History oun Architecture ae ARCHITECTURE Ths cl gegen Filipino $CoNeI t=) eee ae .Churche te, Rms Fees En "Architecture Taal Oki oY-m aa) to itself, its land, and its people." - Arch. Francisco "Bobby" MafiosaARCHITECTURE? 2 Senta" sty h orl onetime) Cee eee aan eect erento Maen Yel Tom renee Ln | . fefent,overlays of foreign influences Jefsing CS kaa / easement NET e xe) ca churches and mosques ETM m unr Te ea EMS LS ¢ RUT COIL cera : Se noes ct ae Seren . BUSI at lis Ueno reflected in its 4 Eraclad c Maiie ai) result of a natural growth Caister Riga rs leet ito tae ’ ee tutu emer ) Seo ag massive Deer Cy erernan : oo Rai EER e ko , ree eee Deu oF Garett ae Cae SR ead nmi sae er Rar Ru ue , Prasat eats ete ary Satu Les cA eT ee genta ce un RS aa ad Renters ae) aac otal ee ae eee oie eon ar) TERA STIR \ ot el Pear eele (3 Cee Caicis TES a — ie: Le ee” ipStirs T-ourscuGe ye ALEK Geese Sea house indigenous to the cultures Bgee a mae Peau sat ar, more specificaly, rural cultures Its architectural principles gave way to many of Gian hee eee Dao yea deme ae Ronen (ere Ee Reese tetany Kubo with Spanish and some Chinese main architectural = ee dominant urban architecture in Resa ace) Coen ser iors Cie eo) Shrine, Cultural Center of the Philippines and National Arts ee edifices that used Bahay kubo as a Boo eaiea BUNS urna a) eriyaeueeree describing the common shape of Coenen Hut’, introduced during the = Eee eee rear geecg ie vA 9 Oates a. Kubo uses Nipa materials and Ps always cube in shape =INIDIGEN @|al Se pee te?) t 1 OW SS 7 SONS a- sii one (esST AVNISHI: hetesste)sbays) iy rig poet ae PI DPINeSis the oldest church in the Philippines t exhibits remarkable features such as retablos (altars) of high Baroque style and wall buttresses separating cripto collateral chapels. What makes it unique is its ceiling paintings in the tromp Foell style. The centuries-old church bore witness to the 400 years of Spanish rule in the country. It has survived many bombings and earthquakes, and through its countless renovations, incorporated other influences including Filipino and Chinese designs. Clearly, the church stands witness to the rises and falls of the Philippines.op) [x] au oO laa >) 4 Hin -< oOis a Roman Catholic church in the Municipality of Paoay, llocos Norte in the Philippines. Completed in 1710, the church is famous for its distinct architecture highlighted by the _ enormous buttresses on the sides and back of the .. building. It is declared as a © National Cultural Treasure © by the Philippine 4 government in 1973 and a _ UNESCO World Heritage Site under the collective group of Baroque Churches of the Philippines in 1993.SAN Sie er: ers foncie stn ninaTIZPL Naiubayonatiopau) a +g me ») the four Baroque Churches of the Philippines that is inscribed as a UNESCO World Heritage Site. The Santa Maria Church is a complex art of clay bricks and mortar,ANN Siel src Ssetesrcelstohs) ar a alae iz . Bsis aRoman Catholic church located:in Miagaa, lloilo, Philippines. It was designed withthe baroque features with touches of Chinese and Filipino’style imposing designs, ormaments and motifs, making it a one ofa kind church. That's why the Miagiao Church: architecture is among 4 the Philippines’ most tae beautiful architectural . = gems. Its old structute, “=< history, and its UNESCO ‘World Heritage mark make. it a treasure not only Tor lloilo but for the Philippines: Throughout the years, it has gone to mary wars and revolutions, fires and-earthquakes and survived. Miagao-Ghurch sos also stands s a living —“* "> legacy of the culture sand way of life‘of the people of Miagao: centuries: ag0.Mele eerie MeESTZE Dole) 7- eco its saat common appeersiiss 1 thst olan clewetad cw wooden UppiaisMogymtine fut Gata) es ae “ Peat eS Bahay na bato (Tagalog, literally “house of stone”) is a => type of building originating during the Philippines’ s Spanish Colonial Period. It is an updated version of tiled roof or thatch (nipa, the traditional bahay kubo. Its design has evolved a : palm, or cogon), throughout the ages, but still maintains the bahay ee 1 % kubo's architectural basis which corresponds to the F many today are being _ a a replaced by galvanized or tropical climate, stormy season, and earthquake- >) prone environment of the whole archipelago of the Other modem roofing. Philippines and fuses it with the influence of Spanish on Golleivad tse Tea colonizers and Chinese traders. Thus created was a Ye alia the baled) es. hybrid of Austronesian, Spanish, and Chinese arrengemens sNen architecture. Its most common appearance that is organized ies ech tap yo } Gio, catch of ip sound level uy fies resented TorsiopE ys fal Bai, Mnewspaces} gated to shops. Heike for carriages were hhomse) inistelellas Wee na bato had ee mite, reflected vernacular a ~~(Vestibule or storage) The space underneath a bahay na bato used to store the family's carriages—or if the family was active in the church processional carriages. = (Kitchen) which was typically built separately from the Caida or ante-sala (Interior overhanging veranda; most immediate room from the stairs)IcresKier :Hasuory On May, 1898, at Manila Bay inthe Philippines, the US. Asiatic Squadron destroyed the Spanish Pacific et in the ist iajorbatle ofthe Spanish-American W: Apri-August 1898). The United States went on to win the war, which ended Spanish colonial rule in the Americas and resulted in US. acquisition of territories in the western Pacific and Latin America. + The 1905 Burnham Plan of Manila recommended improving the city’s transit systems by creating diagonal arteries radiating from the new central civcdistit into areas atthe outskirts of the cit. + The Burnham Plan included the \ development ofa road system, the s ae use of waterways for transportation, and the beautification of Manila with waterfront improvements and construction of parks, parkways and buildingsmnham's plans while remaining faithful to ther ri < 5 nham’s scheme would not be fully implem the citys orientation, public transit system, a ERIGAN » CONTRIBUTIONS. __ to fe Sitesi Ersane cua kame eee Ta copauittiaetteMaaar° nied S Icey fo -TiL WSIS b Hos eT1950's to the 1960's P= SCO sririce’ eee eae) i sleek, linear appearance with _( stylized, often geometric Pere meet et eae es often feature a series of set Pee et 6) reer ctr) Pee ei es entrances, around windows, Prieta eae gars = + as a 4 IN Pappa ey tale namic Tatra Np \ ] ia ip eo Rene Rate ees ana. au loetes teict the 1920's to the 1930'S There wastalrevinallof AttsDeca Perey reset Tar feature distinctive smooth eee as stucco, concrete block, glazed brick or mosaic tile r Prt ial Merk The Manila Metropolitan Theater is one of the grandest buildings built during the American Colonial Period (1901-1940) and it is the greatest contribution of Filipinos in the world of Art Deco. It is a beautiful jewel of modernist architecture, the synthesis that came out of local Filipino forms and the international Art Deco style that was famous during that era.ECTS pioneer of modern Philippine architecture, he was recognized in some quarters a the foremost Filipino modemist architect of his time. The rank and ttle of National Artist of the Philippines was conferred on him by President Ferdinand Marcos in 1976, Pioneer heritage conservationist, collector, achitect-decorator and style savant Luis Ma, Araneta gave meaning to the saying, “one's trash, another's treasure.” Through his patronage of architectural savages and antique cast-off, he has contributed to the enhancement of Philippine decorative arts,RGHI Oly caer we fe Philippines, the Crystal Arcade one of the popular tenant of Manila Stock Exchange (previous site of Paseo de Escolta) Building (now present site of City College of Manila-Escolta Building Demolished 2016) that was once located on No. 71 Escolta Street, Binondo, Manila. He was assigned as the city architect of the City of Manila from 1920 to 1924. His designs were modernist. Some of them were lost during World War Il Architect who built the first air-conditioned building in the aSEAT Nera KO|=* He studied Engineering at the University of California and later, at the University of Kansas, where he received his bachelor's degree in Mechanical Engineering. He then studied Architecture at the Fontainebleau School of Fine Arts in France upon the recommendation of ~ Jean Jacques Haffner, one of his = professors at the Harvard Graduate School of Architecture.POST NVANS Adevasiated intramuros (945. The Church of San Agusiin is the only structure left standing after the> AFTER WORLD WAR 2 ~, IN 1946, THE INDEPENDENT PHILIPPINES EXPRESSED ITS IDENTITY BY IMPLEMENTING MODERNISM THROUGH THE UTILIZATION OF REINFORCED CONCRETE. STEEL AND GLASS, THE PREDOMINANCE OF CUBIC FORMS, GEOMETRIC SHAPES AND CARTESIAN GRIDS, AND THE ABSENCE OF APPLIED DECORATION. IN 947, A CORPS OF ARCHITECTS AND ENGINEERS WERE TASKED TO STUDY THE MODERN U.S. AND LATIN ‘AMERICAN CAPITALS AND FORMULATE A MASTER PLAN FOR MANILAoer) or ine Post Wei — = * = Cinlerineii le GC ak ee TOT ee Eee a Pi (iran perce i _ a Ciara Meigen Une AS ses during hisjter as) Saattnen 4 Poonelar uate li 8 structuresiwerelbuilt Federicomidustre m Prrmenne Vine TRUST INTiy 7 = PERSE, Unvasinn oe Cipro seam Ta= ClOMlolers Creat Melon eee citi) Relat) SMa Web caerend og Works Corners Hib ezlefate) _ deledn and Felipe M..MendozayMARGOSIAN a ARORINEG TURE 7.4 en eS ‘ - " Ferdinand) Marcos ks the 10 RS Tcl ooteoNctatS sacttanien i than 20 years (Dec. 30, 1965 Feb.,25, 1986), Although controversies and unsolved cases E RET A ATM TLS Cee A LaLa fee NM allo LUMA ol PE NSCLC Gee anes eet raat In tis nema eet meager eV mC LSCans ie Se Ons Muerto arise wee EMC ee entrar ELMAN Tar Leta el Lane Lola nN SONY Cole LUTE tg CRE N S| UC Ce te eM Lae aT) Oat ep areels ee eel MLA c=) 4 NK] Tee LCM ROO Lc aed an Le Le MeN LT LA) ke CALA CL COTTE Te Reola a Te ao LoeU F as Ee ’ BeSerre architecture, is a style jat emerged in the 1950s and rew out of the early-20th entury modernist movement. ruitalist buildings are iracterised by their massive, jOnolithic and ‘blocky’ pearance with a rigid metric style and large-scale of poured concrete. The a ment began to decline in Ma 1970s, having been much ¥ iticised for being splat : i elcoming and inhuman. power in eS 2 ee 7 fhe'term ‘Brutalism’ was pee Taree ; fined by the British architects ison and Peter Smithson, and Opularised by the architectural istorian Reyner Banham in . It derives from ‘Béton rut’ (raw concrete) and was associated in architecture ith Le Corbusier, who designed the Cite Radieuse in Marseilles in the late-1940s.a eel a ap Ee DIANE 1 : ‘ ss : Mau licen <1 od Tura ap kL oy a“ Grote ao aa ee a Tae Co Sele eee oI is e A tq eee eu una ere ms the 1970s to describe Sao ee er Eisematic and design events from th i ey TEM CRs ee Lites Ceara oe < eee on a practice of using publicly eee ely, Ballet PhilippinesaPhilip Se TICE uel elle - reo e a ag Mo ete Ts funded construction proj yo uae political and election . propaganda. Builtywith) = eS ISS Cues ears loss “ERE fuss che ns, all ti i create an EAL) De Tae Le ' So Meu ee scat cA onsemn ana (us er Reece aye UE AeoLeeaolieLt MOUs aOu Es a ora rCacolsTouurel ac aCe) later led Marcos to impose Teta oP‘Weisieisielieisien) leleisioln Abslardo halang Aurelio _ell=ial lias) tin) is Se ake SCheie iene lmleleinte) pISleinle pele ei) as : ieee ate Soil Mico Ls or Cia TCR ae ultural’' Center of the hilippines Complex in | yi mae : The Tanghalang Pambansa is the flagship venue and principal ee sc eri Rec CeCe Taeom ee ue R aN CeCe oe WcarT cy i) en eee Dee ne ce RICE Rana nec Philippine-American Friendship Center. The Tangahalan is a primarylexample tc Eee ice aR UC i ae ieee Ls) eet i (oe _ structures indigenous toythe Philippines such as thesnipa hut. Ith Oe ORC ec tad Roe eee es SLO, era pareBiante Me esta Serato eae Tera Seats “ao -) Randaigdig ng Pilipinas,er vali if \ Da lernaveng 4 5 located in the Cultural Center, OAVeND it |) 2) ofthe Phitippines complex in Mees tar aii see (pee Ee ated phatels a tale PEPE a Car eeu Enan) Civitan tl sa 3 ea ce) ea eee See GC Reames tee ttt Philippine Internation “utNATIONAL AR TIGEN TER BONE eV nN esi is,a building complex. y Sires MMT eee | Crna Bier ee nua fnerticREMS Cire eRe Urge a TEU aE act NAC Center which has an Eee eI Eoin) Uitte oi reas (CER aoe ier Goer eciycT um os Cera ec a rd ipsa Are Seeaaeg econ Reena Wenokeemac f Philippines Venues aside from the rece Rae PT Uta ea VET eter maT oc Adarna or Executive ee eR Seg Meee eka Cte ecu Sec Riese eee RT Ce ee . Cee ae get) ee) . Bra ker Christ.MIAINILA ep EME ORES national building per Ele Puasa Ul Rel ta) et Oe Me ulema Philippines Complex in Meas trac cm EE Mel sila) 10) Ele cael CMa CoLar aL its edifice is supported oni ——— more than nine hundred. ee SE A Caran) "4 : bed-rock about 120 feet ae - Peer The Manila Film Center aie Ee arn i Lela aera) International 0A (MIFF) vente nce aac): Ten Cela aac So) Ci tegen ey CIEE R CCl acs happened.on November 17, aT aa Ln} fell and were buried under CT teers ame La = >) |N@YO@ng =i PIlGINO aaaFUSION OF DIFFERENT STYLE THAT REFLECTS AND INFLUENCE THE CULTURE AND BELIEFS OF FILIPINOS a , SPANISH COLONIATSGEI SYMBOLS OF THE INVES POWER AMERICANCO| pee LN - = RISING FROMTHE ASHES 2. POSIN AGH Re nnre00U sal Min tone >| sie , v he Neale Nie tomlin’ INeciay=iplele DES ipsisiee— cic) mn ene ate on ARCHITEGTURE y