Tritone split ("Arpeggio/Pattern" 12#4#5)

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  
Gabriel Moraes

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2 4

  
  
a) Tritone Split/Adding a Major 2nd/ Repetition over 3 octaves 1 3

 Tritone
1 M2 2 4
1 M2 1 3

Electric Guitar
4


2
1 3

14 16
13 15
11 13
Electric Guitar 10 12
9 9 11
8 8 10

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Arpeggio 1 2 #4 #5

        
          
  
a) 5th string 4 b) 6th string 2
3 1 1 1 3 3 1
1 4 4 1 1 1
3 4

El. Guit.

    
2 4 3 4 3 1 4 1
3 2 3 4 3 4
1 2

  
m i
RH: p i m i i p p i m i m m m i p i p
p
4 8 4 8
3 7 7 3 7 9 9 7
5 5 7 7
El. Guit. 4 6 6 4 6 10 10 6
3 5 5 9 9
8 10 10

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             
Lick using micro"arpeggios" transposed in tritone intervals

      
4 1 4
1 1
5 1 4 1 2 1 3 2 2
1 2 3 1 3 2 3 3 1 3 1

El. Guit.


p i m m i p i m m i i p p
RH: m i
10
9 9 13 13 9
7 7 11 11 11 11
El. Guit. 10 10 12 10 12 12 10
11 9 11 11 9 9

Apply that lick over the following chords:

Cmaj7(#5) or F#maj7(#5) = 1 9 #11 #5 (Stars with the 1 or #11)
B7(b9,13) or F7(b9,13) = b9 #9 5 13 (Starts with the b9 or the 5)
Bb7(b13) or E7(b13) = 9 3 b13 b7(min7th) (Starts with the 9 or the b7)
A-maj7 or Eb-maj7 = b3 11 13 7(maj7th) (Starts with the b3 or the 13)
Ab7(#11) or D7(#11) = 3 #11 b7 1 (Starts with the 3 or the b7)

© Gabriel Moraes 22.03.20