
611 711 712 612 613 713 714 614

421 521 422 522 423 523 424 524 525 425 526 426 527 427 528 428
+20'-0"
MIDSTAGE TRUSS
Trim = 31'
621 622 623 625
721 722 723 724

531 101 532 102 533 103 104 109 534 535 110 105 106 536 107 537 108 538
-10'-0"
431 432 433 434 435 436 437 438
DOWNSTAGE
631 632 633 634 TRUSS
731 732 733 734
Trim = 28'

SMKC - AIR LX_v4

LD: Kevin "Deuce" Christopher - iamdeuce@me.com - +1 (310) 420-5352

213 214 215 216 221 222 223 224
ROAD CASE ROAD CASE

MOVE IF NARROW STAGE MOVE IF NARROW STAGE

ROAD CASE

ROAD CASE
ROAD CASE

ROAD CASE

301 302 303 304

701 AMP CABINET AMP CABINET AMP CABINET 703 704 AMP CABINET AMP CABINET AMP CABINET 706

401 402 405 406

201 202 203
702
204 205 206 Drum Riser 207 208 209
705
210 211 212

217 403 218 219 404 220

SMKC - FLOOR LX_v4

LD: Kevin "Deuce" Christopher - iamdeuce@me.com - +1 (310) 420-5352