Professional Documents
Culture Documents
This sewing pattern is based on coats seen in several fashion magazines published in 1908
(e.g.: “Der Bazar” – Berlin and “Wiener Hausfrau” – Vienna).
The single breasted coat has moderate puffed sleeves, princess seams and features a slim
silhouette around the waist. Compared with modern coats it has a high bust point to be
worn over a straight front corset. By lowering the bust point and adding some extra width at
the waist, the pattern can be adapted for a modern fit without a corset underneath.
I recommend sturdy jacket and coat fabrics from wool or wool blends.
The front and collar are stiffened with hair canvas or alternatively you can use a midweight
to heavy linen fabric. The canvas is pad stitched to the lapel and collar, a technique still used
today in tailoring men´s jackets. If you prefer a lighter-weight fabric, not typically suitable for
pad stitching, flatline with midweight cotton or silk organza. A waxed and slippery light
cotton fabric as sateen was commonly used for lining coats and jackets.
The “turn of cloth” has not been allowed for when patterning the lapel but was added to the
upper collar pattern piece. The pattern provides no shoulder padding.
5/8” (1,5cm) seam allowance is included, except where noted on individual pattern pieces.
Transfer all markings and notches carefully before cutting the fabric. Always do a mock-up
first.
Sewing techniques: From 1900 nearly every household owned a straight stitch sewing
machine. At that time, many garments were already being produced in large factories.
However, classic tailoring techniques will give this jacket a special charm. Feel free to use the
sewing machine for long seams, as you will have many other opportunities to hand sew
throughout the garment´s construction.
Stitches: back stitch, button-hole stitch, catch stitch, fell stitch, pad stich and hem stitch
Back stitch
Fell stitch
Catch stitch
Pad stitch
© 2015 by Black Snail Patterns #0915
1
Flatlining: for a classic flatlining, cut the lining fabric (cotton or silk organza) from the same
pattern piece as the fashion fabric piece, including all seam and hem allowances. Line up the
two layers, wrong sides together, smooth out and baste together inside the seam allowance.
From here on the two layers will be treated as one layer of fabric. In contemporary patterns
flatlining is often replaced with a fusible interfacing. However, traditional flatlining provides
some advantages. For example there is no chance of adhesive harming your fashion fabric
and the seam allowances from the collar, lapels and stripes can be stitched dot the flatlining
with a catch stitch to hold them in place without stitches being visible on the right side.
Basting: No one likes basting, but it´s important for a historically accurate sewing process. In
the end, basting is a time-saver.
Preparing fabrics and canvas: Pre-wash all washable fabrics and press. Steam non-washable
fabrics and hair canvas, use a press cloth for delicate fabrics and wool. Prewashing and
steaming your fabrics will protect them from shrinking later.
If you are using hair canvas, interface the entire front piece. The side front piece only needs
interfacing from the waistline up (see light grey areas on the sewing pattern). If you are
using flatlining, line the entire side front piece.
Light grey area: hair canvas
Dark grey area (back): midweight cotton fabric
Bridle tape: Stay tape such as bridle tape or another ¼” to 3/8” (ca. 1cm) wide lightweight
cotton tape is used by tailors, to cover the edges of the hair canvas. Modern bridle tapes can
be ironed on, although classically it´s sewn-on. Twill tape is also suitable
Sewing instructions
(1) Cutting the fabric: Cut all pieces from fashion fabric, interfacing and
lining. Transfer all notches and marks.
When cutting the front facings (#1a) add width for the turn of cloth and
roll line. To do so, cut the pattern along the roll line (a) and depending on
your fabric thickness shift parallel 1/16” to 1/8” (2-3mm) (b). Around the
lapel from collar notch to mark (x) add another 1/16” to 1/8” for the
“turn of cloth” (c).
To cut the backs from fashion fabric cut off the dark grey strip indicated
on the pattern.
On the left back lining, trim back the fabric along the vent edge as indicated on the pattern.
Trim back the hem allowance of 3cm at all lining parts.
(2) Flatline the upper part of the back and side back
(dark grey area). With wrong sides together, baste
the lining to the fashion fabric inside the seam
allowances, leaving the bottom edge loose.
Join back and side back parts, right sides together,
sewing from top to bottom.
Turn in the seam allowance of the right back piece along the vent edge (d) and line up both
back pieces, right sides together. Stitch down the center back seam until reaching mark (6),
pivot and keep sewing along
the top edge of the vent,
reducing the stitch length at
the corner.
Clip the seam allowance of the right back only at mark (6)
and press open the seam allowance from top to mark (6).
Turn in the vent facing of the left back piece along the center
back line and press (e), baste to hold the vent facing in place.
Catch stitch the raw edges of both vent sides to the top
layer, with tiny stitches, barely visible on the right fabric side
(f).
Close the pocket opening with a catch stitch and fold the edge of
the side front to the side to reveal the small triangles of fabric on
each end of the welts. Stitch these triangles with the welts (i).
Stitch close to the welt seam (j), then turn and press.
Take pieces from hair canvas and cut off the seam allowance along
the princess seam (seam between front and side). Sew together the
canvas pieces with a wide zigzag, without any overlap, catching a
bias tape underneath to reinforce the seam. (For sizes US 20-30 (EU
46-56): Cut out the dart.)
Mark the seamline (c) on the canvas along bottom and front
edge, as well as along the lapel, ending at the collar notch (d).
Trim back the canvas only slightly behind the seamline. Mark
the roll line (e).
Attach a piece of bridle tape right behind the roll line, the tape
should lay quite tight (f). Pin another bridle tape loosely along
the seamline, covering the edge of the canvas. Starting at the
collar notch, continue along the front and bottom edge,
stopping at the side seam. Rotate the tape at the corners for a
neater result. Fell stitch the tape carefully to the fashion fabric
along the seamline (stitches should be nearly invisible from the
right side), fell stitch the edge vis-à-vis to the canvas only,
leaving loose along the side front piece (g). Mark the seamline
along the neckline and trim back the canvas only slightly
behind that line (h).
(6) Under collar: Join under collar pieces along the center back seam, right sides together,
trim back seam allowances and press open. Cut canvas on the bias in one piece and line up
with the wrong side of the under collar. Mark stitching and roll line. Pad stitch the canvas to
the collar, fold around your hand´s edge to give shape. Press the collar, stretching top and
bottom edge while pressing, press in the roll line. Trim back the canvas only slightly behind
the stitching line.
Pin the under collar along the neckline, right sides together, and sew exactly from collar
notch to collar notch.
Sew the side back pieces from lining to the back from lining, right sides
together and press open the seam allowances.
Stitch together front facing (fashion fabric #1a)) and side front lining,
right sides together, press the seam allowances towards the lining.
Close the shoulder seams (lining), right sides together, and press open the seam allowances.
Sew the upper collar to the lining along the neckline, right sides together. Again, stop and
start sewing exactly at the collar notch (see sewing pattern). Clip the seam allowance of the
front facing at the collar notch and press open the seam allowances along the neckline,
clipping along the curves (see under collar).
Sew the collar first, stitching right beside the canvas on the seamline, starting and stopping
exactly at the collar notch. Don´t lock or backstitch, instead leave long threads tails at either
end to revise by hand easily if needed. Stitch with a reduced stitch length around the
corners.
(9) Turn the jacket to the right fabric side and press the edges carefully, with the seam
rolled slightly out of sight toward the underside at collar and lapel and rolled toward the
wrong garment side along front and bottom edge. Baste along the edges through all layers
to hold the edges in place. Turn down the lapel along the roll line and baste along that line
through all layers.
(11) Close the side seams from fashion fabric, right sides together, without catching the
front canvas, and press open the seam allowances. Smooth out the canvas over the seam
and catch stitch to the seam allowances with some loose stitches. Close the side seam from
lining, right sides together and press open. Lining up the seams from fashion fabric and
lining, wrong sides together, bar tack the lining with some invisible stitches inside the seam
allowances to the fashion fabric along the waistline.
(12) Turn in the hem (hem allowance is 1 ¼” (3cm)) and press. Catch
stitch the hem in place with the stitches barely visible on the right
fabric side.
Sew two rows of gathering stitches along the sleeve head. Gather slightly and press the
sleeve head carefully into a rounded shape. Insert the sleeve into the armhole, right sides
together, matching all marks, fold the front canvas and lining to the side while sewing. After
stitching the sleeve, baste together all layers along the armhole inside the seam allowance
(lining, canvas and fashion fabric) and trim back to 3/8” (1cm) (a).
(14) Sew buttonholes, the position of the uppermost and the lowermost button is given,
mark the others in between with regular intervals. Sew on buttons.
(16) Sew on a narrow velvet ribbon parallel to the edge of the collar and lapel.
For all historical patterns which would be worn over stays or a corset, a reduction of waist
circumference of 1 ½” is considered in the pattern, according to the next smaller size. For
example, you wear a size 14 with a bust measurement of 36” and a natural waist of 30.5”,
but with a corset or stays your waist would be 29”. There´s no further adjustment of the
waist measurement needed.
EUR 34 36 38 40 42 44 46 48 50 52 54 56
US 8 10 12 14 16 18 20 22 24 26 28 30
Body height 66
Bust 31,5 33 34,5 36 38 39,5 41 43,5 45,5 48 50,5 53
Waist 26 27,5 29 30,5 32 34 35,5 38 40 42,5 45 47
Hip 37 38 39 40,5 42 43 45 47 49 51 53 55
Back length 16,5 16,5 16,5 16,5 16,5 16,5 17 17 17 17 17 17
Arm length 23 23 23,5 23,5 23,5 24 24 24 24,5 24,5 24,5 24,5
Upper arm circumf. 10 10,5 11 11,5 12 12 12,5 13,5 14 15 16 16,5
Back width 6 6 6,5 6,5 7 7 7,5 7,5 8 8 8,5 8,5
Neck circumference 13,5 14 14 15,5 15,5 15 15 15,5 16 16,5 17 17,5
all measurements in inch
EUR 34 36 38 40 42 44 46 48 50 52 54 56
US 8 10 12 14 16 18 20 22 24 26 28 30
#1
Recommended fabric: tweed, woolen cloth, jacket/coat fabrics #2
Fabric required: 4.4yds. (4m) with a width of 51“ (130cm)
Lining: 3.3yds (3m) with a width of 51“ (130cm)
Front canvas: 1.6yds (1.4m) with a width of 35“ (90cm)
Back lining: 0,5yds. (0,5m)
#5a
4 buttons Ø 3/4“ (2cm)
#4
Pieces:
#5
#1
#2
#1a
#1
#6
selvedge
selvedge
#2 side front: cut 2 fabric + 2 lining
#2a
s
#2a: side front canvas: cut 2 canvas nva
ca
#3 side back: cut 2 fabric + 2 lining
#4 back: cut 2 fabric + 2 lining
#5 under collar: cut 2 fabric
#3
selvedge
fold of fabric
#11
#2a
#7 upper sleeve: cut 2 fabric
#13
#8
in
g
#7
blacksnailpatterns@gmx.at
hem and sleeve hem: 1 1/4“ (3cm)
#7
#10
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fashion
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shoulder seam
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center back /
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9
attach lining
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waistline
Taille
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17
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Saumzugabe )
3cm
10cm x10cm 46 / 20
48 / 22
3“ x 3“ 50 / 24
52 / 26
54 / 28
56 / 30
18
hem allowance 1 1/4“ (3cm)
Saumzugabe 3cm
t
shoulder poin
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t
Schulterpunk
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20
2
21
hem allowance 1 1/4“ (3cm)
Saumzugabe 3cm
e
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hint
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front scye e l p unkt
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vordere
23
24
grainline
Fadenlauf
25
grainline
Fadenlauf
26
waistline
Taille
27
28
grainline
Fadenlauf
m 1 1 / 4 “ (3cm)
sleeve he m 3cm
Ärm e ls a u
29
back scye 3
hinterer Ärmelpunkt
1
30
collar notch shoulder seam
Kragenansatzpunkt 5 Schulternaht
30 20
56 46
31
center back
hintere Mitte
grainline
Fadenlauf
shoulder seam collar notch
5 Schulternaht
20 30 Kragenansatzpunkt
46 56
32
33
8
grainline
Fadenlauf
grainline
Fadenlauf
7
34
Fadenlauf
grainline
35
1
side seam
Seitennaht