"Dormi o fulmine di guerra"

Opera from Giuditta (1697)

 
Alessandro Scarlatti

                          
Grave

Violino

     
Nutrice  
 
                
   
           

       
                  
Clavicembalo

    


   
         
5

Vln.

  
 
Nu.
 

           
 
Dor mi,

      
           
                  
Clav.

     


         
               
9


Vln.

     
Nu.    

       
dor mi, o ful mi ne di

     
   
          
               
 
Clav.

 
 
@Jonatas Luis Monteiro
 
                
12

Vln.


   
 
Nu.


      
guer

 
  
        
          
Clav.

  


                        
14

             
Vln.

   
                   
Nu.


     
ra, o ful mi ne, o ful mi ne di guer ra, di guer

       
  
          
               

Clav.

 
 

 
                     
17

 
Vln.

    
Nu.         

 
   
ra, scor da l'i re;

     
    
        
             
 
Clav.

 

2 @Jonatas Luis Monteiro
 
                        
20

                
Vln.


                      

Nu.


                  
già pro va sti ch'a fe ri re l'ar coeil dar do d'un bel ci glio, d'un bel

  
     
       
                
Clav.

     

    
            
23

    
Vln.

                      
Nu.
  
 
            
guar do, han vi gor ch'i for tiat

  
  
           

Clav.

 

                        

25

    
Vln.

  
                           

Nu.

    
               
    
ter ra, at te ra; scor da l'i re

 
   
   
                  
   
Clav.

@Jonatas Luis Monteiro 3

 
            
   
28

   
Vln.

 
                

  
Nu.

 
           
già pro va sti ch'à fe ri re l'ar coeil

 
 
     
           
Clav.


        
        
30

              
Vln.

                
 
Nu.

    
              
dar do d'un bel ci glio, d'un bel guar do, han vi gor chei for tiat

  
      
          
Clav.


                        
32


Vln.

   
                       

Nu.

 
    
  
 
      
      
ter ra.


    
            
          
    
Clav.

 
4 @Jonatas Luis Monteiro
 

                 
35

Vln.

  
 
Nu.
 

                
dor mi,


      
           
                     
Clav.

   
 


        
               
39


Vln.

 
    
Nu.
  

         
dor mi, o ful mi ne di

   
  
     
  

 



    
 
    

 
Clav.

   


                
42

Vln.


Nu.   

      
guer

 
  
        
       
  
Clav.

  
@Jonatas Luis Monteiro 5
 
                        
44

             
Vln.

   
                
Nu.


    
ra, o ful mi ne, o ful mi ne di guer ra, di guer

       
    
         

               
Clav.

  
 


                 
47

Vln.

 
   
Nu.


     
ra.

 
  
         
           
Clav.

  


6 @Jonatas Luis Monteiro