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NER PARELMIR, BOL OM SICA CK BIAINT D9 2“ (SL—E DES) © DEBT, COSA, 46RH2~SALE WERISAS ben" EC, Tate RAT ROT, WRIHSA SEBEL ROO MMLELLI, DR-NCHI— MAR LI, EV FRIESE DD ¥P-RERAD 1 COMPILE LLM THET (ARDAYRATL EDA), RL RY Yay REY OWS, 7, RV Yak, MBER Bie CR SOMMM, REE CORYY ay CHMVSOT BRLCES! RHE HroLTIEPOAINy E IRIET, HLF I 29 7COMI SECM TIE FIZIVERRELTOBOT, HELE MALT (esta, exp \te—/\ 1AM (RCE 1 OFF) C1 MKC 2 LOK EMERLBOBL LUI FIAII TH. OMEN DLL, SHEEMMELOOTT A, CHD, EE DORRIT RAY PTR-ATEORPELYOT Weel ety, BEMELNOTERLELAMEAH HD? EMILE, HOMIE CHEAT BREE, EEMHOPR PSHE TEMIS ERIE ET iG, HEAT OMIM L AAS MUT I< L CES LERML TOS EF BMI SO CET Ladi? CORPORA OHO CC bu ISR ob 12 SEMOILY, eT BEAM, DOI, QOH, D~OHEBUL TART, PAC OCHSAZOTE Wh, ECEAMNCMSA SDDS LIGETT, PRLOUD RTE DEDD SOILS KBE HOSE R-NETS ETON YELRABTL ED, BERD OTM, eV L RHE OMEABAD MMV ET, RROMHBVDZD~ORET 36 New Guitar Method for 21st century by Hirokazu Sato Theo 269 — BOS oo 8 ae nota. aa. aawenarese? 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March in the early afternoon reno ‘Tempo di March 2 Guitardream y06.a00 37LyAyv20 5,7,9RYYay > UVR) «@ 51. Jump of Octave Allegretto 5 ee pos.5 48 3 ¢. es «@ 52, Folksong is Poco allegretto 4 «@ 53. Etude ~~ sempre 38HRLOXI— BOR LyAy 21 Sie (HITE) xis +e pe 2w1ER< mney Lppmoco ~ 3, omMeH Pom LICH «@ 54. Song of Little Birds Allegretto aor 0 shed mp nf 4 55. Bagpipe IAT Moderato 2 f a v nf «@ 56. Festival music Allegretto . DUEL Guitardream 906.07 39SKILL UP TECHNIQUE by K ee each N — ° CNETOMBT, RHEL TOL — ha TR RCLEID? SMMEILA IAI), Ye CI YD) CRD 7) EONCLA—bORBICF ALY ZL THES, VINO MAIS RAMIETH), XI— PRM AML LCM HMUOPRBEE VAY — REBRELTrSAMRYEKBDELA, TL-ETY ORD, VA PHS EI IIRL THELED & SUA SIUT BAL OD Sco, Co cROKOAD FAFA Y EOQHONAFI VAS, BA ENVIE MP1 svA:s7ue MNOTOSCEMBAM CT, Lids L HEIR BYR LEN. 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WT RLY ay NCHHTR SOC HOI SY 7) MIRAE FS ICERTSOECL A RSME TS, $ Wb: JIVY op.32-2 BrMmt. AIA ORY HORA BACNET, JVOMPMCLOEIZEBS EBLETOL cColeptes: MATLEIA ZLTOSADVET. AARP R IY aE BOPASYACHVETAN, (SPICOKAI-KE ZOROBUNSHASNLG, DENOKEAF— Lisi (COTS 24 34K) 0127 —HICDHIC NCLEV, ADF 4—-ORMEVOTLEIOT, LIE HOT a — Lie EU eT AS TEE KIRBAREAD) MELODY UC THETSCE TLED, AF-EROR BRE EMSS, LA FORMEMSC LPS THELEI. YORM EL RTT. é VIL: ¥"Dy7 op.32-6 COLFERMTIZE ANH MTS, LANE BLY OMAORRP BCA POLESTL EI. LA-hOBRG, DOkOL AMMO DL ee BF, ORD MR LOS KD AUST Bwkey LVIMU TH THEYRE RAIIA—b RPDS IC, FSR EFI E85 RE VERE T po Dao soy C ist sal, WAY KL A PMAS Sy e—7OBIBLET, BAK HEMRVAZ IT BOTEALARK, RET UL, ADEE 16 PHI OAZ—CHB SH ES (GI). ED CLAY ZWRL, FOCI ARCO MD SBME EEC RLTOSL RET, 90 4 HF (>) AIRED ME RL AI-BNEF CMT SOLBIMETL EF. YD PEED IEKOAI—KBHVET, AFI— KRESS TOM (4, 2, 148) Dey PCIE DDB, ADAGE P PRET ARY Ya VIBHLTLEIDU TH, RID SHE LIAB (4872 37) OBER CHL THs 6 BBS BED, LRPPIRORE, 4D BRL EMIS 1, 2H CES EIICMMLEL ED. May ya YBRRCIRM DTI EY PBOWT LEPBETT DS ERBECT, DLE, ROWE 1 OOBIELTRLELKL RMMEAKRED CTR ELA— SaMmDUs, BUDS, FSI TPL APBBLEDA A-THEV BURBS TLE, KEMEG RELA hORDIC BAT AER PIL AOR GER THA THR, 9 PERM TE REA, Lp Leet LH hee ReRMTSCE Guitardream x07 o>VEAP TEE Théme Varié Ro Se 1S Edited by Jun Sugawara Fernando Sor, op.15¢ Introduction Andante largo ee soteet o 2 *e aie Théme Andantino NH CD-CEF LIYE CURT, Guitardieam yo7 00 43ler. Variation 2 3 y 3 2e. Variation ”VEAP ABE 3e. 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