The Book For All Occasions::: Patriotic

The Book for All Occasions
01. Rule Britannia :: Patriotic :: Thomas Arne (1710-78)
  
Andante
             
     
mf
     
      
     
                        
dim. mp
     
  
                    
f
02. God save the Queen

Thesaurus Musicus, 1743
 Andante
 
        
        

mp
f
 
               
       
03. Jerusalem
Sir Hubert Parry (1848-1918)
     
Adagio
               
 
f mf mf

                    
  mp
dim. p poco cresc.
  
                 
     
f
              
   
ff mf
  
      
    
 

dim. p cresc.

     
        
ff

The Book for All Occasions
© Copyright 2007 Matt Kingston, Cheltenham UK
www.bookforalloccasions.com
Bass in Bb
04. I vow to thee, my country
Gustav Holst (1874-1934)
 
Adagio
  
               
mf mp

   
 
  
   
cresc. f
 allargando
             
 
05. Hen Wlad Fy Nnadau (Land of my Fathers)
James James
Andante

        
      
mf
        
     
    
        
f
    
      
06. The Star-Spangled Banner John Stafford Smith (1750-1836)
Moderato

            

  
 
f
       
     
mf
   
        
f
 allargando
        
   
ff
2 The Book for All Occasions
Bass in Bb
07. La Marseillaise
 Allegro
Claude Joseph Rouget de Lisle (1760 - 1836)
maestoso
               
      

ff
     
 
              
    

           
   
mp
 marcato
              
  

ff
     

             
08. Waltzing Matilda

Christina MacPherson

Andante
         
           
mf

        
     
       
    
   
          
09. March from Scipio :: Ceremonial ::

Handel (1685-1759)
 
Andante
   
             

f / mp
 
     
                 
mf
 
 
    

         
   
p

               
f

The Book for All Occasions 3
Bass in Bb
10. Pomp and Circumstance March no. 1
Allegro con molto fuoco Sir Edward Elgar (1857-1934)
  
                              
ff    

                        
    

         
mf
  
            
            
   
  
                      

          
          
            
  
ff
       
                   
      

Poco allargando

   
Largamente
 
              
 
   
dim. p
             
  
                 
 
  
               
           
    
    
                  
    
        
            
         
mf
        
   
  
    
 
 
 
 
 

           
Bass in Bb
       

    
       
 

       
   
f

  
poco rit.
                 
 
cresc.
      
A tempo
     
Allegro
          
ff
 
        
        
11. Prince of Denmark's March
Jeremiah Clarke (1659 - 1707)

Allegro moderato
    
           
    
mf

          
     
mp

        
       
mf

 
                   

            
       
mp mf

     
          
f

                 
Bass in Bb
12. Three Fanfares for an Occasion

#1

Adagio

     
    
     
ff f mp ff
Adagio #2
      
     
ff
   
f
meno mosso
     
            
ff
Adagio
#3 rall.
       
 
  

         
  
ff 
  f mp f ff
13. Trumpet Voluntary

John Stanley (1713-86)
Moderato e maestoso

             
    
f
              
            
              
     
mf
      
          
   
mp
              
   
mp mf cresc.
            
 
       
            
f
     
    


          
  
mf
      
        
cresc. f
Bass in Bb
14. Triumphal March from Aïda
 
Giuseppe Verdi (1813-1901)
Andante
                           
  
  
mf
                      
     

              
                     
   

              
               
  
mp
   
                           
  
  
mf
              
          
  
                     
   
f
    
                      
    
      
                     
  
     
                       
   
mp
  
              
                 
   

                          
  
 
mf
                    
     
Bass in Bb
:: Celebrations ::
15. For he's a jolly good fellow Traditional song
 
Allegro moderato
 
                   


                      

  

                 

16. Auld Lang Syne Traditional Scottish melody

Andante
                
 
mf
   
            
       
         
17. Joy to the World
Lowell Mason (1792-1872)

       
Moderato
      
           
f mf
   
                  
       
mp f
18. Ode to Joy
Beethoven (1770-1827)

Moderato

          
        
f

            
   
mp

               
       
f
Bass in Bb
19. Londonderry Air :: Traditional ::

Traditional Irish melody
Adagio
   
                
mp
    
          
mf
poco rit. A tempo rall.
      
        
f mp
20. Amazing Grace
Adagio Traditional American song
             
mp cresc.
rall.
         
 
f mp dim. p morendo
21. Swing Low, Sweet Chariot
 Adagio
Negro Spiritual

         
          
mp mf
 
           

p mp

      
         
f p

rall.

         
    

    dim. pp

Bass in Bb
22. Greensleeves Traditional English song
Allegro e legato

         
mp
        
      
         
f
   
        
23. Cwm Rhondda :: Hymns ::

John Hughes (1873-1932)
 
Andante
   
              
mf
   

     
              

cresc.
       
          
 
24. Be Thou my Vision

Traditional Irish melody
Adagio

            

p
    
cresc.

 
                     
mf p
25. Abide with me

Andante W.H. Monk (1823-1889)

        
      
mp
     
      
     
Bass in Bb
26. Thine be the Glory
Handel (1685-1759)

Andante
        
     
    
f
              

mf

            
  
f
         
      
27. Dear Lord and Father of Mankind

Sir Hubert Parry (1848-1918)
Andante

     
      
   
mp cresc.
          
  
dim.
28. Jingle Bells :: Christmas :: Traditional American song
Presto
   
                             
     
mf p
     
                               
   
   
                                
     
sf f
  
                             
      
sf
   
1. 2.
                          

      

Bass in Bb
29. We wish you a Merry Christmas
 Presto
Traditional West Country carol
              
      
mf

   
 

    
 


     
30. O come, all ye Faithful
J.F. Wade (1711-1786)
 
Andante
          
 
f
       
          
 
 
mf
        
     
f
 
31. Hark the herald angels sing Felix Mendelssohn (1809-1847)
 
Andante
   
                 

mf
            
  
   f
   
             


                
ff

32. Away in a Manger
W.J. Kirkpatrick (1838-1921)

Andante

              
 

     
         
Bass in Bb
33. Silent Night
Andante Franz Grüber (1787-1863)

       
pp  

        
p p
 
       
 
f pp
dim.
:: Classical Favourites ::
34. Chorus of the Hebrew Slaves Giuseppe Verdi (1813-1901)
 
Andante

                  
     
mp
       
                    
 
 
             
    
dim. p
 
             
    
mp mf
 
          
        
f

                  
mp f mp pp
Bass in Bb
35. Largo (From the New World Symphony)
Antonin Dvorák (1841-1904)
   
Largo
            
p mf
   
        
mp p
meno mosso 
        
    
f p
36. Nimrod (from the Enigma Variations)

Adagio Sir Edward Elgar (1857-1934)
           
     
ppp cresc. dim.

       
            
pp mp

               
    
dim. p pp

     

             
 f
p cresc. poco a poco mf

     
        
rf
  
             
ffz

cresc. ff dim pp
Bass in Bb
37. Nessun Dorma (from Turandot)

Adagio Giacomo Puccini (1858-1924)
   
            

p

poco rit. A tempo
              
mp
  
     
       
mf p

     

 
       
f ff
38. Adagio
Tomaso Albinoni (1671-1750)
Adagio

               
                    
p
  
     
       
   
   
  
mp
 
     
  
    
       

        
          
 
 
 
  
mf p

rall.
                    
               
Bass in Bb
:: Weddings ::
39. Bridal Chorus (from Lohengrin)

Richard Wagner (1813-83)
Andante
     
           
mf
    
   
          

           
mp
    
mf

     
          
     
      
        
mf
            
 
 


f
40. Wedding March (from A Midsummer Night's Dream)


Allegro Felix Mendelssohn (1809-1847)

          
f
   

    
          
f
       
        
      
    

mf
 
 
      
     
f
Bass in Bb
          
      
mp
                  
  
        
        
 
           
     
        





 
   
   
poco rit.
 
                                  

A tempo rall.
              
ff      
:: Fun and Games ::

41. The Can-Can Jacques Offenbach (1819-1880)

Allegro
                  
 
mp
  
       
   
           
f p

                     
f p f
  
              


   
 
Bass in Bb
42. The Entertainer
Scott Joplin (1868-1917)
 Andante

   
                 
 
  
f

  
 mp
      
          
       
  
 

     
   
f mp f
     

           
   
 
 
 
  
   
mp f
 1. 2.
  
 

 
   
 
       
   
             
   

                        
  

                        
       
mp cresc. poco a poco
ff
43. William Tell Overture
           
Allegro Gioacchino Rossini (1792-1868)
                       
      
mp
        
    
  
      
  
  
  
     
  f
    
            
    
    

 
      
mf
          
                        
  
Bass in Bb
                        
            
                
     
   
       
mp
                
       
              
f
       
                      
      

44. Entry of the Gladiators
  
Julius Fucik (1872-1916)
Allegro

        
             
ff 
    
                             
     
mp
      
                            
mf
1.
    
2.
                              
 
                        
        
 
mp
        
         
   
 
 mf
        
              
   

 f

Bass in Bb
45. Liberty Bell
John Philip Sousa (1854-1933)
Allegro
                  
            
ff
   mp
   
                          
   
mp
   
                            
 
mp
 
1.
  2.
   
     
           
     
  
  
ff
ff
            

             
       
       mf
         
1.
                  
      
ff
    
                  
2.
     

   

p mf
          

                      
    

p mf
    
1.
                               
mp
   
2.
                  
     

Bass in Bb
   
                       
ff
    
    
                
  
    
                       

         
  
                    
 
   
                            
      
f
  
                          
  

                          
 
 
                          
     
ff
          

                      
    
    
                         

1. 2.
                
       

The Book For All Occasions::: Patriotic

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The Book For All Occasions::: Patriotic

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The Book for All Occasions

01. Rule Britannia :: Patriotic :: Thomas Arne (1710-78)

02. God save the Queen

08. Waltzing Matilda

09. March from Scipio :: Ceremonial ::

       

12. Three Fanfares for an Occasion

13. Trumpet Voluntary

19. Londonderry Air :: Traditional ::

poco rit. A tempo rall.

23. Cwm Rhondda :: Hymns ::

24. Be Thou my Vision

25. Abide with me

27. Dear Lord and Father of Mankind

28. Jingle Bells :: Christmas :: Traditional American song

                          

29. We wish you a Merry Christmas

36. Nimrod (from the Enigma Variations)

37. Nessun Dorma (from Turandot)

40. Wedding March (from A Midsummer Night's Dream)

:: Fun and Games ::

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