Toosie Slide

piano-sheets-for-free.blogspot.com
Drake
q = 164

         
E B F© C©‹ G©‹7

                   

 
    
 
3















8 E B F©

                     
    




   
Black leath - er gloves, no se - quins. buck - les on the jack - et, it's A - lyx shit. Ni - ke cross - bod - y, got a piece in it. Got a

      
   

14 G©‹ E

                   
  


       
 
dance, but it's real - ly on some street shit. I --ma show you how to get it: it goes right foot up, left foot slide,

         

19 B F© G©‹

   
         


  
  
left foot up, right foot slide, ba - sic - 'ly I'm say - ing, eith - er way we bout to slide, ay, can't let this one slde, ay.

         


24 E B F©

       
    
            


  
 
Don't you wan - na dance with me? No? I can dance like Mich - ael Jack son. I can give you the pas - sion.

     
     

 
30 G©‹ E B

    
                          


 

It's a Thril- ler in the trap where we from.

   
Ba - by, don't you wan - na dance with me?

 
No?


I can dance like Mich - ael Jack


son.
2


36 F© G©‹

  
                



 
I can give you sa - tis - fac - tion, and you know we out here ev - 'ry - day with it. I - ma show you how to get it: it goes

    


41 E B F©

     
                


     
 
right foot up, left foot slide, left foot up, right foot slide, ba - sic -'ly I'm say - ing, eith - er way we bout to slide, ay,

           


47 G©‹ E B

                  


       
 
can't let this one slde, ay. Who's babe? Two thou - sand shor - ties wan - na tie the know, ay, yeah.

     
 


52 F© G©‹

                      


    
 
Two hund -red shoot-ers on my broth-er's block, woah, yeah. Pe -tal off the rose like I love her not, may -be not. I don't know what's wrong with me,

         


57 E B F©

      
                  

  
I can't stop, woah, yeah. Won't stop, woah, yeah, nev - er stop. Got so man - y opps, I be mis - ta - king opps for oth - er opps. Got so man - y

         


62 G©‹ E

                         


      
 
peo - ple that I love out of troub - led spots. Oth - er than the fa - mi - ly I got, it's ei - ther you or me, that's just how I think it's eith - er

         
 3


67 B F© G©‹

                      
      



 
you or me, This life got too deep for you, ba - by. Two or three of us a - bout to creep where it sta - y - ing. Black leath - er gloves, no

       
   


73 E B F©

   
                                


 

se - quins.


buck - les on the jack - et, it's A - lyx shit.

 

Ni - ke cross - bod - y, got a piece in it.

  
Got a dance, but it's real - ly on some

   


79 G©‹ E B

             
     


           
 
street shit. I --ma show you how to get it: it goes right foot up, left foot slide, left foot up, right foot slide,

       
   


85 F© G©‹ E

        
                       


 
ba - sic -'ly


I'm say - ing, eith - er


way we bout to slide, ay,

 
can't let this one slde, ay.

 
Who's babe?

  


90 B F©

             
    


             
 
Too-sie slide, then I hit it doub-le time, then I hit a spin,'cause we spun their block a cou-ple times. If it's not the right time, there'll al-ways be an

      


95 G©‹ E B

              
               


 

oth -er time. I'm not ev-en


trip- ping, we'll just see them in the sum-mer time. Woah, yeah. Can't des-cribe the pres -sure I be put-ting on my - self, yeah.

     
 
4


100 F© G©‹

                             

  

Real - ly, I jast can't af - ford to


lose no - bod - y else, yeah.

 
If they mov - ing sha - ky, we'll just

 
do this shit our - selves, woah.

 


104 E B
3
                          



 
If I'm mov - ing sha - ky, Chubbs will do this shit him - self, yeah. So - lo nig - gas, on - ly YO - LO, for real. Hear a lot a - bout you, but we

     
   


109 F© G©‹ E

      
3
          



 
gua - ran - tee the truth will get re - veal - ed. Black leath - er gloves, no se - quins.

don't know for real. Next time

      


114 B F© G©‹

                        
         

  

buck - les on the jack - et, it's A


- lyx shit.

  
Ni - ke cross - bod - y, got a piece in it.

  
Got a dance, but it's real - ly on some street shit.

   
I --ma


120 E B F©

      
            


        
 
show you how: it goes right foot up, left foot slide, left foot up, right foot slide. Ba - sic -'ly I'm say - ing, eith - er

           


126 G©‹ E

    
          


          
 
Don't you wan - na I can dance like Mich - ael

way we bout to slide, ay, can't let this one slde, ay. dance with me? No?

       
 5


131 B F© G©‹

    
                 


      
 
Jack son. I can give you the pas - sion. It's a Thril- ler in the trap where we from. Ba - by, don't you wan - na

           


137 E B F©

     
          


            

 
dance with me? No? I can dance like Mich - ael Jack son. I can give you sa - tis - fac - tion, and you know we out here

    



143 G©‹ E B

     
              


     
 
ev -'ry - day with it. I - ma show you how to get it: it goes right foot up, left foot slide, left foot up, right foot slide,

     
   

         
149 F© G©‹7 E

           



 
ba - sic -'ly I'm say - ing, eith - er way we bout to slide. Who's babe? pp

            


155 B F© C©‹ G©‹7 E

              
 


       
           
3

   

           

163 B F© C©‹ G©‹7

          


   
              