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  • Episode 65 Lick Templates

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    Manuel Alejandro Rodriguez Madrigal
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    The document contains 5 examples of guitar lick templates based on different musical scales. Each example shows the fretboard diagram and tab for a short melodic phrase, identifies the scale it uses, and provides the timing for playing it. The examples demonstrate lick templates in E Mixolydian, D Lydian, Em pentatonic, E Phrygian dominant, and E Phrygian dominant scales.

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    The document contains 5 examples of guitar lick templates based on different musical scales. Each example shows the fretboard diagram and tab for a short melodic phrase, identifies the scale it uses, and provides the timing for playing it. The examples demonstrate lick templates in E Mixolydian, D Lydian, Em pentatonic, E Phrygian dominant, and E Phrygian dominant scales.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    19 views2 pages

    Episode 65 Lick Templates

    Uploaded by

    Manuel Alejandro Rodriguez Madrigal
    The document contains 5 examples of guitar lick templates based on different musical scales. Each example shows the fretboard diagram and tab for a short melodic phrase, identifies the scale it uses, and provides the timing for playing it. The examples demonstrate lick templates in E Mixolydian, D Lydian, Em pentatonic, E Phrygian dominant, and E Phrygian dominant scales.

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    © All Rights Reserved
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    m.alejandro.r.madrigal@gmail.com

    EPISODE 65: Lick Templates


    Chris Brooks - patreon.com/chrisbrooksguitar
     = 110

    Example 1: E Mixolydian
    E7   
        
    6
              
             
    6 6
    6
                           
    7 9 10 7
    9 7 9 10 12 9
     11 9 7 9 11 7
    9 7 9 11 12 9
    11 9

    ½

      6 6

               

    ½
                 

     11
    7 9 11 7 11 9
     9 7 9 10 12 9

    Example 2: D Lydian
    D
               
                
     
    6 6
    6
    6
                           
    10 12 14 10
    12 10 12 14 15 12
     14 13 11 13 14 11
    12 11 12 14 16 12
    14 12

    6 6
      
               

                
     16
    11 12 14 11 14 12
     12 10 12 14 16 12

    1/2
    Example 3: Em Pentatonic

                 
    Em
    6
              
            
    6 6
    6 6
                                  
    12 15 17 12
    15 12 15 17 20 15
     16 14 12 14 16 12
    14 12 14 17 19 14 14
    17 14 12 14 17 12
     15 12

    Example 4: E Phrygian Dominant


    E7
              6
            6
            
    6
         
    6 
    6
    10 12 13 10
    12 10 9 10 12 9
     10 9 7 9 10 7
    9 7 6 7 9 6
    8 7 5 7 8 5
     7 5 4

    Example 5: E Phryian Dominant


    E7
              
                6
    3 
            
    6 6
    6
    6
                            
    10 12 13 10
    12 10 12 13 15 12
     14 13 10 13 14 10
    12 10 12 14 15 12
    14 12 11 12 14 11
     13 12 10 12

    2/2

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