Saundarya Lahari

The Saundarya Lahari (Sanskrit: सौ यलहरी) meaning "The

waves of Beauty" is a famous literary work in Sanskrit believed to
be written by sage Adi Shankara.[1] Some believe the first part
"Ananda Lahari" was etched on mount Meru by Ganesha himself
(or by Pushpadanta).[2] Sage Gaudapada, the teacher of Shankar's
teacher Govinda Bhagavadpada, memorised the writings of
Pushpadanta which was carried down to Adi Shankara. Its
hundred and three shlokas (verses) eulogize the beauty, grace and
munificence of Goddess Parvati / Dakshayani, consort of Shiva.
W. Norman Brown translated it to English which was published
as volume 43 of the Harvard Oriental Series in 1958.[3][4][5]

Contents
History
Tantra "textbook" Adi Shankara with disciples,
Two parts drawing by Raja Ravivarma, 1904.
Concept of Kundalini
Legend
Commentaries
Translations
See also
References
External links

History
Saundarya Lahari was composed in Kashmir.[6]
The Sri Chakra, frequently called
the Sri Yantra.
Tantra "textbook"
The Saundarya Lahari is not only the collection of holy hymns, but also a tantra textbook,[7] giving
instructions Puja on Sri-Yantra and worshiping methods, 100 different hymns, 100 different yantra,
almost one to each shloka; describes the appropriate tantra method of performing devotion connected
to each specific shloka; and details the results ensuring therefrom. There are many interpretations
and commentaries but best of these are arguably those that provide word-to-word translations, as also
the yantra,[7] the devotion to be performed and the results of the devotion.

Two parts
It is once said that Adi Shankara visited Kailash to worship Shiva and Parvati. There, the Lord gave
him a manuscript containing 100 verses which described the many facets of the Goddess, as a gift to
him. While Shankara was returning after visiting Kailash, Nandi stopped him on the way. He
snatched the manuscript from him, tore it into two, took one part and gave the other to Shankara.
Shankara, desolate, ran to Shiva and narrated the incident to him. Shiva, smiling, commanded him to
retain the 41 verses with him as the initial part of the 100 verses and then, write an extra 59 verses in
praise of the Goddess himself. Thus, verses 1 - 41 are the original work of Lord Shiva, shedding great
light on the ancient rituals of Tantra, Yantra and various powerful Mantra. Verses 1 - 41 describe the
mystical experience of the union of Shiva and Shakti and related phenomena. In fact, it opens with the
assertion that Only when Shiva is united with Shakti does he have the power to create.

The remaining verses, i.e. 42-100 are composed by Adi Shankara himself, which mainly focuses on
the appearance of the Goddess. All the 100 verses are collectively known as 'Soundarya Lahari'. The
Soundarya Lahari is not only a poem. It is a tantra textbook, giving instructions on Puja and offerings,
many yantra, almost one to each shloka; describing the tantra technique of performing devotion
connected to each specific shloka; and details the results ensuing therefrom. There are many
interpretations and commentaries but best of these are arguably those that provide word-to-word
translations, as also the yantra, the devotion to be performed and the results of the devotion.

Verses 42-100 are more straightforward; they describe the physical beauty of the Goddess and are
sometimes referred to as the Soundarya Lahari itself.

Many scholars, however, refer to the entire text with one name, namely, Soundarya Lahari.

Concept of Kundalini

First 41 verses cover the detailed account of internal worship of the Mother. It consists of systematic
exposition of the concept of kundalini, Sri Chakra, mantra (verses 32, 33). This depicts the Supreme
Reality as non-dual but with a distinction between Shiva and Shakti, the power holder and Power,
Being and Will. The Power, that is, the Mother or Maha Tripura Sundari, becomes the dominant
factor and the power holder or Shiva becomes a substratum. The first verse itself clearly describes this
idea. "United with Shakti, Shiva is endowed with power to create; or otherwise, he is incapable of even
a movement." The same idea is brought out in verse 24, "Brahma creates the universe, Vishnu
sustains, Rudra destroys, and Maheshwar absorbs every thing and assimilates into Sadashiva. On
receiving mandate from thy creeper like brows, Sadasiva restores everything into activity as in the
previous cycle." Such prominence of the Mother can be seen in verses 34 and 35 also.

Legend

There are several legends about this work. One legend says that, once Adi Shankara visited Kailash to
worship Shiva and Parvati. There, the Lord gave him a manuscript containing 100 verses which
described the many facets of the Goddess, as a gift to him. While Shankara was returning after visiting
Kailash, Nandi stopped him on the way. He snatched the manuscript from him, tore it into two, took
one part and gave the other to Shankara. Shankara, desolate, ran to Shiva and narrated the incident to
him. Shiva, smilingly, commanded him to retain the 41 verses with him as the initial part of the 100
verses and then, write an extra 59 verses in praise of the Goddess himself. Thus, verses 1 - 41 are the
original work of Lord Shiva, shedding great light on the ancient rituals of Tantra, Yantra and various
powerful Mantra. The remaining verses, that is, 42-100 are composed by Adi Shankara himself, which
mainly focuses on the appearance of the Goddess.[7] Yet another legend says that once when Adi
Shankara was visiting Kailash, Lord Shiva was writing about the beauty of Goddess Parvati on the
walls of their home. Shiva rubbed what he wrote as he didn't want Adi Shankara who was an outsider
reading about the beauty of his wife. But Adi Shankara had seen some part of the writings and with
his superior mind recollected the rest. Thus, he composed the Soundarya Lahari (waves of beauty of
the Devi).
Commentaries

There are more than 36 commentaries on the Soundarya Lahari in Sanskrit itself.[2] Among the better
known are commentaries by Lakshmidhara, Kameshvarasuri (viz. Arunamodini), Kaivalyashrama
(viz. Sowbagyavardhini) and Dindima.[8]

Translations

Saundarya Lahari was translated into Tamil in the 12th century by Virai Kaviraja Pandithar. He titled
the book Abhirami Paadal.[9]

There are many English translations with commentaries on Soundarya Lahari done by various
authors.

Pandit S. Subrahmanya Sastri and T.R Srinivasa Ayyangar[7]

Swami Tapasyananda of Sri Ramakrishna Math[10]
Swami Satyasangananda Saraswathi (of Bihar School of Yoga) has authored a modern
commentary with Sri Vidya meditations on Devi for each verse[11]

See also
Adi Shankara bibliography
Shivananda Lahari

References
1. Dr. N., Nagaswamy. "Soundrya Lahari in Tamil" (http://www.tamilartsacademy.com/journals/volum
e19/articles/article1.xml). Tamil Arts Academy. Retrieved 14 August 2012.
2. P. R., Ramachander. "Soundrya Lahari" (http://www.sankaracharya.org/soundarya_lahari.php).
3. Edgerton, Franklin (May 1959). "The Saundaryalahari, or Flood of Beauty by W. Norman Brown".
The Journal of Asian Studies. 18 (3): 417–419. doi:10.2307/2941628 (https://doi.org/10.2307%2F
2941628). JSTOR 2941628 (https://www.jstor.org/stable/2941628).
4. Tucci, Giuseppe (March 1960). "The Saundaryalahari, or Flood of Beauty by W. Norman Brown".
East and West. 11 (1): 51. JSTOR 29754221 (https://www.jstor.org/stable/29754221).
5. Burrow, T. (1959). "The Saundaryalahari, or Flood of Beauty by W. Norman Brown". Bulletin of the
School of Oriental and African Studies, University of London. 22 (1/3): 617–618.
doi:10.1017/s0041977x00066118 (https://doi.org/10.1017%2Fs0041977x00066118).
JSTOR 609560 (https://www.jstor.org/stable/609560).
6. Raghunāthācārya, Es Bi (2002). Śankarācārya (https://books.google.com/books?id=vKnWAAAA
MAAJ). Sahitya Akademi. p. 35. ISBN 978-81-260-1575-7. "Śankara visited Kashmir which was
one of the greatest centres of learning . Kashmir was the seat of Saivism and Sakta, cult.
Buddhism too at that ... Scholars believe that Sankara composed Soundaryalahari in Kashmir"
7. Pandit S. Subrahmanya Sastri, T.R. Srinivasa Ayyangar (1937). Saundarya Lahari (The Ocean of
Beauty) of Sri Samkara Bhagavatpada (https://archive.org/details/in.ernet.dli.2015.21838). Adyar,
Madras, India: The Theosophical Publishing House. ISBN 9788170593188.
8. "The Hindu : Discourses on the Soundaryalahari" (http://www.thehindu.com/2001/08/21/stories/13
21017c.htm). www.thehindu.com. Retrieved 5 January 2018.
9. Nagaswamy, R. (n.d.). "Saundarya Lahari in Tamil (Volume 19)" (http://www.tamilartsacademy.co
m/journals/volume19/articles/article1.xml). Tamil Arts Academy. Retrieved 26 September 2020.
10. Tapasyananda, Swami (1987). Saundarya Lahari of Sri Sankaracharya (https://istore.chennaimat
h.org/product/saundarya-lahari-sri-sankaracharya/). Mylapore, Chennai, India: Sri Ramakrishna
Math. ISBN 9788171202447.
11. Satyasangananda Saraswati, Swami (2008). Sri Saundarya Lahari : The Descent (http://www.biha
ryoga.net/yoga-publications-trust/sri-saundarya-lahari-the-descent/). Munger, Bihar, India: Yoga
Publications Trust. ISBN 9788186336700.

External links
Chant of Ananda Lahari (https://www.youtube.com/watch?v=JWEZsawoo5E&t=6s)
Saundaryalahari shloka and its translation (http://shankaracharya.org/soundarya_lahari.php)
Kanchi Mutt Sri Jayendra Swamigal chanting Soundarya Lahari (https://www.youtube.com/watch?
v=z5S4y3NGick)
Why one should chant Soundarya Lahari? Explanation by Cho in his TV soap Enge Brahmanan?
(Tamil) (https://www.youtube.com/watch?v=2vztvgtDAyU)

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