Accordion Hungarian

Dance No.5
Johannes Brahms

    
                      
Allegro ma non troppo arr. Frank Fusari

 
           
  

    
     
Accordion

      
m dim m m m 7


    
      
               
  
8


                  
 
         
Acc.

 
m m dim m

   
           
       
15

         
    
           
m


Acc.


7 dim mm


         
    
         
22

                
 
       
Acc.

  
m 7 m m dim m


      
                            
   
Allegro
29

  
                
       


   
Acc.

  
7 7 m

  
                 

         
poco rit

  
36 Adagio

     
           
      


    
Acc. 7 M 7

   

               
           
in tempo

 
           
    
43 3

  m
    
3

            


     
Acc.

      
M m dim


       
                        
Vivace

         
49


                  
                 
Acc.

 
       
        
             
58 Lento Vivace

       
      
 M 

           
Acc. M M M M 7 M

                 
      
         
Vivace Allegro ma non troppo
65 Lento


passionato

 
                
 

 
Acc.

            
m
M7 MM 7 M dim m


2
        
    
     
       
73


          
    
          
Acc.


m m 7 m m dim


   
                            
  
Allegro
80

               
   
  


       
Acc.


 
m 7 m 7

  

             
           
 

poco rit


87 Adagio

   
             
 
 
   


    
Acc. m 7 M 7

  
  
                     
          
in tempo

  
     
94


 
3

            


  
Acc.

        
M m



  
             
  
100

m 7


 
   
3

   
  
Acc. dim m m