ARCHITECTS OF TIME

Tom Harrell
Even 8ths/Latin (3+3+2) q = 125

     

A%(#11) A%(#11)

              
Trumpet in Bb
 

          
A%(#11) A%(#11)
           


Tenor Saxophone

 
A%(#11) A%(#11)

         
 

    

   
          
Piano
  
 
         
   
A%(#11) A%(#11)
    

  
Acoustic Bass  
simile

A7(b9“4) B¨Œ„Š7(#11)
   
4

Tpt.                                   
A7(b9“4) B¨Œ„Š7(#11)
   
                                  


Ten. Sax.

A7(b9“4) B¨Œ„Š7(#11)

  
           
                       

  
               


  
               
A7(b9“4) B¨Œ„Š7(#11)

A. Bass


8 C©‹7(b6)/G© B7/F©

Tpt.                                  
C©‹7(b6)/G© B7/F©

                                 


Ten. Sax.

C©‹7(b6)/G© B7/F©

      
   
   
   
   
   
   
   

           
 

  
               
C©‹7(b6)/G© B7/F©

A. Bass    
2

               
C‹7(b6)/G 1. µ 2. A%(#11)

12

Tpt.          

            
fine µ A%(#11)
C‹7(b6)/G
   
         



Ten. Sax.
fine


C‹7(b6)/G 1. µ 2. A%(#11)

    
  
                
 

    
fine

 
  

    
fine


C‹7(b6)/G 1. µ 2. A%(#11)
     
A. Bass
 
fine

SOLOS

           
16 A%(#11)


(A lydian)

                  
19 A7(b9“4) B¨Œ„Š7(#11)

(A phrygian) (Bb lydian)

          
23 C©‹7(b6)/G© B7/F©

   
(C# aeolian) (B mixolydian)

       
27 C‹7(b6)/G

(C aeolian)

STRUTTURA:
- Tema x2
- Soli (l'ostinato è indicativo)
- Tema finale x1 D.C. al fine