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CriticalNotices
Franz Brentanoon the Ontologyof Mind
Franz Brentano's 'philosophyof mind' still means, as far as most philoso-
phers are concerned,no more than a peculiarlyinfluentialaccount of inten-
tionality.In fact,in his Psychologyfroman EmpiricalStandpoint,Brentano
has providedan account of mentalphenomenawhich ranks with any to be
foundin the literatureof philosophy.It differsas much fromthe concept-cen-
teredKantian approaches to 'reason' or 'understanding'as frommore recent
approaches, centred on the language used to report or to express
'propositionalattitudes',in being an ontologyof mind, concernedwith the
descriptionof the entitieswhich are involvedin mentalexperienceand of the
relationsbetweenthem.
With the posthumouspublicationof a seriesof lecturesgivenin Vienna in
i890-9I' we now possess a clear account of the ontology,and of the meth-
ods, underlyingBrentano'snumerousand subtle descriptionsof mentalphe-
nomena, at least at one highlyfruitful stage in his career.What followsis a
detailed exposition of this work, togetherwith a briefcritical coda. It is
dividedinto the followingparts:
i. DescriptivePsychology
i.i Descriptivevs. GeneticPsychology
i.z Epistemologyof DescriptivePsychology
z. Noticing,or: The Method of DescriptivePsychology
3. Elements,Modes of Connectionand Types of Part
3.i The Unityof Consciousness
3.2 SeparableParts
3.3 DistinctiveParts
3.4 Logical Parts
3.5 ModificationalQuasi-Parts
4. On theNecessaryFeaturesof the Objects of Sensation
5. The Experienceof Time
6. CriticalRemarks
6.i The Fictionof 'Reality'
6.z Synchronic/Diachronic
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?1. DescriptivePsychology
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Brentanogives as an example of an inexactlaw the thesisthat the stimulus
of a point on the retina by a light-raywith vibrationsof a particularfre-
quency produces the appearance of somethingblue (p. 5). This law loses its
appearanceof absolute generalityonce we take into account the possibilityof
colour-blindness, or of the severing of a nerve, or the case where
hallucinationobtrudes,etc. The laws governingthe association, the causal
order and the coming-to-beand passing-awayof psychologicalphenomena
are never free of exceptions.Brentano's argumentfor this point resembles
argumentsbeing put forwardsimultaneouslyby ErnstMach,3 the difference
being that for Mach the realm of the inexact, of ineliminablevariability,
usurps the whole of psychology(indeed the whole of science), where for
Brentanothere remains a domain of exact and exceptionlesspsychological
laws.
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aboutwhata judgment,
clarity theevidenceof a judgment,
an inference,
its manifest
validity,
is (p. 9).
of an attitudetowards experi-
We see here perhaps the earliestmanifestation
mentalpsychologyon the part of philosopherswhichhas since been repeated
in various forms.As Wittgensteinputs it:
The confusionand barrenness is not to be explainedby callingit a
of psychology
"youngscience";its stateis not comparable
withthatof physics, forinstance,in its
beginnings
. . . For in psychology thereare experimentalmethodsand conceptual
confusions(PhilosophicalInvestigations[hereafter:
PI], p. 233).
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tures of experience,even featureswhich are recurrentand by no means in
principleunnoticeable,which are hardly ever noticed. (We could perhaps
learnhow to minimisethisdangerif we knew underwhat conditionsnoticing
occurs,but thisis a problemthatbelongsto geneticpsychology.)
Noticing is importantbecause, as it will turnout, the psychicconstituents
which descriptivepsychologyseeks to describe come in a numberof subtly
different kinds and they stand to each other in relationswhich are by no
means simple.And whilstall of theseconstituentsare in a certainsense pres-
ent to us in experience(otherwisetheywould not be psychicconstituents),
not all of themare noticed.As Brentanohimselfputs it:
or recognition
is an acceptance
Perception Andifwhatis acceptedis a
(Anerkennung).
wholewhichhas parts,thenthepartsare in a certainsenseall co-recognised
together
withthewhole.Forwereone of themdeniedthiswouldconflict withtherecognition
ofthewhole.But partis notthereby
theindividual alreadyexpressly (p. 34).
recognised
Noticing,Brentanosays, is 'an explicit perceptionof what was implicitly
included in perception'(p. 33). He distinguishessharplybetween 'to notice'
and:
'to findconspicuous',
'to keep or bear in mind' (sich merken),
and
'to attendor pay heed to' (aufmerken).
Consider,firstof all 'to findconspicuous'. Unlike 'to notice',this refersto a
state of mind (Gemfitszustand)and should be compared to: 'to findsome-
thingodd or strange',differing fromthis only in degree(wherenoticingdoes
not admit of degreesat all). Attention,on the otherhand, is certainlyclosely
relatedto noticing:only what has been noticedcan attractour attention.But
somethingcan be noticedwithoutattractingour attention.And payingatten-
tion is not a necessarypreconditionfornoticing.
Brentano's account of the act of noticingexplicitlywhat had previously
been only implicitlyperceivedwould repay close comparisonwith Wittgen-
stein's account of noticingaspects. Brentanoproceeds in just the way Witt-
gensteincondemns: 'Do not try to analyse your own inner experience'.5
Brentanowrites: descriptivepsychologyis 'an analysingdescriptionof our
phenomena . . . To be a phenomenon something must be in one (in sich).
All phenomena should be called "inner" . . . ' (p. iz9).
In his discussionof noticingan aspect,Wittgenstein stressesthatthisexperi-
ence occupies an unusual position between simple seeing and thinking.But
Brentanois able to go furtherby providinga taxonomyof the different sorts
of judgment,predication [Prddizieren]or determination[Bestimmen]with
which acts of noticingare intimatelybound up (pp. 34, 37, 48). The most
basic sort of noticingis, as we have seen, an acceptanceor recognitionof a
'Versuche
nicht, zu analysieren!'
in dirselbstdas Erlebnis (PI,p. zo4).
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contentand is itself,in Brentano'sterms,a varietyof judgment(p. 34). More
complexcases would include,forexample,those involvingpredication,notic-
ing that somethingis or is not the same as somethingelse (positiveand neg-
ative predication:p. 37). As the editors point out, this taxonomybecomes
considerablyricherin Brentano'slater theoryof judgment(n. 14, p. i7if.).
Wittgenstein's conclusion with respectto the experienceof noticingaspects
was that such an experiencemust be foundedon custom,on upbringing,on
the masteryof a technique.In view of the huge differences betweenthe activi-
ties Brentano and Wittgensteintook themselvesto be engaged in, it is
remarkablethat Brentano,too, should have arrivedat a comparable result.
Brentanoargues that a range of different habits and trainingare necessary
preconditionsof noticing,in the contextboth of teachingothersto noticeand
of the acquisitionof the abilityto notice on one's own behalf.In an interest-
ing excursus into geneticpsychology(pp. 3i-65), he describesthe different
sorts of comparisonsthat must be made if someone is to learn to notice
something,comparisonsthatmustbe familiaras a resultof habit and training
if noticingis to occur at all. Indeed Brentanowritesthat it is comparisons,
amongstotherthings,that make up 'the processesin the lifeof everymature
individualthat must be called primordial'and by which 'we are firstled
explicitlyto notice certainindividualparts withinthe complex of our con-
sciousness'(p. 54f.).
Brentanodescribesalso the difficulties in the way of noticingcertainphe-
nomena (p. Iz4) - why were blind spots nevernoticedbeforeMariotte?
distinguishing fourdifferentcases where noticingcan fail (compare Wittgen-
stein'sremarkson aspect-blindness[PI, p. z13f. and elsewhere]).When Witt-
gensteinsays that a pupil can only see one part of a triangleas its apex if he
is thoroughlyconversantwith ways of using the figure,he adds that this
point is not an experientialproposition(PI, p. zo8). And now for Brentano,
too, it will be remembered, the factthatnoticinghas certaindeterminatepre-
conditions is a matter of descriptive psychology (even though the
investigationof these conditionsis a matterfor geneticpsychology).A big
difference remains:forBrentanothe activitiesthat formthe basis fornoticing
essentiallyinclude certainmental acts, albeit verysimple ones such as com-
parison.In Wittgenstein's work,in contrast,it seems thatthe techniquesto be
masteredare deliberatelycontrastedwith any sort of mental act. The latter
drop out as unimportant.
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simple. But Brentanois not so simplemindedas to conclude fromthis that
consciousnesslacks all unity.He has at his disposal a theoryof parts,wholes
and unitywhich is powerfulenough to recognisethat an entityor structure
can have parts withouttherebyfallingapart into the separate and individual
elementsof a mereheap. We do not have
but,in a mostunequivocal
of things,
a multiplicity the
way,one thingthatembraces
wholeofa realhumanconsciousness(p. i i).
What is thistheoryof parts,wholes and unity?
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must 'contain as theirprimaryrelationa presentationof a sensible concrete
content'(p. 85: see 54 below).
53.3 DistinctiveParts
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One does indeedneedto pay attention theconceptof
here.To understand
partone has to graspa conceptofparts
distinctive
whichdo notoccurin a spatially
side-by-side fashion, in a quitedif-
butareconnected
way,whichso to speakreciprocally
ferent or mutually one another[sich
interpenetrate
durchdringen]
sozusagenwechselseitig (p. I 7).
It is notas ifa bluenessdetermination is simplyhangingaround,waitingfor
some spatialdetermination and some brightnessdetermination to join up
with it; or as if it could move on fromone spatial or brightness
determination to another,in sucha way thatit wouldremain(numerically)
thesame.Similarly, are hangingaround,
it is notas ifspatialdeterminations
waitingto be filledby colourand brightness (and perhapsby
determinations
determinations of othersorts):space is, just,whatgetsfilledby quality.A
spatialextension onlyexists,according to Brentano,to theextentthatthere
are space-fillingqualitieswhichthisextensionis theextensionof. A spatial
boundary onlyexiststo theextentthatthereis something qualitativewhichit
bounds.
If Brentanois rightthenthereare at leasttwo verydifferent sortsof ele-
mentsof consciousness, levels,and two different
at different modesof con-
nectionbetweenthem.Butouraccountof Brentano's taxonomy ofpartsis by
no meanscomplete.
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minations,which are instancesof the species blue and yellow, each contain
logical parts which are instancesof the common species colour (as if thereis
something,in addition to these logical parts, which would make individual
instancesof sheer colour into individualinstancesof blue or yellow, respec-
tively).
The relationof logical parts to theirwhole is, Brentanoclaims further, dis-
tinctfrom- thoughin different ways parallel to - the relationsmanifested
in cases of one-sidedseparabilityand of distinctive parts.
To see how it is distinguishedfromthe case of one-sidedseparabilitycon-
sider,forexample,the relationbetweena thinkingof a givenconceptand the
judgingthat thereis somethingwhich falls under this concept. That which
makes the thinkinginto a judgingcan be reallyseparatedout: a judgingcan
give way to a mere thinkingof a concept; the formermay cease to exist
althoughthe latterremainsin existence.But now consider,in contrast,the
relationbetweena thinkingof a conceptand that which makes it a thinking.
There is no way in which the latter(logical part) can be separatedout. Or
considerBrentano'sexample of the relationbetweenan occurrentdesire for
apples and the simultaneouspresentationor thinkingof apples. Clearly the
formercan be cut away fromthe latterin such a way that thereis simplya
presentationthatis no longerassociated witha desire.But thereis no way in
which that logical part which makes a presentationof apples a presentation
can be cut away fromthe mentalphenomenonin question to leave that ele-
mentin virtueof whichthe phenomenonis apple-directed.
Logical parts are distinguishedfrom distinctiveparts in the strictsense
('durchwohnendeTeile') by the fact that the logical part is an instanceof a
species which is superordinateto that of which its whole is an instance.This
is neverthe case in regardto distinctiveparts (a coloured patch which I see
has a givenspatial determination as one of its distinctivepartsbut it does not
itselfinstantiatethe speciesspatial determination).
Of course,relationssuch as thatwhichholds betweenthinkingand thinking
of a concept or betweendesiringand-desiringapples are 'logical' also in a
sense whichhas nothingat all to do withthe ontologyof part and whole, but
merelyreflectscertainpurely analyticrelationsbetween the given concepts.
This makes Brentano'stalk of 'parts' here somewhatdifficult to understand.
With a littleexerciseof the imagination,however,it is possible to consider
the given relationsas relationsbetween correspondingelementsin the phe-
nomena in question,and indeed to see theseelementsas the fundamentum in
re in virtueof whichit is appropriateto apply conceptslike thinkingor desir-
ing to the givenphenomenaat all.7
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53.5 ModificationalQuasi-Parts
oftheObjectsofSensation
Features
54. On theNecessary
The primary exhibitvar-
objectsof basicacts,i.e.,of actsof sense-perception,
ious structuralfeatures,as do acts themselves,and thepresentvolumepro-
videsdetailedaccountsofthemoreimportant ofthese.8
WhatBrentano has to sayon thistopicis of thefirstimportance, bothhis-
toricallyand foritsownsake,although theinvestigationofthestructural fea-
turesof the objectsof basic acts has sunkintoalmostgreateroblivion,in
contemporary philosophy, thanhas theinvestigationofthestructures of men-
tal actsthemselves.
We have alreadyseensomething of whattheinvestigation involvesin our
discussionof distinctiveand logicalpartsabove.Brentano claimsthatevery
objectof sensation has a perceptualqualityand thisoccupies(fills)a perceiv-
able space. Quality(colour,tone . . . ) and spatiality are two distinctive
parts.(Thislaw was thesubjectof detailedinvestigation
('interpenetrating')
by Stumpfin his Uberden psychologiscben Ursprung der Raumvorstellung
[Leipzig: Hirzel, i873].) We shall concentratehere on the structuresof per-
ceptual quality (pp. 89ff., 115-zo).9
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Qualities are internallycomplex. Every quality contains both a feature
belongingto the seriesbright/dark and a featurebelongingto the seriessatu-
rated-unsaturated, or to analogues of these.Beforewe look at this claim in a
littlemore detail,however,somethingshould be said about the natureof the
projectBrentanowas involvedin. The projectof settingout exact and neces-
sary truthsconcerningthe constituentsof sense-fieldshas become almost
totallyincomprehensible to philosophers.In part this is due to the victoryof
the dogma that 'contentis incommunicable'.'0Yet the project of a descrip-
tivepsychologyor 'phenomenology'of objects of sense perceptionthatwould
consist of necessary material truths was common to Brentano, Hering,
Marty," Stumpf,Kdhler,Selz, Meinong, and Husserl (whose contributionto
this 'phenomenology'in the narrower,descriptivesense, was unfortunately
overshadowed by his later metaphysics).The idea is even traceable in the
writingsof the middleWittgenstein.
The project is still verymuch alive in at least one sphereoutside philoso-
phy,however.Brentano'sbold generalization,formulatedwithinhis theoryof
parts and wholes,to the effectthateverysensiblequality(and not only visual
but also, e.g., auditoryqualities) exhibitsthe two dimensionsof brightness
and saturation,makes him an importantprecursorof modernphonology.For
it was this generalization,theoreticallyrefinedand placed on a secure experi-
mentalfootingby Stumpfand Kdhler,that was taken over by Roman Jakob-
son in his formulationof some of the most importantlaws and distinctionsin
the domainsof phonologyand acoustics."
Let us look in some detail about what Brentanosays about thesetwo neces-
sary featuresof the qualities of the objects of sensations.Everysensiblequal-
ity contains a momentof brightnessand darkness (Helligkeitund Dunkel-
heit). Brentanoemphasises(p. II5) thatthe difference betweenHelligkeitand
Dunkelheit in the sphere of colour perception makes its appearance in
relation to all sensorymodalities. It makes itselffelt,e.g., in the relation
between tones of higherand lower pitch and in regard to heat sensations
('what is cool is brighterthan what is warm': ibid.). It is of course not the
case that any colour is brighterthan any tone, or that a colour or tone is
brighteror less brightthan a warmthor a coldness.But while thereis no uni-
taryspecies forbrightnessand darkness,thereis always at least a relationof
similaritybetween the differences which hold between the various different
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kindsof brightness and darkness:therelationof brighter thanbetweentwo
coloursresemblesthe relationof brighter than betweentwo tones,even
thoughtheabsolutebrightnesses and darknesses do notresemble each other.
Brentanoquotesapprovingly Helmholtz'sremarkthatwe have to do here
withtwo degreesof difference - a difference of kindand a kindof differ-
ence,we mightsay.We can use thenumberof different kindsof brightness
and darknessthatthereare to determine the numberof different sensory
modalities(p. ii6).
Whatholdsof brightness holds,too,of saturation. ('Colouring'[Kolorit]is
anothertermsuggested by Brentanoforthisfeature.) Thus Brentanoargues
thatthisdistinction, familiarfromthe realmof colourperception, is mani-
festedin therealmof acousticphenomena in theoppositionbetweensound
(orwhatis Klanghaft) and merenoise(p. 89).
The relationship betweenthemoment of brightnessand themoment of sat-
urationor colouring is an exampleoftherelation we havealreadymetofdis-
tinctive(or mutually parts(cf.p. izo). Brentanonow con-
interpenetrating)
sidersthe possibility that the primaryobjectsof sense perceptionmight
exhibitother,additionaldistinctive features, forexample,intensity (p. go).
On thisquestionthe editorsusefully pointout thatBrentano'sconceptof
intensityis different fromthat of his contemporaries, most of whom
'identified
differences in thebrightness of a visualsensationwithdifferences
in theintensityofthissensation'(p. 174):
'3 Further
detailsareprovided
in thepieceseditedbyOskarKrausas "Towarda Phe-
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Brentanoissues warningsabout the difficulty of understanding his account
of the way temporaldimensionsare given.These warningsrelatenot merely
to the peculiar terminologyof 'Proterose','Proteraesthesis'('originalassocia-
tion' or 'originalintuitionof time'),whichhe introduces.Indeed his warnings
about the difficulty of understandingwhat he is gettingat (cf. the quotation
supplied by the editorson pp. xviii) resemblenothingso much as Husserl's
warnings to his readers about the difficulties of understanding his
'transcendental reductions',and theyraise the same suspicionsin the reader.
The source -ofour concept of time is, Brentanotells us, an experienceof
originalassociation which accompanies all perceptionbut is distinctfromit.
Not only when we hear a melodybut even when we look at a perfectlysta-
tionaryobject we experiencesuccession.We experience,forexample,thatone
and the same object remainspreciselywhere it was. 'This experienceshows
us a past temporalstretch'(p. 9z). Brentanoclaims that the great similarity
betweenthis experienceand correspondingsensations,and the close genetic
connectionbetween them, is responsiblefor the fact that sensations have
nearlyalways been confusedwithProteraestheses or originalassociations.
The phenomenonof perceivedsuccessionraises the followinggeneralprob-
lem. How can I perceiveanythingat all as being past? How can something
have the attributepastnessif it no longerexists?Here, as in so many other
places, Brentano'ssolutionbeginsby makinga logical or syntacticdistinction.
not a genuine,attribute(pp. 19, 94). It
'Past', he tells us, is a modifying,
belongs to the same categoryas 'so-called', 'former','alleged', 'pretended'.
This class of adjectiveswas studiedin detail by Brentanoand his pupils, and
in Husserl's Logical Investigationsthe theoryof modificationsis developed
and put to work in a systematicway. Modifyinguses of expressionsare not
arbitrary, Husserl argues; theyare governedby syntacticrules.But theserules
are not identicalwith the syntacticrules that governthe build-upof expres-
sions used in normal,i.e., non-modified ways.
When we hear a tone, what we hear endures (as we would normallysay)
for a certainperiod of time,howevershort.Thus we experiencenot merely
the sensationof a tone, but also a Proteraesthesis.But where the object of
hearingis a tone, the object of the Proteraesthesisis, Brentanotells us, not
the past (segmentsof the) tone but the (just) past sensing (Empfinden)of
these segments(p. 98). More precisely,the primaryobject of the Proter-
aesthesis is not the primaryobject of the sensation,but somethingwhich
belongs to the secondary object thereof,namely, 'the modified[i.e., past]
intentionalrelationto the primaryobject' (ibid.). Sensationhas as its secon-
dary object a presentsensing:Proteraesthesis has as its primaryobject a past
sensing(ibid.).
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This does not, of course,get Brentanoout of his difficulty. For a past sensa-
tion or a past intentionaldirectednessare themselvesas much past and there-
fore(as one says) 'non-existent'as past tones or past kings.'4
Brentano'sview as expounded in these lecturesthereforeremainsobscure.
Brentanoappears to claim that a Proteraesthesis involvesas its object a non-
existingthingto which we attach modifyingattributes.But the point about
modifyingattributesis that they imply that somethingdoes exist, indeed
somethingrelatedin a quite determinateway to what the unmodifiedpredi-
cate normallyrelates to. A forgedbank-notehas to be made of paper; a
mock fighthas to involvebodilymovements,and so on. This point was made
by Twardowski. It seems to us to provide a strongerobjection to the
modificationtheorythan the objectionmentionedby the editorson p. i65f.,
who point out that sentencescontainingmodifiedexpressionscan be trans-
lated into sentenceswithoutthe modifyingexpression.Thus a sentenceabout
false gold can be translatedinto a sentenceabout an object that is not gold
but is such that it could be assumed to be gold. Chisholmand Baumgartner
point out that Brentanosaw that this sort of translationwill not work for
futureand past. It seems to us that this criticismoverlooks the fact that
modified referringexpressions always imply somethingquite determinate
about the make-upof an object. Brentanocannot be rightabout a past colour
when he says, in effect,that it is a non-existentobject, since therehas to be
somethingreallyin common betweena past colour and a presentcolour, if
the modificationinvolvedis to be understandableas a modification,just as
therehas to be somethingreally in common betweenthe forgedbank-note
and the real bank-note,or betweenthe ordinaryuse of a termto referto an
object and the modifieduse of the termin whichit refersto itself.
The appeal to the syntacticdevice of modificationplays an importantrole
in Brentano'sontology.In fact,the sort of modificationthat takes us from
'tone' to 'past tone' is a memberof a family,one othermemberof which,as
alreadynoted, takes us from'colour' to 'seen colour' - and thus lies at the
heartof Brentano'stheoryof intentionality or 'immanentexistence'.Another
memberof this same family,singledout for some attentionin the introduc-
tion to the presentvolume, lies at the heart of Brentano'slater reism.Bren-
tano was able to back up his absolute rejectionof an ontologythat distin-
guished between accidents and substances by appealing to the type of
modificationthat takes us from'Johnsees the horse' to 'Johnis a horse-seer'
- a typeof modification thatyieldswhat Chisholmhas nicelycalled a notion
of concretepredication.If 'Johnsees the horse' has the canonical form'John
is a horse-seer'then, or so Brentano argues, the temptationdisappears to
referto individualmentalaccidentssuch as John'sseeing.It is strikingthatin
most of the formulationsin the presentwork Brentanodoes not appeal to
this latter type of modification.He talks directlyabout relations between
mental accidents.Indeed he talks directlyabout relationsbetweena host of
different kinds of peculiar non-substantialparts. Evidence of his later reduc-
tionismis pleasantlysparse.
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?6. CriticalRemarks
56.2 Synchronic/Diachronic
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ness. For thereis no reason in principlewhy the structuralprincipleseluci-
dated by Brentanoin his Aufbau of human consciousnessshould not be put
to work also in relationto what is not simultaneous.And, indeed, the con-
ceptual pressureleading Brentanoto restricttheirapplication in this way is
responsiblefor many weaknessesin what he says. Let us begin with a small
but significant example. Brentanotalks frequently of a 'psychicact' which he
calls belief (Glaube). His favouriteillustrationof the relation between a
superposedand a basic act is indeed the relationbetweena beliefand a pre-
sentation(e.g., p. 84). He even speaks of 'assertoricbeliefs',as if the distinc-
tion betweenbeliefand assertionwere not as absolute as is the distinction,
e.g., betweenbeliefand presentation(p. 83). But beliefis a state: it can, for
example,die away; assertionsand presentations,in contrast,are events.And
clearly a philosopherwho attemptsto give an ontologyof the mental but
restrictshimselfto the make-upof synchronously existingmentaleventsmust
face the criticismthatontologicalrelationsbetweenmentaleventsand mental
states fall outside his purview. Yet it seems clear that an episodic assertion
standsin just that relationto an enduringbeliefthat an episodic wish stands
to an episodic presentation,that is to say, in each case we have a relationof
one-sidedseparability.'5
A furtherconsequence of Brentano's restrictionis that he cannot deal,
withinthe frameworkof descriptivepsychology,with any ontological rela-
tions betweenmentaleventsor mentalstates not existingsimultaneously:all
such relationshave to be downgradedto the level of the merelycausal or
empirical.In general terms,Brentanomust deny that the relationsbetween
distinctiveand detachable parts can ever be diachronic: all diachronicrela-
tions fall outside the scope of his a priori theoryof part, whole and unity.
Thus his frameworkis incapable of dealing adequately with the surelynot
merelycontingentrelationsbetween,say, the memoryof an eventin the past
and the presentation(perception)of that event as it occurred.And Brentano
is forcedto claim also, for example, that genuineremorsedepends not on a
past action,but on presentlyexperiencedtemporaldifferentia in certainpres-
entlyexistingpresentationsand judgmentson which the remorseis based (p.
'5').
Contortionsof this sort - and indeed the contortionwhich is Brentano's
entiretheoryof time as developed in this volume - could and should have
been avoided. And the workingout of a more adequate descriptivepsychol-
ogy of diachronicrelationsamongst mental elementswould have led to a
significant enrichment of Brentano'sbasic ontology.
Brentano'srestriction of the realmof exact and necessarytruthsof psychol-
ogy, and of ontology,to the realm of truthsabout instantaneousmentalepi-
sodes mesheswith his otherfundamentalassumptionof Cartesianism:neces-
sary truthsare truthsof which a subjectmust be capable of havingEvidenz,
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the subjectat thattime.But Brentano'scontribution to analyticontology
shouldnotstandor fallwithhisepistemology, andhisrecognition
of thepos-
sibilityof a descriptive
scienceof exact and necessarypsychologicallaws
shouldnotbe overlooked simplybecauseit is accompaniedby theinsistence
thattheselawsbe capableofbeinggraspedinfallibly.
KEVIN MULLIGAN
University
of Hamburg
BARRY SMITH
of Manchester
University
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