Percussion 2 4) Cantilene

Moderato Espressivo J =90 ~ Piu Mosso

'1- 2 a 2
I0 g I IIÏ I 119 I lil i I lli 19 Ii

17

10 i I 2
IIX 19 I 2
lli - I& I! Ii

25

IOî I! lî I
a
I I! lî - I! - I&

33
[i]
I0 & 12 - Ii - 12 - 11 - 12 - Ii
39

10 i 12 I
2
Ij i 12 Ii - 12 - I i
46
~
I0i - Hiïit rrrrrrrrr1i rrrrrrrrrrrrrrt12 rrrrrrrrr1i rrrrrrrrrrrr12
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
f
Ritenuto
51 0 +
1o2 rrrrrrrrr 1i rrrrrrrrrrrr 12 * rrrrrr,rrrrrrrrrli rrrrrrrrrrrrlx
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
mf Molto Crescendo ff
A Tempo (poco
meno mosso ad lib.)
56 Wind Chimes: Gliss.down & up (use only high register)

Ioi I r=>E 7TfE r=>E 7lif' --IE. IE. IE" IE.-= Ii

p

63

10 j11

70
[iJ Tempo Primo J =90
I] Ër==t * I - 12 I
5
1 1~ 12 - I~ 11
Ritenuto
Percossion 2
4 ORIGINAL WARM-UPS
Bert APPERMONT
1) Waves of Sound: TACET
2) Tuning Tones

Andante GJ [i]
I~mb
:1~ ~
(a2) Cymb.(à2) + G.C.
12 2 t'f
Ioi I I j j Iu III I1 ~ ~ ~ ~
m.f f

35

I0~ ~ ~ ~~es* Ii Ii~ ~ ~ ~ I~ ~ ~ I# ~* Ii

f
41
~
i
I0ï Ii~ ~ ~ ~ I~ ~ ~ I~=~ lï Ii I I I
f

50
[i]
(.\
{)

Io *~ ~ ~
>- ::>- >-
I~ ~ I~CS II I I 11

ff
Percussion 2 3) Articulation Train

Giocoso .I = 89
Leave out bar 1 ad lib.
Police Whistte crescendo poco à poco untill bar 48
0"'"'""'.... Low Tom

I0l r I 11 I II J * J I* J I J I* J * J I* J J * Ii Jit ï JlJ

f p

11 Middle Tom

l,fE,fiJI,fE,J)JI,fE,JEI
p

17 S.D.

IOïfiJïJEII
3 3 3 3 3 3 3 3 3 3 3
mp

29

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
53
A A A A A A A A A A A A A A A A
1oa:ua::crrrrrml a:ummrrrrl CGUCGUCGUCGUI mrrrrrrrrml

57
W Allegro Cantabile J = 152

oar ar ar a ar rrrrar; Irr r rr r rr r rr rrrrr r rr r r rrr

A A A A A A >- A A A A A A A A A
1 1 1 1 1

fp f

18 Êr r Êr r Êr IÊEEÊEEÊr IÊr EFr EÊr IÊEEFr EÊ IÊEr Êr EÊF! r

1'8 FEEFEEÊFIÊEEFEEÊ rIêEEFEEÊrIÊEEFEEÊrIFEEFEr FrI

72
A A A A A A A A A
w
A A A A A A A A
lor rrrr rr r1,· rr rr ,. r rIr r ,- rr r r r lararararlararararl
Poco à poco Rallentando
77

ID

Poco Rit.
82
A A A A A A A A
IDEHJEHJIEHJEHJir r r r Ir r r r 11 r r r 11 r - p