5how To EQ A Piano (A Step-By-Step Guide) - Producer Society

1/10/2021 How To EQ A Piano (A Step-By-Step Guide) – Producer Society
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How To EQ A Piano (A Step-By-Step Guide)
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ABOUT ME
I’m Andrew and I run Producer

Society. I’ve been using this
software for a few years now and
this site is a compilation of
everything I’ve learned.
Producer Society is a site with

tutorials, guides, as well as useful
tips that help you in your first steps
into the world of music production.
The piano is one of the most important instruments in music production, not only
because keys are used as the map for MIDI controllers, synthesizers, and other
instruments, but also because it sounds great and can be used for a ton of different
purposes.
https://producersociety.com/how-to-eq-piano/ 1/19
It’s a versatile instrument that’s great for compositional purposes, however,

sometimes it’s hard to get it to sound right in the mix, which can be ameliorated by a
few Channel EQ settings.
To EQ a piano, adjust 20Hz to 80Hz for power and boominess, 80Hz to 180Hz for
boominess and bass, 180Hz to 300Hz for fullness or muddiness, 4000kHz to
1000kHz for depth or boxiness, 1000kHz to 5000kHz for definition, clarity,
presence, and air, and 5000kHz to 20,000kHz for sparkle and brilliance.
In this tutorial, I’m going to show you how to go about using the Channel EQ piano
presets to make your own, and then we’ll explore each frequency range and how it
pertains to the piano.
Using Presets to EQ a Piano

Garageband and Logic Pro X both come with a ton of great piano presets that are
actually quite good. Both software includes literally hundreds, potentially even
thousands of presets for the instruments, dynamics processors, and effects plug-ins.
However, in the case that you’re not using either of these programs, I’ll include some
screenshots of the Channel EQ presets for the piano here. You can use these as
guidelines for the EQ plug-in in whatever DAW you’re using.
Grand Piano
For this pre-set, I altered it slightly by bringing down that boost between 1000kHz
and 5000kHz by 2-3 dB.
Piano Bright
This preset is also quite extreme in the high-end. I dropped this one down between
the range of 5000kHz and 20,000kHZ by around 2-3 dB.
Piano High
For this one, there is a boost right around 220Hz that I attenuated by just a bit, just
because I find that range doesn’t need to be boosted much on the piano.
Piano Low
For this one, I slightly changed the location of the attenuation around 200Hz.
Piano
This one is kind of strange, in the sense that it’s almost like a volume boost. There are
some variations in the frequency spectrum, but it’s mostly a boost right across the
board with the exception between 200Hz and 500Hz. I changed this one a little bit
by making it a little less extreme and more varied.
It’s important to remember that these are presets, and they’re meant more to be a
guideline than anything else. How you EQ your piano will depend a lot on the notes
you’ve played, the type of piano, and how it was recorded. I explain more about this
later.
1) Set Up the Preset in the Channel EQ Plug-in

Down in the smart controls, you have to go into the drop-down menu after turning on
the plug-in and you’ll find the Channel EQ plug-in in the “EQ” option. Make sure you’ve
selected “Track,” instead of “Master.”
2) Bring Up the Channel EQ and Then Go Into the Drop-Down

Menu
To bring up the actual plug-in’s interface, you just have to double-click on the plug-in
in the list. From here, it’ll bring up the interface of the Channel EQ plug-in, and then
you can select the drop-down menu to find all of the presets.
3) Choose the One That Sounds the Best to You
There are about 19 pre-sets to choose from and what preset you choose depends a
lot on the type of keys you’re using. For instance, there is a big difference between an
organ, a ragtime piano, and a grand piano, and how you set up the EQ will change
accordingly.
Quick Tip:
Truthfully, I think there are two important things to keep in mind

when selecting the preset:
1. The type of Piano
2. What octave the piano is playing in.
What Type of Piano?
There are three primary types of pianos, including the grand piano, the upright piano,
and the electronic piano. To be completely honest, whether you use the “Piano”
preset- which I assume is meant for the upright piano -or the “Grand Piano” preset,
it’s not going to matter a whole lot. But it’s definitely something to consider.
The primary difference between the grand piano and the upright piano is that the
grand piano’s strings are hit by the hammer using a horizontal mechanism, with the
weight of the hammer returning back to resting position, compared to an upright
piano which is done more vertically.
The result of this is that the grand piano tends to have a much smoother vibe with a
more relaxed attack. Grand pianos are often known for having much better sustain,
which is a term describing the way that notes can ring out for longer and more
naturally.
Additionally, there are electric pianos, organs, clavinets, and other keyboard
instruments. Garageband and Logic feature presets that accommodate a number of
types. With all that said, you really shouldn’t overthink this. Just choose a preset that
you think makes sense.
Piano Playing Higher Notes

For example, if your piano is mostly playing higher notes, it would be best to choose
something like “Piano Bright” or “Piano High.”
Piano Playing Lower Notes

But if your piano melody is playing low notes, you would choose something like
“Piano Low.”
4) Adjust the Preset to Meet Your Needs

While you could use a lot of the presets straight out of the box, I find it’s best to
adjust them a little bit to fit exactly what you want. For instance, I find that the
presets tend to be a bit extreme sometimes in terms of their boosts and cuts.
If you’re anything like me, you like things to sound bright, airy, and clear, so I would
choose the “Piano Bright” as my favorite piano preset. However, there is a massive
boost at the end of this preset that is a little much, so I’ll bring that down by just a bit.
This is how I go about setting up the EQ on the piano, however, there are many cases
where I’ll set up an EQ entirely on my own without any presets in mind. For this, I find
it’s useful to have a guideline of what certain frequencies sound like on the piano.
The Frequency Range of a Piano

A great way to familiarize yourself with the EQ range of a piano is to take one of the
Apple Loops in Garageband or Logic Pro X, load it into your DAW, and then bring up
the channel EQ plug-in to experiment with various boosts and cuts.
Using the brief guideline that I’ve shown you below, you can really see where certain
parts of the piano sound on the frequency spectrum. EQing a piano is not unlike
EQing a guitar; depending on you’ve set up the boosts and cuts, and at which point
those adjustments take place, the sound of the instrument can be changed
dramatically.
Frequency
Range of the Term Quality
Piano
20Hz to 50Hz Sub Frequencies Power
Upper Sub
50Hz to 80Hz Boominess
Frequencies
Bass, Boominess, Warmth, Thumpiness,

80Hz to 120Hz Lowest Bass
Fullness
120Hz to 180Hz Lower Bass Boom and Bass

180Hz to 300Hz Upper Bass Fullness or Muddiness
400Hz to Low-Mids with a

Depth or Boxiness (Hollow)
1000kHz Tiny Bit of Bass
1000kHz to
Lower Mids Definition and Clarity
2500kHz
2500kHz to
Upper Mids Presence and Air
5000kHz
5000kHz to
Highs Crystal and Sparkle
10,000 kHz
8000kHz to Adjust the hammer attack (sound of the

Hammer attack
8500kHz hammer hitting the strings)
10,000kHz –
Highest Brilliance
20,000 kHz
20 Hz – 50 Hz – Sub Frequencies
At this point in the piano’s frequency range, there isn’t much going on, even if you’re
playing the bottom register of the piano. You could probably go ahead and cut out
this area by just a bit, but don’t cut them out completely because there are probably
at least some lower-end frequencies cutting through this part of the mix.
50 – 80Hz We
– use
Upper Sub Frequencies
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There are very minimal frequencies in this range, as well, even when playing the
lowest notes of the piano. However, if you were to jack up the area between 70Hz
and 80Hz, you may notice that some of the lower notes may boom for just a
moment. EQing this range will play with the sound by just a little bit, but we still
haven’t reached the point of the piano where the vast majority of changes could be
made.
80Hz to 120Hz – Lower Bass
Now we’re getting to the good stuff. The range between 80Hz to 120Hz is where all
of those boomy bass notes lie. If you want to bass-boost the piano and really get
those lower notes to shine through and add a lot of warmth and “oomph” to your
sound, this is where you want to be.
At 80Hz, there are some frequencies in there that, if boosted, will really rumble.
However, it isn’t until you reach between 100Hz and 120Hz that the boosts really add
extra rumble and bass.
120Hz to 180Hz – Upper Bass
We’ve entered the lower-mids at this point. I describe this area as a point where the
bass combines with the mid-range frequencies. Frankly, this is an area where it can
sound a bit messy if you’ve boosted it, so tread lightly in this particular region.
Personally, I would opt more for attenuation of around -2dB at 146Hz or so to get the
piano to sound good.
Obviously, this depends on the piano and how it sounds on the mix, as well as how it’s
been recorded, what type of model, the room it’s in, etc. Regardless, it’s a good thing
to try just to see what happens.
180Hz to 300Hz – Fullness or Muddiness
This area, like the range before, is another transition area. It’s a combination of some
bass frequencies with a bit of the mid-range. It’s also where the muddy frequencies
can be, however, not completely. I think a good guideline for this area would be to just
cut it out a tiny bit.
This is going to have the effect of really cleaning things up a bit. I would go so far as
to say that this area shouldn’t be boosted at all, because it’s going to sound the best
if you’ve attenuated the frequencies a bit, rather than boost it. Give it a shot and see
what you hear.
400Hz to 1000kHz – Depth or Boxiness
This is the area where the boxy frequencies come into play, or the depth, depending
on you much you’ve boosted/cut. This part of the frequency spectrum is important
for the piano. It’s a general rule to be sparing with EQ boosts and cuts, but I would say
this area is particularly sensitive. Err on the side of boosting by just a tiny bit and not
cutting it.
If you boost the frequencies in this area, you’re going to get that hollowed out, boxy
sound, but if you cut them too much, on the other hand, the piano will sound dull and
lifeless.
1000kHz to 2500kHz – Definition and Clarity
I would argue that this area is where the majority of the higher notes on the piano lie.
This is another important point of the piano’s frequency range, and any boosts in this
area are really going to affect parts of the piano where there are any higher notes.
For instance, if you’re using a piano riff that is a few octaves up, this area is going to
affect how the piano sounds a lot. I would almost never cut this area.
2500kHz to 5000kHz – Presence and Air
This is the point in the frequency range where you can get the piano notes to stand
out in the mix in a big way. It’s also where you add some of those “airy”-type
frequencies. To my personal preference, this is another point where I wouldn’t be
doing too much cutting, simply because you’ll pull all of the air and presence out of
the mix.
5000kHz to 10,000 kHz – Crystal and Sparkly
This is a range where you get the crystalized, sparkly, sound, as well as the hammer
attack. To my ear, the hammer attack frequencies are between 8000kHz and 8500
kHz. That’s the point where the hammer is smacking against the strings and making
the sound that’s characteristic of the piano.
Boost this area and you’ll get a lot more sparkle or a lot more of the crystalized
sound.
10,000kHz to 20,000kHz – Brilliance
Similar to the lowest part of the frequency range, there isn’t much going on here. I
wouldn’t go so far as to say you could cut it out or anything like that, but boosts and
cuts in this area aren’t going to do much for you. I would say just to keep it the way
that it is and let some of those higher frequencies, some of that sparkliness, to shine
through.
Important Things to Note
1) The Differences Between Pianos

Obviously, there are a ton of different types of pianos, keyboards, and organs as well,
so how you set up an EQ on the keys really depends on the type of instrument you’ve
chosen. There are clavinets, organs, ragtime pianos, and organs, just to name a few,
and how you EQ them depends on not only the instrument itself but also the notes
that you’re playing on it.
2) Solo Piano
If the piano is a solo instrument in the recording, it’s best to go easy on the EQ,
because there won’t need to be much added to it. If there some type of tonal
problems with the instrument, it’s best to fix it in the recording stage rather than in
the mixing stage. However, assuming you’re using a piano VST or some other type of
MIDI instrument, this won’t be an issue, or at least it shouldn’t be anyway.
3) Recording Your Own Piano

A lot of factors can influence the way the piano sounds, and it depends largely on
how the piano was recorded. If you’ve recorded the piano in a large room, there is
going to be a lot more reverb, and the sound will tend to have a distance or long-hall
vibe to it. Smaller rooms tend to have a warmer sound.
Microphone placement is another important component to recording a piano, and

even the specific type of microphone is going to impact the way it sounds in the final
product.
Another factor when recording a piano is where it’s actually sitting in the room. For
instance, a piano set in the center of the room will sound much different from a piano
recorded in the corner of the room. According to Audio Recording, pianos recorded
in the corner tend to have a lot more bass.
4) Don’t Forget About Effects

Things like reverb, delay, and ambiance make such a tremendous difference in how
the piano sounds. There is something about the piano that just lends itself to things
like reverb. It just seems like the piano is built to have reverb on it.
5) If It Sounds Good Leave It Alone

This one is self-explanatory. If the piano already sounds good to your ears, maybe
there doesn’t need to be any changes made to it.
YouTube Video Tutorial

How To EQ A Piano in Garageband
Conclusion
EQing a piano, like other instruments, really doesn’t take much work. You just have to
pay attention to how it sounds and determine what changes need to be made if any.
There’s a good chance you may not even need to use an EQ on piano, especially if
you’ve used a VST piano, a sample, or even an Apple Loop, which tends to sound
pretty good out of the box.
Andrew Siemon
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not technically possible, can be done my opinion, is the best audio interface
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1/10/2021 How To EQ A Piano (A Step-By-Step Guide) – Producer Society

How To EQ A Piano (A Step-By-Step Guide)

Subscribe to Producer Society For

I’m Andrew and I run Producer

Producer Society is a site with

It’s a versatile instrument that’s great for compositional purposes, however,

Using Presets to EQ a Piano

1) Set Up the Preset in the Channel EQ Plug-in

2) Bring Up the Channel EQ and Then Go Into the Drop-Down

3) Choose the One That Sounds the Best to You

Truthfully, I think there are two important things to keep in mind

1. The type of Piano

2. What octave the piano is playing in.

What Type of Piano?

Piano Playing Higher Notes

Piano Playing Lower Notes

4) Adjust the Preset to Meet Your Needs

The Frequency Range of a Piano

20Hz to 50Hz Sub Frequencies Power

Bass, Boominess, Warmth, Thumpiness,

120Hz to 180Hz Lower Bass Boom and Bass

180Hz to 300Hz Upper Bass Fullness or Muddiness

400Hz to Low-Mids with a

8000kHz to Adjust the hammer attack (sound of the

80Hz to 120Hz – Lower Bass

120Hz to 180Hz – Upper Bass

180Hz to 300Hz – Fullness or Muddiness

400Hz to 1000kHz – Depth or Boxiness

1000kHz to 2500kHz – Definition and Clarity

2500kHz to 5000kHz – Presence and Air

5000kHz to 10,000 kHz – Crystal and Sparkly

10,000kHz to 20,000kHz – Brilliance

Important Things to Note

1) The Differences Between Pianos

3) Recording Your Own Piano

Microphone placement is another important component to recording a piano, and

4) Don’t Forget About Effects

5) If It Sounds Good Leave It Alone

YouTube Video Tutorial

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