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These prime lenses will get you shooting your best portraits yet.
But do you choose a 50mm, an 85mm or a 135mm?
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When you first get started in photography, you’re most likely to begin with the
lens that came with your camera (ie the kit lens) before moving up to a better-
quality zoom that covers the focal lengths you need. 1 Take your photos to the next
level with Luminar AI’s
The most popular type of lens for portraits is an 85mm prime lens, so see our Templates
guide to the Best lens for portraits to see which ones we rate the best.
But to find out why this is, what to look for in a portrait lens and what the
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• Read more: What are the best camera lenses to buy
• Get more photoshoot ideas
3 Benro Rhino tripod kits offer
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The fact is, you can shoot great portraits with a zoom lens, but there’s no
an affordable price
getting away from the fact that prime lenses are even better. Not only do they
have wider maximum apertures, which is ideal for isolating the subject, but
they’re super sharp and offer generally better image quality than zooms. 4 Boost colors in your macro
• Essential portrait photography tips photography with Serif
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Zoom lenses are more convenient in terms of being able to change focal length
with a simple turn of the zoom ring. But for portraiture, it’s always better to 5 Turn Your Favourite Memories
into Gifts
select a prime lens for its characteristics and use your feet to change
composition.
Whatever you’re doing in life, having the right tools for the job will always make
things easier and the end result more successful. So, if you’re a portrait OUR GREAT MAGS
photographer a prime lens is the obvious answer – and there are three classic
portrait focal lengths that you really should seriously consider.
50MM LENSES
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Once photographers find their kit lens no longer fulfils their creative
requirements, the first lens many find themselves drawn to is the humble
50mm.
There are two main flavours of 50mm commonly available: f/1.8 or f/1.4. The
latter allows more light to enter the lens at a given shutter speed, and a
shallower depth-of-field too. If you shoot with an APS-C camera, a 35mm lens
will provide the closest equivalent focal length at 52.5mm. Micro Four Thirds
users, meanwhile, will achieve a 50mm-equivalent focal length with a 25mm
lens.
For portrait photography, 50mm lenses are great for full-length and waist-level
portraits, both on location and in the studio. This is thanks to the wide field of
view compared to an 85mm or 135mm lens, and you don’t need to be too far
away from the model to achieve these crops.
In the example images (both shot with the 50mm at different distances) you’ll see that the 50mm has
performed well with the waist-level crop, but with the tighter shot you can already see distortion creeping in
into the face. If you were to move in closer for an even tighter crop the distortion would be too strong.
Lenses to consider:
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Sigma 50mm
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Nikon AF-S
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Olympus M.Zuiko M.ZUIKO
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85MM LENSES
Fujifilm 56mm f/1.2 APD - offers equivalent focal length of 85mm
If you’re looking for a lens that provides a reasonable working distance from the
model, with a narrower field of view than a 50mm lens, the 85mm is the most
popular focal length for portraiture.
These short telephoto lenses are typically available with f/1.8 or f/1.4 apertures.
The latter type is significantly more expensive, so budget will often play a part in
the purchasing decision. For APS-C users, a 50mm lens provides an equivalent
focal length of around 75-80mm, while Micro Four Thirds users need a 45mm
lens to give an equivalent focal length of 90mm.
APS-C owners are perhaps the luckiest group here because 50mm lenses are
generally the most affordable lens type of the three. Full-frame and Micro Four
Thirds camera shooters will have to spend a little more cash, but it's definitely
worth it for this focal length.
85mm lenses are highly versatile as they are suitable for full-length, waist-level
and head-and-shoulders crops. You can shoot tighter head shots but this has
to be done with care because distortion of facial features can occur here.
When shooting in the studio, an 85mm lens is ideal for shooting above-the-knee
crops and head-and-shoulders shots and everything in between, but for tighter
headshots the 135mm would be the superior option.
The 85mm has performed exceptionally well in the two shooting distances – and these are ideal crops for
the 85mm lens so it comes as little surprise. The tighter crop doesn’t display the isolation and apparent
bokeh effect of a longer 135mm, but the subject’s face appears slimmer.
Lenses to consider
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Tamron SP
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Canon
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135MM LENSES
The jewel in any portrait photographer’s kit bag has to be the 135mm lens.
Available with f/1.8 or f/2.0 maximum apertures, this wide aperture works with
the slightly longer focal length to provide a gorgeous background blur. These
types of lenses have the bonus of allowing you to get close to the model
without invading their space.
On location, 135mm lenses can be as versatile as you like because you can
stand as close or as far away from the model as necessary to compose at the
desired crop. Not only that, but the lens produces absolutely stunning full-
length shots, thanks to the narrow field of view and pronounced bokeh,
although you will be more than a few metres away from the model.
In the studio, however, things are a little different. The long working distance
required for a full-length shot means the 135mm is just too long, but for more
intimate head-and-shoulders shots and headshots they're the best of the three
options here. For APS-C cameras, an 85mm lens will provide a close equivalent
focal length of 127.5mm, while 75mm will provide a 150mm-equivalent focal
length on a Micro Four Thirds camera.
The 135mm lens has produced images with a noticeably narrower field of view than the previous two lenses,
which in turn has emphasised the background bokeh blur.
Lenses to consider:
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Fujifilm 90mm f/2 Amazon
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Canon EF
Canon Ef 135Mm 135mm f/2.0L
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Length Lens
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For a professional, having these three focal lengths alongside a 24mm or 35mm
lens would also be beneficial. For enthusiasts, one or more of these classic
portraiture focal lengths would suitably service your needs. There are overlaps,
so think about what types of crops you shoot and make a decision about which
lens or lenses are best for you; a combination of any two of these focal lengths
would give you a fantastic portrait kit.
For APS-C camera owners this would make a 50mm lens the best option
because the equivalent focal length would be 75-80mm. For Micro Four Thirds,
a 45mm lens would give you an equivalent focal length of 90mm.
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