18 classic sonGs INCLUDING Ball and Chain dita tay RET G isl nena (ae .t A erceer a rar) Piece of My Heart BUTT ruc its ia ce peeye SanyaAUTHENTIC TRANSCRIPTIONS ed te La Tl Music transcriptions by Jeff Jacobson Pat Paul Pappas — ON ie oR ye ReU SEA Used by permission y:) ee CECE ee ne ) e o = —— yp | 6 3 3 6 -4— - 4 - t t 5 5 5 § 5 5 5 5 3 ——— 3 3 3 3—6 Gm7 Pf oe yy = aA - OO i = eh SS dow, Lord-y, —___ All around 1 felt it. All [could see was-a rain, 6 = — 8 $ 5 t ft i 5— - 3 5 5 3 =i +3 +3 33 — Dm7 = = | by = 7 ae : 3 z ———— = ———, po me TO F 2 te eo * sis os Se ==: Some-thing grabbed a - hold of me, hon-ey. Felt to me, — Se eS $ > - : 4 - : = — ~ Ls = : f | ee ies 8 es g 13 43 a 4 44 By as 5 5 5 12 t2 4—3 4—3 ——————————— 6 Gtr. 2 tacet Cm7 Bb Am Gm Cm SS he == ———— - { ~ = | —¥ ——s of — — | : : = + — Sais === == ote eho vie el 5 ae. anor hon-ey, like, _ Lord,____—_a._ ball and chain. Yeah, _ hey. __ You know what I mean. Gtr. 2 i Gtr. | | a SSS SSS SSS SSS % . Gtr. I divisi dist. qo |e WNW no | pt) | on | an an & on an | ——44 -_44— 10When it's way too heav - y for you, you can’t hold it no more. Say SS SS SS SS SSS 7 7 F jj —F# Ft t 7 7 4 + 7 t t 7 5 5 5 5 5 —§ 5 % Chorus === whoa, ____ oh, whoa,. oh. Hon-ey, this can’t be — just be-cause | got-ta want your love. — Please, ___ please, oh, whoa, oh. Hon-ey, this can’t be _ not an - y-thing! ev - er wanted from you, dad-dy. Tell me, nah, nah, gat = ogg 'Be SSS ee senile an repeat docnen oocnan coca cqocnan gocnen ern docnen | | 4 —_ = | = ee are please, please. __ Whoa, please, — please. _ nah, nah. Oh, tell me, mah, yeah. _ i say, — a pb SSS SS ——— = — oe. > = — — i“ s— — 72 =| 6 : : Z. OO pf 3 7 1/4 - - gf 93g <5 68-6 —| 3——_3>-2-3 8 3 3-2-9 t 7 | 5 5 a-4--6 3} 5 54-5 | 3 4 5-34 4 - - — 7 eal =: = | ! a te? Whoa, — oh, _ whoa,_oh,_ hon-ey, this can’t be just be - cause_ I got -ta need — you, dad - dy. _ Please, - whoa, oh, _ whoa,_oh,_ hon-ey, this can’t be. Nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, nah, Ww pb-8 oP, ~{f— —— - SS ye ———= | x iw : : a Seg wn 8 8 8-8 2 ~ - 8 —6§—# 6 = 11—_— det , don’t you let medown now. Please, yeah, ___ nah, — nah, nah, nah, nah, nah, nah, nah, nah, nah. Yeah, yeah, yeah. Yeah, 4 ae - - _* =. = — ——. 3 — | 3 32-3 3 ce =~ = 5 §-4-5 are ee — 5 § 4-5 55 3—_3— 3 : mE - D7 Cm Bb A 3 — Gre +f— Seca terran: eet dere eeerrryee rtrd Hey, youre gone to-day. Hon-ey, I want-ed to love you. [ want-ed to hold ya, yeah, till the day [ die. — G>" ; J | SS > ie = 7 BELLA _ 3 2 es 5 5 [3 SS - Gm Cm D -— j—_ — _ _ Da a = — re eres Otte pepe pe ee pe ep | ey a Yes, 1 did. — Yes, 1 did. — Yeah, hey. hey, all right, at eon mF eae te aoe te & — + qoanca on ovanen ontids ci | se: ad ~ Guitar Solo Gm Cm b je ay KS - 2» . — a ed Pa ‘ a ~~ f ! a + eo to, ! , e = ra 2 G) ai eer ree ee tf “f f F yo 1 3 | Lg 4 | Vv | | full 1/2 full 1/2 full 1/2 full b he 11/2 full full + + * + + t wy AN aw pg / 3 4 a a 3-3 3-3-3 40 } fj _4 53 5 5 — {5} 3-5 § 3-5 5 —# Ww tt — | 12—3-—! Lz — — - ? } AAA —_ — eo 20-49-18-20-49-18- 20-19-4185 is re ~~ fy fy WME Wt Of e ~~ + + + 2 Pe © 2s 2 2 © e F ‘ ———— grad. release loco —_—_—— 6 ee — 3 — full V4 ry : full V2 20 i—, 48 6—, - Z vm 48—18 15 ——<14 17 45 3 —15 7 13D7#9 t oo 2 ————— ar en ty = 3 py Er Eee atententep ter tee tee ri 3 : —T 1 4 > F 3 ; 3 = . —=— — ed Sianeli: oo oo ———— S : 15 18 15 49—47—_15—_19—_17_15 194715194715 19171519 47151917 _15_49_47_15 19 1745 * semi-harm. Cm Bb Am Gm Cm cf _ -# Se a _ Wns a ,FE tPe feel — po Pore ott tipo SO {6 = = e <— | @ ; Ca | — 3 . = —_ 8 iL 3— full 1/2 full 14 a 5 } ae = = t 20—15-43___/ = L \ Py t 1447 47-15 15-47-45 3 * = 5 —{5) 3-5 4-3 3 {3} —— +R — - 1717 (47}—_15-45-—- 5-3-5 5 5-3-4 wets 130 15 15~ DS. al Ci D7#9 5. al Coda 6 yepp pepe fer ft pt 7 I, ba-by, want some-one if they could tell tg: $9: w/ clean tone _

S08 4-— 7 ; +=? 3 — 7——3—_|-40 | l] F =a G6 F6/G —— i — > >Ee ¥ Fae oe 3 ig 4 — ee = = - - _ a ee ya, hon’, I know — she told you that_ she loves you much hon-ey, ain't no-bod-yev - er gon-na love you the oe ~— a a ff = -£ F Fe—¢ = —— SS 2 =a | w/ pick & fingers _ _ _ _ 4 TSR GIN es ee ee 4 NOC PT nn ees reer See ee Sees Se 4 — ——8 18 +3 43 i $ iH —= —fi-~45—_—_— —9 a Lag 38 48 48 —16- 45 45 —3— aa —— but I know that she tried to, dear Who'll take all your 6 4. L G F6/G Cc == —— a ————_——————E== - SS —— = J : P — 7 oe. Je ey =o = ] ws < left you. — And you swear —__ that you just don’t know why. — pain, hon-ey, your heart I ache, dear? er @ - : ~ | e i ——- gee ypeting, 2 sie ase See: See Se 4 7 & $ 9 9 18But you know, _ And if youneed me, ways, "Yeu know ‘that bat d. So letring ~~ ~~~ ~~ __ wae oe Hy letting peas a) SEGSaeise a eee. oat HY 5 12 8 —f- 44— | a o— Be 2 2 D.S. al Coda fo SS eS if you ev-er want _ Come on cry, —— if you ev-er want _ Come on cry, cry, - = ft — tt oe a 8 § 8 §—__— 8 8 0 0 8 0 6 tt And when you're walk-in’ ‘round the world, babe, = WEETIDB,- oom ee eee: oy 5 Rhy. Fig. 1 aS tee 222 | You might find out la-ter that the = 19road will end in De - troit. * End Rhy. Fig. 1 eo —4 ; Se = af —— = - —— e—— KMTING =. wees eee Se 4: NERS ier eee ae ee _ letring. ~~ _ 4 letring. ~~ ~~ 4 6 -y 8 42. $ 8 & = 48 48 9 9 } 10 48 42 10 10 48 - - _| Gtr. 1: w/ Rhy, Fig. 1, 3 1/2 times, simile F a Se ne You could go all... a- round the world _ try’ to find some-thin’ to do with your G6 G7sus4 life, babe. Well, you on - ly — got - ta do one thing well, — a Sa you on-ly got-ta do one thing well to make it in this world, babe. __ c F —= Ye [ ~ : “} i. ee =i = ee SS Si OO _ Ss a = —S You got awom-an wait - ing for you there, yeah. All you ev-er got-ta do _— G6 G7sus4 : —— ” = 6 = gS ee OY « # s Se is be a good man one time —__ to one wom-an, and that-"ll be the end of the road, babe. 20—= aS I know you got more _ tears to shed,____ babe, So come on, ___ come on, __ come on, - grad, cresc. letring_ ~~ ~~ 7 2 Le ee ee 4 letring 0 10 . 48 io _ | 8 —8 8 === _— = "1 "1 41 8 0 — 12 V2 | | - Outro-Chorus (te te eee J — __ come on, come on and cry, cry ba : by. a | o oo o co o oo oe | oo o WA woecco acco Sxs RO> > > _ —~: __& — - : 2 jEe oe -f ” 2 ——— B:—— - | { + ba = si : = : = = - = — a | | fe — T weary L— 2:3 SE e peats t (ingay |(letnige ce oe oS oe : <>< oxo ROSA eee ioe st oo i oo © cae at ofGtr. 3; Drop D Tuning: @=E @e=pD @=B G@=A @-=c @=pD Chorus Moderate Rock « = 146 Well, down on Gtr. | (slight dist.) from Janis Joplin’s Greatest Hits Down On Me Words and Music by Janis Joplin 1Ofr G5 DS/A G5 D5 Kx 7 XK oe HEX te ae] 134 ree 13d He SSS ses Lord, Rhy. Fig. 1 a A D j= —_ 1 down_ on me, End Rhy. Fig. 1 == G5 $= fr i arta ease i 4 “eu asic awn Sree Cadd9 sy vate = =e = 5 a= yeah, I'm say-in’ it looks like ev-‘ry - bod - in this whole — ~— round _— world, —— yeah, _ babe, Rhy. Fig. 2 ; 4 3 5 SS SS SS | se a Ss 1 ¢— pp - —= 1 g- 4 4 6—\_-H - Lb 9 - ¢ 5 ¢ 12 = x x 5 5 qt i—_t2 9 ¢ 4 +2 +8—\— 18 = 5 +t +——t2 4 t —5 5 48 48— 8 §— 3 & 5 48 Cc D Cc D C abt a ees yeah, oh, — yeah, is down on me, yeah. Gtr. 2 (dist.) Wt e. —@ he k _ i f ie ed 5 . * “ e SS SSeS 62S f RWWA full full = ae +3 = 43 —10 43 E } | - 42-40 42—10 42 12 cir | a End Rhy, Fig.2 Rhy. Fig.3 . End Rhy. Fig. 3 be ee ~ | ; | _# 4 . ft ae _ i = ee SS SS ie ma ie A te letring = ~~ _ _ | let ring = all let ring — _ _ — , letring. ~~ ~~ _ 4 48 8 8 ; . 1 8 18 8 | E | ae = : BR m 10 — 1} 10 12 1 12 1 8 —8 16 8 10- 8 22 Copyright © 1967 (Renewed 1995) Strong Arm Music All Rights Reserved Used by Permission% Verse Gtr. 1: w/ Rhy. Fig. 3, 2 times 5 2 tacet D {oT — = S One of these morn - ings be fine and fair. P Hard as gold, rain is rain. lieve in your broth - er, (have) faith Ss in man. Gir. I: w/ Rhy. Fig. 2 D Cc D Cc Cadd9 + _ — | Qi FT SSS = = -—= —— la = Hitch on my wings, babe, gon-na_ try out the air.____—s-—- And _ then it looks like ev-’ry - bod - y, in = whole _ Had a gold-en man _ but hedon’t nev-erchange, no. And it looks like ev-‘ry - bod - y, in this whole _ Help each oth - er, hon-ey, if you can. Be - cause it looks like ev-’ry - bod - y in this whole _ Gtr. 2: w/ Fill 3, simile, 3rd time SSS brne rote z round __ world, (is) down on me, == round __ world, (is) down on me. __ round __ world, — ev - ‘ry - where I[ go, they're down on me, Chorus Gtr. 1: w/ Rhy. Fig. 1, 2 times Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Fill 2, 2nd & 3rd times, simile Gtr. 2: w/ Fill 1, 2nd ime ae Cc D Cc D ty = — — — —=t+-——- fs . i — foe 6 _—_— = : eee = 1 — —— ———- yeah, Hey, they're down = on You know they are, they’re down = on me, Gis oh, yeah, they're down tr. 2 pt SS ag _- = — eee, ——— ey —— 7 = full letring _ 23A —e oe Sa t= : Ss eS a SS SS = = Lord, — downs on me Ah, __ yeah. __ It RAW OC" £ he $ ie Ss weer a a ee a ie full full full —~ AAA 4 9 49 ss ar fem as / 40 43—16 } ——42—_ 42} -40-"_48—42 48 42 ——42— (42}—_41—_1248 42—_418- - To Coda 2 & To Coda I q) Gtr. 1: w/ Rhy. Fig. 2 D Cadd9 G A D Cc te SS = = SS a 6 = 2 = ———— —— looks like ev-’ry - bod-y, I said, in this whole _._—s round world, ah, | ——¢90) s 1: w/ Rhy. Fig. 3 D Cc Ger =e feet == = eee eee a (is) down on me. ee yeah, yeah. b —*s £ £ * - = tt 3 : 3 —— 1 3 +4 1 4411 13 43 = t2——"2 42 42 42 ; 44—_—44 Guitar Solo Gtr. Ll: w/ Rhy. Fig. 1, 2 times BS M Ba pore) M Ba Cc B ; so = ——F > 15 Z Z Z 24Gtr. |: w/ Rhy. Fig. 2 A f re Ns, on wees i= oF -- — f ef—_e—_?_* » @ » @ 9»? te °# . = = ——— full full full ful 71 } is | 9 2 42) 10 12 149) 40-42 408 42 18—12—_1042—48 422 18 —4242— 4212} 43842 - _ | G A D Z _ _ _ = S Wee, ¢f8 ,¢F8 , ¢ & § = fe * er = = full "2 4 | ee a os Poe sn aa lj 4) — — —. 10-43 ne re a = _ es _—— | Gtr. 1: w/ Rhy. Fig. 3 D Cc D ce vu ae ay i5ma , 4 : ne ees F __4g2 a PPP tee bg fe fg ¥ Se eet | ety fF — = == — i grad. bend P.H. 4 W/2 4 —— 8 e a 10 e—|— 5 42—\ 18 48 ic) 14 +4 44 2 10 — 2 = Gtr. 1: w/ Rhy. Fig. |, 2 times D c B A ‘BD C ae = pf sTe yp ue te - — 2 = i Hi a ee, f Z — Z Z Z z Z * Use ea — ull end of solo, Gtr. 1: w/ Rhy. Fig. 2 Cadd9 G A D Awe as , FB ge OB 7 i ones, SSS SS SS 1/2 | _—- —ser (#2 ig 10 = a 2 2 10-42 12-10-1210 4 —_;_—_42- " s | — _D.S. al Coda I Gtr. 1: w/ Rhy. Fig. 3 Cc D | ae e Mon em MNO ED mvoeo 1/2 Full ful 1/2 1/2 full full #172 14 14 14 =H _ + 4 t — a" 15 th +5—- 45 45 —| — ii Hy Hs CBS * = “ 2 % a % % * bass plays B. ** bass plays A. : €} Coda 1 D.S. al Coda 2 s Ll: w/ Rhy. Fig. 3 Cc D Cc i a - Co = f-— ce =f ot — } xe i they’re down on ___ yeah. Al - right, al - right. 3. Just be - Fill3 End Fill 3 Oo Coda 2 Gtr. 1: w/ Rhy. Fig. 3, Ist meas. Cc D =| _ Se ~ 6 = - =" SS (is) down on me, yeah. Free Time G5 D5/A C5 DS | . 3 = } } Lay) } Lf “ff /~ ‘ , ** w/ bar PPAAAAARRAAN0000000000004 4 : t 4 ee ae = 1 oF —— = = 3 ——— = G3 f : js (slight dist.) w/ heavy dist divisi : * Gtr. 2 to left of slash in TAB. + fast vib. 26