Professional Documents
Culture Documents
Bayleigh Adams-Clark
Dr. Moreau
ENC, Argument
10 October 2020
communication and a portrayal of emotions and thoughts. Connecting people around the world
no matter the differences between them, music can transcend language and culture and race; so,
To begin, language should not be a limitation of musical enjoyment. The idea of needing
to understand the language of a song is entirely subjective and, in some cases, irrelevant. The
irrelevance being with classical music or jazz; music that has no lyrical foundation and is simply
sounds of instruments and objects. In that case, there is no language to understand. For music
that contains lyrics, it is not needed to know the meaning of the words in order to enjoy the song.
As said by David Ludden in his article “Is Music a Universal Language?”, “You don’t have to
speak French to enjoy a composition by Debussy,” (Ludden, para. 2). Of course, many people
solely enjoy listening to the music of their mother-tongue, which is understandable considering
“the music of one’s own culture can give one a sense of comfort and security,” (Cochrane, para.
12). However, it is extremely limiting to rule-out all other music simply because the lyrics are
not in a preferred language. There are also ways to find out the lyrical meaning of a song, like
The culture of the artist and music does not have to match that of the listener. Foreign
acts have charted and gained attention and radio plays in the U.S., and the same can be said for
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American music and other countries around the world. The 2012 K-Pop hit “Gangnam Style” by
PSY peaked on the Billboard Charts at the #2 position and remained on the Hot 100 chart for 31
weeks (“PSY”). The 2017 Latin hit “Despacito” by Luis Fonsi and Daddy Yankee hit #1 on the
Billboard chart and remained in that position for 16 weeks (“Chart History”). The most recent
foreign act to reach number 1 on multiple Billboard Charts is the K-Pop sensation BTS with their
English-single Dynamite, released August 21, 2020 (“BTS”). This single charted the number 1
and 2 positions on 3 Billboard charts, Hot 100, Global 200, and Global Excluding U.S.
consecutively. These songs charted above American acts despite being in another language and
of another culture.
On another note, racial difference is also not a limitation for musical enjoyment. The race
of the listener compared to that of the artist is irrelevant. Take Hip-Hop and Rap for example,
these genres have mostly consisted of African American artists, however, listeners of the genre
are not solely African American people. The same can be said for K-Pop or Spanish Music. The
race of the listener does not need to match that of the artist.
The opposite view of the argument may bring up the question of “whether music really
offers better prospects for cross-cultural understanding than other forms of interaction.”
(Cochrane, para. 7). Cultures do have different ways that they musically express emotions: “For
example, in Western music, the “minor” scale has always signified sadness, melancholy, anger,
inwardness, or fear. However, the same or similar scales are used in many African and Asian
music to signify joy, happiness, and success. The emotional reactions and general assumptions
we make about music will inevitably be influenced by our cultural background.” (Jones, para. 6).
Although this may be true, we can still connect with each other through music and lyrics. A
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conversation between cultures, to understand the emotions that are linked with music, can settle
In conclusion, music holds the means to further push spoken language by conveying
relatable emotions. Lyrically, music contains experiences that, as humans, we can relate to and
recognize through shared qualities and experiences, thus transcending any barrier of language or
culture or race. Melodically, music can be understood differently among cultures. However,
understanding the music of another culture can further bring people together and create an
Works Cited
Carugno, Giovanna. “Is Music a Universal Language? From Semiotics to the Recent Findings of
Music Psychology.” Interdisciplinary Humanities, vol. 35, no. 3, Fall 2018, pp. 26–
35. EBSCOhost, search.ebscohost.com/login.aspx?
direct=true&AuthType=shib&db=hus&AN=139187692&site=ehost-live.
Cochrane, Tom. “The Music Between Us: Is Music a Universal Language?” Mind, vol. 124, no.
“Despacito: Full Official Chart History: Official Charts Company.” Official Charts,
www.officialcharts.com/search/singles/despacito/.
Jones, Kristie. “Why Music Is Not a Universal Language – and What That Means for Care.”
what-that-means-for-care/.
Ludden, David. “Is Music a Universal Language?” Psychology Today, Sussex Publishers, 31
language.