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‘KALASHNIKOV’S DREAM’
A T3 Teacher Toolkit “Lessons You Want to Wake Up To!”
TEACHER’S GUIDE
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CONTENTS
FIRST STEPS SESSION ONE (1 HOUR) SESSION TWO (1 HOUR) SESSION THREE (1 HOUR) SESSION FOUR (1 HOUR) POWERPOINT SLIDES
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INTRODUCTION
There are very few safe places for young people to talk about war and weapons of destruction. The assumption that teenagers are
incapable of discussing this subject meaningfully, makes the subject problematic. The notion is challenged by this program. Its authors
believe that simply put, young Americans are starved of opportunities to discuss this life and death subject in a proper educational context.
Instead, we believe that young adults would respond constructively to the ethical challenge - if offered the opportunity to do so. The Watch
| Discuss | Share process gives young people access to a structured discussion about weapons, war and why they exist. The teacher-led
program helps young people to form their own opinions from a position of composed thought, because:
Responding to the subject of war should be preceded by understanding its effect in the world around us.
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THE PROGRAM & ITS OUTCOME
The Program is a ‘right of passage’ event and all participants should approach the sessions as a personal journey. The Teacher
‘Kit’ offers a range of components with workshop action and synoptic assessments aimed to deliver the goal of a heightened
event. Engagement in each session is through analysis of several short videos designed to animate discussion. The first film
employs the mouthpiece of Mikhail Kalashnikov, inventor of the AK-47. Other videos present high profile ‘thought-shakers’, a
line up of Philosophers, Aid Workers and Artists. This personal Guide will take you through that process stage by stage, click by
click.
Pages 9 - 37 should be printed as the Educator’s hand notes and Guide. Printing can be scaled down to 75%.
The second element, a Powerpoint program allied to this guide, is your visual interface with the students. This presentation
works in synch with the Teacher Guide. All the vIdeos, imagery and quotes are embedded within this presentation. By
completing the program, your students will have achieved:
• an enhanced understanding about weapons and war and their effect on societies around the world.
• a greater awareness of their own feelings on the subject.
• a greater understanding of the moral implications surrounding the subject of war, weapons and guns.
• an understanding of the difference between the power of a weapon and the motivations of those that use them.
• awareness of modern armament technology and international challenges.
• empowerment: to converse with other students who might hold different views.
• resilience: abating personal fears surrounding the subject of armed violence.
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HOW TO EXECUTE THE PROGRAM SUCCESSFULLY
This Guide presents four structured sessions with a range of supporting activities. Each session should last approximately one
hour. Sessions need to be approached in sequence, although a confident educator may wish to explore specific themes in more
depth. The program is highly flexible and can be absorbed easily within most subjects. It is designed to be cross-curricula.
This Guide is only seen by you, the educator, and includes instructions on how to encourage students to respond and act - not
simply to listen and watch. This is key to the success of the overall program. All student reactions are important. It is only in this
way that students become further engaged by responding with knowledge and confidence. Depending on the age and abilities of
the student group, the educator can choose to be involved in these activities and to extend them outside the classroom. There is
for example, an opportunity to arrange an art show or a rap-poem event after the sessions have concluded.
The opening scene-setter film is 3 minutes in duration. There are 3 further films of 2-3 minutes.
The program is devised for students in the High School age range. A whiteboard may be useful to capture spontaneous group
ideas but a computer with Powerpoint, screen and speakers are the minimum hardware requirements to optimize the overall
effect of the program.
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CREATING A SAFE ENVIRONMENT
War. It’s a difficult conversation even for adults. Largely because the subject of guns and weapons can lead to heated debates and
strong opinions. However, the educator can create a safe environment for young people to express their personal viewpoints and in
many ways help them to manage their own emerging feelings. In that sense, the environment must lend itself well to a group
dynamic and the educator must establish that the group as a whole is happy to work together.
Easier said than done. Obvious difficulties can be negotiated by creating a group contract before discussions get underway. Help the
group by designing a set of broad ground rules. This might start with the question:
If discussions become too personal or falter, draw the students back to the ground rules! It is fundamental to the program that
students should feel that they are in control of the general discussion. A list of rules might include:
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AWARENESS OF OTHERS
It’s the duty of the educator to consider the background of each participant. Some students may be affected by the subject,
particularly if there has been a trauma with family members in the military operating overseas. If this is the case, talk with the
student before hand.
A student should be given the opportunity not to participate although alternatively, he/she may be invited into the group because
they can talk about a specific event from personal experience. This can be cathartic for the individual if managed well.
Some individuals might not express themselves for fear of being perceived to be different. It is important here to stress that the
sessions represent a safe zone for everyone. The educator is there to observe and encourage but at the same time to actively
clear up misconceptions.
Popular misconceptions should be tackled immediately.
Most of the imagery in the program is global in scope and non-US specific. This allows the group to be more subjective about the
topic. It may be that the educator, when the time is right, decides to change the focus and offer more relevant local reference
points.
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MOVE TO THINK
Finally, it helps for students to move and keep active. So after viewing the first scene-setting film, you will discover that the potential for regular
movement and activity is built into all four sessions. This is because you will be inviting students to write ideas on a board, to move off into
groups and to enact role playing activities.
In this respect, the program can be viewed as a big space event. You are creating a ‘workshop’ environment. The clearer the space - the better
the dynamic. Identifying a neutral space that has credibility also helps. Sports environments can work well here.
The simple setting for the dynamic to work is a teacher and the screen along with her printed Teacher Guide and then the students fanning out
at regular intervals, returning to anchor by the teacher to offer their insights and to watch short videos. Enjoy this unique program and please
share your experiences with its author at: chris@temptingfilms.com
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SESSION ONE
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SESSION ONE: IS KALASHNIKOV TO BLAME?
Topics
• to introduce the group to moral equivalence about what is right and what is wrong.
• to examine the reasons behind why weapons are invented.
• push and pull factors: why people migrate because of war and violence.
C. Warm the group up with an introduction. Explain that the words they POWERPOINT SLIDE No.3
have just heard were those of the iconic Russian engineer Mikhail Image of Mikhail Kalashnikov.
Kalashnikov, inventor of the AK-47. Kalashnikov died in 2013.
D. Read out the personal quote to the group. Kalashnikov was speaking POWERPOINT SLIDE No.4
near the end of his life at 94 years of age when he was having serious Then quote: “If my invention deprived people of life,
moral doubts about his invention. Discuss. then can it be that as a Christian and an Orthodox
believer that I was to blame for their deaths?”.
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SESSION ONE: IS KALASHNIKOV TO BLAME?
Topics
• to introduce the group to moral equivalence about what is right and what is wrong.
• to examine the reasons behind why weapons are invented.
• push and pull factors: why people migrate because of war and violence.
B. Extend the questioning: What’s your response to the question? How
did you feel watching the film? Was there anything you found
surprising about what he said?’ Note, he did call his gun “…a product”.
C. Read the Russian proverb from the opening of the short film. What POWERPOINT SLIDE No.6
does it mean? Hint: the root of its meaning lies in the philosophical “We are born in an open field and die in a dark forest”.
assumption that we are born with open minds yet end their lives in
deep confusion. Discuss
POWERPOINT SLIDE No.7
D. Now read the President Roosevelt quote from the slide. Do you think Image of Roosevelt and quote: “If scientists in free
President Roosevelt was right or wrong? Discuss. countries will not make weapons to defend the
freedom of their countries, then freedom will be lost”.
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SESSION ONE: IS KALASHNIKOV TO BLAME?
Topics
• to introduce the group to moral equivalence about what is right and what is wrong.
• to examine the reasons behind why weapons are invented.
• push and pull factors: why people migrate because of war and violence.
B. Smart Sheet: ask the group to absorb the ‘Smart Sheet’ now displayed POWERPOINT SLIDE No.9
on the Powerpoint screen. Ask the group in turn to describe what is
pictured, to identify which of the three pictures students find the most Three images of children and a young man holding
striking, and importantly - to try and identify the circumstances behind AK-47s with broad background factors that might
each picture from the list. Discuss. explain each:
C. Review the factors listed. After 3 minutes, ask each member of the • gang conflict
group to identify the picture they have chosen as the most intriguing • civil war
and why. After everyone has spoken, reveal their true background • lack of access to food
stories. • geo-political tensions
• poverty
• ethnic persecution
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SESSION ONE: IS KALASHNIKOV TO BLAME?
Topics
• to introduce the group to moral equivalence about what is right and what is wrong.
• to examine the reasons behind why weapons are invented.
• push and pull factors: why people migrate because of war and violence.
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SESSION ONE: IS KALASHNIKOV TO BLAME?
Topics
• to introduce the group to moral equivalence about what is right and what is wrong.
• to examine the reasons behind why weapons are invented.
• push and pull factors: why people migrate because of war and violence.
Prejudices:
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SESSION ONE: IS KALASHNIKOV TO BLAME?
Topics
• to introduce the group to moral equivalence about what is right and what is wrong.
• to examine the reasons behind why weapons are invented.
• push and pull factors: why people migrate because of war and violence.
Establish time and place for the second workshop session. Set up the idea
that next time, the group will engage in role-playing activities.
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SESSION TWO
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SESSION TWO: WHY DO COUNTRIES USE WEAPONS?
Topics
(B) Read Kalashnikov’s quote to the group. His statement represents the POWERPOINT SLIDE No.11
reasoning behind why the Russian people took up arms. Why did the “ Modern America has never been invaded. Britain
Russians defend themselves so vigorously? What are they protecting? hasn’t been conquered for centuries. But in 1941,
The consensus is that fighting is an attempt to protect a way of life. Russia was invaded by German tanks. By November
Every individual has a right to protect their own way of life. Conclude 1941, those Panzer divisions had advanced to within
by saying that the invasion of Russia in 1941 was an extreme example 20 miles of Russia’s capital city. Only a mixture of
of armament. For most people, deciding to take up arms is very stubborn resistance, over-stretched supply lines and
difficult. People have to consider different factors based on their own atrocious weather eventually stalled the German
circumstances. Conflict can have serious negative affects on both advance. We made ourselves into soldiers! Learned to
people and their communities. Discuss. fight, to risk our lives defending the motherland! ”
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SESSION TWO: WHY DO COUNTRIES USE WEAPONS?
Topics
B. From Powerpoint Slide No.12. Designate one character role per
student. Allow students time to read and understand their new
personality. There are up to 6 character roles for the first group.
C. From Powerpoint Slide No.13. Designate students to be journalists and POWERPOINT SLIDE No.13
provide them with instructions about which news headline to read. 6 Role Play bulletins for the Journalists.
There are up to 6 headline announcements for up to 6 journalists. (.pdf versions at the end of the Teacher Guide)
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SESSION TWO: WHY DO COUNTRIES USE WEAPONS?
Topics
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SESSION TWO: WHY DO COUNTRIES USE WEAPONS?
Topics
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SESSION THREE
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SESSION THREE: WAR
Topics
B. After collating personal definitions, pose the further question: What is
development when it applies to a country? Discuss. Hint:
Development is a process through which countries change and
improve over time. It can be defined in different ways and the Red
Cross defines it in this way.
C. Read out the Red Cross definition of Development. Does the Group POWERPOINT SLIDE No.15
agree with the definition? Discuss. The International Red Cross Organisation defines
development as: the process by which communities,
families and individuals grow stronger, can enjoy fuller
and more productive lives and become less vulnerable.
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SESSION THREE: WAR
Topics
B. After the group goal has been established, take no longer than 3
minutes to establish a broad definition, explore the idea that the
ultimate enemy of development is war. Explain that you are about to
introduce three people who have significant concerns about war and
how it affects development. One is the ethical philosopher Professor
A.C. Grayling, then Dr. Samantha Nutt, award-winning humanitarian,
best selling author and Founder of War Child USA and War Child
Canada. Finally the famous artist Carl McCrow who turned a distinct
fascination with guns and weapons into questions about individual
purpose and the ability of all people to make a difference.
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SESSION THREE: WAR
Topics
B. Introduce the next speaker and film Dr. Samantha Nutt. POWERPOINT SLIDE No.18
Image of Dr. Samantha Nutt.
C. RUN FILM NUMBER THREE (2 MINS) POWERPOINT SLIDE No.19
Video No.3 plays automatically.
D. Allow the Group a moment of reflection. Then briefly find consensus
amongst the group for the dominant concerns of Dr. Samantha Nutt.
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SESSION THREE: WAR
Topics
B. Dr. Nutt and her organizations War Child USA www.warchildusa.org and
War Child Canada www.warchild.ca are focused on protecting children
from the brutal impacts of war by getting children back in school,
lifting families out of poverty, and ensuring that their rights are
respected.
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SESSION THREE: WAR
Topics
B. Then Introduce the last film and speaker, the famous British artist,
McCrow.
D. Allow the Group a moment of reflection. Then briefly find consensus POWERPOINT SLIDE No.22
amongst the group for McCrow’s main concerns. Trip the next slide An example of McCrow’s artwork “Made Safe” created
revealing the first example of his artworks. Discuss. in 2016.
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SESSION THREE: WAR
Topics
B. Start concluding the session: Open up a final question to the Group.
Are any one of these concerns you’ve heard any more urgent than the
others? Explore the reasons why any member of the group finds one
statement any more powerful than the others. Discuss.
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SESSION THREE: WAR
Topics
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SESSION FOUR
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SESSION FOUR: WHAT’S THE SOLUTION?
Topics
B. Ask the group: ‘from what you’ve heard so far, what do you think is the
motivating force behind McCrow’s work ?
C. Once all responses have been collected, read the statement about POWERPOINT SLIDE No.24
McCrow from the next slide. McCrow’s statement.
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SESSION FOUR: WHAT’S THE SOLUTION?
Topics
B. Explain that everything they have been exploring over the last four POWERPOINT SLIDE No.25
sessions leads the group to one, single, ultimate question. Trip the ‘Is there such a thing as a ‘just’ war?
slide and read the question. Explain that the group are going to try to
answer that ultimate question before the sessions are closed.
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SESSION FOUR: WHAT’S THE SOLUTION?
Topics
B. The educator can use his/her own words to run down the session. It is
important for the educator to make this personal, offering the group
some food for thought. A suggested root here lies in the idea that:
C. All war is failure. It’s a failure of diplomacy. A failure of conversation POWERPOINT SLIDE No.26
and of discussion. And because people are trying to solve a problem or Second artwork piece from McCrow “Toy Gun”.
reach a resolution by violence, by killing or by destruction – you have
to say it’s wrong because there’s an injustice in human nature itself
that there should be such a thing as war.
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SESSION FOUR: WHAT’S THE SOLUTION?
Topics
B. And finally, recalling the opening film, what do the Group all say now? POWERPOINT SLIDE No.28
Re-run the first video if the Group want to see it again if there’s time. End state image. The ‘Tollhouse of Murder’ from the
Do you think Kalashnikov ended his mortal life in the ‘Tollhouse of opening film.
Murder?’ In other words, was Kalashnikov ultimately responsible for
the invention of his ‘famous’ gun? Take a Vote and Conclude.
• did you learn anything new over the last four sessions?
• why do you think these discussions are important?
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MAKE ART
Picasso said ‘It took me four years to paint and a lifetime to paint like a child’. Creating art is
not a technical exercise and more about freeing the imagination to create something that
has purpose and meaning. In the teacher program, McCrow demonstrated his own free-
wheeling spirit and purpose and although untrained, has created some of the most striking
art today. Highly thought-provoking, his art embraces the very contradictory views that come
with the subject of war.
Students can make their own art and plan an exhibition. Work across any discipline you like
employing paintings, photography, sculptures, drawing and print-making. Even employ digital
means to create your ideas, design fashion creations or a mural to make a statement.
Like Carl McCrow, the key thing here is to hit on a great idea and then to make it come to
life!
COMPOSE RAP POEMS
Rap music and poetry have a lot in common. They both employ words in a powerful way to
express feelings and ideas that are given intensity with the distinctive use of style and
rhythm. Any existing poem can be explored, discussed and then act as a starting point for .
the creation of an original ‘Rap Poem’ by the group. The poem by American Poet Francis Bret
Harte (1839 – 1902) entitled ‘What the Bullet Sang’ is a good starting point. The poem is
about two lives, the bullet and the target, both lost when one meets the other.
Harte’s message is a powerful social comment about the destructive force of man and the
thoughtless use of weapons. We see the bullet as an innocent carefree entity, finally doing
what it has been created to do. We see it’s excitement, it’s longing to meet its target and we
witness its dismay as it kills the very thing it had been aiming to connect with.
The best Rap Poems will be published at the end of 2019 in a definitive bound edition.
34.
NEWS BULLETINS
You are a journalist for a major national newspaper. Your role is to read out one of the news bulletins below. The rest of the group will take on different characters in the
community affected by the troubles. They will be asked to make decisions about whether or not to stay, leave home or to take up arms based on the news they hear.
(1) ‘CONGO ON THE BRINK’ (2) ‘ASSASSINATION PUSHES LIBYA TOWARDS WAR’ (3) IVORY COAST: CRISIS OVER TERRITORY DEEPENS’
In September, more than 50 pro-democracy Violence between radical militias and regular forces The Ivory Coast is staring into the abyss of civil war
protesters were killed by security forces. A preliminary broke out on Friday night and continued yesterday with government troops threatening to storm
UN joint human rights report found that protesters while the capital Tripoli is braced for fallout from the opposition headquarters tomorrow with a risk to a
were shot in the chest. A “Shoot to Kill” order might kidnapping of the country’s Prime Minister. confrontation with UN troops. The nation is already
have been given by the government forces. Over the Federalists in Cyrenaica, home to Libya’s oil, open in a ‘civil war’ situation according to the opposition
past four weeks, opposition groups have been their own independent parliament this week in a with more than 200 people being killed and 1,000
targeted across the country by security forces. More step that may herald the final break up of the wounded by gunfire since November’s disputed
than words are needed from the UN to prevent the country. elections.
Congo from falling into a full-blown civil war.
(4) ‘THE STATE THAT FELL APART IN A WEEK’ (5) ‘COULD POLITICAL TENSION IGNITE VENEZUELA?’ (6) ‘NEPAL REJOICES AT PEACE DEAL’
The reverberations of the wave of targeted killings The government’s determination to uproot the Nepal’s bloody decade long civil war officially ended
that began In the capital are being felt throughout the country’s democratic institutions, looks almost yesterday with a public holiday to celebrate the
country, where there have been sparked revenge certain to raise the already serious level of violence peace deal between Maoist guerillas and an alliance
attacks and copycat atrocities. Generals who have throughout the country. It is less clear whether the of several political parties. Under the pack which
mutinied have seized the capital in South Sudan, and violence will ignite a civil war, trigger a coup or ends a war that has claimed 14,000 lives, the Maoist
its main oil producing area, Unity State. “It would simply drive Venezuela further down the road Guerillas will disarm under the watch of the UN and
have been difficult one week ago to imagine that towards an impoverished, failed State and chaos. be subsumed into a national army. A new Maoist
things would unravel to this extent”, said the UN’s More than 120 people have been killed so far and a party will contest in elections.
head of humanitarian affairs, Toby Lanzer. militant opposition fringe carrying Molotov cocktails
have injured several policemen.
35.
ROLE PLAYING CHARACTERS
Your role is to read out one of the characters below. The rest of the group will also take on different characters in the list. A journalist will read out a life-changing event
and you will be asked to make decisions about whether or not to stay, leave home or to take up arms based on the news you hear.
CHARACTER NO. 1 CHARACTER NO. 2 CHARACTER NO. 3 CHARACTER NO. 4 CHARACTER NO. 5 CHARACTER NO. 6
YOU ARE AN ELDERLY YOU ARE A LOCAL YOU ARE A FARMER YOU ARE A YOUNG MAN YOU ARE A MOTHER OR YOU ARE A TEACHER
WOMAN OR AN COMMUNITY DOCTOR WITH A PRODUCTIVE OR A YOUNG WOMAN A FATHER WITH TWO
ELDERLY MAN CROP AND LIVESTOCK YOUNG CHILDREN
You are at pains You are the only doctor in You have a small to You are a 1st Year student You are a single parent You are a teacher in the
walking, climbing stairs a small local community medium farm which at a good University with two Primary School local High School and
and struggle with every with significant employs locals and sells abroad. You have worked aged children. You do have lived in the area for
day activities. You responsibilities to both your crops to your hard to secure your not have any family or over 20 years. You know
receive a lot of help in the young and the old community to make a place with have a hope immediate relatives in intimately the parents
your every day life and as a result run a very living for you, your of ultimately qualifying the area and struggle to and children from the
including shopping for busy clinic. You have family and the people as an architect. You think survive as you have to school and are a highly
food from your distant family members who rely on the work that a good education is secure part-time work to respected member of
neighbours or the wider who live in a your farm provides. You your key to a better make ends meet. the local community.
people in the neighbouring country, don’t earn much money future. However your
community. who have been but are a key provider parents are elderly, in
encouraging you to for the area. poor health and you are
practice locally and live in always hesitant to leave
their safer country. them behind.
36.
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