Wedding Collection: For Alto Sax & Piano

Wedding Collection
for alto sax & piano
www.virtualsheetmusic.com
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Cover photo:
“The bride and groom”
Classical Sheet Music Downloads
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Wedding-March
R.Wagner (1813-1883)
Moderato
               
Alto Sax   
mf

       


   


  
  
              
Piano f mf
      






            
  
  
8
                
  
 
  
 
                
         
             
           
   

          
    
 
15
                   

f
    
                   
                 
     
  
           
    
 

    

22
          
     
mp

      
                   
    p  
         
      
    
   
   
 
1
  
29
            

mf

            
        
mp
                   
     
34
        
     
 
             
        
       
           
39
                 
  
p
dim.
   
            
 

  
       
        

p
  
dim.
       
         

45
                  
    
mf
  
                        
               
mf
      

 
   

          
 
 
 
2
          
52
   
   

   
                       
        
                   
        
        
ad libitum
59
         
 

   

f mp
 
             
 
  
 
     
f p pp
          
   
 
  

         

Air
J.S.Bach (1685-1750)
Lento
     
    
Alto Sax   
pp
   
   
 
pp   always pp
                              

Piano
continue
          
3
          
  
 
   
    
            
   
              
  
              
 
3
          
5
         
1.
 
 
            
1.
 
 
     
              
             
 

6
 2.      
            

p
                
2.
 
p
           



    


 
       
     
8
         
               
               
   
cresc.

                          

             
   
10

 
f p
            

    
    
mf p

                              
  
4
          
12
   
    
3 cresc.
           
  
 
   
  
      
   
cresc.
     
                      

            
14
     
f mp
                

        
      


mf   mp
   
cresc.

  
                         
  
          
16
 
 
     

f
 
                  
  
mf
    
        

 
 
 1.  
18
         
2.
      


1. 2.  
     



    
 
 
                        
 
 
5
Ave Maria
C.Gounod (1818-1893)
Andante

Alto Sax     
                        
   
Piano p always legato
              

3
   
     
     
    
 



          
  
5
 
pp
  
 




  







        


   
7

  
  






 








          
6
    
9
   
 
p
             
         
           
  
11
  
     
       
        




           
 
    
13
  
   
mp
            
          
    
    
15
      
   


p
             
       
            
7
   
17
    

pp
        
     
       

          
  
19
   
   
   
mp
         
      
cresc.

        
    
   
21
 
 
mf
         
           
mp

   
   
   
23
      
     
f
        
           
cresc. mf
        
   
8
    
25
     

 
           
        
    
  
 
27
  
    
mf
            

    

 

 
 
29
       
    
          
        
mp cresc.
        
   
  
    
31
 
 
f sostenuto
         
          
cresc.
        
       
9
    
     
33

ff
         
             
f

         
   
      
 
35

     
           
                
        
   
 1.
37
   
2.

 
      
           
1. 2.
  
   
mp mp
         
    
  
38
 rit. 
    
     rit. 
       
    


 
 
      

  
10
Cantabile
G.Tartini (1692-1770)

Andante
               

Alto Sax

p
 
               
 
 
p
    
Piano
       
    
           
4
                          

        
    
                    
 
                      
     
      
      
8
           
   

            
          
      
     
                
    
 
               
11
             


p pp cresc.
    
            
    


p

cresc.
         
         
11
    
         
14
    
           


f mp
 
      
      

      
mf p
      
      
17
  
           
      
        
  
               
        

         
         
   
Träumerei
R.Schumann (1810-1856)
Andante
                 
Alto Sax         
p

      
            
 

pp
          
Piano
   
    
6
            
   
rit.

      


            
rit.
   
         

 
   
   
          
 
12
   
10
        
a tempo
        
  
mf
 atempo       
  
           

mp   
   
        
    
 
    
           
14
    
rit.
     
 
    
p
          rit.
       
  

        
  
     


     
 
           
18
  
a tempo
        
mf
 atempo 
 
      
    



pp
   
 


   
 
 
    
       
rit.

22
     
     

f mf
   
    
rit.
   

    
mp
mf pp

dim.
    
   
     
  
  

  
13
Ave Maria
F.Schubert (1797-1828)
Lento assai

Alto Sax    

         
6 6
         
               
     
mp
 
6
  

Piano
         
     
   

2
  
       
             
continue
     
    
    
      
        
   

3
      

p
                 
              
p
 
  

    
   


4
         

                        
   
     
   
 
14

5

   

    

                        
    
       
   

6
 
            
6
 
                        
   
      
   
 

7
           


6
                         
     
   
      
  
 
6

8
            


  
                        
   
        
   
15
 
9
            
          
                  
        
   
 
10
            
6
 
cresc.
                      
     
   
      
   
 

11
          

3 f mf
                   
            
mf
   
        
   

12 6 rit.
         
  
rit.
                        

   
   
       
   

16
  a tempo
13
       

p
a tempo
                         
     
p
   
     
   


14
    
  
 
       

                
 
   
  
   
        
   
 
    
15

 
mf

                        
always p
   
      
   
 
16
        
 
                        
   
   
      
   
 
17
    
    
17


                        
       
   
        
   
  
          
18
 
6
                        
   
      
   
 
19
           
 6

                        
 
   
      
   
 
        
20  
 
 6

  
                        
   
        
   
18
  
        
21
 
          
                     
   
        
   
22
          
  
6
cresc.
 
                        
   

cresc.
  
      
   
 
23
          

   3
f
  
                        
mf
   

 

 


   
24
 
         

6
                
              
   
 



    
   
 
19
25
       

 
p
 
                        
p
   
       
   

 
  
26
   
mf
 
   
   
         
                
mp   
      
       
   
   

27

  
mp
                
                   
  p   
      
       
   
 
28
   
       
pp


 
   
                              
3 rall.

  
 
pp

3


 
            3
 
        
       
3
20
Largo
G.Händel (1685-1759)
Cantabile
  3
  
Alto Sax              
p mf

3
  
               
     
 mf
Piano p
    
                

       
7
           
  
          
               
   
f
       
        
           

14
  
                
p
             
        
p
            
            
    
21
  
3
  
     
          

       
     
   
         
 
        dim.   
p
 
              

21
           
28
      
     
 
mf p pp
      
                     
pp   
mf   
     
cresc.

          
     
  
   
35
                 
        

mf
   
         

     
       
mf
     
cresc.
    
            
  
  
   
 
42
       3
    
            
p
3
          
         
p
    
              
    
1. 2.
     

    
49
      
 
        
  
         
1. 2.
      
                 

          
 

22
Adagio
T.Albinoni (1671-1750)
Adagio
Alto Sax        
      
       
  

 
mp
  
          
Piano
          
6
        
 
p
3
           
        

      

   
      
  
   
continue
11
                  
 
3 3
         3 

         
 
 


   
   

       
  
     
16
      

3
   mf
     
          
3
3
       
     

        
      
 
23
  
21
          
  
 
   
       
    

     
      
25
 
1.
    
p
                  

1.
       
    
           
 
27 2. rit.
                    
 
      
f
    

2.
   
 
rit.
       
mf
        
        

32
  adlibitum          
  
a tempo
                
                   
p

a tempo 
   
 
  
 

    
      

24


37
                               
f
 p
      

     
  
        
          

    
 ad libitum         
42
                       
          
mf     f
  
     
 
   
 
 
        
       
     
                   
47
   
 
p
  
    
    
    
 

  
           
     
 
53
     
   3
                

     

cresc.

3 mf 
      
       
25
58
         
   

f
                     

    
         
 
            
        
62                  
 3 3
3 3
 
          
3
       
3
                     
     
           
       
    
66
          
 
p
    
  
   

           
     
    
p
        

           
 
           
72
         
mp 3 pp 3
mf
    
        

             
pp
    


 
  
       
26
78
    
           
 

             
   
     
mp

      mf

           

              

83
     
     
f
               


                 
  
 f
       

   
    
   
                
87
  
         
 
          
     
   
    
            
       
     
91
    
  

ff
 
 
   
          
  

  

      
ff
          
  
 
 
       
27
95
          
      

        
   
  
   
   
 
   
  

         
        
101
 
      
    

  
    
  
   
 
         
    
  
         
      
106
     sostenuto
      
   

    
     
  
   
  
        
            
      


111
      
               
   

 
    
     


pp
 
   
   
    
28
Wedding-March
F. Mendelssohn-Bartholdy (1809-1847)
Allegro
 3 3
  
3 3 3 3 3
          
Alto Sax
                  
ff
3 3 3 3
                                 

3 3 3
Piano ff
      

 
            
6
  
         
     
   
     
ff
             

      
     
f
      
           
    
 
   
    
10
    
  

  
    
     
          
       
     
        
        3
         
14
 1.  
3 3
       
       
3
         
 
 
mf 3
     
cresc. 3 3
    
      
1. 3
             
3 3
3 3
cresc. 3
      
3
     
3
      

29
     
2.
       
14
             
 
mp
     
           
2.   
          
             
p
     

    
     



     
        
20
   
       

 
cresc.
       
ff
 
          
                   
  

cresc.
    f     
   
    

  
  
   
                 
25

 
    
  
   
    
        
            
         
      
                 
  
     

    
  
END
   
   
TRIO

29
   
         
mf
    
   
     

     
         
  
   
mf     
 
       
 
           

             

30
 
33
   
1. 2.
    

  
        
    f
   
          1.     
2.
 
  
 
         f
  
               
 
    
    
40
  
       

     
    
  
  
  
     
  
     


  
     
     
       
  
      
  
43
  
  
   
    
       
  
   
   
    
 
   
     
   
          
    
46 1. 2. 3

   
        
  1.

    
  
2.
        
3
         
   
       
   
from  to END
31
Alto Sax
Wedding-March
R.Wagner (1813-1883)
Moderato

                   
 
mf
   
10
      
         

            
16
          

f
         
24
        
mp mf
              
31
     
38
                  
  
dim. p
45
    
        
    
mf
                   
51
    
  
ad libitum
          
 

59
  
f mp
1
Alto sax Air
J.S.Bach (1685-1750)
Lento
         
   
     
  
pp
4
                
    
 1.                 
6
2.
 
7
          
      

p
                  
9
 
f
        
   
11
       
p 3
                
 
13
  
cresc. f mp
   
        
  
16
   
 
f

18
          
         
1. 2.
2
Alto Sax Ave Maria
C.Gounod (1818-1893)
 Andante       
    
pp
     
9
          

p
 
            
13
      

mp p
          
17
     

pp mp
21
        
       
    
mf f
25
       
     
       
mf
   
         
29
    
 
f sostenuto
33
    
         

    
ff

 1. 
37
rit.
 
2.
      
3
Alto Sax
Cantabile
G.Tartini (1692-1770)
Andante
  
                       
p
4
     

      
                 

                         
7
 
    
  
11
                 
       
p pp cresc.
 
             
14
       
f mp
  
     
17
              
4
Alto Sax
Träumerei
R.Schumann (1810-1856)
   
Andante
 
 
       
p
6
            rit.
    
         
  
10
          
a tempo
           
mf
14
            

    
rit.
    
 
p
 a tempo          
18
 
          
mf
22
 
       
 
rit.
          

f mf
5
Alto Sax Ave Maria
F.Schubert (1797-1828)
 
Lento assai
                       
p
  
6 6
                    
6

6
  
8
                                 
    
6 cresc.
           
11 6 rit. a tempo
              

f p
3 mf
14
                       
    
mf
                       
            
18
 6

6 6
21
                        
   
6
cresc.
                         
 
23

 3
6
f p
        
    
26
   
     
mf mp
pp
6
Alto Sax Largo
G.Händel (1685-1759)
Cantabile
 3
   
             
mf
p
37
              
    
    
 3
44
     
 
p
         
           
51

            
          
     
58
    
mf p pp
64
        
           
mf
         
   
70
         
p 3
76
             
  
80
 
1.
     
2.

  
        
7
Adagio
Alto Sax
T.Albinoni (1671-1750)
Adagio
          
       
p
12
                   
  
3 3
       
3
          
19
   
  
mf
 
26 1. 2.
               
p f
               
30 rit. a tempo
                    
 p
   
 ad libitum            
34
  
            
  f

38
                         
       
p
42
 ad libitum  
                          
mf      
  
       
      
45
        
f
               
48
 
 
p
8
       
Alto Sax
51            
 
  
3
f
63              
         
3
p 
 
              
70
     
mp 3 pp 3
76
   
                  
mf
                        
 
83
      
f
                   
89
 
 
ff
95
         
      

101
        

     

107
   
sostenuto
    

          


    

112
  
  
 
  
 

9
Alto Sax
Wedding-March
F. Mendelssohn-Bartholdy (1809-1847)
 Allegro 3 3 3 3
    
      
3 3 3
   
ff
           
     
6
          
   
   
ff
     
    
10
   
3
 
1.
   

mf
  
3
  3
   
15
       
    
cresc. 3 3 3
 2.             
14
        
mp
       
                
19
 

cresc. ff
       
        
24
        
    
     
          
 
TRIO
       
28
    

mf
         2. 

33
           
    
1.
  
f
  
         
37
        


41
        3
     1.    
2.
 

10

Wedding Collection: For Alto Sax & Piano

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Wedding Collection: For Alto Sax & Piano

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Wedding Collection

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          

        

          

            

               

                        

                        

         3 

                  

    

      

                

                     

               

                                 

             

         2. 

        

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