MTD 1213

DIGITAL STUDIO TECHNOLOGY

DMT 94
MIXING PROCESS
Submitted to
MR. AZRUL
No. Student Name Student Id Number
1. MUHAMMAD IZWAN BIN MHD KHOIR DMT60-1-3390
2. MUHAMMAD HAQIM BIN IZAAQ DMT60-1-3424
3. MUHAMMAD HAZIQ BIN SAMSURI DMT60-1-3420
4. MUHAMMAD AZIZI KHURMAIN DMT61-1-3470
5.
6.

Prepared By Student Id Number

MUHAMMAD IZWAN BIN MHD KHOIR DMT60-1-3390
 TABLE OF CONTENT

1. INTRODUCTION

2. MIXING PROCESS

3. STUDENT ROLE

4. CREATIVE EFFECT USED

5. DYNAMIC EFFECT USED

6. EDITING

7. CONCLUSION

8. REFRENCES

DIGITAL RECORDING RECHNOLOGY

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1. INTRODUCTION

Assalamualaikum, digital studio provides both a technology-equipped space

and technological or rhetorical support to students working individually or

in groups on a variety of digital projects. Mixing process is a unit operation

that involves manipulation of a heterogeneous physical system with the

intent to make it more homogeneous. Creative effect used is an effect on a

device that treats the audio in some way, then adds it back to a dry or

untreated version of the sound. Echo and reverb are obvious cases, and you

can use pitch-shift and pitch modulation in a similar way. Dynamic effect

used is the process of altering the dynamic range of an audio source to

make it easier to place in the overall mix. Editing is record all of the audio

narration for the entire course in one continuous recording, edit or delete

gaps at beginning and end of recording, edit or delete errors by the narrator

and apply the noise reduction feature in the audio recording program for

the whole file.

DIGITAL RECORDING RECHNOLOGY

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 2. MIXING PROCESS

TRACK BASS- EQ3 7-Band

TRACK DRUM- D3 ExpGate
TRACK ELECTRICPI- EQ3 7-
Band and D3 DeEsser
TRACK GUITARLIN1- EQ3 7-
Band and D3 ComLim
TRACK GUITARLIN2- EQ3 7-
Band and D3 ExpGate
TRACK GUITARLIN3- D3
ExpGate and EQ3 7-Band
TRACK HARMONY- D3
ExpGate
TRACK MAINVOCAL- EQ3 7-Band

DIGITAL RECORDING RECHNOLOGY

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3. STUDENT ROLE

IZWAN- PLUG IN ,MIXING PROCESS, CREATIVE EFFECT USED, DYNAMIC

EFFECT USED, EDITING, PROTOOLS

HAZIQ- INTRODUCTION

AZIZI- CONCLUSION

HAQIM- REFFERENCES

DIGITAL RECORDING RECHNOLOGY

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 4. CREATIVE EFFECT USED

I use EQ to
track bass,
drum,
electrickpi,
guitarlin1,
guitarlin2,
guitarlin3,
harmony,
main vocal

In track bass adjust input, output, LF1.06, LMF1.43, MF2.51, HMF2.32, HF1.15
to get better sound from noise

In track electrickpi
adjust LF gain
-2.1dB, LMF gain
-11.3dB, MF gain
-8.6dB, HMF gain
6.7dB, HF gain
4.8dB and input to
get better smooth
sound

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Track guirtarlin1, guitarlin2,guitarlin3 to improve sound. Adjust LF 0.45,
LMF0.23, MF2.75, HMF2.75 and MF 0.70

Track mainvocal

adjust LF

0.58,LMF1.86,

HMF2.57, and MF

0.25 to get quality

vocal.

DIGITAL RECORDING RECHNOLOGY

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5. DYNAMIC EFFECT USED

Track drum

adjust range

-12.0dB,

attack 56.2us,

thresh

-22.4dB in D3

ExpGate

Track electrickpi
adjust FREQ
13.2kHz and Range
-23.2dB

DIGITAL RECORDING RECHNOLOGY

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 Track

guitarlin3

adjust

range

-12.4dB,

attack

7.0ms,

hold

50.0ms, release 21.0ms and thresh -24.0dB

6. EDITING

Cutting every track and arrange to get better good sound

DIGITAL RECORDING RECHNOLOGY

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 Adjust every track volume.

Then insert a master fader.

Put a fade in and fade out to

get a quality song

7. CONCLUSION
In conclusion, we have learned how to utilize various effects to better
improve the fidelity of the multi-track, putting it together by cutting away at
the silent parts to the multi-track and rearranging some of the tracks to
create an original, whole new track or song.

DIGITAL RECORDING RECHNOLOGY

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8. REFRENCES

 https://www.youtube.com/watch?v=wxD5NhSJVw8

DIGITAL RECORDING RECHNOLOGY

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