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5/2/20
Midnight Brass
Snapshot
● To me the articulation in this album seems a bit more forward than in some of the other
● Because this album has so much early music (baroque/renaissance) there is very little
● A lot of this music utilizes tons of counterpoint and is organized with the two trumpets
playing as one unit and the lower three voices as another unit but often has everyone
Like I mentioned above this album uses a lot of early music but pairs that with several modern
pieces showing the range the quintet has. I think it would be an interesting program for music
Jewels
● Very little vibrato on this album as well. But when it is used it is very clearly planned out
by the 1st trumpet and the second trumpet/trombone often matches fluctuations
● The variety of articulation on this album is very impressive. It’s incredible how round
with the style of music they are playing. A lot of these dissonant intervals are very hard
to tune.
● I’m not sure if I’ve never been paying enough attention to notice this in any other
ensemble but in some of these pieces the tuba player is actually playing with edge. I’ve
never heard of that before and it adds a real intensity to the sound.
This repertoire is pretty tricky but is still approachable to the average listener. I think this
program would go over very well with an audience that had very little background with quintet
or wind playing. It’s very flashy while also being interesting to listen to.
The American Brass Quintet was founded in 1960 by graduates of the Juilliard School. Ten
years after their founding they received a residency with the Aspen Music Festival and several
years later began a residency with the Juilliard School. Today the American Brass Quintet is