Professional Documents
Culture Documents
Edited by
Ahmar Mahboob and Naomi K. Knight
Continuum International Publishing Group
The Tower Building 80 Maiden Lane
11 York Road Suite 704
London SE1 7NX New York, NY 10038
www.continuumbooks.com
Index 307
List of Figures
Table 16.2 The meaning of polarity with some primary MOOD options 290
in English
Table 16.3 The meaning of ‘not’ in questions: semantic and 292
grammatical views
Table 16.4 The meaning of ‘not’ with demand information . . . 294
apprize: specify
Notes on the Contributors
Chris Cleirigh is an unemployed linguist who received his PhD from the Uni-
versity of Sydney in 1999. He has worked on research projects since 1993 in
both Speech Technology and Linguistics, in both the university and private
sector, and has publications in both fields.
M. A. K. Halliday was born in the north of England in 1925, received his B.A. in
Modern Chinese Language and Literature from the University of London in
1948 and his Ph.D. at Cambridge in 1954; along the way he studied linguistics
at Peking University and Lingnan University in China. He taught at Cambridge
and at Edinburgh, and became Professor of General Linguistics at University
College London; he left to become a Fellow at the Center for Advanced Study
in the Behavioral Sciences and take up various short appointments, before
moving to Australia as Foundation Professor of Linguistics at the University of
Sydney, where he remained until his retirement at the end of 1987. Since
then he has held visiting appointments in various countries, the latest being at
The Hong Kong Polytechnic University in 2009. Professor Halliday has been
awarded honorary degrees by twelve universities in Europe, Asia, Australia and
Canada.
He also carries out research in the cultural anthropology of Papua New Guinea
and the Solomon Islands.
Sandra Jones is the Director of the Centre for Health Initiatives, a Research
Strength at the University of Wollongong, and a Professor of Social Marketing/
Public Health. From 2004 to 2009 she was also Associate Dean (Research) in
the Faculty of Health & Behavioural Sciences. Sandra’s research focuses on the
relationship between media and health, including the impacts of advertising
in the print and electronic media on health behaviour, and the use of social
marketing to improve population health. Sandra has published more than
100 refereed papers and been awarded in excess of $3 million in research
funding.
Erika Matruglio is a PhD candidate in the Faculty of Arts and Social Sciences at
the University of Technology, Sydney. Her research interests include the con-
struction of interpersonal stance in student writing, disciplinary differences in
student literacy practices, the epistemological and axiological bases of school
subjects and educational linguistics generally. She is a former high school lan-
guages and ESL teacher, has lectured in ESL and TESOL methodology and is
currently involved in a project investigating disciplinary differences and the
building of cumulative knowledge in high school subjects.
xiv Notes on the Contributors
While Corder did not provide a detailed discussion of why applied linguists
moved away from linguistics, we posit that this shift (particularly in the United
States) was a response to the nature of the theories of language that were (and
continue to be) mainstream in the United States, for example, generative
linguistics. The formalist paradigm, which is dominant in the United States,
prioritizes ‘langue’ (system) over ‘parole’ (language use/text as an instance of
the system). As such, linguistics has moved its focus away from a discussion of
language as it is used and as it varies in social context. This limits its usefulness
for applied linguists who see their job as the ‘investigation of real-world prob-
lems in which language is a central issue’ (Brumfit, 1995, p. 27).
While one can see why linguistic theories such as generative grammar or
optimality theory have little relevance to applied linguistics, the lack of engage-
ment of sociolinguistics, which by definition studies language in social contexts,
with applied linguistics research is slightly more complex. Beatriz Lavandera
(1978) points out that sociolinguistic variation studies deal primarily with
morphological, syntactic and lexical variation and ‘suffer from the lack of an
articulated theory of meanings’ (p. 171). She problematizes this lack of atten-
tion to meaning in sociolinguistic research and argues that different forms
mean different things and therefore should be studied as such. Without such
consideration, she argues, a study of formal variables ‘can only be heuristic
devices, in no sense part of a theory of language’ (p. 179). This is a severe criti-
cism of studies in sociolinguistics that do not consider meaning to be an essen-
tial aspect of their study and also suggests why sociolinguistics does not play
a central role in studies in applied linguistics. Because it looks at language
use and context, applied linguistics needs to take meaning into consideration.
Sociolinguistic research that does not take account of meaning is therefore not
seen as useful or relevant to applied linguists.
Given the limited ability of mainstream theories of language to shed light on
the social and semiotic aspects of language, applied linguists have become quite
Introduction 3
In further elaborating on the term, Halliday (2006a) stated that appliable lin-
guistics makes it possible for us to develop
they pursue the question of ‘restoration’ and how successfully these types of
conferences achieve this end. The authors propose staging for what they refer
to as a ‘commissioned recount’ genre, showing how this genre supports the
construction of a particular identity for the young person, as evaluations are
‘co-created and guided by other participants’ through the ritualistic elements
of the process. While they note that criminological research most often takes a
quantitative approach, these authors provide a qualitative analysis with a back-
ground of theories across functional linguistics, social semiotics and perfor-
mance studies to uncover aspects of the actual dialogue that takes place. With
this approach, they conclude that the YJC offers at least a chance for the young
person and victim (along with others present) to affiliate and perhaps to reha-
bilitate through the ‘doing’ of the conference, differing in important ways from
the outcomes of the traditional criminal justice system.
Humphrey adapts the semiotic model of context in SFL in her chapter,
‘Modelling social affiliation and genre in the civic domain’, in order to apply
it to the speeches of social activists. Supporting the concept of a Positive
Discourse Analysis (PDA) (Martin, 2004), Humphrey adjusts her use of genre
theory through the notion of ‘civic domain’ in response to the fact that ‘the
emphasis on relatively stable academic genres has resulted in models of genre
classification which do not fully account for emerging, blended and less stable
genres created in other domains of adolescents’ lives’. She draws upon data of
speeches, interviews and newspaper commentaries from an Australian social
movement (called ‘Chilout’) to demonstrate how these activists achieve their
goal of persuasion in the text to promote their goals. By opening up the model
of context to account for cultural domains, Humphrey also proposes an inter-
mediate space of ‘social affiliations’ to describe how people come together
around a common endeavour, and she exhibits this through different elements
of persuasion in their texts. In this chapter, language is shown to significantly
affect, and be affected by, social context in a genre model.
From another point of view, Lukin offers an interesting application of
Halliday’s notion of ‘register’ to hard news in her chapter, ‘“News” and “regis-
ter”: a preliminary investigation’. As an initial investigation utilizing this con-
cept in the analysis of news discourse, and following from those studies
committed in the genre school, Lukin contends that the register model offers
a great deal of descriptive power to be found through the parameters of social
context, and that this ‘comes from its openness to the dynamism of social con-
text, an openness which derives from it being in a dialectic (i.e. realizational)
relation to social context’. Drawing on semantic tools including Cloran’s (1994)
Rhetorical Unit analysis and Hasan’s (1984) Cohesive Harmony analysis, this
chapter describes the registerial configuration of linguistic meanings associ-
ated with the particular situational field, tenor and mode in a news broadcast
concerning the invasion of Iraq. This preliminary investigation focuses on how
power relations are carried through those meanings that are the focus of regis-
ter analysis, reinforcing Bernsteinian notions that inform the social linguistic
model of SFL.
Introduction 7
case compels the use of multimodal tools, and a cross-stratal perspective, exhib-
iting the essential interaction of theory and application. The authors explain
that the ELO creates a contrast between prosodies by ‘oscillating’ between
judgements of the young person, as made clear through the visual representa-
tion, and they end the chapter by proposing that this contrast has the affiliative
function of integrating the young person back into the community.
Evaluative meaning and the linguistic framework of appraisal are brought
into the pedagogic context in ‘Evaluative stance in humanities: expectations
and performances’ by Matruglio. In particular, what kinds of implicit features
of language and writing are expected of students, and what they are expressing
in their writing, are shown to be retrievable through the application of a lin-
guistic framework such as appraisal analysis. Situating her study in four humani-
ties subjects within secondary education, Matruglio considers variation in how
attitudes are expressed in ‘high stakes examination writing’ (along with syllabus
documents) to make explicit the evaluative work that is necessary and ‘appro-
priate’ for students within each subject. By gathering what she calls ‘Appraisal
profiles’, differences in the use of explicit and implicit attitudes, and the inter-
play between them, are clarified according to these subjects. This chapter offers
an important contribution to the study of interpersonal meaning and expecta-
tions in the educational context, and it turns the focus towards the pedagogic
for the chapters to follow.
In Humphrey, Martin, Dreyfus and Mahboob’s chapter, ‘The 3x3: setting
up a linguistic toolkit for teaching academic writing’, the authors provide a
‘semiotic toolbox’ for training literacy teachers based on systemic functional
genre and register theory. Based on their work in the SLATE literacy project
(described in Chapter 3), the ‘3×3 framework’ combines three metafunctions
(ideational, interpersonal, textual) and three language strata (social activity,
discourse semantics, and grammar and expression) to distinguish areas of con-
cern in the examination of student writing. They describe how the 3×3 maps
out linguistic patterns that are relevant at each particular level in response to
what is expected of students in academic writing, and they focus on the genres
and hence linguistic resources that are privileged in the academic domain to
make these resources appliable across disciplines. The example of a student’s
science text given by the authors demonstrates the usefulness of the framework,
expounding the linguistic resources in use at different strata and showing how
they construe an academic register. By offering teachers a metalanguage for
assessment and feedback, the authors illustrate how these aspects can be made
more systematic and less ambiguous in education.
Jones examines the potentially ambiguous nature of logical connectives in
his chapter, ‘Why are logical connectives sometimes detrimental to coherence?’
Reviewing the categories given by linguists to logico-semantic relations, Jones
imparts ‘a preference for macro-categories over micro-categories’, while argu-
ing that all the categories proposed are polysemous and hence potentially pro-
blematic. He puts forward that implicit conjunction (or the absence of logical
Introduction 9
many meanings’. This informs us about his popularity and how West (in
comparison to rapper 50 Cent provided in the chapter) can affiliate with so
many through an inclusive and integrative style.
By concentrating on the analysis of multimodality, Zhao’s chapter on ‘Rank
in visual grammar: some implications for multimodal discourse analysis (MDA)’
follows suitably as an exploration of the issues that arise when a linguistic
framework (and specifically the SFL concept of ‘rank’) is used to analyse
modalities other than language (MOLs). In her review of the main MDA tradi-
tions in visual grammar, Zhao exhibits the issues, such as validity in theoretical
borrowing, that are at the forefront of MDA. Specifically, how far can we go in
extending the parameters of SFL to describe other semiotic resources? In this
sense, then, the question of how ‘appliable’ a linguistic framework is in multi-
modal relations is made relevant. In her chapter, Zhao extrapolates the ‘miss-
ing elements’ in the current debate on rank in MDA through a re-interpretation
of Halliday’s concept, and proposes that the model of constituency (parts) in
MDA does not provide for its dynamic or process-oriented nature. In her words,
a multimodal text is not made up of parts but ‘is a meaning making process,
in which choice from one semiotic system is constantly coupling with or decou-
pling from the choice made in another system’, and she outlines the impli-
cations on SFL and the challenges this presents, especially in finding a
metalanguage to account for this dynamism.
The final chapter ends the volume on the pursuit of meaning in Hasan’s
‘The meaning of “not” is not in “not”’. Hasan ‘opens afresh’ the debate on
meaning in linguistics, showing that ‘its practical participation in human social
life is both profound and extensive’ through a comprehensive discussion of
the history of meaning and its relationship to language as exemplified through
the semantics of ‘not’. Meaning is described as ‘the essence of language’, and is
shown to be central to all aspects of human life through a number of consider-
ations. Hasan brings us through a phylogenetic history of homo sapiens in
archaeological anthropology, and of the brain in this species in neuroscience;
then to an ontogenetic perspective on ‘the developmental trajectory of single
members of the community’ in Vygotsky’s concept of ‘semiotic mediation’, fur-
thered by Bernstein’s notions of ideology to separate orientations to meaning
that vary across social groups; and finally leading to Halliday’s conceptualiza-
tion of the ontogenesis of language and the systemic functional model. The
chapter is then moved into the exploration of linguistic meaning through SFL,
including its major concepts, and specifically the examination of the meaning
of negative polarity (‘not’) through Hasan’s semantic networks and a trinocular
perspective on surrounding linguistic strata (that is to say, a view above and
below the stratum of concern). While we can see the meaning of ‘not’ in its
default realizations (e.g. ‘denial’ in statements), Hasan argues that non-default
meanings of a category like this are just as important to consider, and we must
look up into the semantics from the lexicogrammar and across the range of its
paradigmatic and syntagmatic relations to gain a different view of the category’s
Introduction 11
References
Brumfit, C. J. (1995). ‘Teacher professionalism and research’, in G. Cook and
B. Seidhofer (eds), Principle and Practice in Applied Linguistics. Oxford: Oxford
University Press, pp. 27–41.
Cloran, C. (1994). Rhetorical Units and Decontextualisation: An Enquiry into Some
Relations of Context, Meaning and Grammar. Nottingham: Department of English
Studies, University of Nottingham.
12 Appliable Linguistics
Corder, P. S. (1978). ‘“Simple codes” and the sources of second language learner’s
initial heuristic hypothesis’. Studies in Second Language Acquisition 1 (1), 1–10.
Halliday, M. A. K. (1985). ‘Systemic background’, in J. D. Benson and W. S. Greaves
(eds), Systemic Perspectives on Discourse, Volume 1. Selected theoretical papers
from the 9th international systemic workshop. Norwood, NJ: Ablex Publishing
Corporation, pp. 1–15.
Halliday, M. A. K. (2006a). ‘Working with meaning: Towards an appliable linguistics’.
Inaugural lecture to mark the launch of the Halliday Centre for intelligent appli-
cations of language studies at the City University of Hong Kong, Hong Kong.
Halliday, M. A. K. (2006b). ‘Some theoretical considerations underlying the teach-
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Halliday, M. A. K., McIntosh, A. and Strevens, P. (1964). Linguistic Sciences and
Language Teaching. Bloomington: Indiana University Press.
Hasan, R. (1984). ‘Coherence and cohesive harmony’, in J. Flood (ed.), Understand-
ing Reading Comprehension. Newark, DE: IRA, pp. 181–219.
Lavandera, B. R. (1978). ‘Where does the sociolinguistic variable stop?’ Language in
Society 7 (2), 171–82.
Martin, J. R. (2000). ‘Beyond exchange: appraisal systems in English’, in S. Hunston
and G. Thompson (eds), Evaluation in Text: Authorial Stance and the Construction of
Discourse. Oxford: Oxford University Press. pp. 142–75.
Martin, J. R. (2004). ‘Positive discourse analysis: solidarity and change’. Revista
Canaria de Estudios Ingleses 49 (Special issue on discourse analysis at work: Recent
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Martin, J. R. and White, P. R. R. (2005). The Language of Evaluation: Appraisal in
English. London and New York: Palgrave.
Pike, K. L. (1981). Tagmemics, Discourse and Verbal Art. Ann Arbor: MI Studies in the
Humanities.
Van Leeuwen, T. (1999). Speech, Music, Sound. London: Macmillan.
Chapter 2
At a time when meaning was largely excluded from the discourse of what was
then becoming ‘mainstream’ linguistics, my teacher, J. R. Firth, perversely pro-
claimed that all linguistics was, in effect, the study of meaning. He used various
metaphors along the way; one was that of the spectrum of visible light. Meaning
was dispersed across the spectrum of language, which included the levels of
phonetics, phonology, lexis, grammar and context (‘context of situation’). The
linguist took account of all of these; and strategies for doing this constituted,
collectively, the ‘technique of semantics’.
Firth’s throwaway examples tended to obscure the message: when he said
that ‘part of the meaning of a Frenchman is to sound like one’ it made the
observations seem trivial. Firth’s point was that all the strata of language are
implicated in the making of meaning. This is the nature of the semiotic pro-
cess, and of the kind of system that is associated with such a process: a realiza-
tional system, one whose working parts are related not as cause and effect but
as signified and signifier, or (as I prefer to generalize it) as value and token.
In a sense what binds a theory to its applications is this relationship of value
and token: a theory is made manifest, or ‘realized’, in the processes of being
applied. If all aspects of the phenomenon that is being theorized – in this case,
language – are implicated in the making of meaning, then any application of
the theory will also involve some kind of operation with meaning. Of course,
‘applications’ of a theory will vary in where their energies are directed; some
are what we would probably think of as ‘practical’, such as teaching foreign
language skills to a class of technology students, while others will be of a research
nature, such as the linguistic analysis of literature, where we try to explain how
a text, or a canon of texts, comes to carry a particular value. But all are based on
the premise that the task is in some way or other one of working with systems of
meaning.
14 Appliable Linguistics
nominal group, not as Epithet, and the adjectival form cultural is ambiguous
in this respect, and could be interpreted in the somewhat oxymoronic sense of
an industry which is itself of cultural value. The discourse of the culture indus-
try includes varieties like museum texts (Ravelli, 2006), tourist guides and
brochures, promotions and programmes of events like concerts or sporting
ventures, and so on. The text I am working on is a tourist guide to the Chinese
city of Guilin – or rather the city and its surrounding region, which is one of
China’s most outstanding beauty spots. There was already an English version of
the guide, and my original undertaking was just to polish up the English trans-
lation as a token to the friend who gave it to me, who happens to be advisor and
consultant to the Guilin Tourist Bureau.1 I had thought this would be a fairly
simple task, but it turned out that what was more appropriate was a new transla-
tion from the original Chinese text (which was both lavishly produced and very
beautifully illustrated).
I shall assume that we can discuss translation in terms of equivalence and
shift, taking these terms from Catford’s splendid little book on translation
(Catford, 1965) but more particularly as they are expounded and theorized by
Matthiessen in the book edited by Erich Steiner and Colin Yallop (Matthiessen,
2001). If x in the source language has been translated by y in the target lan-
guage, we ask whether the two, x and y, are equivalent, or there has been a shift.
Of course, this opposition will always be ‘with respect’: it is the job of a linguistic
theory of translation to specify and explain the ‘respects’ in which we may estab-
lish equivalence and shift, and this is what Matthiessen proceeds to do. These
are what he refers to as the environments of translation.
Matthiessen writes (2001, p. 78), ‘I shall assume that translation equivalence
and translation shift are two opposite poles on a cline of difference between
languages’, from ‘maximal congruence’ to ‘maximal incongruence’. ‘The gen-
eral principle’, he adds, is that ‘the wider the environment of translation, the
higher the degree of translation equivalence; and the narrower the environ-
ment, the higher the degree of translation shift.’ This is the principle of contex-
tualization: the ‘widest’ environment is that in which the text is ‘maximally
contextualized’ – and therefore, by the same token, is likely to be ‘maximally
effective’ (ibid., pp. 74–5).
Matthiessen’s ‘environments’ are defined by the dimensions along which every
human language is organized: stratification, rank, instantiation, metafunction,
delicacy and axis. I shall refer mainly to the first two of these, stratification and
rank, in looking at some examples from my bilingual tourist text (actually
quadrilingual, because it includes also versions in Korean and Japanese). What
I am seeking to do is to identify points of translation shift in explicit linguistic
terms, so as to be able to discuss the issues that are involved when we consider
possible alternatives. This means locating particular instances in their contexts
in the systems of English and of Chinese – primarily, here, in terms of their
location in stratum and rank.
This exercise is related to, although not identical with, the ‘error analysis’
that was popular in language teaching, or rather in linguistics when applied to
Pinpointing the Choice 17
language teaching, in and around the 1970s. Error analysis went out of fashion
fairly quickly, because it turned out that there were nearly always a number
of different ways of repairing a linguistic error. This made it unpopular with
teachers; but it is precisely this feature that makes it interesting to linguists, and
it is a useful exercise to perform with students of linguistics since it helps them
to become conscious of the various dimensions along which languages are
organized.
A translation shift is not the same as an error. Indeed there will almost always
be shift on some dimension or other, because there is seldom total equivalence
between choices in two languages; the translator shifts here to gain equivalence
there, according to the value inhering in equivalence of different kinds in
the nature of the task in hand. Of course there are simple errors, mistakes
in the target language (we will start with one or two of these). But while these
also can be usefully pinpointed, they lie outside the range of (normal) transla-
tion equivalence.
In the second part of this chapter I will discuss some examples taken from
one paragraph of the English translation of my tourism text. Text A below is
the Chinese original; Text B is the English translation. The two were clearly
identified as being equivalent, as they appeared one beneath the other in a
single column (not all portions of the text were displayed as matching para-
graphs in this same way). I shall try to keep in focus the concept of choice, see-
ing each example as the output of choices made at some particular locations in
the target language. We cannot know, of course, what steps the translator may
have traversed in arriving at the published translation; that is not the issue here.
What I am trying to do, in ‘pinpointing the choice’, is to use the analytic tools
of linguistics, and particularly perhaps of grammatics, to examine the signifi-
cance of alternative renderings for a reader of the English text.
In the table of examples (Appendix 1), each of the four centre columns takes
a step towards pinpointing the problem in linguistic terms. The first column,
headed ‘point at issue’, gives an informal characterization of the instance that
is being highlighted: ‘English error’, ‘unmotivated shift’, ‘unnecessary word’,
‘unclear meaning’, and so on. The next three columns locate the point at issue
on each of three dimensions in the ‘architecture’ of language: the stratum
(phonetics, phonology, lexicogrammar (syntax, morphology, lexis), semantics,
context); the rank (in syntax: morpheme, word, group, phrase, clause or some
complex of any of these; in lexis: lexical item, collocation); the metafunction
(ideational (experiential, logical), interpersonal, textual). On all these dimen-
sions, more than one location may be involved (for example, rank: clause/ver-
bal group). The final column suggests how an alternative choice might be made
which would improve the effectiveness of the translation.
To make this discussion more accessible to those who do not read Chinese,
I have added a transcription of the paragraph in the roman alphabet, using the
Hanyu Pinyin (the authorized spelling of standard Chinese), including the
tone marks as an essential component. I have not thought it necessary, or even
desirable, to add an interlinear gloss on the Chinese words, because these will
18 Appliable Linguistics
As a matter of fact, this temple is a rock cave. Its ceiling is made of rock and,
therefore, it is also called ‘one piece of tile’.
(The) Concert Hall was built in 1989. The design of the hall is so good that
in every seat music can be heard.
Here the humorous effect comes from the semantic incongruity: the anomaly
between the stated cause (therefore; so good that) and the lack of any perceived
causal relation: why would you call something a ‘piece of tile’ if it’s made of
rock? And music being audible from every seat is a minimal requirement of a
concert hall, not something to be picked out as a claim for special merit.
When we talk of ‘pinpointing the choice’, in the theory and practice of trans-
lation, this means locating, within the systems of the two languages concerned,
Pinpointing the Choice 19
the moments of equivalence and shift that come to our attention. These may, of
course, be almost any moments in any pair of texts that are related as source
and target texts in translation, since equivalence on all dimensions is rather
improbable. At the same time, the concept of translation, as process and as
product, depends on the search for equivalence and the assumption that equi-
valence can be achieved in at least certain respects. There will always be a trade
off, such that we are able to say that, in the given context, the greatest value
is carried by equivalence of this or that particular kind: usually in some combi-
nation of stratum and metafunction. (My first published translation was an
English rendering of a Chinese song; since this was done for performance at
a recital, it had to fit the rhythm and spirit of the music.) The translator will
give these forms of equivalence priority, in making choices, and accept the
resulting shift in other locations. All work of translating is the exercise of
choice, conscious or unconscious. But then, so is every other performance of
language.
When we talk of an ‘appliable linguistics’, this means a way of engaging with
language that is theoretically robust and at the same time serviceable – capable
of being put to use in addressing a range of problems and tasks. These two
requirements support each other, because the robustness of the theory derives
from its long association with activities where language plays a central part –
including some educational (e.g. language across the curriculum), some
computational (natural language processing) and others; while its appliability
comes from its consistent grounding in theory – in this case, a theory offering
functional explanations both for the system of language and for each instance
of language use, and locating any feature of language in its paradigmatic context,
as selection from a multidimensional meaning-making resource. Translation is
one area where it is valuable to be able to reflect on what we are doing, and to
explore the meaning potential of a language – of two or more languages as they
are brought into contact – in an explicit and recoverable way. Translators often
protest that they find little or no use for linguistics; so it is perhaps a challenge
to what seeks to be an ‘appliable’ kind of linguistics to put it to work in this
domain.
2.3 Texts
(i) Ёᖗऔඳ᱃咲ᰃҹⱒ䞠ⓧ∳⚎Ё䓌㍿ˈ䔏ᇘܽኌ㨫ৡⱘ㞾✊乼ܝǃҎ᭛
᱃㾔ˈᾟ៤Ḗᵫቅ∈ⱘ㊒㧃DŽ݊Ё᳝ҹⓧ∳乼⚎ܝҷ㸼ⱘ5㰩ᆊ㋮4A
᱃औ˗᳝Ϫ⬠᳔ⱘ䲩ลࡉ➳ഄᛮ㞾ῖ೦˗᳝Ϫ⬠᳔ⱘ㰢❞仞Ⅺ
ഄ䲘Ể❞㰢ቅ㥞˗Ꮦऔⱘܽ∳ಯᰃᾟ៤њ‘ϔ∈ᢅජ⌕’ⱘජᏖ݀
೦DŽ݊䭧गዄⶫゟˈ乼ᚙ㨀。ˈҸҎ⼲ޱᔶ䞟ˈ⌕䗷ᖬ䖨DŽ
20 Appliable Linguistics
(ii) Zhōngxīn qūyù jǐngdiǎn shì yǐ bǎi lǐ Líjiāng wéi zhōng zhóuxiàn, fúshè
liǎng àn zhùmíng-de zìrán fēngguāngǃrénwén jǐngguān, gòuchéng
Guìlín shānshuǐ-de jīnghuá. Qízhōng yǒu yǐ Líjiāng fēngguāng wéi
dàibiǎo-de 5 chù guójiājí 4A jǐngqū; yǒu shìjiè zuìdà-de diāosù chuàng-
zuò yíngdì Yúzì Lèyuán; yǒu shìjiè zuìdà-de hǔ xióng yǎngzhí jīdì
Xióngsēn Xióng Hǔ Shānzhuāng; shìqū-de liǎng jiāng sì hú gèng shì
gòuchéng-le ‘yī shuǐ bào chéng liú’-de chéngshì dà gōngyuán. Qíjiān
qiān fēng chùlì, fēngqíng wànzhǒng, lìng rén shén níng xíng shì, liú lián
wàng fǎn.
The scenic sports of central area is taking the 100 miles of Li River as central
axes, covering the famous natural landscapes and human-culture scenes on
both banks which form the soul of Guilin’s landscape, including five national
level 4A spots in which the scene of Li River is representative; the biggest
sculpture creation campsite in the world – Yuzi Paradise; the biggest tigers &
bears raising base – Xiongseng Tiger & Bear Villa; the Two-River and Four-lake
scenery area form a big city-park of ‘a river flowing around the city’. In this
area, there are thousands of upstanding hills and a lot of charming attrac-
tions which make your pleasure and forget to return.[sic, passim]
Notes
1
My warmest thanks to my friend Bao Jigang, Professor of Geography and Tourism at Sun
Yat-sen University, for bringing this book to my attention – and for presenting my wife and
myself with a handsomely bound copy on the occasion of our visit to Guilin.
The Chinese text and the examples were set up for me by Joe Chen (Chen Jiansheng).
I am most grateful for his assistance.
Pinpointing the Choice 21
(Continued )
Appendix 1
22 Appliable Linguistics
Pinpointing the Choice 23
AMahboob_02_Final.indd 23 5/25/2010 11:24:52 AM
24 Appliable Linguistics
References
Catford, J. C. (1965). A Linguistic Theory of Translation. London: Oxford University
Press (Language and learning series).
Gibbons, J. (2003). Forensic Linguistics. Oxford: Blackwell (Language in society
series).
Hasan, R., Matthiessen, C. M. I. M. and Webster, J. (eds) (2005/2007). Continuing
Discourse on Language, Vols 1 & 2. London and Oakville: Equinox.
Matthiessen, C. M. I. M. (2001). ‘The environments of translation’, in E. Steiner
and C. Yallop (eds), Exploring Translation and Multilingual Text Production: Beyond
Content. Berlin: Mouton de Gruyter, pp. 41–124.
Ravelli, L. J. (2006). Museum Texts: Communication Frameworks. London: Routledge.
Chapter 3
3.1 Introduction
This chapter introduces the Scaffolding Literacy in Adult and Tertiary Environ-
ments (SLATE) project1, which is an ongoing action research project that aims
to scaffold the academic literacy skills of students from a non-English-speaking
background (NESB) studying at an English medium university, via the use of
online learning environments. The SLATE project uses an appliable linguistics
framework in that it builds on and extends a theory of language in response to
a real-world issue (Halliday, 2006). The SLATE project draws on Sydney School
theories of genre (Martin, 1993; Kress, 1993; Martin and Rose, 2008), register
(Halliday 1991; Martin, 1992) and other dimensions of language and semiosis
within the Systemic Functional Linguistics (SFL) tradition. In this chapter, we
outline the broad principles and knowledge that this project is based upon,
share some of the project’s achievements (with examples from one of the
courses supported by the project) and indicate some future directions for the
project.
The SLATE project evolved from a need identified by staff at the City University
of Hong Kong (henceforth CityU) – namely that students at this institution are
not always successful in producing appropriate academic texts in English (this
issue, of course, is not only pertinent to CityU but of much broader concern,
both nationally and internationally). The staff at CityU were concerned that the
students’ lack of ability to write effective texts in their discipline areas had nega-
tive consequences in terms of their future employment and career opportunities.
They therefore started considering ways of providing students with language
26 Appliable Linguistics
support while enrolled in their subject classes. In the initial phase of the proj-
ect, called the Language Companion Course (LCC)2, students were provided
with a language coach to whom they submitted drafts of their written coursework
online; the coaches provided feedback on these drafts using an online comment
bank. While helpful for the students, this model is limited in that it gives the
students no instruction on how to go about their writing tasks before they set out
to write – the help only came ‘after the horse had bolted’, so to speak.
Given that within the Sydney School pedagogy much of the support for
writing is provided prior to students having to write independently, the nature
of the project started to change once the University of Sydney (henceforth
USYD) became involved in early 2008. The changes introduced included sup-
port for both CityU students and their language coaches. For the students, the
USYD team built in some ‘frontloading’ support for students prior to writing,
that included both reading support (where applicable) and a modelling stage,
where students were provided with a model text that explicates the features of
the texts the students were required to write. For the coaches, the USYD team
developed an extensive training programme, which expanded the coaches’
own metalinguistic resources, using teaching materials such as the 3×3 matrix
(see Humphrey, Martin, Dreyfus and Mahboob, this volume). The aim of the
training was to extend the language coaches’ gaze beyond word-level structural
units to considerations of context and unfolding of meanings across texts.
Finally, the USYD team developed an expanded feedback/consultation process
and the development of assessment criteria and protocols. Some of these pro-
cesses and materials will be presented in the section below in relation to one
linguistics course supported by USYD SLATE.
The SLATE project is the fourth generation of Sydney School work on genre
pedagogy based at the University of Sydney. The first generation, the Language
and Social Power project, and the second generation, the Write it Right project,
focused on the literacy demands of primary and secondary schools respectively
(Martin, 2000). These projects identified the literacy practices crucial for suc-
cess in school and made explicit the language resources needed to enact these
practices, both for teachers and students. This work was supported by a number
of international literacy educators, particularly those concerned with develop-
ing critical literacy practices for students from low socio-economic status (SES)
and NESB (e.g. Schleppegrell and Colombi, 2002; Gee, 2000; Kalnin, 1998;
Macken-Horarik, 1996; Schleppegrell, 2004). The third generation of work on
genre pedagogy was developed by David Rose3 and focussed on the integration
of reading and writing across sectors. The SLATE project adopts the principles
developed and tested in the earlier projects and applies them to the tertiary
education context in online learning environments.
English Language Teaching 27
to create texts in ways that are valued in educational contexts (Martin, 1999).
Genre theory suggests that a pedagogy of empowerment must make visible
these genres of power and explicitly teach people who come from disadvan-
taged backgrounds ways of meaning that match the social expectations of
their readership. The pedagogical implications of genre theory encompass
Vygotskyian notions of scaffolding4 (Bruner, 1966; Applebee and Langer, 1983).
Vygotsky’s work, in addition to studies on child language development (such
as Halliday, 1975; Painter, 1984), indicate that successful learning happens
when teachers/carers first model the practices that need to be learnt, then
jointly construct these with the learners, before allowing learners to attempt to
carry out a task independently. For learning within institutional contexts, the
Sydney School has formalized this set of scaffolding practices as ‘The teaching–
learning cycle’ (Rothery, 1996), illustrated in Figure 3.2.
Rothery’s (1996) model implements the idea that knowledge is constructed
in a social context and that in order to successfully gain control of writing and
reading, learners need to be led through cycles of deconstruction, joint con-
struction and independent construction, while simultaneously building their
understanding of the field. In doing so, they move towards a critical orientation
to, and control of the skills, knowledge and language that is required within
specific genres and valued in particular social contexts. The teaching–learning
cycle requires that in the deconstruction stage, the teacher first models the
text and, in thus deconstructing the text, enables students to understand its
purpose, structure and important language features. Following this is the joint
construction stage, where together with the teacher, who provides the leader-
ship and guidance, students write a text of the same type on another topic.
Finally, and after successfully scaffolding this writing process, learners are given
the opportunity to write independently. Throughout this sequence the field
English Language Teaching 29
The contributions of the SLATE project can loosely be divided into support for
language coaches and support for students. As mentioned above, the support
for the coaches included an extensive training programme, the development of
the 3×3 matrix and scaffolding for an expanded feedback/consultation process
involving additional assessment criteria and protocols. The support for the stu-
dents consists of the implementation of one stage of the teaching–learning
model that supports students prior to writing – including both a modelling
stage and an expanded feedback stage that build in supplementary modelling,
and in some cases reading support.
30 Appliable Linguistics
z Criteria A: Purpose and structure of text (focus on the whole text level);
z Criteria B: Development of meaning across paragraphs (focus on discourse
semantics and phases); and,
z Criteria C: Grammar and expression (focus on clauses, sentences and other
structural and graphological features).
32
Orientation Purr: warm greeting Dear TM, Well done on submitting your Dear GY, Well done on considering
Statement of strengths first draft for your second assignment. my feedback from draft 1.
You have a very good sense of You have certainly made a good
Preview: states what structure in terms of staging with effort in strengthening your work
feedback will focus on an appropriate beginning, middle as a comparative text. You have
and end. Well done. There are still made a considerable improvement,
some things you can do to improve especially in creating a proper
your work on a paragraph level. introduction and conclusion and
Therefore my comments this draft refraining from using personal
will deal with paragraph structure pronouns. My comments this time
and topic sentences. I will also make will address ways you can help the
some remarks about appropriate reader to understand your points. I
linking words, level of formality and will focus on ways you can improve
Appliable Linguistics
referencing. your structure on a paragraph level,
as well as touching on effective use
of signposting.
Feedback Statement of problem You have made a good attempt here The two paragraphs above seem
Explanation of why it’s a at a linking phrase to introduce a to describe some words which are
problem comparison. However, the expression difficult to classify. Try to group them
‘On the contrary’ is not quite what you together with a clear topic sentence.
Suggestion for how to need here because you are making This will alert the reader that there
remediate (including a specific contrast, so why not use is a new idea about to be discussed.
directions to Blackboard something like ‘Contrastingly…’ or ‘In (NB This is one of a number of points
resources and model contrast…’ raised by the tutor)
text, and alternatives) (NB This is one of a number of points
raised by the tutor)
(Recap) Summary of what student This is a good comparative essay,
needs to work on in next Y. Keep my comments in mind when
draft working on your final submission,
particularly the way you can arrange
your sentences in a logical sequence
to move the reader through your
ideas in a sensible way.
(Recommendations) Suggestions for activities Your essay could also be
or general ideas to strengthened by using appropriately
improve student’s writing formal language suited to an
academic essay. It can be tempting
to write how we speak. This is one of
the challenges of academic writing,
but you must always keep this sense
of formality in mind and you will
improve. Your use of the personal
pronoun ‘I’ is too informal for an
academic essay. Personal pronouns
like ‘we’ or ‘I’ are discouraged in
Figure 3.3 Feedback structure with required and optional stages. Note: Stages/phases in brackets are optional.
33
34 Appliable Linguistics
wrote for their various courses using an online comment bank. The comment
bank included a list of common problems faced by English as second language
(ESL) students and could be inserted in the students texts as a hyperlinked
numerical item. When students clicked on the hyperlink, the link took them to
a web page that provided a description of the problem, examples of correct and
incorrect use of the feature and sometimes an external link to additional
resources/information about the problem. This use of the comment bank as
the primary form of feedback did not require any support material for students
to use prior to their writing. The support given to students took place once the
students had completed an independent construction of a text. In moving from
LCC to SLATE, the aim was to shift our support forward to inform students
about the kind of text they were being asked to write before they were required
to write it independently. This meant that students would come to the writing
process more informed about what it is they are required to write, instead of
writing blind in an uninformed manner and thus producing texts that needed
wholesale ‘repair’. The aim of providing model texts is not only to guide stu-
dents in their writing, but to also begin to build a shared metalanguage that
would develop students’ knowledge and understandings about language. This,
in turn, would mean that the support students could be given further on in the
programme could assume a modicum of a shared understanding about lan-
guage. The ultimate aim is to provide a spiral curriculum for writing (Bruner,
1960) whereby subsequent teaching can contribute to, build on and then
assume an ever-increasing metadiscursive knowledge base.
For the introduction of the modelling stage, the SLATE team developed
annotated and detailed model texts of the kinds the students need to write. In
recognition of the specificities of knowledge construction in each genre and
field, different models are provided for different assignments and different
subjects. The models show the students the kind of staging and language
requirements they need to master in order to successfully complete their writ-
ten assignments. These models are also accompanied by notes that explain the
model text, including its purpose, structure and language features. The context
of the online environment at present means that while model texts are pro-
vided, there is no teacher-led deconstruction of the text, and the students have
to navigate through the modelling/deconstruction stage independently5.
The chapter will now describe one course in some detail to illustrate how the
SLATE project operated. It will also provide some evidence of the effectiveness
of the approach used in this project.
Over the three semesters of its involvement in the project, the USYD SLATE
team has supported approximately 1100 students in 11 courses. One of these
included a first-year introductory course in linguistics. Before the SLATE inter-
vention, students taking this course were primarily assigned problem sets that
English Language Teaching 35
required them to carry out linguistic analysis, but not to write up or describe
their analysis. According to staff, one key reason for this was that students’
language proficiency was not considered sufficient to write such discussions.
The students were, however, required to submit a final-year research project
that required such writing. The SLATE team, in discussions with the relevant
staff, developed two new assignments for this course that required students to
first carry out an analysis, based on their lectures, course readings and tutorials,
and then write-up their results. The genre of such texts has tentatively been
called an interpretation. Furthermore, since the assignments required students
to compare two linguistic phenomena, the genre can be subcategorized as a
comparative interpretation. The purpose of this kind of text is to compare and
contrast two aspects of language or interpret the language differences in two
(or more) different texts using a particular linguistic frame. Students were
given annotated notes and models for working on these assignments.
In addition to working with the lecturer to set up the assignments, the
SLATE team also shared the rationale for the assignments with the students.
The Information Sheet sent to the students informed them of the SLATE (LCC)
programme and included a listing of the assignments that were supported by
the SLATE team, the important dates for these assignments, the rationale for
selecting these assignments for language support as well as students’ rights and
responsibilities.
Students submitted three drafts of each of the two LCC/SLATE assignments:
Draft 1, which was based on the notes provided to the students; Draft 2, in
which students integrated the feedback given to them on Draft 1; and the Final
draft – submitted both to the language coaches and the subject teacher, in
which students responded to and integrated the feedback given to them on
their earlier writing. The turnaround time for submitting feedback or a revised
draft was 48 hours for both the language coaches and the students. This dead-
line was strictly observed and late submissions by students were not accepted.
This created a cycle of drafting and feedback for each assignment that lasted
just under two weeks. The support for students was supplemented with anno-
tated models and notes at various points during the cycle. The drafting and the
consultation process adopted for this linguistics course is shown in Figure 3.4.
Figure 3.4 represents the consultative process used for the linguistics course.
The consultative process includes a number of initiatives. In the first place,
students were provided annotated models and notes to help them understand
the linguistic requirements of their assignment. The students used these notes
to write their first draft and submitted these to their language coaches. The
language coaches provided feedback on these drafts using the SLATE feedback
practices. In addition to individual feedback, additional notes and activities
were designed and given to the students that address common problems.
Students used the individual and group feedback to revise their drafts and then
resubmitted these to their coaches. The language coaches, once again, pro-
vided individual and group feedback. The students then revised their work
one more time and submitted it to the language coaches, who wrote a final
report on the student language, as well as to their subject teachers, who assessed
the final assignment. This cycle was then repeated (SLATE supported two
assignments in linguistics, but the number of cycles can be adjusted based on
the number of assignments supported).
As was stated earlier, the SLATE team believes that it is very important that
students be explicitly informed about what it is that they need to do in order to
succeed in their work before actually being asked to write their assignments. In
the current stage of the SLATE project, this need was addressed by providing
models of writing to students. These models were annotated and supported
with notes that first aimed to focus the students’ attention on mastering the
requirements of the text at the level of genre. The purpose of a comparative
interpretation was introduced and the model text was annotated for stages, and
also phases within stages. The functions of each stage were explained with
examples from the model text showing where and how these functions were
realized. Following this, the notes demonstrated and discussed the logical orga-
nization of the paragraphs within the body of the text and highlighted the com-
parative language used to help build the model text’s arguments. The notes
then touched on some less genre-specific language issues such as providing
evidence in appropriately academic ways and backgrounding personal feelings
and experiences. The notes finished with a brief step-by-step procedural section
on how to go about writing the interpretation. These notes were used by stu-
dents as they drafted their work. Further, the language coaches also referred
students to specific sections of these notes during the revision/redrafting
phases. The first set of notes were supplemented by activities that the team
felt were needed to help students work on specific problems. For example, it
became evident in Linguistics that while students were able to produce texts
that roughly followed the generic structure of the model interpretation, the
texts were often lacking at the phase, paragraph and sentence levels, parti-
cularly in terms of thematic development. As a result, we introduced notes
English Language Teaching 37
(Continued)
38 Appliable Linguistics
Example 1 (Cont’d)
adding different morphemes to existing roots. For example, In the article, flat(adjective)
is the root, and –ness is the morpheme added, and a new word flat-ness which is a
noun is formed. Certain adjectives can also form superlative adjective, adverb and
noun by adding -est, -ly, and -ity respectively. New words can be formed from a root
that is a noun or a verb too. For example, in the article, tradition which is a noun,
can form an adjective tradition-nal by adding –nal. And arrive which is a verb, can
form a nounarrive-al by adding -al. (2)
However, there are some words that may or may not be broken down into morphemes,
most of them contain roots or stems that are from Latin. For example, eliminate may be
broken down as e-limit(limin)-ate because e- means out of, limin is the root of limit and
–ate is a loanword from Latin. Also, prominent may be can be pro-eminent, prevent
may be broken down as pre-vent(venire) as venire means come in Latin, salutary may
be broken down as salut-ary as salut means health in Latin. (3)
As the language coach points out in the first part of comment (1), the student
has begun the text well by introducing and defining the topic, however the
student omits the next phase of the introduction, which should identify the
English Language Teaching 39
language sample that is used for the analysis. The coach provides a fairly
explicit comment to support the student to include this phase of the introduc-
tion and points the student back to the model text as a way of guiding her to
engage with the support materials. It is important to remember here that stu-
dents are not used to frontloading (specifically the deconstruction stages of
the teaching–learning cycle). Additionally, frontloading is typically mediated
by a teacher in classroom interaction, whereas in the SLATE project, thus
far, students must engage with the frontloading materials independently online.
As can be seen from these coach’s comments, students’ engagement with the
models ended up being mediated to some degree by the coaches, who pointed
them to the models, and to specific points in the model that were applicable.
As the coach points out in the second part of comment (1) and in comment
(2), the points in the student’s text are not well organized. The coach explicitly
states what the student needs to do here to shape the text into its required
stages and phases. Tutor comment (3) also focuses on guiding the student
towards constructing the required stages of the text as the student has both
begun an explanation of something not mentioned in the introduction and has
omitted the conclusion stage. The student used this feedback in revising her
work. The final draft of this student’s assignment is provided below. The draft
has been annotated for the stages and phases within stages to show how the
student is developing control of the genre of comparative interpretation.
As can be seen from Example 2, the student took the coach’s comments seri-
ously and attended to the recommendations. As a result, Example 2 functions
as a more organized text that contains both the required stages and the phases
within those stages. The student’s text is now organized into:
While there is still some room for improvement, particularly with the internal
logic of the points within the paragraphs in the body of the interpretation6,
Example 2 shows a much-improved text in comparison to the first draft. This
improvement in student writing demonstrates the possible effectiveness of the
current consultative process.
In addition, in order to measure the impact of this process on student
language development over time, we also tracked students’ writing across
assignments. One question that we focused on was whether the notes and the
consultation process that students engaged with during Assignment 1 influ-
enced their writing as they worked on future assignments. There is some evi-
dence that students do transfer their developing knowledge about language to
future tasks; however, the majority of students in this group showed a similar
range of problems in the first draft of their second assignment as in the first
draft of their first assignment. This is not unexpected since language develop-
ment requires continuous support over time to have an impact. The SLATE
team is currently tracking students over a longer period of time to evaluate
long-term effects of their intervention.
The SLATE project has made significant contributions to the original LCC
vision and preliminary results and analyses of student writing provide evidence
that the project is successful in helping students gain control over their aca-
demic writing needs. However, there are still a number of aspects of the project
that need to be developed. In particular, the SLATE project needs to expand
the support provided to students before they write independently. One way of
doing this would be to further expand the modelling stage and add online joint
construction activities. With such expansion of the support provided to students
before they write, it is envisaged that the repair work currently required will be
minimized. It is here that the project raises a number of questions about the
nature of online pedagogy in relation to the Sydney School pedagogical cycle
(see Figure 3.2). We are yet to explore how the online deconstruction and joint
construction exercises will be taken up by students and how these will impact
their language development and writing. The SLATE project is currently exper-
imenting with these new technologies and ways of supporting students’ needs.
In doing so, we hope to contribute to an Appliable Linguistics that both draws
from and contributes to a theory of language that relates to a real-world issue.
42 Appliable Linguistics
Notes
1
Funding for this project comes from the City University of Hong Kong and the
University of Sydney.
2
In the examples attached to this chapter, SLATE and LCC are sometimes used
interchangeably.
3
To access David Rose’s work, please visit: http://www.readingtolearn.com.au/#/
home/.
4
Historically speaking, Rothery’s pedagogic initiatives drew directly on Halliday’s
and Painter’s work on language development, at about the same time that
Applebee and Langer popularized Bruner’s notion of scaffolding in relation to
Halliday’s and Vygotsky’s work.
5
The SLATE team is currently preparing material to pilot an online modelling and
joint construction session.
6
Notes on thematic development, discussed earlier, were developed in response to
the work of students like this one, who needed support in producing thematically
well-developed paragraphs within the stages of the text.
References
Applebee, A. M. and Langer, J. (1983). ‘Instructional scaffolding: reading and
writing as natural language activities’. Language Arts 60 (2), 168–75.
Bernstein, B. (2000). Pedagogy, Symbolic Control and Identity: Theory, Research, Critique
(revised edition). London and Bristol, PA: Taylor & Francis.
Bruner, J. S. (1966). Toward a Theory of Instruction. Cambridge: Harvard University
Press.
Bruner, J. S. (1960). The Process of Education. Cambridge: Harvard University Press.
Eggins, S. (2004). An Introduction to Systemic Functional Linguistics (2nd edn). London:
Continuum.
Gee, J. (2000). ‘New People in New Worlds: Networks, the New Capitalism and
Schools’, in B. Cope and M. Kalantzis (eds), The Powers of Literacy: A Genre Approach
to Teaching Writing. Pittsburgh, PA: University of Pittsburgh Press, pp. 43–69.
Halliday, M. A. K. (2006). ‘Working with meaning: Working towards an Appliable
Linguistics’. Inaugural lecture to mark the Halliday Centre for Intelligent Appli-
cations of Language Studies at the City University of Hong Kong.
Halliday, M. A. K. (1975). Learning How to Mean. London: Edward Arnold.
Halliday, M. A. K. (1978). Language as a Social Semiotic. London: Arnold.
Halliday M. A. K. (1991). ‘The Notion of “context’’ ’, in T. Le and M. McCausland
(eds), Language Education in Language Education: Interaction and Development
(Proceedings of the International Conference held in Ho Chi Minh City,
Vietnam, 1991), pp. 1–26.
Humphrey, S., Martin, J. R., Dreyfus, S. and Mahboob, A. (this volume). ‘The 3×3:
setting up a linguistic toolkit for teaching and assessing academic writing’.
Kalnin, J. (1998). ‘Walking on the commons: genre as a tool in supporting adoles-
cent literacy’, in Donna E. Alvermann, Kathleen A. Hinchman, David W. Moore,
English Language Teaching 43
4.1 Introduction
committed the offence can best make amends. The willingness of governments
to experiment with such reforms might be seen as counter-intuitive given
that many politicians owe their electoral successes to populist ‘get tough and
lock ’em up’ policies and regularly engage in the rhetoric of ‘zero tolerance’
against even fairly minor criminal activity. However, as the failure of these poli-
cies to reduce crime rates becomes more apparent than ever and as prison
populations continue to grow, it is not so surprising that alternatives are being
considered, albeit quietly and often with minimal resources. At any rate, initia-
tives such as youth justice conferencing demonstrate a quite remarkable invest-
ment of hope in the power of talk to effect profound change in attitudes and
behaviour.
Criminological research into conferencing has predominantly taken a quan-
titative approach to investigating such matters as whether or not the process
can help reduce recidivism rates, how the time and cost factors involved com-
pared to those in conventional court proceedings, and the levels of satisfaction
reported by conference participants (Maxwell and Morris, 2001; Palk et al.,
1998; Strang et al., 1999; Trimboli, 2000). While the question of recidivism rates
is perhaps not fully settled, results from these studies have generally been
encouraging in this regard and have also repeatedly demonstrated that both
offenders and victims overwhelmingly report a very high degree of satisfaction.
There has been little research, however, of a more qualitative nature directed
towards describing and explaining what it is that participants in a conference
are actually doing, namely interacting through spoken discourse and other
communicative modes. Most of the theoretical work carried out by crimino-
logists and social psychologists who have sought to account for the efficacy of
conferencing has instead revolved around concepts such as ‘re-integrative
shaming’ (Braithwaite, 1989; Ahmed et al., 2001), ‘social bond threats’ (Retzinger
and Scheff, 1996) or, via the neo-Darwinian affect theory ‘emotional contagion’
and ‘collective vulnerability’ of the psychologist Silvan Tomkins (Moore and
McDonald, 2001). The ideal/typical conference, as portrayed in the restorative
justice literature, is often a kind of passion play with a core sequence of remorse,
apology and forgiveness (Hayes, 2006).
As specialists in functional linguistics, social semiotics and performance
studies, our aim is to look more closely at the verbal and non-verbal interactions
in conferencing in order to describe the way in which meaning is being negoti-
ated among participants. In our fieldwork to date (observations of 10 youth
justice conferences, of which 5 were videotaped and have been transcribed),
conference participants have, from time to time, made manifest their height-
ened emotions; however, this has not occurred as often, nor necessarily in the
same ways, as suggested by the ‘passion play scenario’ described above. In what
follows, we report on some of our preliminary work on genre structure, particu-
larly in relation to the accounts young people provide of their offending behav-
iour. We examine the role of evaluative language in and around these accounts,
using this appraisal analysis (Martin and Rose, 2007) to show how the young
46 Appliable Linguistics
gathering
legal framing
commissioned recount of the offence
exploring consequences for various parties
Negotiating Evaluation 47
Even as participants arrive and gather for a conference, roles and expectations
are already being negotiated (convenors, when interviewed, have commented
on the impact which a participant’s choice of clothing can have on other par-
ticipants and have mentioned the value of sometimes ‘stage-managing’ the
order in which participants arrive, either to heighten or lessen possible feelings
of tension and confrontation). Once gathered and seated in a circle, the conve-
nor will make a brief speech during which the conference is constituted as a
legal process, with confirmation of, among other things, the offender’s admis-
sion of guilt. This is succeeded by a series of recounts and rejoinders by various
parties, establishing from different perspectives the events leading up to and
constituting the offence, and exploring their repercussions. Often, the conve-
nor will return at this point to the offender and ask if there is ‘anything else’
he/she want to say to any of the other conference participants (an implicit
invitation to make an apology which is not always taken up). Participants are
encouraged to make some initial suggestions for an outcome plan. They are
offered a break, during which the different parties (associated with the offender
and victim, respectively) can consider more concrete proposals. When the par-
ticipants are brought back into the circle by the convenor, these proposals are
collectively discussed and, following verbal agreement, the details are written
up and read back to the group. Where the outcome plan explicitly requires an
apology, this can sometimes be made on the spot. This is followed by a formal
closing, the option of shared refreshments and dispersal.5
We are currently working towards a more precise functional labelling of the
elemental genres described above and suggest the term ‘Commissioned
Recount’ for the account of offending behaviour which is given by the young
person just after the start of the conference. This term is intended to capture
the way in which, typically, the account has to be ‘extracted’ by the convenor
from a less than forthcoming adolescent. It has the following generic structure
(^ signals sequence in this notation and parentheses are used to indicate
optional elements of structure):
This genre begins with an Orientation which sets the recount in time and space
and introduces the main participants; it continues with a Record of Events,
which presents the sequence of events leading up to and constituting the
offence from the young person’s perspective; the next stage, Re-Orientation is
optional and wraps up the recount and returns participants from reconstructed
past events to the spatio-temporal setting of the conference itself; this is fol-
lowed by an optional Extension stage which a convenor may deploy to elicit a
fuller account from the young person6; in the following Interpretation stage the
recount is evaluated, as emotions and social values in relation to the offence are
explored; finally in the Ramifications stage, some of the pertinent consequences
of the offence are canvassed. In the next section of the chapter we’ll consider
two examples of this genre, one concerning a mobile phone which has been
stolen and passed on to a young man who is subsequently charged with posses-
sion of the stolen goods, the other concerning an affray.7 Elsewhere (Martin
et al., 2009), we have used these examples to place the commissioned recount
genre in relation to the larger family of story genres (Martin and Rose, 2008)
and to show how (in contrast to, say, personal recounts) evaluation tends to get
bundled separately from the Record of Events. We will cover some of this
ground again here but extend the argument by means of a more detailed
appraisal analysis, showing not only where but also more precisely how, and by
whom, the offending behaviour is evaluated.
At this point the convenor interrupts him, in order to ask him to speak louder8
(for the benefit of the Police Liason Officer who, she says, has a cold, and
perhaps also for the benefit of our recording process). He then resumes, in
a slightly louder voice:
The convenor at this point nods encouragingly, in case the young person wishes
to expand on his statement – an invitation the young person declines:
. . . [convenor nodding]
That’s it.
In terms of genre staging, this is a typical recount (Martin and Rose, 2008),
beginning with an Orientation, establishing the Record of Events and closing
with a Re-orientation, as follows:
Orientation
Yeah, I was, I was walking to a mate’s house.
Record of Events
This guy just came up to me
and goes ‘Do you want to buy a phone?’
and I go ‘No’
and I go ‘Do you want to swap?’
[inaudible] want to swap with my phone
and he looked at my phone
and he goes ‘Yeah’
and we swap
and I went and stayed at my mate’s house
and when it came to night time I was going back home,
and we was walking, was walking up the road
and the police just came and got us.
Re-Orientation
That’s it.
[And then what happened? They came and got you. They found the phone.
What did they say to you?]
– They go that this phone was stolen
50 Appliable Linguistics
[And who did they ring when they brought you to the police station?]
– My dad.
It was up there –
It was - [inaudible] on a Tuesday yeah. [inaudible]
and I got a call from my friend, Vxxxx, [inaudible] to come down to [name
of suburb].
Something going on;
but when I went down with them to [name of different suburb] station
and jumped on the train [inaudible]
and the train we got it straight to [name of suburb],
we got off at [name of suburb]
[inaudible] Mxxxx and other - his other two friends.
And they had a one on one
and I jumped in
and I turn around.
I was having a go with his friends
and the [one] next to me got stabbed
and he [inaudible] goes ‘Chase him!’
and I went and chased him,
started chucking stuff at him,
hitting him.
I couldn’t stop him.
He still had the knife in his hand
and after that I walked back to the station to see Vxxxx
and I see the policeman coming as I walked away
and [inaudible] happened to him
and I said to the two officers ‘Assault me, search me.’
They took out all my stuff
Negotiating Evaluation 51
This recount once again begins with an Orientation and continues with a
Record of Events; but there is no formal closing (i.e. Coda):
Orientation
It was up there –
It was- [inaudible] on a Tuesday yeah. [inaudible]
Record of Events
and I got a call from my friend, Vxxxx, [inaudible] to come down to [name
of suburb].
Something going on;
but when I went down with them to [name of different suburb] station
and they found out I was involved
and they took me back to the police station.
...
and I had an interview
and they took my pants, my hat, my jacket
and I was released.
The Convenor then scaffolds a long Extension stage, exploring why the young
offender went to back up his mate, and establishing that he was charged with
possession of a knife:
[Convenor And when you- when you decided you would go down and help
your friend, what did he actually say to you?]
– He was going to see Mxxxx.
[And why was he going to see Mxxxx?]
– Because Mxxxx offered him out.9
[Offered what?]
– Nah [inaudible] two of us have a go like one on one.
[To fight?]
– Yeah.
[And so why did he need you there if he was going to fight him one on one?]
– Because I’m closer [inaudible]. He trusts me like in case anything
happens because I’ve known him since primary.
52 Appliable Linguistics
[Alright and then when you chased after Nxxxx what were you going to do
when you caught him?]
– Wasn’t going to fuck with him. Was going to bring him back.
[Bring him back to where?]
– The station . . . Well I couldn’t, he had the knife in his hand still.
[What did you think when you saw Nxxxx with the knife?]
– I didn’t want to get – I didn’t want to get [next to him] in case I got
stabbed. If I only had the knife I would have pulled it out on him too but
I didn’t have it. I forgot I had it on me.
[So what did he say to you when you – when you caught up with him?]
– He just goes ‘What did I do? I didn’t do nothing’.
[And then what did you do to him?]
– I chased him until he went in – inside a shop.
[Yeah. And then what did you do?]
– I went back to the station and I went back down and that’s when I got
stopped.
Fucken Hell man, who the hell told you I liked doing this kind of shit. On
Saturday I saw Brian and Brendon and his Girlfriend at Waterloo, I was
waiting to catch the bloody bus, anyway they started talking to me so that
killed a lot of time. Anyway I had to go to the Laundromat Yesterday and I saw
my ex-boyfriend man he looks fucken ugly god knows what I went out with
him, he looks like a fucken dickhead
so ugly only a blind woman would go out with him. I ran into this elderly man
that lived down one of my old streets and because I had a bag of clothes the
54 Appliable Linguistics
stupid cunt said to us are you running away from home which is bull-shit
because the sooner that I got home the happier I would have been. Then my
ex-boyfriend comes up which makes it even worse and he starts calling this
old cunt a cradle snatching little ass-hole. I mean as if its any of his business,
and like this is totally humiliating cause I mean everybody and I mean every-
body tried to see who the hell was making all the fucken noise and yes there
I was trying to hide my face as soon as possible . . .
The flat ideational focus of young offenders’ testimony in the Record of Events
means that convenors and liaison officers often take responsibility for interpret-
ing what has happened. To analyse these evaluations we draw on appraisal the-
ory (Martin and White, 2005). As outlined in Figure 4.1, appraisal comprises
three main systems, attitude, graduation and engagement. Attitude is
monogloss
ENGAGEMENT
heterogloss
AFFECT
APPRECIATION...
FORCE...
GRADUATION
FOCUS...
concerned with types of feeling, graduation with their strength and bounded-
ness, and engagement with their sourcing.
Our main concern here will be with attitude, which embraces affect (our
emotional reactions), judgement (how we evaluate people’s character and
behaviour) and appreciation (the value we place on things). In the examples
below, for example, an Ethnic Liaison Officer queries the young person in the
affray conference about his reactions (upset, pissed off – affect), challenges him
to re-make his character (how much of a man, wrong – judgement), and com-
ments on how easy it is to break the law (so easy – appreciation).
ELO: Hey. You think I’m talking to you now I’m – I’m upset with ya? Do you
think I’m pissed off with ya? I don’t know you but do you think I’m upset with
ya? [affect highlighted]
ELO: You find out how much of a man it takes, hey?, to stay out of trouble.
You tell me which one takes more of a man to do. How – does it take more of
a man to listen to your friends or to say to your friends, ‘No, what you’re
doing is wrong’. [judgement highlighted]
ELO: Do you know how easy it is to break the law? It’s so easy. [clicks fingers]
It’s so easy. [clicks fingers] It is so easy. [appreciation highlighted]
Convenor
And who did they ring when they brought you to the police station?
Young Person
My dad.
Convenor
OK. And what did your dad say? Was he angry, happy?
Young Person
[nods] Angry.
Convenor
Angry. [laughs] Yeah. OK.
Convenor
What did mum say when you got home?
56 Appliable Linguistics
Young Person
She was sleeping. [nodding]
Convenor
She was sleeping. Was Mum angry?
Young Person
[nods] Yeah.
Convenor
Did she get upset?
Young Person
[half nod/raises eyes]
And later that of the young person himself, were he to find himself in a compa-
rable situation as victim:
Convenor
So if that was your phone, how would you feel if somebody stole your phone
and then, you know, I decided I wanted to swap it with mine because mine
was older. How would you feel about that?
Young Person
Pretty angry.
Convenor
Yeah.
Convenor
[bobs head] You need to tell us why you took the phone.
Young Person
Because it was new.
Convenor
Because it was new. Newer than yours.
Young Person
[nods] Yeah.
Negotiating Evaluation 57
Convenor
So you didn’t care that it was somebody else’s phone? Is that right?
Young Person
Yeah.
Convenor
OK
She checks to make sure the young person can now acknowledge that he did
the wrong thing:10
Convenor
Did he [dad] say anything to you? [pause]
Young Person
Don’t go anywhere.
Convenor
Don’t go anywhere. As in when you get home you’ve got to stay at home?
Young Person
[raises eyes in a half-nod]
Convenor
Do you think your father was disappointed in you?
Young Person
[nods] Yep.
Convenor
So you know you did the wrong thing.
Convenor
Tell me what happened when mum found out what you did. [tilts head]
[pause] Did she cry?
Young Person
St-() Lecture.
Convenor
You got a lecture. [nodding]
58 Appliable Linguistics
Young Person
[nods]
Convenor
Do you think you deserved a lecture?
Young Person
[looks down]
Convenor
Why did you deserve the lecture?
Young Person
Because I did something wrong.
Convenor
Yep. [nods]
She gets the young person to confirm that his parents have acted reasonably in
grounding him:
Convenor
So it’s quite limiting in terms of what you can do. And that’s – Do you
understand that that was the consequence of what you did?
Young Person
[nods] Yeah.
Convenor
Yeah? Do you think that was reasonable what mum and dad did, grounding
you?
Young Person
[nods]
Convenor
Yeah?
Young Person
[nods]
She also checks twice that the young person has apologized11 to his victim, who
is not in fact present at this conference:
Negotiating Evaluation 59
Convenor
Right and what did you – Did you say anything to him when you found out
that it was his phone?
Young Person
[shakes head] Nah.
Convenor
So you didn’t say sorry to him? [shaking head]
Young Person
(Nah), I said sorry and he goes ‘you don’t have to say sorry , it wasn’t you
that did it.’
Convenor
Right. [half nodding] OK.
...
Convenor
Hey? So you’ve apologized to Jxxx already.
Young Person
Yeah.
Convenor
OK.
The Convenor also guides the young offender towards expressions of remorse:
Convenor
Do you think that mum and dad were disappointed in you?
Young Person
[nods]
Convenor
[nods] Were you disappointed in yourself? Or Not? Or you don’t care?
Young Person
[nods] Yeah.
Convenor
Yeah or you don’t care? [nodding]
60 Appliable Linguistics
Young Person
Disappointed in myself.
Convenor
[tilts head] You are.
Young Person
[nods]
Table 4.1 Inscriptions of affect in the Interpretation stage of the mobile phone
recount
speaker appraising ATTITUDE POLARITY emoter trigger
item
convenor angry dis/satisfaction negative father of YP YP at police station
happy un/happiness positive father of YP YP at police station
(ironic)
YP angry dis/satisfaction negative father of YP YP at police station
convenor angry dis/satisfaction negative father of YP YP at police station
happy un/happiness positive father of YP YP at police station
(ironic)
disappointed dis/satisfaction negative father of YP YP
sorry un/happiness negative young person receiving phone
YP sorry un/happiness negative young person receiving phone
convenor angry dis/satisfaction negative mother of YP YP receiving phone
upset un/happiness negative mother of YP YP receiving phone
cry un/happiness negative mother of YP YP receiving phone
YP angry dis/satisfaction negative young person hypothetically
having own
phone stolen
convenor apologized un/happiness negative young person receiving phone
disappointed dis/satisfaction negative YP’s parents young person
disappointed dis/satisfaction negative young person young person
YP disappointed dis/satisfaction negative young person young person
determined by the Convenor – it’s the Convenor, not the young person, who
controls what the recount means.
Interpretation of the impact of the Commissioned Recount is of course
crucial to the re-alignment of the young person, away from their circle of mis-
guiding mates, and towards their family and wider community. Returning to
the example of the affray conference, it is the Ethnic Liaison Officer who inter-
venes to extend the convenor’s interpretation, apparently out of frustration
with its effectiveness to that point in the conference. He makes explicit refer-
ence to icons of the Muslim cultural background which he shares with the young
person, beginning with the headscarf worn by the young person’s mother:
Young Person
Scarf.
He then focuses attention on the fact that because of what the young person
has done, his mother, through no fault of her own, is now sitting in the pres-
ence of uniformed police.
Young Person
= Me.
Young Person
Men.
Young Person
Police uniform.
This sets up the ELO’s concern abut the bad impression the young person is
creating for himself, and the Muslim community:
Young Person
Think bad of me.
Young Person
Bad.
This was a very sensitive issue at the time since former Prime Minister John
Howard’s neo-conservative government had fanned the flames of anti-Muslim
ethnic prejudice by playing up the issue of ‘border protection’, incarcerating
mostly Iraqi and Afghani asylum seekers and manipulating nationalist senti-
ment in support of Australian troops joining the American invasion of Iraq.
In Sydney, racial tension in fact erupted in violent conflict between ‘white
Australian’ and Lebanese youth in what became known as the Cronulla riots.
The ELO then questions the idea that there is something tough about the
young person’s behaviour:
Young Person
Yeah.
He makes clear his revulsion at the fact that the young person is embarrassing
his mother (and the Muslim community she symbolizes) in this way:
Young Person
Yes.
Table 4.3 Inscriptions of honesty in the ELO’s Interpretation stage of the affray
recount
speaker appraising item social esteem social sanction explicit implicit
Table 4.4 Inscriptions of capacity in the ELO’s Interpretation stage of the affray
recount
speaker appraising item social esteem social sanction explicit implicit
Negotiating Evaluation
ethnic liaison officer No you don’t [respect] propriety inscribe
you don’t respect your mum propriety inscribe
You have no respect for your mum propriety inscribe
You have no respect for your mum whatsoever propriety inscribe
You have no respect for what your mum’s got propriety inscribe
on her head
You have no respect for our community propriety inscribe
You have no respect propriety inscribe
trying to impress propriety
(the right) to go and hurt other people propriety inscribe
young person No right [hurt] propriety inscribe
he hurt my mate propriety inscribe
That’s it [hurt] propriety
ethnic liaison officer if you get a job you’ll be out of trouble propriety inscribe
if you don’t get a job you’ll get into trouble propriety inscribe
responsibility propriety inscribe
break the law propriety inscribe
65
(Continued)
66
Table 4.5 Cont’d
speaker appraising item social esteem social sanction explicit implicit
Appliable Linguistics
laugh at your face propriety inscribe
pretend that they care propriety inscribe
wrong propriety inscribe
trouble propriety inscribe
getting your mum into this crap propriety inscribe
getting your family into this crap propriety inscribe
not right propriety inscribe
no good propriety inscribe
good person propriety inscribe
not good propriety inscribe
trouble propriety inscribe
hurting propriety inscribe
hurting propriety inscribe
don’t care propriety inscribe
alright propriety inscribe
alright propriety inscribe
Negotiating Evaluation 67
proffering virtually all evaluations, and with the young person responding a
word or phrase at a time.
As far as attitude is concerned, the ELO’s interpretation of the recount has
some affect but concentrates mainly on judgement. Interestingly, the ELO does
not condemn the young person per se but focuses largely on his behaviour.
Young Person
No.
Young Person
Because of me.
Young Person
Yes.
Young Person
Yes.
The ELO seems to exemplify here what John Braithwaite, one of the leading
theorists of restorative justice, sees as central to the efficacy of conferencing,
Negotiating Evaluation 69
The notion of re-integrative shaming has not been uncontested in the restor-
ative justice literature. Indeed, Braithwaite and his associates have readily
acknowledged the need for ‘repair work to the theory’, including the need to
make distinctions between shame as an emotion and shaming as practice,
between ‘unresolved shame’ and ‘embarrassment—exposure’, between shame/
shaming and pride/praise etc. (Ahmed et al., 2001, p. 41). Other theorists have
downplayed altogether the centrality of shame (Morris, 2002) or else inter-
preted it more as a collective experience, a ‘visceral reminder’ to participants
that they ‘can experience positive emotions in each other’s company’ which
thereby prompts a transition towards cooperation and resolution of the confer-
ence (Moore and McDonald, 2001, p. 138). Nevertheless, one way or another,
the emotional dynamics of conferencing are seen as critical to its restorative/
re-integrative functions, as the following commentary by psychoanalyst Donald
Nathanson (1997, p. 141) suggests:
Not surprisingly, the initial response of the perpetrator was both indifferent
and unconcerned [. . .]. Yet as the conference ran on and both family groups
began to speak about their estrangement from the perpetrator, that individ-
ual came swiftly to learn that the love of the community was a deeply missed
and quite important part of his or her world. With such recognition came an
avalanche of shame, after which the individual was likely to cry, accept the
forgiveness of all concerned, and sign a document pledging to work in some
way to repair or undo the damage produced by the antisocial act.
It has not been our intention here to add yet another layer to these interpre-
tations of shame and other affects but rather to highlight the fact that, at least
for the conferences we have observed and documented, the evaluative language
of affect, appreciation and judgement is rarely used by young people and to
show how, where such evaluations do occur, they are very much co-created
and guided by other participants. Of course, the analyses reported above are
70 Appliable Linguistics
dealing mainly with what we have called the Commissioned Recount genre and
more research is needed before we can confidently say that these patterns
established at the start of conferences are maintained throughout. Notwith-
standing this caveat, our early findings offer a strong contrast to the observa-
tions of Braithwaite and Mugford in a seminal paper outlining the ‘conditions
of successful reintegration ceremonies’ (which is what they take conferencing
to exemplify). In line with the principle that ‘Non-authoritative actors (victims,
offenders, offenders’ families) must be empowered with process control’,
Braithwaite and Mugford interpreted ‘[the] practice of temporally privileging
the accounts of the young people as a desirable way of seeking to empower
them in the dialogue. For all parties, success is predicated upon a significant
degree of agency’ (Braithwaite and Mugford, 1994, pp. 148–50).
Against this view, our observations are more in line with critique made by
criminologist Hennessey Hayes in a recent re-examination of some major evalu-
ations of conferencing. His most relevant comments can be summarized as
follows:
Results of these major [research] projects, as well as results from the various
evaluations studies, are remarkably consistent and show that offenders and
victims view conferencing processes as fair and are generally satisfied with the
outcomes. However, there is less evidence that shows conferences are also
‘restorative’ [. . .] there may be marked limits on how far conferences can go
in repairing harm, inducing remorse, and helping victims and offenders
move on [. . .] conferences sometimes do not induce remorse, young offend-
ers sometimes do not feel sorry and offer an apology, and victims sometimes
do not forgive [. . .] in New Zealand, Maxwell & Morris observed [. . .] that
[. . .] 25% of victims felt worse for having attended a conference, mainly
because ‘the victim did not feel that the young person and his or her family
was truly sorry’. (Hayes, 2006, pp. 370, 377–8)
In his paper Hayes reviews two sources of difficulty with the restorative
apology-forgiveness ideal. One is that there can be a drift from apologetic dis-
course to mitigating accounts, with the young person offering excuses for his/
her behaviour. The following exchange from our second conference illustrates
this point:
Young Person
No right, but he hurt my mate . . .
Hayes’ second point has to do with the presence of third parties (e.g. convenor,
liaison officers), so that ‘The youth justice conference process . . . transforms
Negotiating Evaluation 71
the private act of apologizing and offering forgiveness into a public drama of
restorative justice’ (2006, p. 379). To these misgivings we can now add our
observations concerning power relations inherent in the genre, and the regula-
tory role taken up by convenors, police and liaison officers, which seem to
leave little room for the young person to do other than respond compliantly
to evaluations introduced by others. What kind of ‘sincere’ sounding apology is
possible when the young person is so heavily scaffolded?
That said, we do not mean to suggest that scaffolding is necessarily a bad
thing. On the contrary, given that youth justice conferencing is still an emerg-
ing genre and a novel, typically one-off experience for most participants (not
to mention the low levels of literacy and fluency in English of some of these
participants), some form of scaffolding is clearly essential. Furthermore, while
the regulative discourse in conferencing does inscribe hierarchical power
relations between participants, this is often paired with close and certainly
negotiable relations of solidarity. Indeed, this readily observable tension
between the vertical and horizontal dimensions of tenor aligns with what we,
like Braithwaite, are beginning to think of as the ritual-like, performative ‘force’
of conferencing.
However dismissive we may feel at times about the social value of ceremonies
and ritual (or, conversely, however much we might wish to leave their ineffable
mysteries intact), in common sense terms we can all appreciate the difference
between winning a race and the medal/trophy presentation, between passing
exams and the graduation ceremony, between getting together with someone
and marriage, between a casual prayer and a religious service, between dying
and the funeral or, in the case of youth crime, between getting caught by the
police and being sentenced. In social semiotic theory, questions about the
power of such genres are only beginning to be explored (cf. Bednarek and
Martin, forthcoming) but, as a starting point, we can look to how scholars in
anthropology and performance studies have thought about these ‘special events
(a category that includes ritual)’ as ‘intensifications of some of the tendencies
inherent in ordinary activity, but often latent or subliminally present’ (Lewis,
2008, p. 43).
Following Victor Turner (1982), for instance, we can consider the problem of
youth crime (and the attendant failure of institutions like the children’s court
and juvenile detention centres to deter and/or rehabilitate young offenders) as
a form of ‘social drama’, a breach in the social order which has reached a point
of crisis and now requires redressive action if a profound schism in the com-
munity is to be avoided. Turner identifies legal–judicial processes and ritual
performances as the two most important mechanisms of redress though clearly
these are not mutually exclusive options. Some elements of ritual have always
existed in courtroom proceedings but these elements have arguably become
less efficacious in recent decades. At the same time, an emergent genre such
as conferencing may be understood as the ritualization of alternative social pro-
cesses (police cautions, family counselling, parent/teacher interviews, etc.) as
adjuncts to conventional legal–judicial remedies. We use the term ‘ritualization’
72 Appliable Linguistics
The public nature of conferencing, as Hayes has argued, may render the
putative core sequence of remorse–apology–forgiveness problematic, yet many
participants are still able to say they are satisfied with the process. It is, after all,
an orderly convocation of persons who present themselves to one another as
citizens (and as family members, members of a religious/cultural group, etc.)
with some interest in promoting orderly behaviour (and in promoting the
authority of family, religion, culture, etc. in addition to, or perhaps over and
Negotiating Evaluation 73
above, the authority of the state). At the very least, a victim’s words are attended
to by an appropriately constituted ‘community of care’. To do the conference
at all requires enacting, on the spot, some of the (re)integrative effects it is
hoped the conference might be able to foster in the longer term: a young
person is made to talk and to listen but is also given, then and there, an oppor-
tunity to affiliate with his family, his ethnic group, the wider community (with
the possible support of police liaison officers) alongside, or in place of, his
hitherto dominating affiliation with mates. Who knows which affiliations will
stick? The conference is still likely to have emerged as a suitably formal legal
process, though accessible to lay persons, in and through which various pre-
ferred affiliations may be ‘re-presented’ or ‘modelled’ (Handelman, 1990).
The opportunity for young people, victims, their families, friends and police to
affiliate simply in relation to the doing of a conference is already a paradigm
shift for criminal justice systems which have for so long manifestly failed to
rehabilitate offenders and to meet the needs of victims.
Notes
1
We are indebted to Chris Cléirigh for his help with the appraisal analyses reported
on here. We also gratefully acknowledge the support for this research provided by
the Australian Research Council.
2
See Van Ness et al. (2001) and Strang and Braithwaite (2001) for overviews of this
movement and descriptions of related genres such as ‘victim-offender mediation’,
‘family group conferencing’ and ‘circle sentencing’.
3
Under the New South Wales Young Offenders Act (1997), some offences (for
instance, drug-related crime and offences involving serious assault or sexual
violence) are excluded for the conferencing programme. However, similar pro-
grammes in other jurisdictions (e.g. South Australia) do include some of these
more serious matters.
4
See Moore and McDonald (2001) for an account of how the genre developed in
early trials. Our comments here are also based on participant-observation of four
training workshops conducted by the NSW Department of Juvenile Justice.
5
We have documented some variation in the sequence of participants’ recounts
and rejoinders; and some convenors have already canvassed in some detail the
major elements of an outcome plan in pre-conference meetings with the different
parties so that the break becomes a time for filling out paperwork (documents to
go back to the children’s magistrates court, participant survey forms etc.).
6
Convenors have read the police record of events, and have met with the police,
young person and victim/s before the conference, and so are fairly familiar with
the offence.
7
‘A person has committed the offence of affray when they use or threaten violence
towards another and whose conduct would cause a person (of reasonable firm-
ness) to fear their personal safety’ (Criminal Law Consolidation Act 1935, s83C).
8
In general our male adolescent young offenders speak very softly, making tran-
scription difficult, and causing hearing difficulties even for those present at the
conference.
74 Appliable Linguistics
9
Colloquial expression referring to the offer of a one-on-one fight (duel).
10
Disappointed is double coded as affect and judgement here, since Dad is con-
strued as feeling sad about something his son has done wrong.
11
Sorry and apologized are also double coded for affect and judgement, since it
entails the speaker feeling sad about something he/she has done wrong.
12
Many restorative justice advocates invoke as precedents for these innovations in
Western legal systems the example of dispute resolution customs in Melanesian,
indigenous Australian or other ‘traditional’ cultures. While, as Cuneen (2002)
has pointed out, these comparisons can be very misleading, conferencing, as a
‘fragmented’ form of justice has at least proved ‘flexible and accommodating
toward cultural differences’ (Daly, 2001, p. 65) and its early development in
New Zealand was certainly seen as part of a wider political response to the over-
representation of young Maori and Pacific Islander people in the criminal justice
system.
References
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through Reintegration. Cambridge: Cambridge University Press.
Bednarek, M. and Martin, J. R. (eds) forthcoming. New Discourse on Language: Func-
tional Perspectives on Multimodality, Identity, and Affiliation. London: Continuum.
Bell, C. (1992). Ritual Theory, Ritual Practice. New York and Oxford: Oxford Univer-
sity Press.
Bell, C. (1997). Ritual: Perspectives and Dimensions. New York and London: Oxford
University Press.
Bernstein, B. (1975). Class, Codes and Control, Volume 3: Towards a Theory of Educa-
tional Transmissions. London: Routledge and Kegan Paul.
Braithwaite, J. (1989). Crime, Shame and Reintegration. Cambridge: Cambridge Uni-
versity Press.
Braithwaite, J. and Mugford, S. (1994). ‘Conditions of successful reintegration
ceremonies: Dealing with juvenile offenders’. British Journal of Criminology 34 (2),
139–71.
Douglas, M. (1973). Natural Symbols. New York: Random House.
Handelman, D. (1990). Models and Mirrors: Towards an Anthropology of Public Events.
Cambridge: Cambridge University Press.
Hayes, H. (2006). ‘Apologies and accounts in youth justice conferencing: Reinter-
preting research outcomes’. Contemporary Justice Review 9 (4), 369–85.
Hoyle, C., Young, R. and Hill, R. (2002). Proceed with Caution: An Evaluation of the
Thames Valley Police Initiative in Restorative Cautioning. York, UK: York Publishing
Services.
Lewis, J. L. (2008). ‘Toward a unified theory of cultural performance: A reconstruc-
tive introduction to Victor Turner’, in G. St John (ed.), Victor Turner and
contemporary cultural performance. New York: Berghahn, pp. 41–58.
Martin, J. R. (2008). ‘Intermodal reconciliation: Mates in arms’, in L. Unsworth
(ed.), New Literacies and the English Curriculum: Multimodal Perspectives. London:
Continuum, pp. 112–48.
Negotiating Evaluation 75
Martin, J. R., Zappavigna, M. and Dwyer, P. (2009). ‘Negotiating shame: Exchange and
genre structure in youth justice conferencing’, in A. Mahboob and C. Lipovskpy
(eds), Studies in Applicable Linguistics and Language Learning. Newcastle: Cambridge
Scholars Press, pp. 41–84.
Martin, J. R. and Rose, D. (2007). Working with Discourse: Meaning beyond the Clause
(revised edn). London: Continuum.
Martin, J. R. and Rose, D. (2008). Genre Relations: Mapping Culture. London:
Equinox.
Martin, J. R. and Stenglin, M. (2007). ‘Materialising reconciliation: negotiating
difference in a post-colonial exhibition’, in T. Royce and W. Bowcher (eds), New
Directions in the Analysis of Multimodal Discourse. Mahwah, NJ: Lawrence Erlbaum
Associates, pp. 215–38.
Martin, J. R. and White, P. R. R. (2005). The Language of Evaluation: Appraisal in
English. London: Palgrave.
Maxwell, G. and Morris, A. (2001). ‘Family group conferences and reoffending’, in
A. Morris and G. Maxwell (eds), Restorative Justice for Juveniles: Conferencing, Media-
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Moore, D. and McDonald, J. (2001). ‘Community conferencing as a special case of
conflict transformation’, in H. Strang and J. Braithwaite (eds), Restorative Justice
and Civil Society. Cambridge: Cambridge University Press, pp. 130–48.
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justice’. British Journal of Criminology 42, 596–615.
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analysis 25, 125–43.
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conferencing: summary of findings from a pilot study’. Current Issues in Criminal
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Cambridge University Press.
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and social bonds’, in B. Galaway and J. Hudson (eds), Restorative Justice: Interna-
tional Perspectives. Monsey, NJ: Criminal Justice Press, pp. 315–36.
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space’. Unpublished PhD thesis, Department of Linguistics, University of
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ative Policing: A Progress Report on the Canberra Reintegrative Shaming Experiments
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tion and Circles. Oxford, UK: Hart Publishing, pp. 3–16.
Chapter 5
5.1 Introduction
Developing models of context which can inform literacy education has been
a central concern of systemic functional linguists. Halliday’s (e.g. 1991) model
of social activity recognizes two aspects of context. Context of culture refers to
the broader background against which the text has to be interpreted (Halliday,
1985, p. 46) and context of situation can be glossed as the immediate environ-
ment in which the text is actually functioning (Halliday, 1991, p. 8). These
dimensions offer a powerful foundation for exploring the literacy practices
of young people within institutions such as schools and universities as well
as within more loosely bounded affiliations beyond schooling. This chapter
reports on one aspect of a study (Humphrey, 2008), which has built on Systemic
Functional Linguistics (SFL) models of context to account for the powerful
forms of persuasion enacted by adolescents in what I have termed the ‘civic’
domain of their literacy lives. In so doing, it demonstrates the application of
these models for making visible the persuasive goals of texts.
Models of context developed within SFL educational research have fore-
grounded the discursive reading of context of culture in proposing genre as
‘staged, goal oriented purposeful activity in which speakers engage as members
of a culture’ (Martin, 1984, pp. 24–5). Martin’s model allows both for a catego-
rizing of genres according to global characteristics and for the linguistic pat-
terning of valued curriculum genres to be made visible. Sydney School genre
theorists have also used the model to map pathways of language development
across a range of secondary school subjects (e.g. Coffin, 2006; Macken-Horarik,
1996; Veel, 1997).
Typically, pathways of literacy development see genres as developing from
more familiar spoken and everyday genres such as personal and autobiographi-
cal recount and observation to institutionalized, written and specialized genres
which privilege reasoned argument, such as analytical exposition. In terms of
tenor, valued persuasive genres are those which eschew emotion, intuition and
Modelling Social Affiliation 77
personal experience and privilege the logical, objective and ‘factual’. Although
recent studies using the analytical tools of appraisal have made visible the
importance of evaluative stance in persuasive writing (Coffin, 2006; Hood,
2006), valued evaluation tends to be realized covertly – in institutional and
impersonal terms.
While descriptions of genres and hierarchies have been very effective in
enabling teachers to build the necessary metalinguistic knowledge for students
to access the valued language of the school curricula, the emphasis on relatively
stable academic genres has resulted in models of genre classification which do
not fully account for emerging, blended and less stable genres created in other
domains of adolescents’ lives. Kress (2003), for example, warns of the tensions
between regularity and convention and of the dynamic for constant flux and
change, resulting partly from ‘the constantly transformative action of people
acting in ever-changing circumstances’ (p. 102).
One area where this tension has been particularly obvious is in descriptions
of effective persuasion in environments beyond schooling and particularly
in sites of public debate (McCormack, 2003). Martin (1995), for example, has
found that although the expository texts he examined in these sites did involve
recontextualizations from the specialized domain of academic language use,
they also drew on linguistic resources which he describes as ‘emotive, alive
and oriented to change’. Social and political theorists (e.g. Melucci, 1996;
Maddison and Scalmer, 2006) also recognize that specialized knowledge is
diverse and may be built through interactions within social and political
affiliations as well as through institutionalized learning in schools and
workplaces.
In recent years genre theorists have responded to challenges such as these by
extending their models to account for genres created in response to social
changes within and beyond schooling. Significantly, Martin (2002, p. 20) argues
that the diversity of social factors at play in such discourse change necessitates
richer models of genre including layerings of genre families within macrogene-
ric configurations he glosses as universes and galaxies of meaning.
Consideration of complex configurations of genre has been complemented
by research within and beyond SFL which has sought to relate textual practices
to the communicative goals and roles within broad cultural spheres (Maddison
and Scalmer, 2006; McCormack, 2003; Macken-Horarik, 1996), institutions (e.g.
Iedema, 1997) and more delicately within social affiliations (Gee, 2000; 2005)
and discipline areas (e.g. Coffin, 2006). This work has enabled the literacy prac-
tices of adults and adolescents in educational institutions to be characterized
in relation to those of other domains in their literate and multiliterate lives.
In the following sections of this chapter I will first explicate the model of
cultural context developed from both social and semiotic perspectives to make
visible the persuasive goals of texts produced by a group of adolescent activists.
Following that, I examine the unfolding of these appropriated texts from the
perspective of genre, illustrating how their persuasive purposes can be made
78 Appliable Linguistics
The study reported in this chapter examined the literacy practices of adoles-
cents who are engaged critically with issues of concern beyond the school
curriculum in order to make visible to educators the semiotic resources realiz-
ing persuasion at the level of genre and at the discourse semantic level.
Methodologically, the study is situated within the tradition of Positive Discourse
Analysis (PDA), which places emphasis on the interpretation and celebration
of texts which ‘make the world a better place’ (Martin, 2004, p. 177).
The source of data discussed here was a grassroots social movement called
Chilout, which was set up in 2001 to lobby the Australian government to
free children and their families from Immigration Detention Centres (IMCs).
Central to the success of this campaign were texts produced as speeches, inter-
views and newspaper commentaries by refugees who had themselves been
detained in IMCs. The stories of these ‘insider’ activists have been attributed to
changing public attitudes towards detainees by bringing ‘anonymous, faceless
men, women and children to light and life’ (Ozdowski, 2004). An example of
such a text, produced by an 18-year-old Afghani ‘Chilout Ambassador’ at a
speech at a major metropolitan rally is shown below.
people to take me out of the country. But this is the real story most of us have
experienced in our lives.
How should I explain my separation with my family and how I was put this
way and how I took a risky and dangerous trip, this is another long, long and
sad story. But what I can say is that the trip was full of danger unsafely and
insecurity. I could see moments that I felt I would die. Finally our boat
arrived in Australian waters. Where I was hoping to be safe and welcomed.
We knocked on Australian door, hoping to find safety and security. I was
hoping to be among people who have a very good reputation in generosity
and humanity. It is the first time in my life I am coming to understand what
peace and security are here in Australia. I have realized the value of a human
when I see all these people who looked after me it is the first time that I can
study and I can learn. However for three years I held a temporary protection
visa that put me in limbo. Luckily I have now been given permanent resi-
dence. But I feel for those who are on temporary visas, because their lives are
tortured by uncertainty and fear. I beg the government to end the system of
temporary visas. I feel a great deal of responsibility to contribute to Australia
in the future if I am given a chance. I owe a lot to all of you for your thoughts
and sympathy. This is not something I would be able to do in my own coun-
try of origin where democratic rights are not upheld.
Unfortunately, Afghanistan is still not a country where people can speak
freely and openly and without fear of persecution. I, like many, of my fellow
country men and women have suffered from many years of war and political
unrest for many years Afghanistan was ruled by a fanatical and extremist
group. They ruled in the name of Islam but their cruel and bloody ways had
nothing to do with the teachings of our holy prophet, Mohammad. During
this terrible time many people in Afghanistan lost all hope to have a better
life and future for themselves and their children. People lost every thing –
their livelihood, their homes, and even their loved ones. Many had to flee
and go into hiding. This happened to my family. We lived from day to day
not knowing what would become of us.
Fortunately for me the door of Australia opened. Australians heard my cry
for refuge and with open hands delivered me from the terror of my oppres-
sors. As you are listening to me, I extend my gratitude to you for recognizing
my plight, and the plight of my countrymen and women, and for giving us
shelter. Unlike the country I left behind Australia is a country which upholds
and values human right – the rights to peace, compassion and freedom.
During my time in Australia I have enjoyed the opportunity of an educa-
tion. Because of the war I was never able to go to school. Now I am a student
at Holroyd High School. All my teachers have shown much dedication
towards me and I thank them. Now that I am a permanent resident I can
look forward to the future without fear. I hope others on temporary visas will
be shown the same mercy.
80 Appliable Linguistics
Some of the young refugees’ texts also include an Appeal stage which func-
tions to directly request action from the audience. However, as will be further
discussed below, this stage is not always realized explicitly.
The recognition of features associated with autobiographical recount is sig-
nificant to educators concerned to make links between the genres deployed by
adolescents in their academic and civic domain practices. However in order to
fully account for the rhetorical function of genres such as Text 1, it is necessary
to consider the influence of the multilayered social spaces and affiliations in
cultural environments beyond schooling as well as the macrogeneric configura-
tions in which the texts are created and read.
While recognizing that the boundaries between contexts of culture and situa-
tion are not easily defined (Halliday, 1991, p. 9), the model described here is
Modelling Social Affiliation 81
situated within context of culture in order to account for the multiple layers of
genre identified in the analysis of texts. This reserves context of situation as the
immediate environment of the texts, construing and construed by linguistic
features at the level of discourse semantics (see Humphrey, 2008 for a discus-
sion of the realization of context of situation through the resources of
appraisal).
(Specialized)
specialized
resources which are sensitive to the positioning of the audience and the rela-
tionship between the rhetor and the audience. A repertoire for enacting these
goals needs to include resources for building specialized and technical knowl-
edge in academic and workplace domains as well as those for building relation-
ships in the personal/social domain. The highly stylized and evocative rhetorical
resources deployed by politicians to align audiences around common goals and
values in the broader public sphere are also vital in construing persuasion in
the civic domain.
In light of these communicative purposes, it is predicted that the genres likely
to be ‘at stake’ in the civic domain are those which persuade the audience,
either to carry out some social action, that some social action (by somebody
else) is needed or that the position and evaluative stance of the rhetor on an
issue is valid. Significantly, however, genres within the civic domain need to be
understood in Bakhtinian terms (Bakhtin, 1935 [1981]), as being uttered in
relation to other texts – as arguments within a debate.
As is shown on Figure 5.2, the civic domain itself can be seen from a semiotic
perspective as a discussion genre complex (supra-genre), consisting of multiple
layers of genre configurations.
Figure 5.2 The position of elemental genres within Chilout genre complexes
The perspectives of text and context described above allow for Text 1, in
common with other texts produced by the young refugee activists within the
Chilout campaign, to be categorized in broad generic terms as testimony – a
genre which appropriates structural and linguistic features of autobiographical
recount for rhetorical use, but which, unlike autobiographical recount, focuses
on communal socio-political conditions and actions. Like legal testimony, the
texts of the Ambassadors function to ‘witness justice or truth’ (Martin and Rose,
2008, p. 55) and allow the voice of victims of injustice to be heard in the
civic domain. However, the overt persuasive function of the Ambassadors’
texts distinguishes them as political testimony, which, like the ‘testimonio’ of
Latin-American activists, calls on the reader to join the struggle to overcome
oppression (Jehenson, 1995, p. 141). As political testimony, events are recounted
from the perspective of both marginalized victim and witness of injustice and
advocate for change.
From an ontogenetic perspective (Martin, 2001; Coffin, 2006), it can be
argued that the appropriation of recount is determined largely by the reper-
toire of linguistic resources available to the Ambassadors, most of whom had
been learning English for fewer than three years. However, the variation can
also be seen as a response to the opportunities offered to the rhetors as ‘insider’
social identities within the Chilout social affiliation. The choice of testimony
genre allowed the activists to use their powerful speaking position to break
Modelling Social Affiliation 85
across the Motivating elements from those which foreground authority and
rapport (Identification), to those which foreground reasoned justification
(Legitimation) and emotion (Involvement).
5.5.1.3 Identification
From the perspective of genre theory, Motivating elements are conceived as
appropriations of constituent stages of recount. The Identification element,
which functions experientially to orient the audience to events, can be seen
from an interpersonal perspective as establishing the credibility of the rhetor
in terms of ‘what matters’ to the largely middle-class Western audience. In
this sense it is the appeal to ethos which is foregrounded, primarily through
making explicit to the audience the relevant dimensions of status. For the
rhetor of Text 1, the social identity of refugee is considered the major source
of credibility. For example:
At the start I would like to say that I am a refugee from Afghanistan and I left
my country in 2000. [HSS1]
This dual identification can be seen as a complex bid for credibility on the basis
of the rhetor’s authority as an insider witness to events and as an insider of the
educational institutions which matter to the Australian audience, i.e. a success-
ful student. Relating to the broad Australian audience in this way, as well as
greeting and acknowledging that audience, is also evidence of the role of the
Identification element in building rapport or solidarity with the audience.
5.5.1.4 Legitimation
The Legitimation element, which experientially provides Background informa-
tion about the lives of the young people prior to their journey, can also be seen
from an interpersonal perspective as a response to public perceptions of asylum
seekers as economic refugees or queue jumpers. Through this element, events
and conditions within Afghanistan are recontextualized as evidence to support
the decision to leave the country and thus justify the status of refugee. Appeals
to logos, in the form of reasons for leaving, are foregrounded.
My father sent me out with the hope to get me to safety, security and a future.
It seems like a nightmare for ordinary parents, in normal conditions to hand
Modelling Social Affiliation 87
over their child to a smuggler who had links with the extremist people to take
me out of the country. But this is the real story most of us have experienced
in our lives. [HSS1]
5.5.1.5 Involvement
The Involvement element, which is by far the most extended stage of these
texts, deals experientially with the significant episodes of the refugees’ journey
to Australia and the time spent in IMCs. Interpersonally, this stage is significant
in aligning the audience rhetorically through appeals to pathos.
Emotional appeals are realized through a number of interacting semiotic
resources across the Involvement element. As in the Legitimation element,
experientially oriented ‘problems’ and ‘solutions’ phases move the action for-
ward by swings of expectancy from phase to phase (Rose, 2007, p. 5). However,
also vitally important in positioning the audience emotionally are evaluatively
oriented ‘reaction’ phases which suspend the action in order to intrude the feel-
ings or comments of the participants (Macken-Horarik, 2003, p. 300). The inter-
action of these interpersonally loaded ‘reaction’ phases with the ‘problems’ and
‘solutions’ is illustrated in the following excerpt from a female rhetor [HNN].
88 Appliable Linguistics
Table 5.1 HNN: Interaction of evaluative and referential phases across Involve-
ment element
‘EPISODE 1’ A smuggler hid us in the back of a truck for our escape from Afghanistan to
‘problems’ Pakistan. Then we were smuggled to Indonesia where we had to stay in
hiding. My mother had to go to hospital to give birth. The rest of us were
locked in a terrible flat 24 hours a day, until it was our turn to get on the
boat. So we got into a little leaky fishing boat, more than 100 of us. I was
one of 30 children and babies on board.
‘reaction’ It took us 10 days to get to Australia – 10 days of horror, sadness, no food or
drink and so many worries about our future. The only music I heard in my
childhood in Bamiyan was the screaming with horror and mothers crying
for their children’s future and I heard it again on this boat. We were all
vomiting. My poor mother with a newborn baby was sick the whole way.
‘solutions’ Finally, in September 2000, our boat was guided by the royal Australian navy
and landed on Australian land safely.
‘reaction’ I was happy because my miserable life was over, and a new horizon with no
more death and killing was welcoming us.
5.5.1.6 Reassurance
The final Motivating element of political testimony, the Reassurance element
has a number of complex interpersonal functions, reinforcing the alignments
and rhetorical appeals made in earlier elements. One important function is
to release tension by bringing both the physical and emotional journey of the
rhetor to a happy ending in a ‘solution’ phase. The intensified positive emo-
tions associated with the present and future offer reassurance to the audience
that the difficulties and suffering encountered by the refugees are not insur-
mountable and cements the rapport initiated in the Identification element. For
example:
Australians heard my cry for refuge and with open hands delivered me from
the terror of my oppressors . . . Now that I am a permanent resident I can
look forward to the future without fear. [HSS1]
Figure 5.3 illustrates the typical structure of political testimony and the rela-
tionship of elements to the appropriated stages of autobiographical recount.
Modelling Social Affiliation 89
From this ‘orbital’ perspective (Iedema, 1997), the centrality of the Appeal,
whether textually or intertextually realized, can be modelled, with other ele-
ments functioning as supporting satellites to align the reader into shared
communities and to therefore motivate compliance.
5.6 Conclusion
The multilayered model of cultural context presented in this chapter allows for
the persuasive purposes of texts produced by adolescent social activists to be
made visible at the level of genre. While it is certainly clear that the Chilout
Ambassadors are still developing control of the range of genres needed to
engage fully in the civic domain, the analysis of their texts indicates that they
have developed a repertoire of resources which enable effective persuasion
across Affinity spaces of the Chilout campaign. In particular, by appropriating
the resources of recount genres, the activists were able to exploit their powerful
speaking position as insider victims to build solidarity with their audiences and
to ‘help sway public attitudes and opinions’ (Ozdowski, 2004).
References
Bakhtin, M. M. (1935: Reprinted in full 1981). The Dialogic Imagination: Four Essays
(C. Emerson and M. Holquist, trans.). Austin, TX: University of Texas Press.
Coffin, C. (2006). Historical Discourse: The Language of Time, Cause and Evaluation.
London: Continuum Discourse Series.
90 Appliable Linguistics
A text is . . . the voice of its social process: it is through this voice that a social process is
known for the social process that it is.
(Hasan, 1999, p. 239)
A text is the form of the social relationship made visible, palpable, material.
(Bernstein, 1990, p. 17)
6.1 Introduction
beyond the scope of a short chapter such as this.2 Approaching the study of
news discourse from a register perspective involves an explication of the
‘configuration of meanings’ typically associated with ‘a particular configuration
of field, mode and tenor’. It is an approach which enables us both ‘to under-
stand language . . . and to understand what people do with it’ (Halliday, 1985
[1989], p. 4), two preoccupations which are fundamental to the appliability
of Halliday’s linguistic theory.
(Bernstein, 1996, p. 17), then we need also to ask how media discourses act as
the carriers of external power relations, how ‘a dominating distribution of
power and principles of control generate, distribute, reproduce and legitimize
dominating and dominated principles of communication’ (ibid., p. 18)? Even
a perfunctory answer to Bernstein’s question awaits a considerably more expan-
sive forum than this chapter provides. But given Bernstein’s argument that the
structure of the discourse provides ‘the means whereby external power relations
can be carried’ (ibid., p. 18), register analysis has as its focus the ‘relevant mean-
ings’, through which such power relations can be carried.
For lack of space, this chapter presents analysis of a single news item, broadcast
by the ABC (Australia’s public broadcaster), an agency within the field of sym-
bolic control. The news item was broadcast during the main evening 7 p.m.
bulletin, on 25 March 2003, five days after the invasion of Iraq (see Appendix 1
for the news item transcript). The ABC news at this time was overwhelmingly
focused on the invasion. This news item, the second of six devoted to Iraq, was
filed by the ABC’s embedded correspondent (on embedding, see Knightley,
2003). ABC news and current affairs sent 14 of its journalists to the Middle East
and Washington to report on the invasion of Iraq.
While a single text is, logically, an instance of a register, it clearly provides an
insufficient basis for claims about a type. A further difficulty is that, as Hasan
(2009) has noted, much of the SFL work drawing on field, tenor and mode has
done so in ‘the absence of “checkable” criteria’ and relying largely on ‘common
sense’. Including some of her own work in this critique, she argues ‘faced with
a text already there, the SFL linguists have largely been doing what any ordi-
nary speaker of language would do, i.e., construing from the language of the
text what the text is all about’ (ibid., p. 180). Hasan (1999) and Butt (2003) are
a response to this problem, in that they provide networks at the level of context.
Hasan refers to such network as ‘contextualisation systems’, and argues they
Referring to her 1999 field network, Hasan suggests it is ‘not any worse than
the MOOD system networks drawn in the early 1960’s SFL’ which, through
‘continued use and discussion’ were gradually developed to the stage of today’s
networks (ibid., p. 185). My analysis will proceed from the three context
variables: mode, field and tenor, each treated as ‘a reservoir of “values”’ (ibid.,
p. 178). Hasan has used the term ‘contextual configuration’ (CC) to refer to
‘News’ and ‘Register’ 95
the specific values of the three variables, of which a given text – such as the one
to be considered in this chapter – is the realization. The statement of the CC
provides the context in which one can make statements about text structure.
A register description involves statements about which elements are obligatory,
and which optional, and the potential order and iteration of elements (Hasan,
1985). Again, a single instance precludes me from establishing a structure state-
ment for the register of which this text is an instance; I will offer no more than
an informal description of the apparent structural elements of this particular
instance. Nonetheless, the informal discussion of text structure will illustrate
one crucial distinction between ‘register’ and ‘genre’. Structure (and texture;
see below) from the perspective of register theory is a function of all three con-
textual variables; for Martin, genre is ‘made responsible for generating text
structure’ (Martin, 1992, p. 506). Genre itself is not a function of social context
(i.e. of field, tenor and mode), but rather ‘underlies’ it (ibid., p. 505). On this
basis Martin can argue that ‘to some extent, genres have a life of their own’
(ibid., p. 507).
Since register is a ‘configuration of meaning’, I have drawn on two kinds of
semantic analysis as evidence for claims I am making about the text. One is
Cloran’s Rhetorical Unit (RU) analysis (Cloran, 1994; see Appendix 1 for RU
analysis), a semantic unit which realizes ‘aspects of a text’s register’ (Cloran,
1994, p. 126). Since ‘units of all sizes at the level of semantics are responsive to
the contextual configuration as a whole’, then RUs express ‘the three kinds of
meaning realizing aspects of field, tenor and mode’ (ibid., p. 128). In addition,
I include a Cohesive Harmony analysis (Hasan, 1984) of the text, for its rele-
vance to texture, texture being, like structure, crucial to text unity (Hasan,
1985) (See Appendix 2 for cohesive harmony analysis; NB chain interaction has
not been displayed). Hasan has argued that texture, like structure, is a function
of the context of situation (e.g. 1984, 1985, 2004), specifically when the princi-
ple of ‘delicacy’ is brought into play. That is, ‘situation type, at a high degree of
specificity, is relevant to texture’. At the same time, ‘the facts of texture con-
strue the very detailed aspects of the situation in which the text came to life’
(Hasan, 1985, p. 115). I turn now to the discussion of the three parameters of
context, beginning with mode.
6.4 Mode
Mode is defined as ‘the nature of contact for the conduct of speaking’ (Hasan,
1999, p. 232), and elaborated in Hasan (1985) along the dimensions of role
of language, channel and process sharing. On the last of these, the text
is a kind ‘received in displacement from the location of [its] production’
(Hasan, 1999, p. 237). It comes to the viewer as an artefact. An implication
of the popular term ‘news’ is that the time between production and reception
is not inconsequential (‘today’s news is tomorrow’s fish and chips wrap’).
96 Appliable Linguistics
The RU analysis of the text (see Appendix 1) reveals some tendencies in mode
shift on the basis of the distinct interactions between the modalities described
by Hartley’s presentation modes. Figure 6.1 displays the RU types modelled
along a cline for the role of language in the social process, with the distribu-
tion of Hartley’s ‘presentation modes’ indicated along this cline (Hasan, 1999
considers role of language to be a function of field; it will therefore also be con-
sidered below in the discussion of field). The dominant RU for the ‘voice over’
is Report, the RU whose function is to ‘expres[s] the current non-habitual states
or activities of an absent person or object’ (Cloran, 1994, p. 109). For the ‘vox
pop’ it is Commentary, which realizes ‘a materially based role of language involv-
ing the monitoring of currently occurring states or activities of persons or objects
in the material here-and-now of the speech event’ (ibid., p. 94). When the jour-
nalist switches to ‘stake out’ (i.e. he speaks to camera from atop of the convoy in
which he is embedded), he provides a sense of the significance of what has been
told and shown in the news item, an explanation for why viewers should care about
the details of what has been reported. The RU at this point is Generalization.
6.5 Field
For a discussion of the field of the text – the nature of the social activity – I draw
on Hasan’s 1999 network for field (see Figure 6.3). Taking the system material
action first, the selection for this system is [non-present];* i.e. the experience
of the text is entirely semiotic. From the point of view of the system of [verbal
action], the text is [constitutive]; the ‘text’s language . . . acts as the essential
crystalliser’ of the experience of the context (Hasan, 1999, p. 239). The verbal
action, in consort with the visual modality, is all there is. In the choice that fol-
lows from constitutive, the text is [conceptual] rather than [practical], since
the option [practical] is oriented to the achievement of some material outcome
(ibid., p. 278). The option [conceptual] is the pathway to three further sets
of options: the choice between [relation based] or [reflection based], the
choice of [first order] or [second order] and the choice between [informing]
or [narrating].
Figure 6.2 Hartley’s presentation modes (1982). Reading left to right 1. ‘voice
over’; 2. ‘vox pop’; 3. ‘stake out’5
Taking the first of these three options, the text is an instance of a [reflection-
based] activity. Note that [relation-based] activities tend to be those which
act as ‘tone setting sub-texts . . . run[ning] side by side like a prosody of the
on-going main activity’ (ibid., p. 289). [Reflection-based] activities produce
‘semiotic constructs such as explanations, generalisations, classifications and
‘News’ and ‘Register’ 99
In summary, the text lacks a focal event, or sequence that would one would
expect to be the basis for arguing the text construes the feature [narrating].
The cohesive harmony analysis reflects this absence. There are two chains
formed by continuity of material process. One, chain C takes in the material
processes of the text’s opening (messages 1–2), but then is picked up only
sporadically in the remainder of the text with four further central tokens, one
of which is a non-finite form, and two of which are the word ‘war’, an abstract
noun. Chain G is more extended, running from messages, 5–28, but then drop-
ping out of the text until the last two messages of the text. Chain G is therefore
a focal chain with respect to processness for the text. It shows that action for this
text is intransitive, since the processes essentially construe movement through
space. In addition, the chain develops largely by repetition and synonymy,
which I suggest could not support [narrating] as a contextual feature. While
there are two chains in the cohesion analysis which are features relating to time,
none of the terms in these chains form central tokens.
The alternative to [narrating] in Hasan’s network is the option [informing].
The option leads to the further choice between [commenting] and [describing].
The ‘currency of the states of affairs’ (Hasan, 1999, p. 296) is what distinguishes
these options. The selection [commentary] refers to the social activity of
‘constru[ing] states of affairs that are as it were located within the spatio-temporal
confines of the on-going interaction’ (ibid.). The option [describing] by con-
trast, construes states of affairs ‘whose currency goes beyond the here and now
of speaking’ (ibid.). That the journalist’s discoursing, from an RU point of view,
is largely Report (which, as noted above, expresses ‘the current non-habitual
states or activities of an absent person or object’ (Cloran, 1994, p. 109)), pro-
vides some evidence for arguing that with the combination of the verbal and
visual modalities, the text realizes the feature [commenting]. However, unlike
live commentary on a sporting match, the commentary in this case is organized
around visual material which has undergone selection. Elements in the text are
related not by an actual unfolding material event, such as in a football game.
Rather they are structured to display a kind of peripatetic development (see
below), as if there is some kind of natural link between the elements of the text.
Finally, with respect to Hasan’s field network, there is the question of sphere
of action, a system which provides the options [quotidian] versus [special-
ized]. The terms are considered end points of a cline, rather than as a categori-
cal distinction. The production of news, with its highly specialized division of
labour (e.g. Nanri, 1993) would indicate [specialized] is the appropriate term
from sphere of action.
6.6 Tenor
It remains to be considered how the specific values of the three variables (mode,
field and tenor) can be seen to account for the text’s structure and texture. As
mentioned, my comments on structure will be informal. The cohesive harmony
analysis (see Appendix 2) has been annotated to indicate structural boundar-
ies, and the elements are numbered E1 to E7. The text’s opening unit (E1) is
the ‘hook’ for the story, although it does not function in the way the ‘lead’ ele-
ment is typically considered to function in theories concerned with structure
of news. Allen, for instance, defines the unit as ‘a summary or abstract of the
account’s essential “peg” or “hook” which projects, in turn, “the story” in a par-
ticular direction or angle’ (Allen, 2004, p. 83). E1 sets out from a purportedly
widespread issue of attacks on supply convoys, with a particular instance of an
ambush given to ground this claim. This element provides a preview only in the
most general sense with some continuity in chains A, B, D and E, although not
on the basis of co-referentiality; the chain in which the processes ‘attack’ and
‘ambush’ appear is very sparse, and contains no further instances of transitive
processes relating to this field. In E2, the presenter sets in location the
correspondent and his cameraman (giving the news item what Aristotle called
‘ethos’; note the correspondent is described as ‘travelling with’ rather than
‘embedded with’ US marines). This ‘scene setting’ continues as the correspon-
dent takes up the report (the cohesive harmony analysis showed no break here
despite the speaker change from presenter to correspondent). The correspon-
dent’s focus is the convoy whose function is to ‘keep marines fighting in Iraq’.
Messages 14 to 53 I have tentatively analysed as four elements (E3 to E6).
E3’s function might be described as ‘personalization’, with ‘Sergeant Gomez’
introduced as a token of the experience of young marines in Iraq. Note the
dominant process at this point is relational (Chain K).
E4 and E5 are weakly defined elements, on the basis of the cohesive
harmony analysis. E4 is a brief vignette of another convoy, based on a localistic
elaboration. This convoy is brought into the news item through a contrastive
link to Gomez’s excited assessment of the progress of the marines (We’re moving
pretty fast). The introduction of this new convoy brings into the text an instance
of a convoy reportedly under threat of snipers, a faint echo of the content of the
news report’s ‘hook’ element. The following message (#29) initiates element
E5. It begins with the news report’s one temporal cohesive conjunction Soon,
which purports to link what follows (i.e. the break in Iraq’s border approaches) by a
relation of time. But the viewer has now been returned to follow the events of
the convoy with which the correspondent is embedded, although one has to
‘News’ and ‘Register’ 103
infer this retrospectively on the basis that Gomez re-enters the news report.
Exactly what the event of the break in Iraq’s border approaching is ‘soon’ with
respect to is not clear. It is noteworthy that this ill-defined element construes
the process of the Coalition’s invasion of Iraq, an event already two days old. It
is as if the event has been recruited for dramatic/aesthetic purposes. Note that
the process of the invasion is construed through a middle voice (Halliday and
Matthiessen, 2004) selection, in which ‘Iraq’s border’ is the central participant.
In E6, the feelings of Gomez again take centre stage, in the reporting of his
reaction to the bodies the convoy has happened upon. Gomez’s range of reac-
tions is reported, as is his view that the killing must have been justified. The
links between E3 and E6 create structure through what seems a kind of peripa-
tetic relation: E3–E4 are connected through demonstrative deixis (this convoy);
E4–E5 are connected by time; E5–E6 are connected again through the deixis
of here, as if what is being reported is merely the stitching together of found
elements. Relations of this kind are potentially evidence for an argument that
the text is in fact not [reflection based], but rather [relation based], a point
requiring further investigation. The text closes with a statement of the signifi-
cance of what has been shown of this convoy’s experience (E7, messages 54–55).
The correspondent adopts the ‘stake out’ mode (i.e. he directly engages the
viewer by speaking to camera). The RU as noted is a Generalization, and con-
cerns the importance of the role of the convoys to sustain the American opera-
tion in Iraq.
Agencies and agents of the field of symbolic control ‘specialize in discursive
codes’ (Bernstein, 1990, p. 134). These discursive codes ‘specialize and distrib-
ute forms of consciousness, social relations and dispositions’ (ibid., p. 135).
With this in mind, what is the message of the text examined here?: the Coali-
tion is under threat; supply convoys are on a mission; the personal/emotional
reactions of individual marines constitutes a form of news; if threatened,
American forces will respond; American violence is a response to a threat, not
itself a threat; the act of invasion can be reported without specificity of time,
place or agency.9 The text appears to fulfil at least two of the functions of the US
Department of Defense embedding programme, including to ‘turn attention
back to the military’s role in the war, especially the part played by ordinary
American service men and women’, at the same time as ‘emphasiz[ing] the
dangers posed by the Iraqi regime’ (Knightley, 2003, pp. 530, 529).
The analysis of one instance of one register of news presented in this chapter is
a preliminary attempt to understand the ‘social process’ of news. The analysis
has necessarily been brief and indicative only, but I hope sufficient to illustrate
the power of Halliday’s concept of register for the investigation of the social
process of news. The descriptive power of the concept comes from its openness
104 Appliable Linguistics
Notes
1
I am very grateful to Ruqaiya Hasan for fulsome feedback on an earlier draft of the
chapter. Carmel Cloran revised and corrected my Rhetorical Unit analysis. Wendy
Bowcher also gave me helpful feedback.
2
Note Nanri’s (1993) study argues Martin’s and Halliday’s conceptions of context
are compatible, and he draws on both for his argument. However, his argument
concerning the discourse structure of the news, in my view, is closer to Halliday’s
‘register’ than to Martin’s concept of ‘genre’.
3
Message is ‘a linguistic unit at the semantic stratum. Seen from above, it is the
smallest significant semiotic action that an interactant might take in the context of
an interaction so as to affect its character’ (Hasan, 1996b, p. 117).
4
As Hasan (personal communication) noted on an earlier version of this chapter,
Hartley’s term is not ideal for a text such as this one, in which all such ‘vox pops’
comes from US Marine Corp personnel of the Coalition invasion force – hardly
the ‘voice of the people’.
5
The images reproduced here comply with the copyright conditions under which
the data was purchased for this research project. See http://www.abc.net.au/
programsales/order.htm.
6
Since 2003 when this item was broadcast, the media landscape has changed
considerably, and options for news from a mode point of view have diversified.
7
See www.defenselink.mil/news/Feb2003/d20030228pag.pdf for the rules govern-
ing the embedding process.
8
See http://www.defenselink.mil/transcripts/transcript.aspx?transcriptid=2505.
9
Lukin (2008) reports the tendency across a corpus of 2 weeks of ABC TV news
reports (from which this instance is selected) to mitigate actual violence perpe-
trated by the Coalition, while presenting as highly potent the threat of violence by
Iraqi forces.
‘News’ and ‘Register’ 105
(Continued)
Appendix 1
106 Appliable Linguistics
‘News’ and ‘Register’ 107
(Continued)
108 Appliable Linguistics
‘News’ and ‘Register’ 109
110 Appliable Linguistics
Appendix 2
A B C D E G H I J K L M
E1 1 supply convoys attack Iraqi soldiers
clash Nasiriyah
2 column
ambush Iraqi forces
E2 3 coalition soldiers
4 convoy one
5 convoy border cross
6 [convoy] Basra head
7 keep fighting Iraq marines
8 convoy major
come
9 they border
across
10 sustainment convoy biggest
11 trucks > 70
12 [trucks] stretch
13 trucks disappear
E3 marines
14 young be
Gomez
15 we be
16 we wait
17 be
18 be
19 you
19 Iraq troops progress southern
20 be
21 we move fast
E5 29 border
coalition
30 invaders
point
31
32
33
E6 34 lies
35 BE
36 marines young BE
37 X
38 I seen
39
40
41 (I) seeing
42
43 you be
44 ME [be]
45 ME BB [be]
46 whoever do
they
47 do
they
48
49
50 war BE
51 BE
52 Gomez
53 war American soldiers become
N O P Q R S T U V W DD EE FF
KEY
1. square brackets denote retrieved ellipsis/lexicalisation of reference item
2. Underline denotes instantial relations (Hasan, 1985/89)
3. * denotes exophoric reference mediated by visual modality
4. Capitals denote interpretation of items not present
anxiety
good
feel
good
roads
break
breach
left behind
death
bodies civilians
bodies civilian
feels disturbing bodies civilian Y
bodies civilian s-thing
[feel] gruesome Z AA
messed
sounds
up
feels motivating bodies civilian s-thing
contra-
sounds
dictory
trouble they* civilians
[trouble] [they] [civilians]
[trouble] [they] [civilians]
felt
mission accomplish
mission continue
captives
POWs
sombre
prisoners
roads
112 Appliable Linguistics
References
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‘News’ and ‘Register’ 113
7.1 Introduction
High-profile sports people and their use of drugs and alcohol have featured
prominently in the news in the recent past. From AFL star Ben Cousins’ suspen-
sion for possession of illegal recreational drugs (March 2007), rugby league
player Andrew Johns’ admission to a long history of drug abuse (October 2007),
Nick D’Arcy’s charge for assaulting fellow sportsman Simon Cowley (March
2008), and cricketer Andrew Symonds’ admission of excessive drinking
(November 2008), the media has had no shortage of events to cover. Studies
(such as Biskrup and Pfister, 1999; Anderson and Cavallaro, 2002; White and
O’Brien, 1999; Stevens et al., 2003) have shown that sports stars are held up as
role models by some young people, particularly males. Other studies (such
as Paccagnella and Grove, 1997) have shown that sports stars’ transgressive
behaviour affects how young people perceive those sports stars, however, there
seem to be no studies to date that examine the way sports stars are portrayed in
the media the events of their transgressive behaviour. This chapter seeks to
begin to fill a gap in the literature on sports stars and their celebrity status in
the public eye, by focusing on the print media coverage of Ben Cousins during
the period of time when he was suspended from football due to drug taking
and erratic behaviour off the field. This chapter aims to begin to unpack the
way sports stars who transgress are packaged for the public, and in particular,
for adolescents. As such it uses an Appliable Linguistics Framework to address
a real-life problem, illuminating how the language choices that are made con-
strue particular versions of reality.
Sports stars are real in the sense that they perform live under unpredictable
sporting conditions over which apparently the media has little control. Yet,
the nature of what the reader gets to see, hear and read about is determined
and amplified by camera angles, replays, gossip columns, photographic
images, chat shows and other such professional practices which ensure that
the sport star image develops through selected constructions of reality. (Lines,
2001, p. 287)
not. In terms of a possible hypothesis, it was thought that if the media deemed
Cousins responsible for the actions taking place, it would use language that
constructs him as being responsible.
The analytical framework used for this study comes from Systemic Functional
Linguistic theory (after Halliday, 1994), a comprehensive and powerful Appliable
Linguistics theory that can be used to address practical and theoretical prob-
lems that engage with language (Halliday, 2006). Within this model there are
two systems which allow for an examination of responsibility: Transitivity and
Ergativity. The details of these systems and how they can be applied are
explained below. A third system, Appraisal (Martin and White, 2005), is also
used to briefly examine how Cousins was portrayed.
7.2.1 Transitivity
The system of Transitivity (after Halliday, 1994) assigns roles to the partici-
pants in texts. In Transitivity, the roles are different depending on whether
the participants are active, that is, the doer in any given process, or whether
they are the recipient of that process. Whether a person is constructed as being
a doer shows whether they have an effect on things. When the process is a mate-
rial type of action, the doer is labelled Actor, and the done-to is labelled Goal.
For example, in the following clause, Cousins is the Actor (doer) and the ball is
the Goal (done-to):
This kind of construction shows Cousins as active in the event of kicking the
goal and can be contrasted with the following:
7.2.2 Ergativity
The system of Ergativity complements Transitivity as it is about agency,
assigning roles to participants that are different from Transitivity roles. The
roles are Agent – which is the role that has a causative effect on others, or
Medium – the role that does not have an effect on others but is crucial to
the process taking place (see Halliday, 1994 for a fuller description). When a
clause is constructed with the feature of agency, someone or something is seen
to not just do an action, but cause an action to be done, and therefore has
responsibility for or power over the action. This can be seen in the following
example:
In this clause, Cousins has evaded the policy, so he is the Agent. The policy is
the Medium as it is the thing being evaded. Therefore, the above clause con-
structs Cousins as being responsible for the evasion of the ‘three strikes’ policy.
This can be contrasted with:
Medium Process
While a clause constructed in the passive is often constructed that way for pur-
poses of organizing the information in a particular way (Martin, 1993), what is
selected as Agent or Medium, and the presence and order of those selections in
the clause, sheds light on who is construed as being responsible for the actions.
7.3 Methodology
Two hundred and thrity-three articles from across Australia between March and
July 2007 that related to the Ben Cousins story were collected. This large corpus
was narrowed down to the coverage of two broadsheets: Melbourne’s The Age
(Melbourne being the ‘home of AFL’) and Perth’s The West Australian (Perth
being the ‘home of the Eagles’ – Ben Cousins’ team). The following analysis
reports on findings from the first eight articles from the coverage of The Age. As
some articles only mentioned Cousins briefly, using him as a springboard to
discuss larger issues, while others talked in more detail about Cousins and the
events surrounding his suspension, it was decided that instead of conducting
a detailed analysis of whole articles that were not about Cousins, every time
there was a mention of Cousins, the clause/s in which he was mentioned would
be examined for Transitivity and Ergativity structure, and Appraisal. If
Cousins was the main focus of the article, and therefore mentioned many times,
then these instances were viewed in terms of how the meanings built up cumu-
latively across the text.
The findings from the Transitivity and Ergativity analysis show that Cous-
ins was constructed both as Actor (doer) and as Goal (done-to) in the articles.
Constructing Sports Stars 119
Example 1:
Fallen West Coast champion Ben Cousins remains in denial over his drug
addiction and has refused several attempts by his family and his club to con-
vince him to check into rehabilitation. The 28-year-old, who has been sus-
pended indefinitely by the Eagles, has continued to behave erratically and
has also resisted attempts by the club to make a public statement about the
severity of his health crisis. (The Age, 27.3.2007)
1.1.1 Fallen West Coast remains in denial over his drug addiction
champion Ben
Cousins
1.1.2 and (he) has refused several attempts by his family and his club
[[to convince him to check into
rehabilitation.]]
1.2.3 and (he) has also resisted attempts by the club [[to make a public
statement about the severity of his health
crisis.]]
In this example, where Cousins is mentioned five times in five clauses, three out
of the five (1.1.2, 1.2.1 and 1.2.3) construct Cousins as the active Participant in
the clause (although Agent in only two):
Example 2:
Nathan Buckley feels for Ben Cousins, with his private life laid bare to public
scrutiny, but believes West Coast has done the right thing in suspending
him . . . ‘If you want to be a leader in society . . . You’re going to have things
come up and bite you on the arse’, the Collingwood captain said yesterday.
(The Age, 22.3.2007)
Medium Process
Process Medium
Constructing Sports Stars 121
In this example from the very early coverage of the events in The Age, Cousins is
not constructed actively, but has things done to him: he has his private life laid
bare, he is suspended, and things ‘come up and bite [him] . . . on the arse’. He
is neither Actor nor Agent in any of the clauses, as can be seen in the analysis
above, where Cousins features:
Further, in the embedded clause ‘things come up and bite you on the arse’,
which is within clause 2.2.1, Cousins also features as Goal/Medium, a recipient
having things done to him, where agency is given to ‘things’:
Example 3:
After Thursday’s confirmation, Eagles chief executive Trevor Nisbett said the
club had failed Cousins by not providing better help . . . AFL chief executive
Andrew Demetriou said the league would learn from this: ‘What we want to
122 Appliable Linguistics
do is to wrap our arms around Ben Cousins, get him rehabilitated, get him
healthy.’
(The Age, 24.3.2007)
Process Medium
Medium Process
3.2.3 [[‘What we want to do]] is [[to wrap our arms around Ben
Cousins, // get him rehabilitated,
// get him healthy.’]]
In this example, it is the club, specifically in clauses 3.1.2 and 3.1.3, who is
Agent for failing Cousins by not providing help. Nowhere is Cousins given
agency over the events.
Constructing Sports Stars 123
Example 4:
Although the Eagles hierarchy has made it clear to Cousins that he will not be
allowed back to the club until he fully accepts his addiction to the metham-
phetamine ‘ice’, and seeks rehabilitation, the 2005 Brownlow medallist as
recently as the weekend remained determined he could beat his drug
problem without full-time medical and psychiatric help . . . West Coast chair-
man Dalton Gooding confirmed yesterday that Cousins had resisted a series
of attempted interventions but added that some progress was being made.
‘The first step for Ben is accepting the problem,’ said Gooding, ‘and then
Ben making a statement and then going off somewhere for rehabilitation.’
(The Age, 27.3.2007)
4.1.5 the 2005 Brownlow medallist as recently as the weekend remained determined
4.1.6 he could beat his drug problem without full-time medical and
psychiatric help . . .
Process: verbal
Process
Medium Process
Example 4 shows the club as Agent first, not allowing Cousins back into the club
unless he performs particular actions. Therefore, the kind of doer the club
wants of Cousins is someone who first accepts his addiction or problem, then
makes a statement about it, and then goes off somewhere for rehabilitation.
From this example, it seems clear that the football fraternity do want Cousins to
be the Agent and Actor/doer, and take control of his life, however, they only
want a particular kind of Agent/Actor/doer, one who accepts his addiction,
seeks rehabilitation and makes a statement.
Finally, on 30 March, Cousins is depicted as being the kind of doer the League
wants:
Example 5:
Fallen Eagle Ben Cousins will head overseas today in a bid to overcome his
drug addiction. (The Age, 30.3.07)
Considering that this term was used to describe Cousins at least four times,
including fallen Eagle, fallen star and fallen West Coast champion, it seems worth
exploring.
Typically, the ‘fallen’ metaphor is used to mean a fall in status or prestige, and
it refers to the ‘original sin’ in the Judeo-Christian bible: the fall from God’s
grace by Adam and Eve in the Garden of Eden as a result of eating the forbid-
den fruit. Just as Eve was led into the temptation of eating the fruit by the
serpent, so Cousins was led into the temptation of drug taking (‘things come
up and bite you on the arse’ – perhaps referring to the serpent that accosted
Eve and coerced her into eating the fruit), the result for both being a loss of
innocence and a fall from grace. This is a theological frame of reference, a
biblical way of positioning Cousins in relation to his misdemeanour. The use of
the metaphor therefore refers to the fact that as a result of his actions, Cousins
has fallen from his highly regarded position into the lowly position of disgrace
as a result of succumbing to the temptation of drugs. However, whether this
provokes pity or blame (or both) in the reader is unclear.
7.5 Discussion
The results of the study of eight articles from The Age newspaper show that
even when there are instances where Cousins is construed as active and
agentive in the events, he is also regularly construed as not active and agentive,
in conjunction with not being negatively evaluated. This begs the questions of
why – when it is seemed to be fairly clear that Cousins had repeatedly behaved
inappropriately by breaking the law, using illegal drugs, as well as not turning
Constructing Sports Stars 127
First, if, as Whannel (1992) suggests, sports heroes are a source of national
identity and pride, then perhaps, the higher the profile of the sports hero, the
more their fall is cushioned. This study suggests that Cousins’ fall was cush-
ioned by the print media’s representation of him through the repeated con-
struction of him as non-active and non-agentive in the events, and clearly, as
can be seen from how he is positively appraised as a footballer in the articles, he
was seen to be a very highly valued sports star.
Second, unlike violent offences committed by other high-profile sports people
such as Nick D’Arcy (in early 2008), Cousins’ offences were about his personal
drug use and related behaviour. That is to say, other than let his team (his
family, his fans and his league) down, Cousins did not do anything that hurt
anyone else. The conjecture here is two-fold: the representation of Cousins as
not only negative can be partly attributed to the fact that Cousins is of extremely
high value as a sports person, and that his offences did not transgress into the
realm of violence. While it was not the brief of this project, it would be interest-
ing to compare the media representation of D’Arcy, who assaulted a fellow
sportsperson Simon Cowley in a bar, breaking his nose, with Cousins, to see
whether the media construction is as varied with D’Arcy as it seems to be with
Cousins.
This varied representation of Cousins in The Age articles fits into Lines’ (2001)
assessment of the complex role that male sports heroes occupy in media
narratives, simultaneously constructed as villains, heroes and fools, forming a
complex mix which he calls ‘damaged hero’ (2001, p. 285). There is evidence,
particularly from the Appraisal analysis, which shows Cousins depicted as
damaged hero: sports hero on the field and disgraced role model off the field.
There is a tension here, between the construction of Cousins’ positive capacity
on the field and his negative value in terms of ethics – referring to what is
socially sanctioned as the correct behaviour a high-profile footballer should
exhibit or engage in off the field.
To return to the original concerns motivating this study, we must ask what the
effect of this varied construction of transgressive sports stars like Cousins is on
young people, particularly those who hold sports stars in high regard. As Lines
(2001) points out, more research is needed to explore this.
128 Appliable Linguistics
7.6 Conclusion
Notes
* Acknowledgement: the work for this chapter was made possible by a $3000 faculty
grant from the Faculty of Health and Behavioural Sciences at University of
Wollongong.
1
The Brownlow medal is the leading individual award in AFL, awarded once a year
to the fairest and best player of the football season.
2
The Leigh Matthews trophy is awarded by the AFL players Association to the most
valuable player in the football league.
References
Anderson, K. J. and Cavallaro, D. (2002). ‘Parents or pop culture? Children’s heroes
and role models’. Childhood Education 78 (3), 161–8.
Biskrup, C. and Pfister, G. (1999). ‘I would like to be like her/him: are athletes role
models for boys and girls?’ European Physical Education Review 5 (3), 199–218.
Ferris, K. O. (2007). ‘The sociology of celebrity’. Sociology Compass 1 (1), 371–84.
Constructing Sports Stars 129
8.1 Introduction
a tool for managing the tensions that occur in an ongoing negotiation of com-
munal, relational identities, and for reinforcing the bonds that friends share.
The chapter will also demonstrate the role of ideology and culture as a constant
feature of this negotiation, as participants constantly display their positioning
as members of a culture that is organized by ideology or ‘coding orientations’
(Bernstein, 2000). I will further suggest that humour allows speakers to make
relevant and negotiable various levels of affiliative identities by presenting them
through couplings (Martin, 2000a) in the text, and this is informed by realiza-
tions of the involvement resource of ‘naming’ (cf. Martin and White, 2005). To
contextualize the exploration of conversational humour in this chapter, the fol-
lowing section describes the analytical approach to the data, while Section 8.4
describes the social process of affiliation. Section 8.5 then describes the resource
of naming and discusses how it informs the interpretation of humour and affili-
ation. The use of conversational humour and the role of naming are exhibited
in the section 8.6 through discussions of the analysis of the humorous texts.
8.3 Approach
The data for this study consist of five texts of humorous phases of casual conver-
sation (totalling 12 hours of recorded data) between Canadian friends. These
friends ranged from ages 20 to 30 and most participants were undergraduate
university students, or were in post-university jobs.1 Casual conversation is speci-
fied according to Eggins and Slade’s (1997, p. 19) definition as ‘talk which is
NOT motivated by any clear pragmatic purpose’. The talk was recorded in dif-
ferent contexts with different sets of participants, both male and female, and
the participants were unaware that humour was of particular interest to the
study (since the topic had not yet been decided). From a total of 12 hours of
recorded conversation, I chose five phases of humour for this analysis.
The humorous phases were identified by the occurrence of laughter. Laugh-
ter served as a signal that the participants were negotiating a ‘laughing’ kind of
affiliation, and together dealing with a tension in the ongoing conversation.
The surrounding meanings were then analysed, while laughter along with the
naming of identity categories informed the analysis and the identification of
communities that were construed.
Most of the recordings included myself as researcher-participant, in both
friendship and additional roles with most of the interactants. While Labov
(1972) finds that this presents an ‘observer’s paradox’, risking the naturalness
of the discourse, Eggins (1990, p. 136) has argued that the risks are offset by
the advantage of having an insider take part in the interaction and thereby
contribute to the naturalness and comfort of the participants, since the
researcher shares a friendly relationship with them. Furthermore, my participa-
tion in the instigation of the humour proved critical for interpreting the often
unfunny texts.
Naming Culture in Convivial Conversational Humour 133
The study is undertaken in an SFL perspective (cf. Halliday, 1978; also see
surrounding chapters, this volume, for elaboration). In particular, a discourse
analysis following Martin and Rose (2007) was completed, focusing on the
systems of ‘appraisal’ and ‘ideation’. The discourse semantic system of
appraisal2 is located in the interpersonal metafunction, which includes those
sets of meanings by which we enact relationships. Appraisal includes choices of
attitudes, how we intensify them and their sources. Attitudinal meanings are
divided into three subtypes: affect (emotions), judgement (evaluations of peo-
ple’s character and behaviour) and appreciation (evaluations of things both
concrete and abstract). Focusing on attitudes, I coded both inscribed (or
explicit) and invoked (or implicit) attitudinal meanings that were expressed in
the texts. Then, I focused on the targets of these evaluations through an analy-
sis of the system of ideation. Ideation concerns ‘what kinds of activities are
undertaken, and how participants undertaking these activities are described
and classified’ (Martin and Rose, 2007, p. 25). The system of ideation focuses
on the construal of experience in discourse, including the ‘people and things
involved in them, and their associated places and qualities, and on how these
elements are built up and related to each other as a text unfolds’ (Martin and
Rose 2007, p. 109). The ideation analysis involved classifying the ideational
meanings into taxonomies and identifying their role in the clause as well as
their relation to surrounding clauses. The relationship between attitude and
experience could then be more clearly interpreted, particularly in terms of
identifying ‘couplings’, which I will introduce in the next section. Also, in the
discourse analysis, the choices that speakers made were considered in relation
to the meanings that they construed in the social interaction, informing the
affiliation model that I will introduce in this chapter.
While there are many types of humour that have been studied across disciplines
for centuries (cf. Attardo, 1994), the linguistic study of conversational humour
is still relatively new, and it lacks a consistent and unified definition (Coates,
2007). Therefore, the type of humour under focus in this chapter is given
its own definition, informed by the social functions that it achieves. ‘Convivial
conversational humour’ (Knight, 2010) is characteristic of conversation between
friends in which laughter proliferates, and is oriented towards solidarity and
connecting around shared social networks of bonds. This is the type of humour
that conversational outsiders would consider ‘unfunny’ and difficult to inter-
pret, but it is a highly informative feature of talk that is closely related to how we
construe who we are and how we relate as members of a culture on an ongoing
basis.
Furthermore, there has not yet been a full study of humour in the SFL frame-
work. Eggins and Slade (1997) offered a promising start to this topic of research
134 Appliable Linguistics
In Example 1, the two speakers present couplings of attitude with the ideational
range ‘pie party/ies’. The inscribed positive appreciation (‘awesome’) and pos-
itive affect (‘love’)3 binds together with this ritual that they often participate in
as a group of friends, and creates a coupling that they can share to affiliate
together as members of a friendship community. By sharing this coupling in
the text, these interactants construe a social bond between them as members of
a ‘pie party’ community in the culture.
‘Bonds’ in this sense may be compared to the concept of ‘membership cate-
gorization devices’ (MCDs) as introduced by Sacks (cf. 1992), and reformu-
lated in Schegloff (2007) and in Housley and Fitzgerald’s (2002) terms. In this
model, speakers can be distinguished by a particular social categorization based
on relevant aspects of the linguistic text that are ‘consequential to the interac-
tional business’ (Schegloff, 2007, p. 474), such as ‘category-bound’ activities,
attributes and predicates, which signal particular social categories and collec-
tions of categories (i.e. MCDs). The feature for naming bond categorizations,
however, is specified here as couplings in the theory of affiliation, which may
involve ideational meanings in any category (i.e. processes, participants, quali-
ties, etc.) that are tied to particular attitudes.
The coupling is in this way a linguistic unit construing a bond as a social semi-
otic unit of a different order in the social dimension of affiliation, and it is by
Naming Culture in Convivial Conversational Humour 135
signals that this social process is going on by showing that tensions that will
inevitably affect how we co-construct ‘who we are’ can be laughed off together
for the sake of affiliating.
These affiliations were made particularly salient by the naming in the text. For
instance, in the third text, religious master identities are made evident when
the speakers name the Catholic religion as one that they do not share but that
interrupts their theatre rehearsal time (‘we can’t have rehearsal on Easter
Sunday because mm-Adriana’s all Catholic’); and further, one speaker names
the Jewish religious network to associate another interactant with this member-
ship (‘Why can’t everyone be Jewish’). The identities thus emerged from the
text as the interactants made them relevant to the ongoing talk, and negotiated
the bonds of their social networks through couplings of attitude with ideation.
Coupled meanings surrounding laughter bouts (Owren, 2007) were inter-
preted and informed by the resource of naming.
The analysis of the texts confirmed that friends use conversational humour
to negotiate affiliation by identifying around shared and unshared bonds, and
laughing off the tensions that occur between them in their communal member-
ships to social networks. In convivial conversational humour, interactants nego-
tiate their similarities by laughing off their differences, so that any conflicting
coupling presented in discourse is laughable due to its relation to an underly-
ing shared bond. Through the convivial conversational humour in the texts,
the participants construed affiliation by laughing off the bonds of those identi-
ties that were not shared between them (e.g. ‘Catholic’), managing the tensions
they caused (e.g. ‘we can’t have rehearsal’), while reinforcing bonds that they
did share (e.g. rehearsing in theatre group). Moreover, while often negotiating
personal bond networks locally, the interactants also brought in identities on an
ideological and cultural level, accessing the macro-social structure through
humour (Eggins and Slade, 1997).
I will present the analysis of the humorous texts in this section, exhibiting
how the speakers present couplings both inscribed and afforded by surround-
ing named regions, associations and individuals. These names set up opposing
perspectives, pointing towards the values around which the interactants posi-
tion themselves at various levels of affiliative community; both in terms of local
networks, and in ideological and cultural networks of gender, age, ethnicity,
capacity, class, religion, sexual orientation, national and regional origins.
Naming Culture in Convivial Conversational Humour 139
M: The funniest thing I’ve ever seen is- do you ge- it was like a really
really old SNL skit and Patrick Swayze was on and they were doing
this um
C: Chippendales?
M: The Chippendales ==
C: == With Chris Farley? == Yeah
M: == with Chris Farley!
G: == Oh::: yeah::: ew:::
L: == Oh my (laughing) god! …
M: == Chris Farley’s like rollin off his shirt == too and like he’s got
G: == Ew::: I think I’ve rented that one
C: [Chris Farley]’s all like this [non-verbal action]
M, G, L: (laugh)
C: And you realize like in that moment that Patrick Swayze’s kinda hot
and then you’re like “Oh!* Patrick Swayze!” (L,G laugh) and you’re
like == “Wait wait” . . .
Naming Culture in Convivial Conversational Humour 141
M: == And then you look at the hair and you’re like “Oh wait [Patrick
Swayze’s] kinda old”
L: == (laughs)
Example 4: Attractiveness ideals humour
[Transcription conventions as above.]
M opens up the humour by prefacing the phase with ‘the funniest thing I’ve
ever seen is’, and follows by describing a comedy skit on the American tele-
vision programme, Saturday Night Live (or SNL). The interactants then co-
construct the premise of this funny skit as one in which the actor, Chris Farley,
portrays the role of a male stripper in the American association ‘Chippendales’.
The laughter and expressions of disgust (e.g. ‘ew:::’) signal that this creates a
tension to be laughed off by these interactants, and while the attitude is not
explicitly inscribed, couplings are afforded by realizations of naming through-
out the phase.
First, ‘SNL’ as a specialized term for the television show sets up a community
of SNL-watchers by which these interactants may share in a communal identity,
and this is followed by the naming of the individual actor ‘Patrick Swayze’; the
community of American male strippers, the ‘Chippendales’ (a group of men
with ‘ideal’ body types); and the individual actor ‘Chris Farley’ (an actor with
an overweight body type). In this naming, M and C together set up an opposi-
tion6 between Chippendales and Chris Farley, affording a positive aesthetic
appreciation (cf. White, 2001) for the male strippers and a negative aesthetic
appreciation for the actor. By interpreting this opposition, the interactants co-
identify both as SNL-watchers, construing themselves as familiar with American
programmes and associations, and as heterosexual females with an interest in
‘attractive’ body ideals for men. At the same time, they laugh off the tension
created by Chris Farley in playing the role of an attractive male stripper through
such activities as ‘rollin off his shirt’, which would otherwise be desirable by
positively appreciated members of the Chippendales.
The underlying bonds that they share as they affiliate together are further
explored when C presents a coupling of positive aesthetic appreciation for the
actor Patrick Swayze as a Chippendale, which is met with laughter and an admis-
sion of their shared negative appreciation for him as too old. These couplings
are inscribed in ‘kinda hot’ and ‘kinda old’, but the naming again makes clear
the opposition of perspectives and exhibits the interactants as familiar with
popular American culture and the named actor ‘Patrick Swayze’. In the ongo-
ing humorous discourse around attractiveness ideals, they laugh off ‘oldness’
as an unshared bond in their heterosexual female identities. Thus, through the
local community of watchers of the American television show SNL, these con-
versational participants negotiate their ideological positioning in the gender
network and in terms of sexuality through different bonds around male attrac-
tiveness ideals.
142 Appliable Linguistics
C and G mark F’s utterance as creating a tension (in the same way as Example
2) by reacting with laughter and continuing the humour (Hay, 2001). While at
first the naming of the ‘Catholic’ network sets up an opposition between the
bonds of this network, named as the Easter holidays, and those of the speakers’
theatre play networks (implied in their ‘rehearsing’), this is then countered by
F by asserting his own affiliation with the Jewish community. When G names this
social network following her laughter (‘Why can’t everyone be Jewish’), she
exposes this underlying social network and creates further humour around it
by imagining all people as fitting into the Jewish category, noting that this is not
necessarily an affiliative possibility. Specifically, her naming makes clear the
underlying bond on which F’s coupling is made laughable, as he proposes a
positive appreciation coupling with rehearsing that is in fact due to his Jewish
membership (and not to his dedication as a play member). The couplings
inscribed around the play members’, and in particular Adriana’s, disinterest in
attending rehearsals are first associated with the quality of being ‘Catholic’,
affording negative attitudes towards the bonds that cluster together in this net-
work such as the Easter holidays. F’s assertion of a positive appreciation coupled
Naming Culture in Convivial Conversational Humour 143
with rehearsing (‘I have no problem with that’) is funny because he is in fact
asserting a Jewish identity that is not here shared, but one that excludes any
potential bond around Easter, thus making his positive appreciation of rehears-
ing less ‘genuine’ than he makes it out to be.
These conversational participants negotiate the tension caused by master
identities in this phase, as membership to a religious network such as Catholi-
cism cancels the possibility for them to affiliate with their play members in
rehearsals during the Easter holidays. In humour they co-construct their own
ideological positionings as non-religious and as Jewish, and bond together as
theatre play members who, in any case, will not allow Easter to cancel their
rehearsing. By presenting a coupling to construe his Jewish identity, F seems to
licence the humour around religion7, and the naming makes the opposition,
and the humour, more apparent.
cf. Sacks, 1992) of ‘boys’, signalling opposing social networks and the presenta-
tion of couplings as bonds of these networks in the text. Gossip is then con-
strued as a bond typically associated with a female social network but one that
is shared by the males in her group, and one which C herself dissociates with
(‘I don’t care’).
Gender is brought into this conversation to negotiate the bonds that typically
cluster within these networks, and through humour these interactants laugh off
the tension created when males take on a ‘female’ bond. At the same time,
these interactants negotiate themselves as ones who do not share this bond, so
that physical associations with this ideological network do not prevent these
women from co-constructing their own ‘non-girly’ identities. So, as members of
the female gender they can affiliate together by establishing known valued attri-
butes and activities that are part of this category, while construing one bond
within it as too ‘girly’ for them, and laughing it off when presented as a posi-
tively appreciated coupling by ‘boys’. The use of exclusive pronoun ‘they’ first
sets up that gossip is presented as a coupling but that this is one that the speaker
dissociates herself from, and the opposition between ‘girls’ and ‘boys’ is made
clear through their explicit naming. Tracy (2002) argues that master identities,
such as this ideological network of gender, are frequently conceived of as ‘con-
trastive sets’ (p. 18), so that ‘gossip’ is defined by being a non-male bond. How-
ever, not only do these speakers acknowledge the tension created when males
take on this non-male bond, but they make it negotiable as something shared
by ‘girly’ females, and not necessarily other females such as them. This negotia-
tion is presented through the personal network of C’s group of friends, and
allows the interactants to co-identify by sharing a ‘non-girly’ subgroup within
the female identity.
CO: I just hope one day it does find its way to be like we [men and women]’re
equal; but we’re totally different sexes and it’s like y’know both [men
and women] are celebrated for their own thing and whatnot. …
CO: I don’t know this one girl sh- (laughs) I think we bo- Jess’ girlfriend this
one girl . . . with my friend, he had a bunch of clothing that was ripped
he’s like “Ah I have to take this to get this sewed up I don’t know how
to do that” and his girlfriend’s like was like uh “Oh I could do it” and
Naming Culture in Convivial Conversational Humour 145
he’s like “Oh you know how to sew?” And her answer to that was- to the
question “d’you know how to sew,” she was like “You know I am a
woman of course!”
K: == (laughing) Oh my gah
N: == (laughing) (A woman?)
CO: == He was just like . . . yeah.
K: == (laughs) . . . Where was that?
CO: In Thailand
K, N: (laugh)
CO: She’s like “I’m a woman of course I can sew!” (K,N laugh) “I can clean
too you know” (K,N laughing) You know it’s like (laughing)
T: You know and they [women] can cook!
CO: Yeah they [women] can cook! (N laughing) == It’s like you know
K: == (laughing) Oh my god (laughs)
Example 7: National humour
[Transcription conventions and appraisal coding as above.]
While the projected speaker, ‘Jess’ girlfriend’, asserts her positive appreciation
for sewing as a bond that is necessarily shared between women, these interac-
tants interpret it as creating a tension and laugh it off in favour of the values
they had previously shared in the discourse as Canadians (around ‘equality’ of
the sexes). In her realization ‘of course’, Jess’ girlfriend presents the sewing
value as universally shared and excludes Jess’ potential alternative viewpoint as
‘at odds with what is purportedly generally agreed upon or known’ (Martin and
White, 2005, p. 124). This relegates sewing to being a woman’s duty, creating
tension with the shared bond of ‘equality’. The humour is then furthered by
T and CO who use the exclusive pronoun ‘they’ to both widen the network to
include all women, and to exclude themselves as male in the duties of cleaning
and cooking. The interactants show that they are negotiating social networks at
the national level by the naming of ‘Thailand’ as the circumstance of location
in which this coupling was presented by Jess’ girlfriend, and this seems to
licence the female interactants’ laughter as they construe themselves as differ-
ent from that network, instead aligning with the males in the conversation
around ideals of equality. The tension is drawn out by the projected speaker’s
naming of the female network in ‘I am a woman of course’, but this is laughed
off as distinctly Thai and as culturally different from the female network as
constructed in the Canadian culture. These interactants affiliate together on
a cultural level by naming the national network (‘in Thailand’), setting up an
opposition with their own implicit Canadian network, and laughing off the ten-
sion created by Jess’ girlfriend in her coupling around sewing as a bond of the
female network. This is instead construed as something unshared by the females
in the current conversation, and ungeneralized by the males as well.
146 Appliable Linguistics
8.7 Conclusions
Notes
1
These categories will necessarily affect the data, but the shorter range of variation
arguably minimizes the effect of categories of age and education (see Hay, 1995,
pp. 35–8 discussion of control of variables).
2
That is, the system of appraisal that is situated in the stratum of discourse, above
lexicogrammar and below the social context, in the SFL architecture of language
(cf. Martin and White, 2005, pp. 9–12).
3
See Martin and White (2005) for further description of these systems of Attitude.
4
This is a view of affiliation from a systems perspective. Zhao and Knight (2009),
however, present a complementary process perspective on affiliation.
5
The system of ‘negotiation’ is introduced here in a technical sense as a discourse
semantic system, but throughout this chapter when I refer to the negotiation of
affiliation, it is meant in a non-technical sense.
6
This is something to be expected due to its being part of a comedy skit.
7
The utterance ‘Adriana’s all Catholic’ was not explicitly laughed off before but
expressed with a contrastive sarcastic intonation (cf. Attardo et al., 2003), indicat-
ing humour.
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town’, in N. Norgaard (ed.), Systemic Functional Linguistics in Use. Odense: Odense
Working Papers in Language and Communication, vol. 29, pp. 31–62.
Martin, J. R. and Rose, D. (2007). Working with Discourse: Meaning beyond the Clause
(2nd edn). London and New York: Continuum.
Martin, J. R. and White, P. R. R. (2005). The Language of Evaluation: Appraisal in
English. London and New York: Palgrave Macmillan.
Norrick, N. (1994). ‘Involvement and joking in conversation’. Journal of Pragmatics
22, 409–30.
Norrick, N. (1993). Conversational Joking: Humor in Everyday Talk. Indianapolis:
Indiana University Press.
Owren, M. J. (2007). Understanding Acoustics and Function in Spontaneous Human
Laughter. Proceedings of the Interdisciplinary Workshop on the Phonetics of
Laughter, Saarbrucken, Germany, 4-5 August.
Naming Culture in Convivial Conversational Humour 149
Along with the wave metaphor deployed above, metaphors that have been used
to characterize interpersonal patterning include crescendo and diminuendo
of a musical prosody (Martin and Rose, 2003), chord progressions (Macken-
Horarik, 2003b), movement of motifs (Halliday and Mattheissen, 2004), propa-
gation (Lemke, 1998) and radiation (Hood, 2006).
Appraisal prosody is both local and global in nature, being visible in a single
clause and in extended portions of discourse. Poynton (1984) suggests two
types of prosodic structure: diffuse and compact prosodies. For example, con-
sider the following:
Christ they bloody well beat the living daylights out of those LOUSY ROTTEN
STINKING bastards!
Poynton (1984, p. 23) argues that the items marked in italics above are part of
a diffuse prosody of negative attitude, while the items in capitals are ‘a subset of
Visualizing Appraisal Prosody 151
The texts in our dataset include both observed and video-recorded confer-
ences. We thus adopt a multimodal text analysis strategy that considers both
talk and gesture. In this chapter we focus on evaluative meaning in a single YJC,
the Affray YJC, and use textual, phonological and gestural evidence to support
our claims about the structure of the ELO’s appraisal prosody. The study is
an example of ‘appliable linguistics’ concerned with understanding linguistic
patterns in real-world contexts.
The Affray YJC was one hour and a half in duration. The discourse was tran-
scribed using Transcriber (Boudahmane, Manta, Antoine, Galliano and Barras,
2001) and annotated using ELAN (Max-Planck-Institute for Psycholinguistics,
2008). In undertaking our analysis of the video-recorded YJC we were particu-
larly motivated by Bateman’s (2008) focus on finding ways to manage dynamic,
‘multichannel’ data so that our multimodal analysis would remain empirical:
153
154 Appliable Linguistics
The Affray conference was video recorded and the researchers also sat in
the conference circle as silent observers. To minimize the visual presence of
recording equipment in the hope of reducing their impact upon conference
participants, video-recordings were made using a camera mounted on a micro-
phone stand recording to DVD. The cameras were positioned in the corners of
the room to further reduce their visual presence (See Figure 9.3).
The manual used in NSW as part of convenors’ training includes a scripted
outline (Youth Justice Conferencing Directorate, 2005) detailing the structure
of a typical conference. This notional script indicates that the convenor should
invite the YP to ‘tell their story’. The YP, however, in the conferences that
we have observed, will rarely produce a packaged recount of events. Both the
details of the offence and related emotion talk are usually jointly constructed
through prompting by the convenor. For this reason we refer to the story that
the YP tells as a Commissioned recount. It typically occurs in the generic
structure of the conference after the gathering and legal framing, and before
the responses by third parties to the YP’s ‘story’ (For an account of the Commis-
sioned recount stage see Martin, Zappavigna and Dwyer, this volume). The
Commissioned recount tends to have the following structure:
The talk by the ELO analysed in this chapter is part of the Interpretation
phase of the Commissioned recount stage. We will refer to his contribution to
the Interpretation stage informally as the ‘ELO’s intervention’.
Visualizing Appraisal Prosody 155
We’re not saying, ‘YP, you’re a this and you’re a that’. What we’re saying is
your behaviour is getting you into trouble, man. You’re hurting your family,
brother.
The ELO’s intervention in the Commissioned recount comes after the Conve-
nor has attempted to elicit, extend and finally begin to jointly evaluate the YP’s
recount of the events of the affray. In the Interpretation phase proceeding the
intervention it appears that the Convenor has not been able to leverage shared
networks of value that we see the ELO deploy in his wielding of the judgement
system. Instead she relies on questions relating to emotions about family mem-
bers in the hope of eliciting an evaluative response. The Convenor often packs
her evaluation into questions for the YP to confirm (or deny), instead of state-
ments (C = Convenor, YP = Young Person):
C: But do you think it’s reasonable if you’re doing the wrong thing that
she’s telling you off?
YP: Yes.
C: Why is that?
YP: I’m in the wrong. She has the right to.
156
Appliable Linguistics
Figure 9.4 Situating judgement within the appraisal system (based on Martin and White, 2005)
Visualizing Appraisal Prosody 157
Deciding that the proceeding phases have been ineffectual in deploying the
appropriate ‘evaluative levers’, the ELO declares that he will deploy a different
strategy:
ELO: Listen, I want to take, with you permission, I wanna take a different
angle. OK? Alright. Mate, what’s your mum wearing on her head?
YP: Scarf.
ELO: Yeah. OK. What a- where is she now? In the presence of who?
YP: Me.
ELO: No, who’s sitting here? Who’s sitting here right now? Have a look
across.
YP: Men.
ELO: Have a- m- have a look across what uniform are they wearing?
YP: Police uniform.
ELO: OK. Where are these guys from? They’re from a certain place. OK.
What’s the perception going to be?
YP: Think bad of me.
158 Appliable Linguistics
The division made at the level of discourse semantics is also in the ELO’s
gesture as he tilts his head towards the different participants in the circle. We
now turn to exploring the prosodic structure of the kind of evaluative contrasts
that commenced in this phase.
The evaluative language deployed by the ELO gives his discourse, from a
layperson’s perspective, the feel of a ‘good cop – bad cop’ routine, while the
Convenor sounds like a stern but caring mother. The ELO’s talk is constituted
by a relatively high frequency of negative judgement. A sample of this
appraisal is provided in concordance layout in Table 9.1. The judgement is
usually about social sanction and the target of this evaluation is typically the
YP’s behaviour.
From a corpus-based perspective the discourse involves an overall ‘halo’
(Bednarek, 2006) of negative judgement (negative judgement underlined):
You have no respect for your mum whatsoever, brother. You have no respect
for what your mum’s got on her head. You have no respect for our commu-
nity. You have no respect. You tell me, brother, how it’s a part of our culture
or our religion or our tradition to do things like that. You tell me when.
It’s what you’re doing that’s no good. You’re probably a GOOD PERSON.
What you’re doing is not good. You understand the difference?
what you’re doing does that HELP OUR COMMUNITY at the moment or
does it make our community look worse?
Do you know how easy it is to break the law? It’s so easy. [clicks fingers] It’s
so easy. [clicks fingers] It is so easy. Get in your car, do a u-turn on double
yellow lines, you’re breaking the law. You TRY STAYING OUT OF TROUBLE.
You find out HOW MUCH OF A MAN it takes, hey?, TO STAY OUT OF
TROUBLE. You tell me which one takes MORE OF A MAN to do. How does
it take MORE OF A MAN to listen to your friends or TO SAY TO YOUR
FRIENDS, ‘No, what you’re doing is wrong’. You tell me.
The ELO’s paralanguage accords with the kind of contrastive prosodic struc-
ture explained in the previous section. Both his gestures and phonological pat-
terns emphasize the rhetoric of opposites. For example, the ELO tends to divide
his gesture space into halves, with gestures relating to negative judgement on
his right, and positive judgement on his left (the following screen captures
are cropped and blurred for anonymity).
The gestures of ‘left-good’ are made towards the YP, and the ‘right-bad’
align away from the YP. The ELO is associating the YP with good, so valuing him
as a person; he is also urging him to put aside the bad, and rendering those
behaviours as spatially distinct from the YP as a person. The to-and-froing seems
to have a pedagogic function, contrastively evaluating types of behaviour.
The evaluative meanings being contrasted correspond with tonic promi-
nence, making them the informational focus; for example, consider the ELO’s
refocusing of the target of evaluation away from the YP’s identity to the YP’s
behaviour. The excerpt is annotated using Halliday’s (1970) notation scheme,
where each foot begins with the beat, either salient syllable or silent beat and /
= foot boundary, // = tone group boundary:
The instances of tone 1 in this excerpt are tone 1+ (wide drop in pitch on the
tonic) which, according to Davies (1992), typically has a contrastive textual
function.
The ELO’s talk has a ‘pulsed’ character involving a fairly low number of
syllables per foot, generally between one and three. He tends to stress words
which in other contexts might remain unstressed. The feet have fewer than
usual syllables. This means that more words than usual are salient as the ELO
attempts to emphasize the importance of the contrasts that he is making. For
example, the following tone group analysis shows the rhythm of the ELO’s
discourse as he critiques the YP’s behaviour. In this analysis the beat falls on the
next syllable to the right of the single slash.
Figure 9.9 Positive and negative judgement (invoked and inscribed) in the ELO’s
intervention stage
You wanta be tough. [inaudible] You’re not. Number one. Number two, man.
When I see someone of my own background bringing their mum in wearing
a Hejab, OK, honestly man inside I feel sick. You understand?
After this initial burst of negative judgement, the patterning in Figure 9.9
shows a ‘to-and-fro’ structure, with negative judgement generally being fol-
lowed by positive judgement, shown in the graph as grey and black regions
co-occurring. This provides us with a synoptic perspective on the following kind
of structure (invoked negative judgement underlined; invoked positive
judgement in capitals):
Mate, if you – if there’s a fire do you walk straight into it or do you WALK
AROUND IT?
. . . what it sounds like is if you get a job, you’ll be out of trouble but if you
DON’T GET A JOB, you’ll GET INTO TROUBLE.
164 Appliable Linguistics
The stacked area graph provides us with a view of the evaluative tendencies of
the ELO without losing information about how the appraisal unfolds in terms
of its sequencing.
The overall effect of this kind of patterning seems a kind of push–pull affi-
liation where the ELO aligns himself with the YP while concurrently using
the reduction in interpersonal distance as an opportunity to judge the YP’s
behaviour. It is in this sense that the vocatives act as levers to open up the
discourse and let the evaluative prosody in.
In this chapter we have reported on an appraisal prosody that was concurrent
with contrastive gestures, phonological contrast and with a rhetoric of opposi-
tions. We have used multimodal evidence and visualization of extended text
patterns to make these claims about a prevalent back-and-forth structuring
visible across strata. The ELO’s discourse is an example of persuasive language
wielded for the common good. His attempt to integrate the YP into the local
community is an effort at civic rehabilitation and restorative justice.
Notes
1
We wish to acknowledge the support of the Australian Research Council in fund-
ing this research project.
2
Technical terms relating to appraisal are presented in small caps to distinguish
them from common terms.
3
Following Martin and Rose (2003), we make a distinction between inscribed
appraisal that is explicitly construed, such as ‘bad person’, and invoked appraisal
which is indirectly construed such as ‘didn’t get a job’.
4
Mate, however, is becoming more frequently used by female speakers of Australian
English.
References
Bateman, J. (2008). Multimodality and Genre: A Foundation for the Systematic Analysis of
Multimodal Documents. London: Palgrave Macmillan.
166 Appliable Linguistics
10.1 Introduction
This chapter reports on research into literacy in the senior secondary school
which aims to explore the nature of the literacy requirements for success in the
final years of schooling in New South Wales, Australia. In so doing, it also
explores how an ‘Appliable Linguistics’ can contribute to the understanding
of disciplinary difference as reflected in end of school examinations in this
context and points towards future directions in applying linguistics to the study
of school discourse.
in the areas of genre and appraisal theory (Christie, 1986; Martin, 1986). To
date, however, much of this work has been carried out in the primary or junior
secondary sectors or in the tertiary context. Less work has been targeted specifi-
cally in the senior secondary school context (Cambourne, 2001; Joy Cumming
and Claire Wyatt-Smith, 2001) although a recent study by Christie and
Derewianka (2008) does make some reference to literacy across the curriculum
in the senior years. There remains, therefore, a significant unresolved area
around literacy in the senior secondary context which merits investigation.
Arising from my work as a literacy educator in a senior high school, I began
to find it increasingly important to investigate literacy in the context of the final
two years of schooling, especially considering the high-stakes nature of the final
Higher School Certificate (HSC) examinations in NSW, which serve as a gate-
keeper for students’ entry into the tertiary sector. In their final year of second-
ary schooling students across the whole range of senior subjects have different
literacy development needs than junior students, as they are learning more
complex written genres and are learning to incorporate and evaluate multiple
voices and opinions within their written texts. Furthermore, anecdotal accounts
from teachers in the humanities in particular seemed to indicate that the
way students were required to write their ‘essays’ and the language they were
expected to use differed substantially across humanities subjects. It would there-
fore benefit both students and teachers to understand more clearly how stu-
dents are expected to write if they are to succeed in their final examinations.
(Applebee, 1984, p. 2). This is reflected in his analysis of textbooks from across
the curriculum which shows that roughly 90 per cent of the tasks in textbooks
assumed the audience to be the ‘teacher as examiner’ (Applebee, 1984).
It seems, therefore, that students’ writing is valued only as an assessment tool
insofar as it provides an opportunity to communicate ‘subject knowledge’ and
that the form of the writing is unimportant as very little time is dedicated to
teaching students how to write.
Although these studies are now over 20 years old, there does not seem to be
an overall change in the treatment of writing within schools. This is hard to
determine definitively, as there have not been any more recent studies compa-
rable to Applebee’s (Hillocks, 2008). Hillocks (2008) comments briefly on his
own 2002 study into the impacts of state writing tests on the teaching of writing
in the United States, however his study did not include teachers across disci-
plines, but only teachers of English, who could be expected to focus more on
teaching writing than teachers of other subjects. With reference to this study,
Hillocks concludes that
there is an underlying similarity in the way writing is taught during the two
periods. In both periods, teachers and curriculum makers assume that the
knowledge necessary for effective writing is general knowledge of a few prin-
ciples that are applicable to all or most writing: knowing the form that the
piece of writing is to take; brainstorming for ideas before writing; knowing
that effective writing requires more than one draft, and so forth. (Hillocks,
2008, p. 316)
historical features and issues, using appropriate and well-structured oral and
written forms’ (NSW Board of Studies, 2004b, p. 11) seem to acknowledge
some form of link between disciplinary learning and the literacy skills necessary
to display it, they do little to elucidate this link for the students or the teachers.
Thus, many of the subject-specific requirements for student writing in different
subjects still remain part of the ‘hidden curriculum’ (Christie, 1985) in schools.
Such issues have prompted a strong assertion from researchers in educational
linguistics that the teaching of language and the teaching of content cannot be
separated (Columbi and Schleppegrell, 2002; Gee, 2002; Kress, 2001; Merino
and Hammond, 2002). Further, there is an ever-increasing agreement that
this language teaching must be explicit if students are to achieve the types of
‘advanced literacy’ that is demanded in secondary and post-secondary school-
ing today (Columbi and Schleppegrell, 2002; Scarcella, 2002). Kress states that
literacy ‘is not one thing evenly spread across curriculum areas. It varies with
the kinds of disciplinary practices and forms of knowledge that are at issue in
a school subject’ (Kress, 2001, p. 22).
Another significant issue impacting on the teaching of literacy in schooling
concerns the relationship between popular or common-sense knowledge and
erudite knowledge. According to Muller (2000) this distinction between ordi-
nary and formal knowledge is the basis of modern schooling. The growth of
capitalism and the split between mental and manual activity has led to the
commodification and professionalization of knowledge, which in turn has led
to knowledge specialization, removing knowledge further and further from
everyday meanings and resulting in discourses which are elaborated and highly
technical and which exclude those who have not yet learnt them (Muller, 2000).
It could be argued that schooling is the beginning of the process of initiation
into these specialized groupings, and that through their study of various school
subjects students begin to be apprenticed into the different ways that these
subjects relate to and discuss knowledge. Students need to be aware that each
school subject represents a different perspective on knowledge and that these
differences have become codified to such an extent that they affect the way
one reads and writes during the study of such subjects. Without such ‘insider’
awareness, students will struggle to write in a way that is deemed ‘acceptable’
and may transfer ways of writing which are highly valued in one subject to
another where they are not as highly valued. To enable teachers to adequately
guide and support students towards success, there is a crucial need for greater
explicitness in descriptions of what sort of knowledge is valued in different
subjects and the ways in which such knowledge is expected to be expressed.
Students need to understand what ‘appropriate’ means in the context of each
of their subjects, and whether this notion varies substantially from subject to
subject if they are going to succeed in their HSC and progress to further study
at the tertiary level.
Here too, we need to consider not just what knowledge is to be represented
and how but also what kind of interpersonal stance is considered ‘appropriate’
172 Appliable Linguistics
10.2 Methodology
The data for the study include the syllabus documents for the subjects Modern
History (hereafter MH), Ancient History (AH), Society and Culture (SAC) and
Community and Family Studies (CAFS) as well as student texts produced under
examination conditions for the Trial Higher School Certificate Examination
in each of the four subjects. Although four successful and two to three less
successful texts have been collected for each subject, I will focus here on the
analysis of just one text in each subject, which has been graded by the subject
Evaluative Stance in Humanities 173
10.2.1 Appraisal
The Appraisal system (Martin and White, 2005) is the system within SFL used
to express feelings, attitudes and judgements about people or things (Atti-
tude), to grade the intensity of these evaluations (Graduation) and to indi-
cate the source of these evaluations (Engagement). Attitude can be either
expressed as emotion, referred to as Affect:
CAFS 1: Parents in early stages can feel isolated from everyone as they aren’t
able to get out of the house as they are looking after the baby – feel sad,
depressed, lonely
SAC 1: They regard all Aborigines as alcoholic and not trustworthy tenants to
have in a house.
The system of Graduation may then be used to grade these feelings, either by
amount or intensity (Martin and White, 2005) referred to as Force:
10.3 Analysis
for their usefulness and reliability’ (NSW Board of Studies, 2004a, p. 11; 2004b).
This outcome requires students to comment on the reliability of certain histo-
rians’ work and thus explicitly judge these historians while simultaneously
maintaining an academic or ‘objective’ voice in their writing style. Another
interpersonal element intrinsic to the above syllabus documents is apparent
in outcome H3.4 in both Modern and Ancient History requiring students to
‘explain and evaluate differing perspectives and interpretations of the past’
(NSW Board of Studies, 2004a; 2004b, p. 11). This outcome reveals the impor-
tant part that negotiating multiple viewpoints has in the history syllabuses.
Students are called upon not only to integrate multiple voices into their texts,
but also to evaluate these differing voices and come to conclusions about them.
A partial Appraisal analysis using the systems of Attitude and Graduation
was then carried out on the syllabus rationales of the four subjects in order to
determine how each individual subject presents itself and makes its claims
about its own relevance. As the rationale section argues for the importance and
relevance of the subject and the benefit that studying it will have for the stu-
dent, it would be expected that the values expressed there would be the same
values to be learnt by the students. Analysis of the syllabus rationales can thus
provide an insight into what values students need to reflect in their own writing
and what would be deemed ‘appropriate’ writing by an HSC marker. The results
are presented in Table 10.1.
The analysis revealed that all four subjects appeared to have similar patterns
of Attitude and Graduation with Attitude split evenly between Judgement
and Appreciation and graded exclusively through the use of Force, with
two notable exceptions. The first of these exceptions is the use of resources of
Affect in the CAFS syllabus. While the amount of Affect is small, the result
is still significant as it is the only example of Affect in any of the syllabus
documents. The second exception is that the SAC syllabus rationale contains
significantly more resources of Judgement than any other rationale.
Affect 2 0 0 0
Judgement 51 67 50 49
Appreciation 47 33 50 51
under examination conditions for the Trial Higher School Certificate and were
marked and rated by the teachers as highly successful texts. These texts were
first analysed to discover the patterns of Attitude and Graduation irrespec-
tive of whether these were inscribed or invoked, in order to determine whether
the student texts corresponded with the distribution of interpersonal meanings
expressed in the syllabus rationale documents. A second analysis was then car-
ried out to investigate how much of the Attitude was explicitly stated and
whether this varied between subjects. The question of variation between types
of attitude and the impact of possible variations on the ‘formality’, ‘objectiv-
ity’ or ‘appropriateness’ of the writing was also of interest.
Affect 40 2 6 11
Judgement 51 72 71 39
Appreciation 9 26 23 50
Force 95 97 69 85
Focus 5 3 31 15
Evaluative Stance in Humanities 177
It appears from this increased use of Focus, which is mostly used in the student
text to blur boundaries rather than strengthen them, that MH is less categorical
than the other subjects.
MH 3.5 8.25 42
AH 4 9 44
SAC 5.1 10.66 48
CAFS 5.9 9.8 60
178 Appliable Linguistics
CAFS 2: Gay + Lesbian couples with children can cause uncertainty in the
child and they may resent their ‘parents’ or ‘carers’ as they are not like every-
one else – cause tension within family can prevent them from wanting to
enter into social situations as feel embarrassed or scared of being teased –
negative impact on social wellbeing as well as emotional.
MH 5 64 21
AH 9 31 40
SAC 3 76 28
CAFS 35 46 8
Evaluative Stance in Humanities 179
A number of interesting points emerge from these data. The first is that when
Appreciation occurs in a text, it is more likely than other categories of Atti-
tude to be inscribed. Out of the 21 instances of Appreciation in MH for exam-
ple, 17 of these were inscribed, with only 4 instances of invoked Appreciation,
and in SAC a similar pattern holds with 22 inscriptions out of the 28 instances
of Appreciation. In opposition to this, Judgement in a text is more likely to be
invoked. In fact, 62 per cent of the Judgement is invoked in SAC (47 instances
out of a total of 76), 67 per cent is invoked in MH (43 instances out of a total of
64) and 74 per cent in AH (23 instances out of a total of 31).
Another interesting point is that much of the Affect in CAFS is actually
inscribed, with only about 17 per cent (6 instances out of a total of 35) of the
Affect being invoked. These differences further accentuate the differences
between CAFS and the other three subjects, with CAFS relying on much more
explicit expression of Attitude than any of the other subjects.
In order to be able to obtain a clearer picture of what was happening across
the different subjects, the results were also calculated as percentage figures of
both total Attitude and inscribed Attitude only. The figures in Tables 10.8–
10.9 below show the distribution of the Attitude in the text according to the
categories of Affect, Judgement and Appreciation.
MH 0 21 17
AH 2 8 25
SAC 0 29 22
CAFS 29 21 4
MH 5 43 4
AH 7 23 15
SAC 3 47 6
CAFS 6 25 4
MH 0 55 45
AH 6 23 71
SAC 0 57 43
CAFS 54 39 7
180 Appliable Linguistics
MH 6 71 23
AH 11 39 50
SAC 2 72 26
CAFS 40 52 9
Both the MH and the SAC texts are relatively balanced in their use of
explicit resources of Attitude, with approximately half of the inscribed Atti-
tude expressing Appreciation and half expressing Judgement, while the AH
text contains more evaluative language explicitly indicating Appreciation
(Table 10.8).
Table 10.9, however, shows what percentages of the total Attitude (inscribed
and invoked) in each text is expressed as Affect, Judgement or Appreciation,
and this makes it clear that the patterns in the distribution of Attitude vary
significantly when invoked Attitude is considered together with the inscribed
Attitude. The most common type of Attitude expressed in MH, SAC and
CAFS then becomes Judgement, and the tendency of AH to orient strongly
towards Appreciation is moderated somewhat.
Significantly, most of the invoked Attitude is afforded (Martin and White,
2005) and therefore arises out of the particular orientation of the subjects
themselves. The following examples of invoked Judgement from MH demon-
strate this:
SAC 4: After the Europeans arrived in Australia, they took their land, and
introduced alcohol.
SAC 5: The majority of Aborigines are in semi-skilled and unskilled labour
which is quite insufficient when they have a family to support.
These instances from the student texts give some insight into what the appro-
priate language and concepts (NSW Board of Studies, 2004b, p. 11) for each
subject may be. Both these subjects are focused around concepts such as Apart-
heid, prejudice and propaganda that are still charged with evaluative meaning in
middle-class white Australian society and so are not completely technicalized as
subject-specific lexis. The texts naturalize a reading position that is highly criti-
cal of such policies and ways of thinking and therefore indicate that the values
considered important in each subject are those in opposition to such policies.
While SAC and MH appear to be oriented more towards the expression of
values and judgements about the behaviour of society and individuals, AH is
more concerned with Appreciation of artefacts, written evidence and histori-
cal empires. For example:
The interplay of inscribed and invoked Attitude also works differently with
AH. Whereas in both SAC and MH it is the invoked attitude which orients the
text more strongly towards one particular category of Attitude (in their case,
Judgement), in the AH text, it is the inscriptions which orient the text strongly
in one particular direction. Table 10.8 shows that 71 per cent of the inscribed
Attitude for AH is Appreciation, however, when looking at the total Atti-
tude (Table 10.9), only 50 per cent is Appreciation. While Appreciation is
still the most frequently used type of Attitude, the invoked Attitude in AH
serves to create more of a balance in the overall type of Attitude expressed,
whereas in MH and SAC the invoked Attitude serves to orient the text more
strongly towards one particular type of Attitude.
To summarize the above findings, CAFS seems to operate completely differ-
ently from the other subjects. CAFS shows the most consistent distributions of
Attitude across the categories when looking at inscribed Attitude only and
inscribed and invoked Attitude together. While the other subjects use affor-
dances to give them their particular ‘flavour’, in CAFS it is more a case of ‘what
you see is what you get’. CAFS not only contains much more Affect than any
of the other subjects, but 83 per cent of this Affect is inscribed. When consid-
ering inscriptions only, CAFS is oriented towards Affect, with 54 per cent of
the inscribed Attitude in the text expressing Affect, however when consider-
ing both inscribed and invoked Attitude, the text is more oriented towards
182 Appliable Linguistics
Judgement, with 52 per cent of the total Affect expressing Judgement and
40 per cent expressing Affect. Despite these slight changes in orientation, the
distribution of Affect across the three categories varies much less sharply in
CAFS than in the other texts. Furthermore, the CAFS text contains hardly any
Appreciation at all, which is also a significant difference from the other texts.
10.4 Conclusion
Once the expectations and orientations of different subjects are made clear,
teachers and students can work more effectively towards developing ‘appropri-
ate’ literacy for each subject. Although these results are preliminary, arising
from the analysis of only one highly rated text in each subject, interesting dif-
ferences between the subjects of MH, AH, SAC and CAFS are beginning to
emerge. Although an Appraisal analysis of the syllabus rationale section did
not seem to indicate differences between the subjects, the analysis of student
texts has resulted in the emergence of different ‘appraisal profiles’ for the four
subjects included in this study with each displaying a distinctive pattern of Atti-
tude and Graduation usage. While MH and SAC are alike in their orientation
towards the use of resources of Judgement, MH makes greater use of Focus to
grade these resources. On the other hand, AH appears to be oriented towards
Appreciation, while CAFS has almost equal amounts of Affect and Judge-
ment and is much more explicit in its expression of Attitude than the other
subjects. CAFS therefore appears to be more grounded in the ‘everyday’ and
‘commonsense’, a conclusion which would be echoed by many teachers of
other humanities subjects in schools, who often view CAFS as a ‘soft option’ and
as ‘less academic’ or ‘less rigorous’ than other humanities subjects.
As this research is ongoing, it is hoped that analysis of more student texts
in each subject will strengthen these results. It is, however, beginning to become
clear that there are significant differences in the way that students of these
subjects construct stance through their uses of interpersonal language resources.
Making these differences explicit should help elucidate what ‘appropriate and
well-structured oral and written forms’ (NSW Board of Studies, 2004b, p. 11)
may be for these subjects.
References
Applebee, A. N. (1984). Contexts for Learning to Write: Studies of Secondary School
Instruction. Norwood: Ablex.
Cambourne, B. (2001). ‘Literacy and learning in senior schooling: the legal studies
classroom as an instructive case’, in J. Cumming and C. Wyatt-Smith (eds),
Literacy and the Curriculum: Success in Senior Secondary Schooling. Melbourne: ACER,
pp. 72–83.
Evaluative Stance in Humanities 183
Martin, J. R. and Rose, D. (2008). Genre Relations: Mapping Culture. London: Equinox.
Martin, J. R. and White, P. R. R. (2005). The Language of Evaluation: Appraisal in
English. London and New York: Palgrave Macmillan.
Matruglio, E. (2007). ‘Values and attitudes in ancient and modern history’. Paper
presented at the Australian Functional Linguistics Congress, Wollongong, NSW.
Matruglio, E. (2004). ‘Genre and literacy development in senior ancient history’.
Unpublished Research Project Report for MA in Applied Linguistics, University
of Technology, Sydney.
Merino, B. J., and Hammond, L. (2002). ‘Writing to learn: science in the upper-
elementary bilingual classroom’, in M. Schleppegrell and M. C. Columbi (eds),
Developing Advanced Literacy in First and Second Languages: Meaning with Power.
Mahwah, NJ: Lawrence Erlbaum Associates, pp. 227–43.
Muller, J. (2000). Reclaiming Knowledge: Social Theory, Curriculum and Education Policy.
London: Routledge Falmer.
NSW Board of Studies (1999). Society and Culture Stage 6 Syllabus.
NSW Board of Studies. (2004a). Ancient History Stage 6 Syllabus.
NSW Board of Studies. (2004b). Modern History Stage 6 Syllabus.
Rothery, J. (1994a). Exploring Literacy in School Creative Arts. Sydney: Metropolitan
East DSP.
Rothery, J. (1994b). Exploring Literacy in School English. Sydney: Metropolitan East DSP.
Scarcella, R. (2002). ‘Some key factors affecting english learners’ development of
advanced literacy’, in M. Schleppegrell and M.C. Columbi (eds), Developing
Advanced Literacy in First and Second Languages: Meaning with Power. Mahwah, NJ:
Lawrence Erlbaum Associates, pp. 209–26.
Schleppegrell, M. J. (2004). The Language of Schooling : A Functional Linguistics
Perspective. Mahwah, NJ: Lawrence Erlbaum.
Veel, R. (1993). ‘Exploring literacy in school science’. Unpublished Research Report.
Metropolitan East DSP.
Veel, R. (1999). ‘Language, knowledge and authority in school mathematics’, in
F. Christie (ed.), Pedagogy and the Shaping of Consiousness: Linguistic and Social
Processes. London: Cassell, pp. 185–216.
Wignell, P. (1987). ‘In your own words’, in S. Eggins, J. R. Martin and P. Wignell
(eds) Working Papers in Linguistics, Vol. 5. Department of Linguistics, University of
Sydney.
Chapter 11
11.1 Introduction
Over the past 20 years, Systemic Functional Linguistics (SFL), especially its genre
theory, has informed the development of an influential suite of literacy pedago-
gies within and beyond Australia. In higher education, linguists and educators
have drawn on these perspectives to scaffold students’ academic reading (Rose,
2005); to describe the verbal and visual demands of a range of disciplines (Chen
and Foley, 2004; Hood, 2006; 2008; Jones, 2007; Lee, 2009; Ravelli, 2004;
Wignell, 2007); and to support students in gaining control of the genres valued
in these disciplines (Bonanno and Jones, 2007; Ellis, 2004; Coffin and Hewings,
2004; Mahboob, Dreyfus, Humphrey and Martin, this volume; Taylor and Drury,
2007; Woodward-Kron, 2005). The development of SFL-informed academic
literacy pedagogies is hardly surprising, given the extended coverage of SFL
systems and the long history of this ‘appliable’ linguistics in successfully address-
ing tasks and problems related to literacy learning and teaching (Halliday and
Hasan, 2006; Halliday, 2007).
One consequence of the expanding applications of SFL across disciplines
within the tertiary sector is richer descriptions of text/context relationships
and a growing reservoir of resources available to teachers and students for
learning to control the genres and registers of the academic domain. In addi-
tion to ongoing research describing the genres of specific tertiary discipline
areas, educational linguists have given a great deal of attention in recent years
to describing linguistic realizations of the complex status relationships between
students and markers (e.g. Lee, 2009), the relatively implicit persuasiveness of
academic texts (Coffin and Hewings, 2004; Hood, 2006; 2008) and the increas-
ingly multimodal nature of texts used for building knowledge (Jones, 2007;
Stenglin and Iedema, 2001). However, while the expanded semiotic toolbox
made available to educators from this research has enabled valued textual prac-
tices in the academic domain to be made far more explicit and accessible to
students, there is a need to consider the implications of these elaborations
186 Appliable Linguistics
The 3×3 is a framework for describing key linguistic resources needed to con-
struct texts across academic disciplines. The instrument was initially developed
The 3×3: Setting Up a Linguistic Toolkit 187
in response to the needs of literacy tutors in the SLATE literacy project (see
Mahboob, Dreyfus, Humphrey and Martin, this volume) to engage analytically
with students’ draft texts and to make explicit the expectations of academic
writing across a range of undergraduate courses at City University Hong Kong.
These tutors, though skilled in producing and recognizing valued academic
language, had varying levels of expertise in diagnosing language use from a
functional perspective and in providing support to students in developing con-
trol of the genres and registers relevant to their disciplines. The 3×3 discussed
here (see Figure 11.1) was thus devised as a principled overview of resources
identified by educational linguists within SFL in their analysis of academic
writing.
The framework is called 3×3 because it forms a 9 square matrix from inter-
secting features of language from each of the three metafunctions of language
(ideational, interpersonal and textual) and features from three strata of
language (social activity, discourse semantics and grammar & expression2). As
is shown in Figure 11.1, the matrix can also be understood in terms of rank, that
is, a kind of constituency hierarchy moving from the level of whole text, to its
phases (e.g. paragraphs) and on to clauses and smaller units of grammar.
generalized
have been identified as privileged across tertiary disciplines (e.g. Bonanno and
Jones, 2007; Hood, 2008). Where required, more specialized 3×3 matrices can
be developed, to focus on particular disciplines or sub-disciplines, including
those parts of disciplines which are recontextualized in technical or civic
domains.
The text used to illustrate the trinocular and tri-stratal perspective of the 3×3
is typical of final drafts awarded an Excellent grade in a 1st-year biology sum-
mary writing assignment at City University Hong Kong (see Mahboob, Dreyfus,
Humphrey and Martin, this volume).
The biology summary shares with the source text (a published scientific
report) the social purpose of describing features of scientific phenomena and
can thus be classified as a descriptive report (Veel, 1997). However, the shift
towards recontextualizing and evaluating knowledge through summarizing
brings the text into relationship with the agnate genre of review, which is ori-
ented towards interpretation. As is typical in such texts, ideational and textual
meanings are foregrounded at each stratum; however, as will be illustrated
below, interpersonal meanings are also vital in allowing students to shift towards
producing multi-voiced or heteroglossic texts such as essays and literature
reviews (Hood, 2008, p. 1). The annotated text below includes both labelled
stages and the more delicate phases, which group the sequences of meanings
within the central stage. The key topics and subtopics within each phase are
bolded and topic sentences (Hyper-themes) are underlined.
The 3×3: Setting Up a Linguistic Toolkit 193
generalized
11.5 Conclusion
The above illustration of the 3×3 demonstrates the concern of the SLATE proj-
ect to present a theoretically principled and coherent framework for literacy
teachers in supporting students to develop a powerful repertoire of linguistic
resources needed to access literacy and learning at tertiary level. The principles
of taking a metafunctional and multi-stratal perspective to language use in the
academic domain form the basis of ongoing work developing genre-specific
frameworks for teaching, assessment and feedback purposes. Further work is
also needed to explore the complex role of interpersonal resources and their
interactions with other meanings to produce convincing texts and to develop
the SFL metalanguage at the level of grammar and expression. With such
resources, teachers in the TESOL field will be well placed to support students
in the development of the literacies they need to access learning across curri-
culum areas.
Notes
1
Funding for this project comes from the City University of Hong Kong and the
University of Sydney.
2
While grammar and expression are modelled as two separate strata in SFL, fea-
tures of expression relevant to academic writing (e.g. paragraphing) have been
included in a combined grammar & expression column.
3
Strictly speaking, in SFL, each stratum affords the possibility of a constituency
hierarchy (i.e. rank); the 3×3 matrix is thus a pragmatically simplified model, in
a sense conflating the theoretically distinct dimensions of stratification and
constituency.
198 Appliable Linguistics
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(C. Emerson and M. Holquist, trans.). Austin, TX: University of Texas Press.
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sity Students, a Diagnostic Assessment (3rd edn). Sydney: University of Sydney,
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Chen, Y. and Foley, J. (2004). ‘Problems with the metaphorical reconstrual of
meaning in Chinese EFL learners’ expositions’, in L. Ravelli and R. Lewis (eds),
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pp. 190–209.
Coffin, C. and Hewings, A. (2004). ‘IELTS as preparation for tertiary writing:
distinctive interpersonal and textual strategies’, in L. Ravelli and R. Lewis (eds),
Analysing Academic Writing: Contextualized Frameworks. Continuum: London, UK,
pp. 153–71.
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teaching’, in A. Burns and C. Coffin (eds), Analysing English in a Global Context.
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implications for the framing and classification of the pedagogy’, in L. Ravelli and
R. Lewis (eds), Analysing Academic Writing: Contextualized Frameworks. Continuum:
London, UK, pp. 210–32.
Halliday, M. A. K. (1991). ‘The notion of context in language education’, in
T. Le and M. McCausland (eds), Language Education: Interaction and Development.
Proceedings of the International conference held in Ho Chi Minh, Vietnam, 30 March–
1 April. University of Tasmania, Launceston.
Halliday, M. A. K. and Hasan, R. (2006). ‘Retrospective on SFL and literacy’, in
R. Whittiker, M. O’Donnell, and A. McCabe (eds), Language and Literacy: Func-
tional Approaches. London: Continuum, pp. 15–44.
Halliday, M. A. K. (2007). Language and Education, J. J. Webster(ed.) (Collected
Works of M. A. K. Halliday, vol. 9). London: Continuum.
Halliday, M. A. K. and Mathiessen M. I. M. (1999). Construing Experience through
Meaning: A Language-Based Approach to Cognition. London and New York: Cassell.
Halliday, M. A. K. and Mathiessen M. I. M. (2004). An Introduction to Functional
Grammar (3ed edn). London: Arnold.
Hood, S. (2006). ‘The persuasive power of prosodies: radiating values in academic
writing’. Journal of English for Academic Purposes 5, 37–49.
Hood, S. (2008). ‘Summary writing in academic contexts: implicating meaning in
processes of change’. Linguistics and Education 19 (4), 251–365.
Humphrey, S. (in press). ‘Modelling social affiliation and genre in the civic domain’,
in A. Mahboob and N. Knight (eds), Directions in Appliable Linguistics. London:
Continuum.
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Wales.
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and computer-based learning materials in science at university’, in A. McCabe,
M. O’Donnell and R. Whittaker (eds), Advances in Language and Education.
London: Continuum, pp. 103–21.
The 3×3: Setting Up a Linguistic Toolkit 199
12.1 Introduction
Applied linguists have long recognized that logical connectives are frequently
both overused and misused by second language learners of English (e.g. Crewe,
1990; Field and Yip, 1992; Tang and Ng, 1995; Flowerdew, 1998). Predictably,
there is considerable variation according to learners’ L1. Granger and Tyson, in
a study of ESL writers with French as their L1 found ‘no overall overuse’ but
‘strong evidence of overuse and underuse of individual connectors, as well
as semantic, stylistic and syntactic misuse’ (1996, p. 17). Misuse, however it is
defined, is often put down to the way logical connectives are taught in the class-
room and the way they are presented in textbooks: typically with oversimplified
definitions, minimal co-text and context, and often accompanied by examples
from made-up or simplified texts (Crewe, 1990, pp. 317–18; Milton and Tsang,
1993, pp. 231–2; Granger and Tyson, 1996, p. 25). However, this does not
explain the infelicities produced by educated English speakers in their aca-
demic writing. In short, it seems that the effective and skilful use of logical con-
nectives is something that must be acquired. In this chapter I summarize
research findings and juxtapose analyses from linguistics, pragmatics and psy-
chology with the aim of making these appliable to classroom teaching. Insights
gained from these sources can, it is thought, help teachers help novice writers
acquire more expertise in their uses of logical connectives and, indirectly, more
skills in the construction of causal and inferential coherence in texts.
Research in experimental psychology has shown that artificially enhanced
cohesion makes texts easier to comprehend and recall – but only for less skilled
readers and those with relatively little domain knowledge. For more skilled
readers with some domain knowledge, simplification or enhancement of texts
may be detrimental to learning. This led McNamara and his colleagues (1996)
to ask, ‘Are good texts always better?’ The implication is that an absence of explicit
connectives may benefit more practised and more knowledgeable readers.
Why Are Logical Connectives Detrimental? 201
Other research also suggests that a more sparing use of logical connectives has
other benefits for readers, e.g. ease of processing (Haberlandt, 1982; Taboada,
2006) and ease of memorization (Vivanco, 2005).
Allison (2002) has emphasized the interpretive role of the reader, maintain-
ing that ‘[s]ometimes, clear sequencing of ideas and material is best left to
speak for itself, as an underlying relationship between successive points can be
inferred’ (p. 80). Hoey (2001) has more systematically elaborated the crucial
role of reader expectations in explaining the interactive nature of all text. This
dialogical aspect of writing is discussed again below. I will first survey the sorts
of abstract categories that have been set up to account for logico-semantic rela-
tions. I indicate a preference for macro-categories over micro-categories, while
arguing that all the categories proposed are polysemous and hence potentially
problematic. Next I briefly review ‘subjective’ uses of logical connectives. Then
I examine some ineffective uses of logical connectives by language learners, fol-
lowing which I discuss their relative underuse in much English writing. I will
suggest that implicit conjunction (that is, underuse) plays an important role in
acknowledging the reader’s role in the construction of textual coherence. Next
I introduce grammatical metaphor as used in much specialized writing, show-
ing how it can render logical connectives unnecessary and superfluous. Then,
focusing on causal relations, I show that in English such relations tend to be
realized by means of verbs, verbal constructions, nominalizations, abstract
nouns, noun-modifiers and prepositions rather than logical connectives. I also
suggest that the most highly valued styles of writing in English today, under the
influence of new insights from science, emphasize correlation, constraint,
interdependence and emergence rather than cause-and-effect relations. I dis-
cuss the complex mixture of verb types to be found in such writing: intransitive
verbs with formative or inchoative meanings, and transitive verbs with causal,
quasi-causal and peri-causal meanings. Finally, the causal connective therefore is
used to illustrate some uses made of logical connectives by expert writers.
(i) adversative, as in they’re pretty, but I can’t grow them (‘on the other hand’);
(ii) replacive, as in don’t drown them, but give them just enough (‘instead’);
(iii) concessive, as in I don’t look after them, but they still grow (‘nevertheless’).
Halliday and Matthiessen (2004, p. 422) point out that ‘[o]nly the last embod-
ies a logical opposition between the two terms . . .’; thus (iii) can be paraphrased
using the logical connective although (e.g. although I don’t look after them, they still
grow). Meanwhile, Schleppegrell (1996) has detailed the polysemy and ambi-
guities of the subordinating conjunction because.
It should not surprise us, then, if conjunctive adjuncts – that is, logical con-
nectives – also under-specify meaning. The term thus for example is often
ambiguous as between a manner and a cause–consequence interpretation. This
may well be the reason it is frequently preferred by experienced writers over the
less ambiguous therefore. There have been numerous attempts to develop a
metalanguage capable of capturing all the semantic and pragmatic nuances of
logical connectives in a systematic and precise way. Four macro-level categories
were advanced in Halliday and Hasan (1976, pp. 238–67): additive, adversative,
causal and temporal. Subsequently, Halliday developed his powerful theory of
grammatical expansion (Halliday, 1994), with its three sub-types:
Why Are Logical Connectives Detrimental? 203
a. The neighbours left for Melbourne last Friday. So they are not at home.
(external)
b. The lights are out in the neighbours’ apartment: So they must be away.
(internal)
z dismissive-adversative (‘anyway’)
z verifactive clarification (‘actually’)
The analyses followed the traditional RST system, with some modifications:
a larger number of relations, 78 in total, was used, in part because some of
the relations were further subclassified. For instance, Elaboration has the
following subclasses: elaboration-additional, elaboration- general-specific,
elaboration-object-attribute, elaboration-part-whole, elaboration-process-step,
and elaboration-set-member.
204 Appliable Linguistics
elaboration
circumstance volitional cause
solutionhood volitional result
cause cluster non-volitional cause
condition non-volitional result
subject matter otherwise purpose
interpretation
evaluation
restatement
summary
sequence motivation
contrast antithesis
background
enablement
evidence
presentational justify
concession
Knott et al. (2001) argue that Elaboration ‘is so diverse and difficult to define
that it should not be considered a proper relation at all’ (noted by Taboada,
2006, p. 579).2 Behrens (2004) refers to ‘the vague and difficult notion of
Elaboration’ and suggests that it is related to the ‘equally vague notion of
Consequence’ (p. 3). It seems generally clear that, because of the inherent
polysemy/ambiguity of categories proposed to account for logico-semantic
relations, these will always to some extent under-specify and to some extent
betray the exact nature of these relations, which always crucially rely upon the
content of the propositions involved (Halliday and Hasan, 1976; Hovy and
Maier, 1995).
contexts all prove that learner’s identity is changing with language contexts;
moreover, learner would suffer from afar more dramatic struggle in a more
mainstream context. Therefore, if ESL context are hastily enacted in Taiwan,
where the mainstream language is still not English, then, it is for certain that
learners will never have ultimate achievement of English; rather, they will suf-
fer from not only a dramatic struggle, but also a severe self-identity problem.
Consequently, further researches are needed on this issue to suggest a better
language context for learners.
Notice how the connective phrase For example uses up the ‘thematic potential’
of the clause it precedes (Halliday, 1994), while adding no information that
cannot be deduced from the content of the clause. This incidentally would
account for the writer’s full repetition of the theme from the preceding sen-
tence (mentoring) instead of beginning his second sentence with the unmarked
theme: It . . . Repetition of this kind is a common concomitant of fronted con-
nectives, presenting Given information as though it were New, and thus detract-
ing from the reader’s focus on any New information contained in the rheme.
Why Are Logical Connectives Detrimental? 207
. . . two nicked double stranded DNA molecules were tethered between two
beads and were braided by twisting one of the beads by rotating the micropipette
to which it was attached . . . For a text to be coherent . . . it must deploy the
resources of cohesion in ways that are motivated by the register of which it is an
instance.
Hyland (2004) links the relative absence of explicit markers like conjunc-
tions and logical connectives to the nature of a writer’s audience, noting that
‘[w]here texts are intended for a specialist audience, . . . we find fewer textual
devices . . .’ (p. 116). Basing his claims on corpus studies, he states that
Thus corpus evidence reinforces the view that logical connectives are for
some readers, in some sense, superfluous and detrimental to coherence (cf.
McNamara et al., 1996).
That the reader interacts purposefully with a text and, in some sense, with
its author, is widely accepted in current theories of reading. While mentally
processing a text, there is a ‘dialogue’ between the reader and the writer medi-
ated by the text and its content (see Nystrand, 1989; Hoey, 2001; Hyland, 2004;
Martin and White, 2005). Readers use shared knowledge (content schemata)
and shared expectations about textual structure (formal schemata, genre
knowledge) to reconstruct a writer’s intended meanings (Bamberg, 1983).
Interactive reading of this kind creates a powerful sense of intimacy between
reader and writer, and implicitness can function to increase this impression (cf.
Halliday and Hasan, 1976, p. 298 on unresolved cohesion).
Writers who are expert in a given domain generally work hard to find the right
language to communicate complex meanings clearly and (more to the point)
faithfully and precisely (Slotta et al., 1995). They rely to a large extent on the
lexical-cohesive potential of hierarchically organized taxonomies of interdepen-
dent ‘technical’ meanings (Martin, 1993) and the reader’s presumed knowledge
of the domain (Jones, 2005). Lexical and grammatical resources are supple-
mented by a range of other linguistic devices (Achugar and Schleppegrell,
2005): control of Given-New organization and thematic development, parallel
structure, genre knowledge and familiarity with recurrent text types (such as
the problem-solution pattern). Additionally, domain experts become very skilled
in the use of sophisticated rhetorical strategies since, as Hyland (2004, p.20)
puts it, the ‘cachet of acceptance’ is bestowed as the result of complicated social
interactions, involving careful persuasion and the negotiation of knowledge
claims with editors, reviewers and readers.
The writing of domain experts is generally marked by extensive use of
experiential and logical metaphor. One reason for this is that it allows writers to
package complex information into fewer words and to argue effectively about
complex topics. Experiential metaphor is the representation of processes, ordi-
narily realized by verbs, as things and qualities of things, realized by nouns
and adjectives. For instance, The temperature increased . . . becomes An increase in
temperature . . . Logical metaphor represents logico-semantic relations as pro-
cesses, by means of causal verbs (make, cause, produce, lead to, result in, ensure,
etc.); as things, by means of causal nouns (cause, reason, result, etc.); or as pro-
perties of things, realized by adjectives (resulting, etc.); instead of as logical
relations, using conjunctions (like because) or logical connectives (like hence,
therefore, consequently). Also, many abstract transitive verbs combine causation
with another meaning; increase when used transitively means cause to become larger
Why Are Logical Connectives Detrimental? 209
or more numerous; transitive shatter means cause to be split up into small pieces; and
so on. Using such resources, theories of causation are often embedded deep
within the clause. The sentence below from a current textbook (Seeley et al.,
2000) illustrates this; underneath the original sentence, grammatical meta-
phors are unpacked:
Over the past six hundred years or so, that is, since Chaucer’s day, the dominant
mode of expression for causal relations in English has changed markedly, evolv-
ing from one in which separate clauses representing separate processes were
linked by a causal conjunction, to one in which two nominalized processes are
210 Appliable Linguistics
The study shows an association between the increased apoptosis and reduced
ureteric bud branching . . . and a 40% decrease in nephron number at
birth.
The study shows that the increased apoptosis and reduced ureteric bud
branching . . . is associated with 40% decrease in nephron number at birth.
Thus, torque stored in the ‘upper’ segment can drive the rotation of a submi-
cron object on a low-friction molecular bearing.
Low nephron number, inherited or acquired, has been linked to increased risk
of development of hypertension and renal failure.
This highlights the fact that internal causal relations operate on propositions
representing or implying external causal relations. Inferential relations are
thus overlaid on representations of relations between objects, etc., in the exter-
nal world, much like modality.
Why Are Logical Connectives Detrimental? 213
Finally, verbs realizing the semiotic relation mentioned above form an impor-
tant feature of much specialized writing today, realizing the interpretive
functions that are characteristic of highly valued registers in the twenty-first
century. They evaluate, interpret and construe a state, process, activity or event,
in the process pre-empting any competing interpretations or construals that
might be offered by a listener/reader:
The invasion of Grenada in 1983 can be seen as a result of the rivalry that
existed between the U.S. and Cuba during the Reagan years.
Physical migration control policies amount to an attempt to equilibrate the
labour market by reducing the excess supply.
The different verb types mentioned above often appear in the same passages,
and frequently in combination with causal verbs or connectives. This is symp-
tomatic of a contemporary type of meta-discourse ‘where the meanings that
are being construed are inherently symbolic ones’ (Halliday and Matthiessen,
2004, p. 234); that is, where competing accounts for events in the world are
interrelated, evaluated and competitively interpreted.
On causality, Bunge (2009) notes that modern science recognizes at least
eight other types of explanation for natural and human phenomena. In the
social sciences, too, a focus on process and contingency is widespread: structure
has become structuration, that is, a process rather than a state. Researchers
on the whole show a preference for more complex models of natural (dis-)
order, and human psychology and sociality, over simpler ones. Multi-factorial
analyses and accounts of contextual constraints are the norm. Naturally, these
ways of understanding influence the way domain experts write, and hence how
educated people write in socially valued registers.
Both the meaning and rhetorical effect of therefore are sensitive to its position
in the sentence. In sentence-initial position it can have an incongruous trium-
phant or remonstrative resonance (try reading some examples aloud). Yet this
is precisely where many language learners (and novice writers more generally)
tend to place it (Flowerdew, 1998; Green et al., 2000). Therefore (like the other
connectives) thematizes textual structure and indeed the reasoning process
itself. One effect of this is to implicate the writer as the one ‘performing’ the
reasoning, and to present the reasoning itself as epideictic display rather than
available for interpretation. Expert writers most often use thematized therefore to
introduce a conclusion, decision or suggestion (Flowerdew, 1998). The strong
presupposition is that the preceding text justifies the conclusion, decision or
strong suggestion. Three examples, with commentaries in brackets, follow.
According to the authors, many Swedish learners are not aware of the fact
that these less formal conjuncts are not always appropriate in academic
writing. Therefore, a teaching suggestion is that teachers should work more
on raising students’ sensitivity to register distinctions in the target language.
[Therefore prefaces a suggestion supposedly warranted by a preceding state-
ment of fact.]
. . ., their framework still forms the base of many recent investigations on
cohesive ties (e.g. Chang, 1997). Therefore, a modified version of Halliday and
Hasan’s framework is used in this study.
[Therefore prefaces an action-decision supposedly warranted by a preceding
generalization.]
These five areas of responsibility are seen as inseparable. Therefore, it is the
duty of management continuously to assess the priorities and discharge its
responsibilities as best it can on the basis of that assessment.
[Therefore prefaces a value-based action-decision supposedly warranted by
a reported generalization.]
5. It is therefore with regret that I note that ALAA was not formally notified of this
review or the Discussion Paper, . . .
6. It is, therefore, important that ethnic categorisations and equal opportunities
practices should reflect the changes in immigration patterns of ethnic
groups, rather than their visibility in terms of colour.
7. It is therefore problematic for the researcher to impose categories such as
‘Afro-Caribbean’ on their informants.
8. Determination of the elastic properties of DNA is, therefore, essential to understand-
ing DNA: . . .
When therefore is positioned after the grammatical subject (the topical theme, as
in 1–4 above), the reader has to process the subject nominal group before the role
of that sentence in the writer’s line of reasoning has been made explicit. The subject
nominal group in scientific and academic writing is often complex, frequently
containing new information (though the bulk is given); this means the reader
has to work even harder at interpreting the discourse relation. Many of the
above uses of therefore are strategic, that is, rhetorical, and frequently serve to
introduce not the effect of some cause or an evidence-based inference, but to
support a subjective decision based on unspecified grounds, or support a par-
ticular interpretation or evaluation of a situation (as illustrated further above;
see comments in square brackets).
Therefore, when used to link external events, is deeply ambiguous, mixing
cause with reason and even purpose. Therefore is most often used by expert
writers to encode internal causal relations, or inferences. It often prefaces and
‘warrants’ a suggestion, strong recommendation or decision. However, all its
uses are coloured by subjective interpretation and contingent meanings in
which the nature of the process and the participants in question needs to be
taken into account.
216 Appliable Linguistics
12.10 Discussion
This chapter suggests that perceptions of overuse and misuse of logical connec-
tives on the part of language learners can be attributed to a combination of
factors: a) the complexity and ambivalence of the logical relations that connec-
tives realize in much native-speaker writing, often seamlessly melding internal
and external meanings; b) the tendency of language learners and novice writ-
ers generally to position logical connectives sentence-initially, disrupting more
effective patterns of thematic development and information structure; c) a
preference by English-speaking readers for implicit conjunction; d) a prefer-
ence by English speakers generally for embedded causation, as realized by tran-
sitive verbs, abstract nouns, nominalized transitive verbs and causal-relational
verbs, noun-modifiers and prepositions; e) the complex nature of textual coher-
ence, realized in highly valued registers by the delicate interweaving of inchoa-
tive, causal, quasi-causal and peri-causal meanings; and f) the growing complexity
of the meanings and understandings that skilled writers typically try to encode
in contemporary texts under the indirect influence of new insights from
science.
The preference for implicit conjunction (or at least a more sparing use of
logical connectives) in much English writing plays an important role in con-
structing a relationship with the reader that recognizes his or her role in the
construction of textual coherence. Readers of specialized texts with some
grounding in the discourse of the field expect writers to hedge knowledge
claims and inferences in ways that acknowledge an audience of informed and
critical readers. Writers who are expert in specific domains often rely more
heavily on readers’ presumed familiarity with domain knowledge than they do
on overtly performed reasoning processes. Lexicosemantic associations based
on the interdependence of technical meanings, taxonomically organized, assist
such readers to construct coherent textual representations corresponding,
approximately, with the mental representations of the writers.
The task that confronts second language learners who wish to acquire
expertise in writing and reading specialized texts in English is clearly enormous.
But the nature of the task needs to be explicated clearly before any real progress
can be made. Second language pedagogy, especially in the area of academic
writing, needs to adopt a more holistic approach to the representation of causal
relations in texts. Most fundamentally, internal causation needs to be distin-
guished from external causation. Degrees and types of external causation
expressed by abstract verbs need to be thoroughly explored, and peri-causal
relations distinguished from more deterministic ones. Students need to become
aware of the ways in which inchoative verbs, in particular, interact with causative
ones to construct an overall web of logical and semantic coherence that carries
meaning forward without the need for explicit connectives. In short we need to
take analytic insights from the pages of the research literatures, and from a
variety of theoretical paradigms, and apply them to classroom teaching.
Why Are Logical Connectives Detrimental? 217
Notes
1
To these he later added projection.
2
Kaldor et al. (1998) identified 38 pedagogically rhetorical functions in a student
corpus and found that these constituted a useful tool for teaching purposes.
3
I will not discuss clause final position here, as this is more characteristic of sponta-
neous spoken discourse.
References
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of cause in history textbooks’. Linguistics and Education 16 (3), 298–318.
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de Weijer (eds), Usage Based Approaches to Dutch. Utrecht: LOT, pp. 175–99.
218 Appliable Linguistics
13.1 Introduction
Modality always involves at least two parties, and the degree of affinity involved
posits the social relationship on a continuum from affirmation (i.e. high affinity/
modality) to negation (i.e. weak or zero affinity/ modality) (Hodge and Kress,
1988, pp. 122–3, 164). To take linguistic phenomena for example, some genres
(e.g. encyclopaedia) are regarded as more factual than others (e.g. fiction).
Nevertheless, what is regarded as credible for a certain social group may not be
224 Appliable Linguistics
reliable in the eyes of another social group (Hodge and Kress, 1988, p. 121;
Kress and Van Leeuwen, 2006, p. 171). Whoever controls modality controls
which version of reality is treated as the valid version, and the accepted repre-
sentation of reality may serve as ‘the basis of judgement and action’ (Hodge
and Kress, 1988, p. 147). In a nutshell, truth can be constantly challenged and
tested in every social or semiotic exchange, and thus modality can be inter-
preted as a social interpersonal concept along these lines.
Modality in visual communication, which is the focus of the current research,
has been theorized in the development of social semiotics. According to Hodge
and Kress (1988, p. 142), the modality value of a visual display is not fixed, but
depends on receiver position and orientation, because receivers can be posi-
tioned in different ways in relation to mimetic content as well as to texts and
producers. Kress and Van Leeuwen (2006, pp. 160–3) further provide a detailed
framework for analysing visual modality, which involves eight modality markers:
colour saturation, colour differentiation, colour modulation, contextualization,
representation, depth, illumination and brightness. Each of the eight aspects is
treated as a continuum running from the maximum potential to the lowest
degree of articulation, with various degrees in between. It should be noted that
modality does not always increase with the amplification of articulation. Along
each of the continuums there is one point representing the highest modality
value. In terms of photographic naturalism, the point of highest value does
not rest upon either extreme of the continuum, but lies in a certain point in
between. For example, in the case of colour there are three dimensions of colou-
ration to be considered: colour saturation, differentiation and modulation. The
cline of colour saturation ranges from the use of maximally saturated colour to
the absence of saturation (i.e. black and white). The naturalistic modality scale
for colour saturation is represented in Figure 13.1.
The second dimension, colour differentiation, refers to the scale running
from a maximally diversified range of colours to monochrome, while the scale
of colour modulation ranges from the representation of all subtle nuances and
full modulation of a given colour (e.g. the uses of different shades of green) to
the use of plain, unmodulated colour. When it comes to the articulation of
details in an image, both background and foreground need to be taken into
consideration. Kress and Van Leeuwen (2006, p. 161) use ‘contextualization’ to
Figure 13.1 Modality scale for colour saturation (Kress and Van Leeuwen, 2006,
p. 160)
Contestable Reality 225
describe the continuum running from the most fully articulated and detailed
background to the absence of background. As for the depiction of detail in the
foreground, the term ‘representation’ is used to account for the pictorial details
of represented participants (Kress and Van Leeuwen, 2006, p. 161). The scale
of representation also runs from maximum depiction of detail to maximum
abstraction.
The modality marker ‘depth’ is concerned with perspective, whose scale
ranges from maximally deep perspective to the absence of depth. According to
the naturalistic standard, the highest modality rests on the point along the scale
that represents a central perspective, whereby objects far from the lens tend to
reduce in size and the real-life parallel lines converge at a vanishing point within
or outside the picture frame. Another modality marker that can be scaled is
‘illumination’, which refers to the play of light and shade. The various degrees
on this continuum range from the fullest representation of light and shade to
its absence. Lastly, the modality marker ‘brightness’ is a scale that runs from a
maximum number of degrees of brightness, to only the dark and light versions
of a given colour.
Photographic naturalism, as mentioned above, is the most commonly found,
everyday standard as to what we see with the naked eye. It is generally deter-
mined by the resolution of the standard 35mm photographic technology and
thus termed as ‘naturalistic coding orientation’ (Kress and Van Leeuwen, 2006,
p. 165) in social semiotic theory. However, naturalism is by no means the only
coding orientation. There are various contexts in which different kinds of truth
are favoured. For instance, scientific visuals often adopt an ‘abstract coding
orientation’, which aims to represent the essence or generality of things. In this
context, images with low articulation in colour, perspective, light and shadow
(e.g. diagrams, figures) are regarded as visual displays with high modality value.
In contrast, in advertising and commercial context a ‘sensory coding orienta-
tion’ is frequently employed. Images in this context are designed to arouse
sensations, and thus they are generally entertaining, ‘more than real’ in many
aspects so as to produce the illusion of the benefits that the advertised products
claim to bring. Still another coding orientation is the ‘technological’ one, for
which the reality principle lies in the ‘effectiveness’ or ‘usefulness’ of a given
image as a ‘blue print’ (e.g. maps, architectural layouts).
on selected texts taken from primary, junior and senior secondary EFL text-
books, published by People’s Education Press (henceforth PEP) between 2002
and 2006. The purpose of the study is to account for the similarities and differ-
ences between these texts in terms of the choice of coding orientation, and
shed light on the underlying reasons for different choices in various pedagogic
contexts. The data under examination are three teaching units concerning
animals, which are comparable in the sense that they share the same field, that
is, the same ‘topic or focus of the activity’ in which communicative parties are
engaged, or more broadly speaking, the same ‘institutional focus or social activ-
ity type’ (Eggins, 2004, pp. 9, 103; see also Martin, 1984, p. 23; 1992, p. 536).
Figure 13.2 Sensory coding orientation (Excerpted from PEP Primary English
Students’ Book I for Year 3, 2003, p. 47). Reproduced with permission
Contestable Reality 227
and koala), while the upper set depicts three countries with names as captions
(China, Australia and South Africa). Here junior secondary students are no
longer provided with the correct match between animals and countries, but
required to do the matching by themselves. The repeated use of similar teaching
materials complies with the requirement of a ‘high reappearance rate for lan-
guage teaching materials’, as stipulated in the Curriculum Standards for English.
Furthermore, the transition from simple to complex instructional designs
reflects the principle of ‘proceeding in an orderly way and advancing step by
step’ (Ministry of Education of the People’s Republic of China, 2001, p. 48).
In terms of visual treatments, reduced articulation is employed in representa-
tion, contextualization, illumination and depth. Simple line drawing is adopted
to capture the essence of the animals, i.e. what makes them identifiable as
lion, panda and koala. For example, the long heavy mane around the top and
sides of the neck, which is the symbol of a male lion, allows the viewer to easily
recognize this animal. The shapes of the three animals and the textures of their
fur are brought down to the essential quality. In addition, these animals are
pictured in their actual living environment. For instance, the koala is depicted
as clinging to a eucalyptus tree. Nonetheless, the background has a low level of
articulation and merely represents the general scenario of the environment,
leaving out all the details such as the texture of tree bark which would otherwise
be indicated in naturalistic photographs. The abstract style is also reflected
in the low articulation of illumination and depth. There is no play of light
and shade or perspectival foreshortening in the images. The maps of the three
countries, in which most of the modality markers are greatly reduced in articula-
tion, further enhance the sense of abstractness. Although colour differentiation
Contestable Reality 229
can be found, the purpose of using various colours in the maps is to distinguish
the countries under attention from the adjacent countries and oceans. Under-
lying the abstract modality is the truth criterion which holds that the more an
image arrests the essential quality or the general truth, the higher the modality
value will be.
There is still some tension between the abstract modality and the emotive
orientation in the images. Unlike the typical abstract images such as scientific
diagrams, the three animal images draw on the pleasure principle (Kress and
Van Leeuwen, 2006) to some degree. A high degree of colour saturation is
applied, and subtle nuances of a given colour are identified. Take the green
colour for instance. The variations of greenness include the bright green for
twigs and new leaves, the brownish green for meadow and dark green for leaves
on the eucalyptus tree. The use of colour here is not merely for distinguishing
different components, nor does it aim at faithfully reproducing the real colours
in natural environment. The colouration here is ‘a source of pleasure and affec-
tive meanings’ (Kress and Van Leeuwen, 2006, p. 165), whose purpose is to
make the images pleasant to the eyes and to produce an affective effect that
helps attract attention and maintain interest.
In short, the coding orientation in the junior secondary textbook is both
abstract and sensory. The adoption of the abstract-sensory coding orientation
in junior secondary educational context has to do with the role of abstract
modality in education and the pleasure principle that continues into adolescent
education. Abstract modality goes beyond the surface to capture the underly-
ing essence (cf. realism in art and literature as discussed by Van Leeuwen, 2005,
p. 168). It is used among sociocultural elites (Kress and Van Leeuwen, 2006,
p. 165), and an understanding of producing and reading images with an
abstract coding orientation is part of the education of ‘cultivated’ people. An
abstract coding orientation is more evident in textbooks on natural science
where diagrams and figures are widely applied. As we can see, the tendency
towards a ‘conceptual’, ‘abstract’ coding orientation gains momentum in the
junior secondary context, while a sensory style is retained. The tension between
the educational purpose and pleasure principle accounts for the coding orien-
tation in the junior secondary textbook, which is ‘abstract’ and ‘conceptual’
with respect to representation and contextualization, but pleasure-eliciting in
terms of colouration.
Figure 13.4 Naturalistic coding orientation (Excerpted from New Senior English
for China Student’s Book 2, 2004, p. 25). Reproduced with permission.
(Kress and Van Leeuwen, 2006, pp. 165–6). The naturalistic coding orientation
here positions the viewer as involved in the environmental protection campaign
in which all members in the shared culture are supposed to participate.
It may be inferred from the above multi-level, comparative analysis that the
pictorial techniques employed in the primary textbook follow the pleasure
principle and hence sensory coding orientation is adopted. The sense of
abstractness mounts upwardly as students move through the school years from
primary to junior secondary education. On the one hand, the vibrant, exciting
colouration still acts as a source of pleasure; on the other hand, the abstract
representation and contextualization capture the underlying essence of what is
represented. The senior secondary textbook adopts a naturalistic coding orien-
tation, which positions the viewers as sharing the dominant cultural norms and
involved in the ongoing environmental protection campaign.
13.4 Conclusion
Table 13.1 The distribution of visual styles in EFL textbooks for different levels of
education
cartoon portrait photograph
Note
1
As Kress and Van Leeuwen (2006) explain, the term ‘coding orientation’ comes
from Bernstein’s (1981) concept and refers to sets of principles which inform the
way in which texts are coded by specific social groups or within specific institu-
tional contexts.
References
Bernstein, B. (1981). ‘Codes, modalities and the process of cultural reproduction:
a model’. Language and Society 10, 327–63.
Bernstein, B. (1990). Class, Codes and Control, Volume 4: The Structuring of Pedagogical
Discourse. London: Routledge and Kegan Paul.
Bernstein, B. (2000). Pedagogy, Symbolic Control and Identity: Theory, Research, Critique
(revised edn). Lanham: Rowman and Littlefield.
Christie, F. and Martin, J. R. (eds) (2007). Language, Knowledge and Pedagogy:
Functional Linguistic and Sociological Perspectives. London: Continuum.
Contestable Reality 233
Coates, J. (1983). The Semantics of the Modal Auxiliaries. London: Croom Helm.
Eggins, S. (2004). An Introduction to Systemic Functional Linguistics (2nd edn).
London: Continuum.
Halliday, M. A. K. (1994). An Introduction to Functional Grammar (2nd edn). London:
Arnold.
Halliday, M. A. K. (2006). ‘Some theoretical considerations underlying the teaching
of English in China’. The Journal of English Studies (Sichuan International Studies
University) 4, 7–20.
Hodge, R. and Kress, G. (1988). Social Semiotics. Cambridge: Polity Press.
Hodge, R. and Tripp, D. (1986). Children and Television. Cambridge: Polity Press.
Kress, G. and Hodge, R. (1979). Language as Ideology. London: Routledge and Kegan
Paul.
Kress, G. and Van Leeuwen, T. (2006). Reading Images: The Grammar of Visual Design.
London: Routledge.
Martin, J. R. (1984). ‘Language, register and genre’, in Christie, F. (ed.), Language
Studies: Children Writing Course Reader. Geelong, Victoria: Deakin University Press,
pp. 21–9.
Martin, J. R. (1985). Factual Writing: Exploring and Challenging Social Reality. Geelong,
Victoria: Deakin University Press.
Martin, J. R. (1992). English Text: System and Structure. Amsterdam: Benjamins.
Martin, J. R. (1994). ‘Modelling big texts: a systemic functional approach to multi-
genericity’. Network 21, 29–52.
Martin, J. R. and Rose, D. (2008). Genre Relations: Mapping Culture. London:
Equinox.
Ministry of Education of the People’s Republic of China (2001), Curriculum
Standards for English. Beijing: Beijing Normal University Press.
Palmer, F. R. (1990). Modality and the English Modals (2nd edn). London:
Longman.
Quirk, R., Greenbaum, S., Leech,G. and Svartvik, J. (1985). A Comprehensive
Grammar of the English Language. London: Longman.
Van Leeuwen, T. (1999). Speech, Music, Sound. London: Macmillan.
Van Leeuwen, T. (2005). Introducing Social Semiotics. London: Routledge.
Textbooks cited:
Go for it Students’ Book II for Year 7 (2005). Beijing: People’s Education Press.
New Senior English for China Student’s Book 2 (2004). Beijing: People’s Education
Press.
PEP Primary English Students’ Book I for Year 3 (2003). Beijing: People’s Education
Press.
Chapter 14
David Caldwell
14.1 Introduction
Since then, a substantial body of research has investigated rap music and
the hip-hop culture from which it derives (e.g. Krims, 2000; Keyes, 2002;
Maxwell, 2003; Richardson, 2006; Pennycook, 2007). With the exception of some
fine ethnomusicological studies (e.g. Keyes, 2002; Maxwell, 2003), and Krims’
(2000) musical poetics, most research has focused on the language practices of
rap music and its connections with African-American ideologies, hip-hop cul-
ture, popular music, literacy education and global language practices. As such,
this research is exclusively interested in the musical practices of rap musicians;
what they are composing, and what their compositions ‘mean’.
In recent times, the Systemic Functional Linguistics (SFL)(e.g. Halliday,
1978) model of language has been successfully applied to modes of meaning
other than language, including architecture (e.g. O’Toole, 1994), visual images
(e.g. Kress and Van Leeuwen, 1996), movement (e.g. Martinec, 2000) and
music (e.g. Van Leeuwen, 1999; Caldwell, 2010). SFL is now widely considered
a theory of social semiotics, as well as linguistics. A key feature of SFL and social
semiotics is the description of language and other modes of meaning in the
form of system networks:
Making Many Meanings in Popular Rap Music 235
Systemic theory gets its name from the fact that the grammar of a language is
represented in the form of system networks, not as an inventory of structures.
Of course, structure is an essential part of the description; but it is inter-
preted as the outward form taken by systemic choices, not as the defining
characteristic of language. A language is a resource for making meaning, and
meaning resides in systemic patterns of choice. (Halliday and Matthiessen,
2004, p. 23)
Following this tradition, Van Leeuwen (1999) has described the meaning
potential of sound in both language and music as a set of detailed system net-
works for perspective, time, melody and timbre. These system networks are
especially ‘appliable’ to the rap music context analysed here. Traditional music
analysis has tended to focus on the structural organization of musical sounds
(e.g. Lerdahl and Jackendoff, 1983), whereas Van Leeuwen is interested in par-
adigmatic organization, or ‘choice’. This is important because the process of
composing rap music relies heavily on ‘sampling’ from a set of pre-determined
musical sounds (see Rose, 1994). And as such, much of the focus is on paradig-
matic organization; selecting a particular musical sound from a larger system of
contrasting, meaningful choices.
This chapter will apply Van Leeuwen’s (1999) system networks to a selection
of vocalists sampled by ‘popular’ rapper and producer Kanye West. In short, the
chapter will examine the meaning potentials that can be assigned to West’s
vocalists according to the particular choices that characterize those voices. The
chapter then draws on that analysis to construct a preliminary semiotic profile
or ‘repertoire’ of West. Essentially, the chapter aims to answer the following
kinds of questions: what choices does West make in terms of his selection of
vocalists when constructing his rap songs? Does West sample widely, or is there
a consistent meaning potential associated with the ‘voices’ he samples? And
ultimately, what is his overall meaning potential; the character of Kanye West’s
semiotic repertoire?
In the tradition of social semiotics, the chapter will conclude by speculating
on Kanye West’s immense popularity. Drawing on Bernstein’s sociology (e.g.
1996) and his adaption of Durkheim’s distinction between mechanical and
organic solidarity, the chapter will put forward a hypothesis as to why West is so
widely consumed; why it is that he appeals to an audience outside the typical
hip-hop community.
14.2 Data
related disciplines (Hesmondhalgh and Negus, 2002, pp. 1–11). Many musi-
cologists would argue for example that all rap music is ‘popular’ and that any
analysis of rap music constitutes ‘popular’ music studies. For this chapter how-
ever, the meaning of ‘popular’ is simply defined as the extent to which a rap
song is ‘widely experienced and/or enjoyed’ (Hesmondhalgh and Negus, 2002,
p. 2). While this is a difficult variable to measure, ‘accreditation’ is a means by
which one can at least get a sense of whether an artist’s songs are widely con-
sumed or not. In terms of Kanye West, Table 14.1 shows that since his inaugural
album in 2004, West has won over 50 awards and been nominated for more
than 100.
Importantly, these statistics are comparable to other successful North American
rap artists such as Eminem, Jay-Z, 50 Cent and Snoop Dogg. Table 14.1 not only
highlights West’s popularity, but it also suggests that West’s consumers are from
a range of communities. West has received several nominations and awards
from associations that are specifically affiliated with the African-American com-
munity, for example, the Music of Black Origin Awards (MOBO), the Black Enter-
tainment Television Awards (BET) and the National Association for the Advancement
of Coloured People Image Awards (NAACP). However, West has also received many
nominations and awards from mainstream American music associations such
as the Grammy Awards and Billboard Awards, as well as a range of international
awards such as the British Record Industry Trust Awards (BRIT), MTV Asia,
Australia and Europe Awards, as well as the World Music Awards. Now these asso-
ciations do not exclude the hip-hop community. In fact, many have award
categories specific to that music culture. However, at the very least, they are
associations that represent communities that are not exclusively affiliated with
hip-hop culture.
West’s popularity, and particularly his appeal to those outside of the typical
hip-hop community, is not a coincidence. As an artist, West has made a con-
scious and very deliberate attempt to engage with a socially diverse consumer
base. The following extract from Time magazine (Tyrangiel, 2005), shows that
West is not concerned with aligning his music with one particular community.
Rather, West quite explicitly seeks to affiliate with as many consumers as possible:
One night while making the record, Brion says, he and West got in a state of
giddy exhaustion unique to people who spends hours a day for months on
end in a windowless recording studio. ‘We had just been talking about some-
thing, and there was one of those weird, intense lulls,’ says Brion. ‘Kanye
looks at me, and he goes, “You know that saying: you can’t be all things to all
people? Well seriously, why not? I want to be all things to all people.”’ Brion
waited for a moment, then burst into laughter. ‘I knew he wasn’t kidding, and
he’s smart enough to know that wanting to be loved by everybody is probably
really bad for your mental health, but at the same time his point was, you
know, why not try?’ You never know. He just might succeed. (Tyrangiel, 2005,
pp. 7–8)
The analysis will specifically apply Van Leeuwen’s (1999) systems of timing or
rhythm (Figure 14.1) and voice quality (Figure 14.2).
Figure 14.1 System network for timing (after Van Leeuwen, 1999, p. 61)
Figure 14.2 System network for sound quality (Van Leeuwen, 1999, p. 151)
Making Many Meanings in Popular Rap Music 239
The application of the entire systems of rhythm and voice quality is beyond
the scope of this chapter. As such, only the sub-systems of tempo: slow and fast,
pitch register: high and low, as well as roughness: rough and smooth sounds,
will be analysed (circled in Figures 14.1 and 14.2). It must be noted that these
‘choices’ are not discrete either/or choices. Rather, they represent two poles
along a cline in which choice is a matter of degree. So for example, while a
tempo might be fast or slow, it can also be moderate, moderate to fast, moder-
ate to slow or anywhere along a cline from fast to slow.
The system of tempo is generally characterized according to the speed of that
tempo; is it fast or slow? More technically, tempo is realized as the ‘space’ or
duration of time between a pulse or ‘beat’. When there is a long amount of time
between pulses, the tempo is slow. When the space between a pulse is short, the
tempo is fast, or at least comparatively faster than the tempo which has a longer
space of time between pulses. For this chapter however, tempo will be consid-
ered in a slightly different way. Essentially, the analysis will measure the speed
of the rappers ‘flow’; how quickly they articulate their syllables. In other words,
what is the space between each of the rappers’ syllables? To do this, the analysis
will take a short extract of rapping (around 10 seconds), count the number of
syllables expressed and then produce an average figure of syllables expressed
per minute (spm).
From Van Leeuwen’s (1999) experiential perspective, the meanings associ-
ated with a fast and slow tempo are determined by what one does physically to
produce those tempos. So, for example, a fast tempo can be associated with
high energy levels, and perhaps even emotional attributes such as energetic,
excited, intense and nervous. A slow tempo on the other hand can be associ-
ated with low energy levels and attributes such as relaxed, calm, deliberate,
measured, and so on.
High and low pitch register is the scale from very low sounds to very high
sounds, usually associated with gender. This analysis is not interested in the
movement of a pitch, but rather the basic level or pitch ‘register’ of a voice. For
Van Leeuwen (1999), the high to low pitch register scale has the potential to
mean many things including emotional states, size and gender. Much like a fast
tempo, a high pitch register generally indicates an increased level of energy,
and as such can be associated with attributes such as excited, energetic, tense
and nervous. Van Leeuwen also associates a high pitch register with size and
gender, in the case of high pitch register, meaning ‘small’ and feminine. In
those examples, the experiential meaning potential extends beyond what one
does to produce a particular sound to consider the inherent physiology of
things that create those sounds.
While there can be exceptions, high pitch sounds tend to be expressed by
things, both human and non-human, that are small in size. And as such, a high
pitch register has come to be associated with meaning ‘small’. In addition,
women tend to have a higher pitch level than men, so a high pitch register has
also come to be associated with the ‘feminine’. In contrast, a low pitch register
240 Appliable Linguistics
14.4 Findings
The findings will be presented along a cline (Figures 14.3–14.8). Each sampled
vocalist that represents a distinct, meaningful choice is then plotted along that
cline in relation to the sampled voices they contrast with. Each vocalist is named
and referenced according to the song name, year of album publication, track
number (t) and time segment in the song (s).
The analysis includes two distinct data sets: the rapping voice and the singing
voice. Both voice types will be analysed according to rhythm, pitch register and
roughness. However, the fact that West samples both the rapping and singing
voice is itself a significant finding. While this chapter will not describe the char-
acter of these voice types, it is clear that each vocal performance is unique, and
affords different experiential meaning potentials. For this chapter, both voice
types are included so as to highlight the extent of West’s sampling.
It is also worth reiterating that the meaningful choices illustrated below are
not necessarily the only instances of that choice sampled by West. For each
Making Many Meanings in Popular Rap Music 241
cline, the most extreme realization of a particular choice is selected. This is not
to say that the West corpus comprises only one rapper with a rough voice qual-
ity, or one singer with a high pitch register. The aim of these illustrations is
to review the meaningful ‘choices’ available, and then highlight the extent to
which West samples from those systems. Also, as mentioned, these systems
of choice are gradable. So although the median or ‘in-between’ choice for each
variable is not discussed, they were identified. And this is noteworthy. First, not
only does it help reinforce one’s perception of the distinction between particu-
lar variables, but it also highlights the extent of West’s sampling.
14.5 Rhythm
The Figures below illustrate the slow to fast tempos sampled by West for the
rapping voice (Figure 14.3) and the singing voice (Figure 14.4).
As mentioned, the analysis of tempo can be quite easily quantified (as spm)
and then plotted along a cline from slow to fast rapping or singing. For the
Figure 14.3 Slow to fast rapping (as syllables per minute [spm]) in the Kanye
West Corpus
Figure 14.4 Slow to fast singing (as syllables per minute [spm]) in the Kanye West
Corpus
242 Appliable Linguistics
rapping voice (Figure 14.3), there is an immense difference between the ‘slow’
rapping of Mos Def (168 spm) and the fast rapping of Twista (516 spm). In fact,
one could argue that both rappers are very close to the threshold of slow and
fast rapping; the point at which vocal performance can no longer be defined
as rapping. Mos Def for example could express fewer syllables per minute.
However, that would mean only one syllable per pulse, in which case, the vocal
performance sounds more like chanting than rapping. Similarly, Twista’s per-
formance is at the very, very fast end of the rapping scale. In fact, most of his
lyrics are difficult, if not impossible to comprehend.
The contrast between slow and fast tempos in the singing voice (Figure 14.4)
is not as marked as it is in the rapping voice. Nevertheless, the contrasts are still
clearly meaningful when we compare for example the slow, melodic vocals of
Albert Brumley, with the fast, up-tempo vocals of Connie Mitchell. What is most
important here however is not so much the contrast between the singing voices,
but rather, how these findings relate to West’s overall corpus. As mentioned,
the rapping voice, by its very nature, must express a minimal number of sylla-
bles per minute, otherwise the performer is no longer rapping. The singing
voice however enables (or restricts) a vocalist to far fewer syllables per minute.
Brumley’s vocals equate to only one syllable per second. The point is this: by
sampling the singing voice, West is able to introduce a much slower tempo of
vocal performance than could ever be achieved by exclusively collaborating
with rappers.
The Figures below illustrate the low to high pitch registers sampled by West for
the rapping voice (Figure 14.5) and the singing voice (Figure14. 6).
The pitch register analysis, like the roughness analysis, has not been quanti-
fied or formally measured. However, an acoustic analysis is not necessary to
reveal the fundamental contrasts between these voices. There is a clear, perceiv-
able distinction between the low pitch registers of rapper GLC and singer Bill
Figure 14.5 Low to high rapping pitch registers in the Kanye West Corpus
Making Many Meanings in Popular Rap Music 243
Figure 14.6 Low to high singing pitch registers in the Kanye West Corpus
Withers when compared with the high pitch registers of Strings and Laura
Nyro. Of course this is in part attributable to the differences in gender. One
might argue that it is unfair to analyse for pitch register when gender is not
a controlled variable. However, the fundamental concern of this chapter is
‘choice’. And that means these contrasts are important. West has chosen female
vocalists, both rappers and singers. Accordingly, West has sampled both low
pitch registers, as well as high pitch registers. Even more importantly, the differ-
ence between these low and high pitch registers is extreme. Rapper GLC is
renowned for his low pitch register. It is arguably the most salient feature of
his voice quality. In contrast, Laura Nyro’s pitch register is not simply ‘high’; it
is extremely high. It may have even been electronically manipulated as it sounds
similar to those high-pitched, ‘chipmunk’ voices.
14.7 Roughness
The Figures below illustrate the smooth to rough voices sampled by West for
the rapping voice (Figure 14.7) and the singing voice (Figure 14.8).
The perception of smoothness and roughness in the vocalists’ voice quality is
found in both the rapping voice and the singing voice. Much like the rhythm
and pitch register analysis, the smoothness and roughness illustrated in the
Figures 14.7 and 14.8 are easily perceivable examples of those choices. The
smooth rapping voice of Lupe Fiasco is in stark contrast to the rough, gritty,
obstructed voice quality of Lil’ Wayne. In a similar way to rapper GLC and his
low pitch register, these artists are renowned for their smoothness and rough-
ness respectively. Lil’ Wayne in particular has a very creaky, rough sounding
voice quality.
The contrast between smoothness and roughness is also easily perceivable in
the singing voice. In a similar way to the high pitch register of Laura Nyro, West
and his producers have manipulated the voice quality of Daft Punk to make it
especially rough. It could be argued that the resulting sound is more vibrato
than it is rough. Regardless, there is clearly a distinction between the smooth,
244 Appliable Linguistics
tender singing voice of Labi Siffri, and the synthesized, vibrating and ultimately
‘obstructed’ vocals of Daft Punk.
Figure 14.9 Some attributes (or meaning potentials) in the Kanye West
Repertoire
Music Guide to Hip-Hop (2003) and its list of rap styles, Figure 14.10 compares
the meaning potential of West’s vocalists to the vocals of other rap styles. In
short, Party Rap has tended to be characterized according to high pitch regis-
ters and smooth voice quality, Political Rap according to fast tempos, Hardcore
Rap according to low pitch registers and rough voice quality and Old School
Rap according to slow tempos. Figure 14.10 shows that West, through his vast
sampling of vocalists, is not limited to one particular style, and is therefore able
to expand his semiotic repertoire.
While the discussion and illustrations thus far are useful in terms of generally
characterizing West’s semiotic repertoire, it does raise two important questions:
to what extent can one relate the experiential meaning potentials of the vocals
to the actual artist who produces those vocals, and to what extent can one
246 Appliable Linguistics
In September 2007, rap artists Kanye West and 50 Cent engaged in a well-
publicized ‘feud’ to see which rapper would sell the most copies of their upcom-
ing albums Graduation (2007) and Curtis (2007). Within a week of the albums’
release, Kanye West was declared the victor. The Billboard charts (Mayfield,
2007) showed that in its first six days of release, West’s Graduation had accumu-
lated a total album sale figure of 957,000, which ranks it fifteenth for ‘all-time’
sales weeks. In contrast, 50 Cent’s Curtis sold a total number of 691,000 albums;
a solid result, but significantly less than West’s Graduation.
A primary concern for social semiotics is to not only describe semiotic systems,
but to investigate how these systems are actually used in real-life social contexts.
In a performance context such as this, where there is an agenda to sell records
and make money, the extent to which an artist affiliates with their consumers is
particularly important. If we simply define ‘affiliation’ as the extent to which we
can ‘share’ in another’s feelings (Martin, 2004), then a semiotic profile which
Making Many Meanings in Popular Rap Music 247
Humorous Street-Smart
Brash Thuggish
Energetic Menacing
Confident Confident
Swaggering Brash
Reflective Provocative
Street-Smart Aggressive
Snide Confrontational
Party/Celebratory Rebellious
Confrontational Volatile
Boisterous Angry
Fun Fiery
Gleeful Hostile
Summery Harsh
Giddy Visceral
Relaxed Witty
Hungry
Intense
Passionate
Laid-back/Mellow
Amiable/Good Natured
248 Appliable Linguistics
from extremely positive moods such as ‘giddy’ and ‘excited’ to more aggressive
moods such as ‘brash’ and ‘confrontational’.
So how do these profiles inform this discussion? Can one simply argue that
West is able to affiliate with many consumers, and in this case, more consumers
than 50 Cent, because he offers his audience a smorgasbord of meanings from
which they can ‘pick and choose’ according to the meanings they share in
and identify with? In this way, the process of affiliation is simple: the greater the
meaning potential, the greater the number of consumers. And this may in part
explain why West is more ‘popular’ than 50 Cent. However, the sociology of
Bernstein (1996) offers an even more convincing explanation. In particular,
Durkheim’s distinction between mechanical and organic solidarity seems par-
ticularly relevant here. The following extract provides a basic definition of both
mechanical and organic solidarity:
Notes
1
The number of nominations does not include Wins.
2
The term ‘experiential’ is not to be confused with the experiential component of
the ideational metafunction (Halliday and Matthiessen, 2004).
Making Many Meanings in Popular Rap Music 249
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Chapter 15
15.1 Introduction
notion of constituency. In the SFL model of English (see Figure 15.1), for
instance, there are four scales of constituency at the lexicogrammar level,
known as ranks (from the highest to the lowest): clause, phrase/group, word
and morpheme. Each rank consists of one or more units of the rank immedi-
ately below. Through grammatical recourses such as logico-semantic relations
(e.g. elaborating, extending, projection, etc), units at every rank can form com-
plexes, for example, clause complexes, group complexes, etc. A unit at higher
rank may also down-rank to function in the structure of a unit of its own rank
or of a lower rank (cf. Halliday and Matthiessen, 2004).
The purpose of this chapter is NOT to argue for or against the use of rank in
multimodal descriptions. Instead I am interested in the ways in which the re-
conceptualization of rank has shaped the systemic functional descriptions of
MOLs and multimodal texts in general. Simply put, the chapter focuses on
examining the practice of theorization in MDA rather than any theory per se. I
will begin my discussion with a short review of O’Toole’s (1994) rank-based and
Kress and Van Leeuwen’s (2006) rank-free grammars of images. I will then trace
the origins of the concept of rank in SFL and illustrate the ways in which the
theoretical borrowing of the concept may promote or impede our understand-
ings of multimodality. Finally, I will use the rank ‘debate’ as a springboard for
addressing some of the urgent issues in the development of MDA theories and
practices.
account for the ideational structure2 (i.e. the representation of events, the
objects and participants involved and the circumstances in which they occur) of
the photographic image in Figure 15.2, we are left with two options. Applying
Kress and Van Leeuwen’s visual grammar, we could analyse the visual structure
as a Reactional Process, since the image construes the process of ‘looking’. The
girls are the Reactors (the observers), and are connected through eyeline
vectors (see Figure 15.2) to the Phenomenon (the observed) – the man in the
middle. Further, the signing action of the man can be treated as an embedded
Transactional Action Process, the man being the Actor (the doer) and the note-
book being the Goal (the participant impacted by the doing).
Alternatively, applying O’Toole’s rank grammar, we could describe the
image as having three ranks (from the highest to the lowest): Episode – Figure –
Member. At the rank of Episode, a man is signing an autograph for a group of
girls in front of a house. Moving a rank down to the behaviour of individual
Figures, the man is signing on a notebook, while the girls are watching his
action attentively. At the rank of Member, the man is dark-skinned and his facial
expression is rather serious.
Both analyses seem plausible. As discourse analysts, we are now facing a
dilemma: which analysis shall we choose? To provide a solution for the prob-
lem, I suggest that we could draw a parallel between the current dispute and the
debate between Halliday (2002 [1966]) and Matthews (1966, cited in Halliday
2002[1966]) over the merit of a rank constituency grammar of language in the
1960s. In essence, Halliday’s and Matthew’s stances reflected two different
hypotheses on the nature of language. Both approaches were difficult to falsify
theoretically – Halliday’s rank grammar, nevertheless, has been favoured among
254 Appliable Linguistics
the SFL linguists and many others for its descriptive power. Similarly, if we need
to argue for/against a rank grammar of image and other MOLs, we need to
raise at least two questions: whether the theory can be falsified3; and whether it
provides more descriptive power.
In the development of MDA theories, however, these questions are not always
explicitly addressed. The common assumption holds that the choice of includ-
ing or excluding rank in the theoretical description is determined by factors
such as the complexity and the nature of the semiotic phenomenon under
examination, the purpose of the analysis, etc. (cf. Martinec, 2005). This affor-
dance of relative freedom in including/excluding rank in MDA description has
encouraged exploration of a diverse range of MOLs and multimodal texts. As a
result, a fruitful body of works has been produced in the last decade (cf. Baldry
and Thibault, 2006; Bateman, 2008; Jewitt, 2009; Bednarek and Martin, 2010;
Norris, 2004; O’Halloran, 2004; Royce and Bowcher, 2007; Unsworth, 2008;
Ventola et al., 2004).
The flexibility in theoretical conceptualization, on the other hand, has led to
confusion and low consistency in analytical practices. If we are to extend our
analysis to Figure 15.2, we will immediately encounter such problems. Employ-
ing Kress and Van Leeuwen’s visual grammar, for instance, we would find it
difficult to determine the main process (realized by a vector) in the image.
There are at least five vectors in the image (see Figure 15.3): 1) an action vector
extending from the batsman towards the top-right of the frame; 2) another
action vector linking the participant on the bottom-left (the fielder) to the
ground; 3) a third action vector leading the running figure on the bottom-right
(the fielder) to the cricket ball on the ground; 4) the eyeline vector linking
the participant on the left (the wicketkeeper) to either the falling fielder or
the cricket ball; 5) the eyeline vectors directed from two participants on the top
of the frame (the fielders) to the batsman. We have all together five processes:
two Non-Transactional Actions (the batsman and the falling fielder), one Trans-
actional Action (the running fielder) and two Transactional Reactions (the
gazes). One possible solution here would be to choose the Non-Transactional
Action of the batsman as the main process since the textual salience is given to
her. The other processes then could be treated as ‘embedded’ minor processes
(Kress and Van Leeuwen, 2006, p. 107). This analysis does seem to address the
issue of multiple processes in a complex image. However, simply grouping pro-
cesses as major or minor ones fails to capture the nuances of the semantic rela-
tions between the processes such as ‘causality’ (the falling of the fielder is
possibly triggered by the previous actions of the batsman) or ‘simultaneity’ (the
fielder at bottom-left runs at the same time as the batsman). More importantly,
it leaves one central question of SF-MDA research unaddressed: how do (static)
images construe/represent a series of actions differently from language?
To capture the complexity, it would seem reasonable to introduce the
concept of rank. If we apply O’Toole’s (1994) four-scale visual grammar to the
same image in Figure 15.2, we would be able to recognize the following units: 1)
Rank in Visual Grammar 255
Work (the whole fielding scene); 2) Episodes (the three gazing fielders, the
batsman, the falling fielder, the running fielder); 3) Figures (each individual
participants) and 4) Members. Next, we could analyse each unit as well as the
relations between the units at a given rank (e.g. the relations between the bats-
man Episode and the falling fielder Episode). While addressing the complexity
of the image, the assigning of the rank scale nevertheless gives rise to a different
set of problems. For instance, the four Episodes of the fielding scene do not in
fact make up Work – the rank above. Instead they are linked by certain semantic
relations and hence form a complex – the Episode complex. This leads to two
further questions: 1) is complexing allowed at all ranks? For example, if mem-
ber complexes can be generated by the same semantic resource; and 2) should
the image be analysed as involving two rank-shifts? If this is the case, should
these rank-shifts be treated as up-ranking movement (a Figure upgrading to
function as an Episode) or down-ranking one (a Figure embedding an Episode)?
For the analyst, one foreseeable difficulty would be to decide on the direction
of the analysis: from Member (the lowest rank) to Work (the highest rank)
or vice versa? If we proceed from the higher rank to the lower ones, as most
rank-based analytical practices do, it would be relatively problematic to decide
on the depth of the analysis. Furthermore, in Figure 15.3, the facial expres-
sion/make-up/gesture of each participant can hardly be recognized. In this
case, should the analysis stop at the rank of Figure (i.e. the act of individual
participant)? If in a similar photo such details are present, should the des-
cription then include the rank of Member (i.e. the expression/gesture of the
individual)?
Another problem in rank-based MDA model is that it has unintentionally
created a discrepancy between the theoretical conceptualization of rank and its
application in the MDA practices. In Halliday’s functional grammar, rank serves
as the starting point for generalizing systems and structures of the language.
256 Appliable Linguistics
In most MDA studies, in contrast, rank is usually the ending point of the theo-
retical description. A rank-based research typically involves assigning rank scale
and proposing potential meaning-making systems (e.g. gaze, expression). The
paradigmatic choices and their syntagmatic realizations within each system,
however, are seldom specified. As a result, it is difficult to ensure consistency
across analyses since there is no generalized principle guiding the application
of the systems in analysis.
So far, I have compared Kress and Van Leeuwen’s and O’Toole’s treatments
of rank in the description of image, showing both their advantages and
disadvantages. What needs to be emphasized here is that the purpose of my
analytical exercise is not to criticize either theory. The inability of Kress and Van
Leeuwen’s visual grammar to account for large-scale images seems to be the
consequence of a deliberate theoretical choice (see Van Leeuwen in Martinec,
2005). Many aspects of O’Toole’s model require further theorization for few
system networks have being offered so far. We have not yet been able to test the
accountability of constituents at any rank4.
What we need now is to further test the descriptive advantages of including
or excluding rank in the descriptions of MOLs and multimodal texts. However,
in my opinion, the prevailing trend in current MDA research does not seem to
encourage such theoretical development. In the following section, I will pres-
ent the reasons why we are unable to provide solutions to the current rank
debate in MDA by re-interpreting Halliday’s original conception of rank in SFL
theory.
parameter is closely associated with the descriptions of the others. Rank, for
instance, ‘defines a point of origin for structures and systems’. In Halliday’s
words:
. . . to show that a system operates on a given rank is the first step in stating its
relationship to other systems; likewise assigning an item to a given rank is the
first step in stating the systemic and structural relations into which it may
enter and those which it may embody within itself. On the structure axis, rank
is a form of generalization about bracketing, and makes it easier to avoid the
imposition of unnecessary structures . . . (Halliday, 2002 [1966], p. 120)
text; for example, where the signing took place; 3) the main text provides extra
ideational information that is not represented in the image such as the destroy-
ing of Gilbert’s career. At same time, it attributes interpersonal meanings to the
event in the image, that is, positive affect (love, pride) and judgement (popular)
(cf. Martin and White, 2005). The girls’ act of watching, for example, can be
seen as the token for ‘love’ and ‘pride’. In other words, the ideational meanings
of the image are now coupled (Martin, 2000b; Zhao, 2010) with the interper-
sonal meanings construed in the text.
The example here shows the limitation of a constituency model, for a multi-
modal text is not simply made up of smaller units of texts and images, nor is its
meaning an accumulation of separate parts. Rather, it is a meaning-making
process, in which choice from one semiotic system is constantly coupling with
or decoupling from the choice made in another system (Zhao, 2010).
So far, I have reviewed the advantages and disadvantages of using rank in MDA
and traced the origin of the rank theory in SFL. Through the discussion, I have
shown the reasons why the argument for or against a rank-based MDA approach
does not necessarily hold the key to an understanding of the complexity of
MOLs and multimodal texts. In this section, I will summarize these arguments
and map out the implications of the rank debate for MDA and SFL research.
The first issue emerging from the rank debate concerns the validity of theo-
retical borrowings, that is, how and to what extent the linguistic categories can
be used in the description of MOLs and multimodal texts. In its development,
MDA theory has utilized a wide selection of SFL parameters, such as metafunc-
tions, stratification, systemic (paradigmatic) relations and rank; and occasion-
ally structure (e.g. Martin and Stenglin, 2007; O’Halloran, 2008). The borrowing
of systemic categories, however, has seldom been systematic. The presence or
absence of a parameter tends to be justified purely with its applicability to the
description of one particular type of MOL or multimodal text. The theoretical
consequences of the choice on the overall coherence of the theory are seldom
acknowledged. Linguistic categories, as Halliday (2002 [1992], p. 202) pointed
out, are ‘not defined individually but in relation to one another’. In this sense,
arguing for rank requires the total accountability of systems across metafunc-
tions at all ranks, or at least at the rank central to the meaning processing.
Arguing against rank, on the other hand, requires addressing the potential of
complex structures such as those involving embedding. The purpose-oriented
theoretical borrowing of SFL has so far been proven to be constructive for the
development of MDA theory, for it has enabled us to engage with a wide variety
of MOLs and multimodal texts. However, the merit owes itself to the extrava-
gance of SFL theory rather than the applications of the linguistic categories.
It seems to me that the flexibility in the theoretical adaptation might have ham-
pered the development of a coherent MDA approach that ensures objectivity
262 Appliable Linguistics
and high consistency both within the same analysis or across analyses. The ques-
tion that needs to be addressed is ultimately a methodological one – how valid
it is to borrow a set of theoretical categories without introducing the underlin-
ing principles?
The rank debate also forces us to re-examine the dynamic relations between
theory and data. In the history of MDA, its relationship with SFL theory remains
monolateral instead of dialogic. That is to say, to capture the complex nature of
multimodality, our approach is to exhaust the rich analytical tools SFL theory
offers. While the attempt fails, however, there is little feedback on the theory
itself. As biologists Goldenfeld and Woese (2007, p. 369) have eloquently
expressed, ‘the most fundamental patterns of scientific discovery is the revolu-
tion in thought that accompanies a new body of data’. In this sense, what our
explorations in MDA ultimately offer us is a chance to re-examine and renew
our understanding of human semiotic processes. As I have demonstrated ear-
lier, the issues raised in multimodal research are hardly new. Our attempts to
introduce the concept of rank into MDA reflect deeply our perception of text
structure as one based on constituency. To move beyond constituency, one solu-
tion would be to resume the unfinished SFL dialogue on dynamic modelling
initiated in the mid-1980s (e.g. Bateman, 1989; Berry, 1981; Martin, 1985;
Matthiessen, 1993; O’Donnell, 1990; Ravelli, 1995; Ventola, 1987, Zeng, 1996).
The final issue the rank debate brings up is in fact an even older one: the
issue of using language as metalanguage for describing language itself. The
dilemma of ‘language turned back on itself’ is accepted as inevitable in linguis-
tics. Dealing with MOLs, however, has highlighted the tension. There are at
least two issues that need to be urgently addressed: if the meaning of modalities
other than language can be translated into language, if non-constituency
based/dynamic nature of MOLs and multimodal texts can be captured by a
metalanguage which is essentially synoptic and constituency-based? If we accept
that language is a model for construing experience, which is manifested through
its structures; we should anticipate the possibilities that MOLs construe experi-
ence differently from language. In other words, the differences between lan-
guage, image and other MOLs lie both in their structures and meaning patterns.
In this sense, using language as a metalanguage puts more issues at risk than we
could have anticipated. We would, on the one hand, over-emphasize one type
of structure (meaning) – particulate – over the others. On the other hand, we
cannot avoid a verbal-centric interpretation of meaning patterns in MOLs and
multimodal texts. It seems to me that the biggest challenge lies in the search for
a new metalanguage, one that can capture the non-linear and dynamic nature
of multimodal discourse and human semiosis in general.
15.5 Data
The first golden age of cricket Curriculum Cooperation, 2005. The Le@rning
Federation leaning object L684.
Rank in Visual Grammar 263
Notes
1
I would like to express my appreciation to Dr Emilia Djonov and Dr Michele
Zappavigna for their valuable comments on an earlier draft of the paper. I am
also grateful to David Caldwell for proofreading the final draft and sharing his
extensive knowledge of cricket.
2
Ideational structure is referred to as representational structure in Kress and Van
Leeuwen (2006[1996]) and O’Toole (1994). It is also referred to as experiential
structure in O’Halloran (2004). For the purpose of this chapter, I label it as ide-
ational structure/metafunction; following Halliday and Matthiessen (1999; 2004),
since it concerns the construal of experiences.
3
In Halliday’s original paper, he proposed that one criterion for examining the
validity of a linguistic theory is to see ‘whether the theory can be falsified’, another
being if ‘it is worth making in the first place’ (Halliday, 2002[1966], p. 119). It is
not clear from this paper or his subsequent publications that if Halliday uses the
term ‘falsify’ in a strict Popperian sense (see Popper, 1934 [2002]). Here, I have
chosen to follow the original arguments of Halliday, since the concept of ‘falsifi-
ability’ is beyond the scope of this chapter and will not be relevant to my central
arguments. Whether Popper’s model is adequate for the type of linguistic research
discussed in this chapter is nevertheless open to debate.
4
There is the possibility that O’Toole has a different conceptualization of rank,
though it is not explicitly defined. However, the use of rank with other SFL param-
eters (metafunction) leads to the natural conclusion that it is comparable to
Halliday’s concept of rank.
References
Baldry, A. P. and Thibault, P. J. (2006). Multimodal Transcription and Text. London:
Equinox.
Bateman, J. A. (1989). ‘Dynamic systemic-functional grammar: a new frontier’. Word
40 (1–2), 263–87.
Bateman, J. A. (2008). Multimodality and Genre: A Foundation for the Systematic Analysis
of Multimodal Documents. Hampshire: Palgrave Macmillan.
Bednarek, M. and Martin, J. R. (eds) (2010). New Discourse on Language: Functional
Perspectives on Multimodality, Identity, and Affiliation. London: Continuum.
Berry, M. (1981). ‘Systemic linguistics and discourse analysis: a multi-layered approach
to exchange structure’, in M. Coulthard and M. Montgomery (eds), Studies in
Discourse Analysis. London: Routhledge and Kegan Paul, pp. 120–46.
Butt, D., Lukin, A. and Matthiessen, C. M. I. M. (2004). ‘Grammar – the first covert
operation of war’. Discourse and Society 5 (2–3), 267–90.
Caldwell, D. (in press). ‘Making metre mean: identity and affiliation in the rap
music of Kanye West’, in M. Bednarek and J. R. Martin (eds), New Discourse on
Language: Functional Perspectives on Multimodality, Identity, and Affiliation. London:
Continuum.
Cléirigh, C. (1998). ‘A selectionist model of the genesis of phonic texture: systemic
phonology & universal Darwinism’. Unpublished PhD thesis, University of Sydney,
Sydney.
264 Appliable Linguistics
16.1 Introduction
For human beings, the world certainly turns on the exchange of meaning.
Even a casual observation of daily life reveals the active participation of lan-
guage in a wide range of human social practices – which means that much of
our practical life is beholden to acts of meaning. As the discourse here1 deve-
lops (Section 16.2.2), it will become obvious that this foregrounding of mean-
ing is not designed to underplay the importance of ‘syntax’ or ‘expression’,2
but in a very real sense the raison d’être for syntax and expression is their role in
bringing about the ‘sens-ible’3 manifestation of meaning. We might argue quite
rightly that without them meaning could not be accessed, but by the same
token, without meaning the being of these phenomena – if they had any –
would have no bearing on human life – and certainly not on language: mean-
ing, literally, is the essence of language, on which more later.
Meaning in the popular sense of the word – that is, not necessarily linguistic
but by any means – has been central to all major aspects of human life. This was
true in the early stages of the evolution of the human species, and it is true
today when thanks to woefully limited ideas about progress we might be
approaching the end of that long drawn drama. Since the claim about the
centrality of meaning to human life may sound exaggerated, I will briefly intro-
duce some evolutionary and developmental perspectives based on research in
such branches of the human sciences as archaeological anthropology, neuro-
science, psychology, sociology and last and most pertinent, one particular
approach to the study of language, which treats linguistic meaning as the
essence of humanity, viz., systemic functional linguistics.
anthropology (e.g. Noble and Davidson, 1996; Davidson, 2007) places social
interaction at the centre of this process, arguing that the production of tools
logically presupposes the existence of some form of communication for Homo
sapiens. With hindsight, the image of a group of early ‘ancestors’ crafting their
tools, each in his own ‘bubble’ of silence does strike one as somewhat absurd,
especially when evidence suggests that the tools were used collectively and
became, in fact, a commodity for exchange fairly early in our history. What was
being exchanged in the interactions was significant in two senses: it was signifi-
cant for the community’s survival through a direct management of the material
environment, and it was significant as a step in facilitating the development of
acts of meaning as an evolving mode of human existence. Whatever its modal-
ity, social exchange consists in message-ing, and the point of a message is its
meaning. The importance of meaning thus predates those anatomical changes
which, by facilitating auditory modes of meaning became a milestone in human
cultural evolution (Marwick, 2005) and which, as the precursor to the ‘meaning-
sound’ conjunction, have been long celebrated in linguistics as a crucial pro-
perty of human language. In the next few subsections, however, the concern
will be with the popular sense of meaning in communication irrespective of
the means by which it is effected: in the game of evolution language arrived
later than many other means.
from one social group to another; and that it was not simply a source of infor-
mation, it also defined the participant’s orders of relevance: different forms
of interaction produced different forms of consciousness. This was not a statement
about mental ‘development’ per se: it pointed to the social genesis of that men-
tal disposition which acts as the principle for selecting some particular sets of
values and beliefs and the principles of their legitimation in their immediate
community, which obviously vary across the various groups in a society. Thus
for Bernstein, orientations to meaning are ideological orientations which act
for and against cultural continuity/change, maintaining and fighting the per-
sistence of social hierarchy: this I take to be the essence of Bernstein’s ‘coding
orientation’.
The word ‘meaning’ in its popular sense (especially as used in Sections 16.1.1–
16.1.3) may be paraphrased as ‘making sense’ or ‘deriving significance’ – in
short, ‘interpreting’: obviously, in this perspective, any phenomenon ‘has’ mean-
ing so long as it is open to interpretation. This open-ended view of meaning may
The Meaning of ‘Not’ Is Not in ‘Not’ 273
appear chaotic to those who like their data neat and tidy; nonetheless, in light
of first-person experience, it has to be granted that human beings do make
sense of an immense range of phenomena – for example, the house one lives
in, the garden that adds to its status – or not, as the case may be – the clothes
one wears, the fabric, the design; one’s comportment, aloof, reserved or out-
going; and a myriad of such phenomena – all ‘say something’ to those who
encounter them. Making sense seems to be an imperative of the brain: it is
impossible to state with certainty what, if anything, can not be interpreted; what
seems certain is that the brain is a naturally designed interpreter: so long as it is not
dozing, not drunk, not deranged, not dead, it must make a ‘reading’. I am
tempted to suggest that the habit in human beings to (un-/sub-)consciously
interpret the elements of their environment is biogenetic – perhaps a naturally
evolved disposition: the survival value of such a capacity to the species can
hardly be disputed.9
Figure 16.3 Two systems and their relationships: realization and instantiation
identity and value of each unit of signified and signifier is forged by its relations
to other units. Characteristically, Saussure produces a binary system of relations:
one based on combination or syntagm ‘supported by linearity’ (ibid, p. 123)
later also referred to as the syntagmatic bond, the other based on opposition or
association, later referred to as the associative bond. Halliday’s chain and choice
(1963) resonate well with this Saussurean pair, though it is Hjelmslev’s syntagm
and paradigm (1961) that are the prevalent terms for referring to the relations
essential for defining the identity and value of a sign. Since units must be identi-
fied at every stratum of language, it follows that the syntagmatic and paradig-
matic axes apply to all language internal strata.
Linearity is a feature of discourse: instances are linear, thus relations postu-
lated between the units of parole are in praesentia. By contrast, paradigmatic
relations are supported by associative bonds (relations of differentiation): these
relations, not evident in units within a discourse, are in absentia. Pertaining
to a whole paradigm, the associative bonds are closer to the system aspect of
language. Since it is system that acts as the potential, the idea of choice is
clearly critical to its description. In SFL, the potential for each linguistic stratum is
represented in the form of system networks,23 which are in effect an account of the
oppositional/ associative relations that are significant to the value and identity
of the categories of that stratal unit which acts as the point of origin for that
particular system network. Thus the system network of MOOD specifies cate-
gories of the unit clause at the lexicogrammatical stratum, and so on. Each tra-
versal of the system that is valid in terms of the logic of that system network
constitutes a selection expression (SE) of the set of choices made from it: the
SEs instantiate the system network, and are themselves realized as structures
of some kind. Again much has been written in SFL about system networks24, so
no further details will be presented here.
I begin with the assumption that given the status of semantics as a stratum
of language, its units too can be described paradigmatically to represent their
potential, as demonstrated by Halliday (1973b), and later by Hasan (1983),
Cloran (1994) and Williams (1995). However much one might disagree with
the basic premises of componential semantics (Katz and Fodor, 1963; Bierwisch,
1970; Leech, 1974), there is, in that literature too, suggestive evidence of para-
digmatic organization at the semantic level. When, in some of his writing, Firth
(1957) dissolves semantic description into a series of contextualizations of
some specific instance, the implication is that there is nothing left to describe;
there is, in other words, no stratum of meaning so that from Firth’s context
we move directly into ‘lexical, morphological and syntactic’ categories: in my
view the suggestion lacks validity. First, in accepting this suggestion, we would
have to reject the postulate of a stratum of linguistic meaning; for indeed a
stratum without any units is an anomaly; and the recognition of units entails
some existing or feasible description of their paradigmatic relations calling for
some system networks. However, if there are no defined categories of meaning,
The Meaning of ‘Not’ Is Not in ‘Not’ 281
all that is needed is to consult corpora and observe human interaction in many
different contexts to establish the interpretation of the semantic element that
differentiates commands such as ‘lets be careful in lifting this’ v. ‘do be careful
in lifting this’ v. ‘would you be careful in lifting this’, v. ‘I’d like you to be careful
in lifting this’, ‘better be careful in lifting this’, and so on.
Looking at the same level, the most immediate category in an oppositional rela-
tion to the option suggestive, is nonsuggestive, which refers to the contex-
tual fact of the projected action being presented as the responsibility of the
addressee alone albeit under instruction, as in ‘lift this carefully’, ‘better lift
it carefully’, ‘could you lift it carefully’, and so on. This semantic option too
is realized along with most of the others described by Figure 16.4 by some
choice(s) in the MOOD system network. But looking at the same stratum can-
not be reduced to simply noting its difference to the other term(s) within the
same individual system28. Two points need to be clearly stated with regard to
viewing the facts at the same stratum: first, what this means, in effect, is examin-
ing the over-arching system network the options of which act as the systemic
description of the unit that served as its point of origin, for example, in this case
message progressive as opposed to punctuative (Hasan, 1996). There are
certainly other units on the semantic stratum (Section 16.2.4), but for checking
on the validity of the description of some element of a message, the categories
of the unit message itself are more relevant than those of a lower or higher unit.
At the same time, there are many different message types: one way of identify-
ing a primary type is by focusing on the least delicate oppositional features. In
Figure 16.4, these primary oppositional systems of options are placed within the
first right facing open brace. Although we are concerned here with the message
type demand; goods-&-services (the primary systemic options in Figure 16.4),
more specifically, the option suggestive applies to any message type one of
whose primary semantic choices is goods-&-services: more simply the giving
OR demanding of goods-&-services is the environment in which the choice between
SUGGESTIVE v. NON-SUGGESTIVE has significance. Thus the system suggestive v. non-
suggestive will also form part of the systemic description of messages function-
ing as offers and invitations whose primary options are give; goods-&-services
(Hasan, 1986), and in this network too, the terms will refer to the same contex-
tual tenor-related facts. Second, the value of suggestive/non-suggestive is
determined by their positioning vis-a-vis the other terms within the network as
a whole: for example it is significant that although the options may be freely
co-selected with the systemic options assertive v. consultative they are not
freely co-selected when it comes to the options that depend on exhortative;
and the more delicate options in the system network are not available to
those messages which have the feature suggestive. Thus we do not find mes-
sages such as ‘we’d like us to be quiet’ (speaker-oriented: desiderative) and
options dependent on the feature addressee-oriented are logically impossi-
ble with the option suggestive.
The Meaning of ‘Not’ Is Not in ‘Not’ 285
Finally, looking at the stratum below, that is, at lexicogrammar, reveals how
the semantic option(s) are realized. Simplifying somewhat, the realization state-
ments may take different shapes depending on the logic of the network. The
system suggestive/ non-suggestive is concurrent with two others, so the
realization statements will differ according to what terms are co-selected. At
message rank, two kinds of realizational statement are typical: (i) choice of an
option from a clause rank lexicogrammatical system network, and/or (ii) state-
ment of pre-selection(s) at some clausal element including its category identifi-
cation and/or realization. Table 16.1 illustrates some cases with a few semantic
options from Figure 16.4; the options are in column 1 of the table, and the
realizations in column 2.
Choices in the system network at the stratum of lexicogrammar entail the
formation of structural information. Thus to say that something is realized as
declarative is to say that a structure needs to be formed with the elements Subject
and Finite in that order, represented formulaically as S^F. The default realiza-
tion of element Subject is by a nominal group; that of Finite is by an auxiliary
verb functioning either as primary tense (e.g. ‘is, was, will be’) or as a modal
auxiliary (e.g. ‘can, may, would, should, have to, must . . .’). The pre-selecting
realization is used when the option can be realized by some unique element of
structure and/or linguistic item. A realization statement such as ‘Subject prese-
lects Thing’ can be rephrased as ‘Subject must be realized as a nominal group
which “has” the element Thing in it’; in other words an elliptical nominal group
such as in ‘those two’ is not allowed.29 The preselecting realization statement
can also call for a unique item or specify the selection of some item from a para-
digm with a particular feature, for example, ‘Thing at Subject preselects item
we’ may be worded as ‘a clause realizing these semantic elements must have the
element Subject and Subject must be the item we’, as for example in ‘we have to
be very quiet’ whose semantic description is represented in the SE below30:
[demand;goods/services:nonexhortative:assertive;suggestive:affable;necessity]
286 Appliable Linguistics
Strictly speaking, naming unique items such as ‘you/we’ is a short cut: for
example, underlying ‘we’, are the word rank lexicogrammatical options for the
category pronoun as shown below (after Halliday and Hasan, 1976, p. 44):
[person:interactant:speaker:inclusive]
entailed and so form part of the syntax. Significantly Saussure adds that there is
more to syntagm than syntax (ibid, p. 123, note 5). This makes sense: syntax is
unit-internal, and even the largest lexicogrammatical unit has a limit, recursion
notwithstanding. The syntagmatic axis is not bound by any such constraints –
especially if ‘syntagm’ is viewed simply as a flow of signs within some specifiable
social environment, it would represent the textual environment for those
patterns/units one might choose to examine. This is not the place to develop a
critique of the predilection in linguistics for peering simply inside the bounds
of a single unit isolating it from all else to find ‘objective’ evidence of the valid-
ity of some proposed description. Firth pointed out half a century ago that
words are known by the company they keep; perhaps this generalization should
be extended to most linguistic units; the trick is to establish the principles of
consistency in deciding what counts as ‘company’.
I pointed out in Section 16.2.2 that there can be no 1:1 realization relation
between linguistic strata. Ample proof of this will be found in the very few real-
ization statements presented in Table 16.1. For example, imperative clause is
generally regarded as that lexicogrammatical category which realizes demand;
goods-&-services, that is, a ‘proposal’ of some kind. Considered as a probabi-
listic statement, this is very likely the default position. Nonetheless, neither is
every proposal an imperative, nor is every imperative a proposal. And this state-
ment could be extended to all primary categories of MOOD. Thus a demand
for goods and services may be assertive, realized as declarative (e.g. ‘you must
not shout’) or consultative, realized as interrogative (e.g. ‘could you do my shoe
laces, Mum?’). Faced with such descriptions, the suggestion has been to treat
these as some kind of interpersonal grammatical metaphor. This is not the place
to go into this debate; the problems in this solution are many and certainly
some of them appear to threaten the concept of grammatical metaphor itself,
which has proved so useful in the analysis of discourse (Halliday and Martin,
1993). In any event, what seems to clinch the matter is the fact that this solution
may not be possible for all lexicogrammatical categories. The category negative
polarity is one such. In the following sections, I will discuss what semantic options
the category of negative polarity is able to realize in just one semantic context,
namely, demand; information. First, a brief description of the category negative.
either select for tense or modality. What happens actually by way of expansion –
for example, are both elements there? if so, in what order of sequence? if not,
which may be assumed where and on what evidence? – all this is realizationally
relevant to the identification of the categories of role exchange. Mood is the
element that according to Halliday (1994, p. 71) is ‘tossed back and forth’ in a
series of conversational moves, for example, ‘he is, is he’? The Subject is the
element on which the validity of the rhetorical move rests, while the Finite ties
down each such move to some specific point in space and time by reference to
the utterance act (for discussion, Halliday, 1994, p. 68ff; Halliday and Matthiessen,
2004, p. 106ff). The system of polarity is considered ‘an essential concomitant
of finiteness’ (Halliday and Matthiessen, 2004, p. 116) since ‘for something
to be arguable it has to be specified for polarity: either it is so or it isn’t so’
(Halliday, 1994, p. 75). Figure 16.5 presents a simplified system network for
MOOD with ‘cryptic’ realization statements.
Table 16.2 The meaning of polarity with some primary MOOD options in English
Proposition Positive Negative
Thanks to the textual syntagm, we can be quite certain that in each case the
mother thought she ‘knew’ what her addressee’s mental state should be, thus
revealing one subtle aspect of her social relation to her child. In the Macquarie
empirical studies of sociolinguistic variation in semantic orientation, the fea-
ture assumptive showed up statistically as a highly significant element of the
sociolinguistic variable (Hasan, 2009a). This is an impressive result in view of
the fact that in a corpus based study Halliday and James (1993) demonstrated a
skewed probability (9:1) for positive v. negative polarity choice; in their study
covering over 1.5 million cases of finite clauses, they found 87.6 per cent occur-
rences of positive and only 12.4 per cent of negative, which included ‘never’,
‘seldom’ and other such items as well.
Example 3 offered above is an instance of the category ‘question3’ in Halliday
and Matthiessen (2000, p. 22; for discussion, Section 16.4); and its inclusion
here indicates that not all questions are realized as interrogative, whatever
their polarity choice. At the same time it should be noted that negative polarity
does not always construe the feature assumptive in all kinds of questions.
Figure 16.6 presents a simplified system network of options in asking English
questions, while Table 16.3 shows the functions of not/n’t in the semantic envi-
ronment of demand; information along with lexicogrammatical information.
Table 16.3 is best examined in three parts by reference to the three systemic
options in column 2 (A, B and C). Every entry in the table systemically ‘assumes’
the choices progressive: demand; information (see Figure 16.6). The fea-
ture verify (column 2(A)) is the entry point for the systemic choice between
reassure v. probe (column 3); verify is itself in systemic opposition to enquire
(column 2 (B)) the entry point for this system being the selection of the feature
confirm (column 1), the realization of which calls for an indicative clause. For
each example, column 5 provides a lexicogrammatical selection expression
from the MOOD system network, which counts as the realization of the seman-
tic selection expression stated across columns 1 to 3. It is clear from this table
progressive
Appliable Linguistics
(iv) you don’t like sugar, don’t you? declarative: tagged: constant
confirm
ask: nonassumptive (v) did you see me go out? interrogative: polar; positive
ask: assumptive (vi) wasn’t that a big fishy? interrogative: polar; negative
enquire (B)
check: nonassumptive (vii) was it a big fish? declarative: non-tagged: positive; Tone 2
check: assumptive (viii) you aren’t hungry? declarative: non-tagged: negative; Tone 2
explain: nonassumptive (ix) why did you say ‘look’? interrogative: non-polar: R-interrogate; positive
apprize precise (C)
explain: assumptive (x) why aren’t you hungry? interrogative: non-polar: R-interrogate; negative
The Meaning of ‘Not’ Is Not in ‘Not’ 293
that any message with the feature verify would have a declarative: tagged clause
as its lexicogrammatical realization. The semantic option reassure is realized
by the MOOD features tagged: reversed, irrespective of the location of the nega-
tive; thus in (i) the Tag is negative, in (ii) the declarative is. The semantic option
probe is realized by the MOOD features tagged: constant, which for most variet-
ies of English would imply a zero instance instead of (iv) in column 4 – however,
(iv) is a fairly common occurrence in informal Australian English, especially
where speakers are not concerned about the danger of being perceived as
speaking a sub-standard dialect. Note that the negative in these two environ-
ments appears to be the converse of assumptive. If the feature assumptive
implies that the speaker already knows what the ‘reasonable’ response is, the
features reassure and probe imply that the speaker is in need of verifying
something. So what is the difference between reassure and probe? It is subtle
but nonetheless important as an indicator of interpersonal relationships; mes-
sages with the feature reassure may be paraphrased as follows: ‘I think some-
thing is the case, and I believe you do, too; is that so?’, whereas those with the
option probe are actually probing for ‘correct’ information: so, for example
(iii) may be paraphrased as: ‘I understand you left it on the train. Is that what
happened?’. We can see why questions with the feature reassure would be
relevant to what Bernstein (1971) called ‘sympathetic circularity’ which is a
form of interaction only among people with intimate relationship – as an aspect
of tenor relation, it has been described as construing minimal social distance
between the interactants (Hasan, 1973; 1985); by contrast, messages with the
feature probe could not have this contextual significance; the relationship here
is not as close as in the previous case.
The option enquire (B) is the entry point for two simultaneous systems, ask
v check and also non-assumptive v assumptive (see Figure 16.6). The choice
of negative polarity in a clause realizing enquire will always construe the seman-
tic feature assumptive. We note that ask is realized by an interrogative clause
and check by declarative + Tone 2. But what difference does this make to their
semantic character? A message with the feature ask is a yes/no question with-
out any strings attached – what is sometimes referred to as a ‘straight’ question;
check, on the other hand, is not a ‘crooked’ question – it is simply one with
additional information about some attitude on the part of the speaker regarding
that question: this may be surprise, disappointment, doubt, enthusiasm . . . –
the exact nature is realized by the choice in the system of key (Halliday and
Matthiessen, 2004; Halliday and Greaves, 2008).
This leaves us with the option precise (C in column 2). As Figure 16.6 shows,
the option apprize is in systemic contrast to confirm: unlike the latter it does
not construe a yes/no-question, but what is known as a wh-question: it thus
seeks some specific element of information, and is lexicogrammatically realized
as a non-polar clause. In questions which have the feature precise, the query
point is explicitly realized by the preselection of a wh— word as Theme, such as
‘why, who, what, when, where’ etc. The option precise is the entry point for a
294 Appliable Linguistics
Table 16.4 The meaning of ‘not’ with demand information . . . apprize: specify
Semantic options Positive polarity Negative polarity
underlying networks such as presented here in Figures 16.4 and 16.6. Both
pertain to the interpersonal metafunction and are realized by some feature of
the system of mood, but the meanings pertaining to all four metafunctions can
be described in a similar way (e.g. Hasan, 1983).
I accept without reservation the claim that it is impossible to mean any mean-
ings without lexicogrammar: both making meaning and reading meaning
depend to a very large extent on lexicogrammar. This, however, does not imply
that the only approach to meaning has to be ‘from below’, concerned only
with how sets of lexicogrammatical categories are to be interpreted. True, that
a metafunctional lexicogrammar will be semantically oriented: this follows
logically from the genesis of metafunctions in contextually situated discourse
(Halliday, 1973b; Hasan, 2005b; 2009a); but reflection on the acts of speaking
and ‘hearing’ will suggest that the two outermost strata of language are in a
systematic relation to these two aspects of the activity of languaging. To present
a full account of meanings, we need to know not only how lexicogrammar con-
strues meanings but also what meanings are construable in a given language
variety, when, and by whom, and how they become accessible to the listener.
296 Appliable Linguistics
Here again one meaning has been replaced by three: we now have (say) ques-
tion1 interrogative x rising tone; question2 interrogative x falling tone;
and question3 declarative x rising tone, e.g., is she cóming? Is she còming?
She’s cóming? (Halliday and Matthiessen, 2000, p. 22)
linguistics – is that they have no other function in human life except that of
enabling exchanges of meaning. Facial, physical and vocal gestures preceded
that modality of meaning which we call language: the non-linguistic modes of
meaning were central to the life of our ancestors, as linguistic meanings are to
that of ours. With evolving, developing and differentiating cultures, human life
today is infinitely more complex, discourse is more diverse, communications,
more complex. Although ‘body language’ remains in use – in fact, cannot be
eschewed – and although secondary modes of meaning such as images, graphs,
tables, and so on make considerable contribution to some categories of discourse,
there is no exaggeration in the claim that today it is verbal language that acts as
the foundation of our complex social existence. Linguistic meaning appears to
surpass all other modes of meaning – primary or secondary – in its efficacy35 pre-
cisely because of the limitless-seeming possibilities of subtle re-configurations of
vast but limited variables. It is interesting to ask: How can semantic description
and representation capture this dynamic quality of linguistic meaning?
Notes
1
This chapter is a revised version of the talk I presented at the Free Linguistics
Conference 2008 convened by Ahmar Mahboob and Naomi K. Knight on 11–12
October at the University of Sydney.
2
I use ‘syntax’ and ‘expression’ because these terms can be applied to a large
variety of ‘signing’/’symbolic’ phenomena; by contrast, ‘wording’ and ‘sound’ are
restricted to language.
3
I use here Russell’s (1940) distinction between the ‘sens-ible’ and the ‘intellig-
ible’, the former refers to sensing acts and the latter to acts of intellection.
4
The literature on semiotic mediation is vast, and opinions vary on the interpreta-
tion of the expression ‘semiotic mediation’. For some discussion see Lucy, 1987;
Mertz and Parmentier, 1991; Wertsch, 1985b; 1997. On Vygotsky in an SFL per-
spective, see Hasan, 2005a.
5
‘Meaning’ is thus coming to acquire another meaning, namely, ‘the representa-
tion / trace of experience in the human brain’.
6
Of course Vygotsky talked about the relationship between language and the
development of higher mental functions in individuals, but Vygotsky was chiefly
concerned with specialized concepts dear to official pedagogy (Hasan, 2005a).
Halliday’s concern is with the growing child as a social agent living and developing
in a society, who needs higher mental functions for coherently handling the logic
of both the ideological and the interpersonal.
7
Although we may attribute communicative intent to such symbols, it may not be
possible to offer objective criteria for the claim.
8
Halliday’s use of protolanguage is qualitatively different from its use in formalistic
linguistics, such as Bickerton’s (1990).
9
From this point of view, a review of experiments in psychology concerning the abil-
ity to recall will most probably provide support in the finding that a meaningful
series is significantly easier for humans to ‘internalize’ than a ‘meaningless’ one:
to the digital machine meaningfulness makes no difference.
The Meaning of ‘Not’ Is Not in ‘Not’ 299
10
It is convenient to quote this often voiced ‘definition’ of sign/symbol, but in fair-
ness to Noble and Davidson (1996) I must point out that their subsequent
discussions of the linguistic sign go far beyond the claim quoted here.
11
Saussure’s linguistic ‘sign’ is in fact much more carefully defined; it is perhaps
the textual organization of this intricate discourse that tempts infelicitous
interpretations.
12
From now on in this chapter, SFL will refer to Halliday’s SFL as interpreted by
me, without any implication that Halliday is necessarily in agreement everywhere
with my interpretation. For further discussion, see Halliday, 1996; Halliday and
Matthiessen (2004, Chapter 1).
13
Hjelmslev (1961) recognized more delicate distinctions in each of his primary
strata: his ‘content substance’ and ‘content form’ approximate Halliday’s ‘seman-
tics’ and ‘lexicogrammar’, as also ‘expression form’ and ‘expression substance’
approximate ‘phonology’ and ‘phonetics’; there are however some significant
differences (for some discussion, Hasan, 1995).
14
To be more precise, up till quite recently, expression was seen in SFL as mono-
stratal, with phonology subsuming phonetics. Recent developments (Halliday
and Matthiessen, 2004; Halliday and Greaves, 2008) have led to the recognition
of a separate stratum of phonetics.
15
This is what gives us the licence to say that registers are defined by the ‘meanings
at risk’ in some context.
16
Let me emphasize again that despite the use of these ‘serial/sequential’ expres-
sions, I am not suggesting at all that the units of the various strata appear in
temporal sequence. I am tempted to cite Firth (1957, p. 147) on this issue:
The utterance happens in time. The stream of speech with all its items
integrated unrolls itself . . . on the time track of occurrence. But the systemic
abstraction which we isolate in language systems are not limited by the time
track dimension of the utterances from which they are taken. The statement
of the systems when we talk or write about them have their own time track, since they
are speech events (last emphasis mine, RH).
17
Though our concept of discourse in context is capable of handling this complex-
ity (Hasan, 2005a; 2005b), in the interest of saving space, we assume here that the
occasion of talk does not involve semantic distance (Hasan, 2004).
18
Sadly phonology does not figure in this list, but by reference to his co-text, we
may conclude that Firth recognizes the contribution of prosodic phonology to
meaning and is referring here simply to the minor function of segmental phono-
logy and phonetics (for some supporting discussion by Firth, see 1957, p. 192) .
19
I agree with the spirit of this division but take issue (Section 16.2.3) with the
‘absence’ of semantics itself from the list: although Firth is not consistent in this
practice, often in his writing, semantics is dissolved into a ‘comprehensive descrip-
tion of a speech event’, which seems to be a move lacking in validity.
20
Space does not allow discussion of examples, but the potential of segmental pho-
nology and phonetics as a recognition criterion for categories of wording is
highly varied from near 1:1 conventional association with strong lexical items to
near nil with ‘fully grammatical’ ones. One is safe in venturing a semantic gloss
on ‘honesty’ without looking for its co-text or context, but it would be foolhardy
to suggest one single gloss for such phonetic units as the suffix ‘–s’ in ‘walks’, or
300 Appliable Linguistics
‘-ing’ as in ‘painting’ or even for the item ‘not’ as I propose to show in Section
16.3, and ‘not’ is not alone – we have to think of words such as ‘see, turn, give,
have, can’ and many others. Contra formalistic grammarians, fully grammatical
items do make a contribution to the meaning of the utterance by virtue of realiz-
ing a grammatical relation, though the nature of this relation can only be
determined by what is going on up above in worded meaning in context.
21
Always excepting the bright linguist’s imagination, who when it suits him can
turn the exception into a rule.
22
In fact this may be a feature of all social systems; numerals do not get ‘archaic’
but words, and social practices do.
23
I do not wish to imply that the description of the potential of each unit in terms
of such paradigmatic relations is anywhere near complete for each stratum. Such
description in SFL is most developed for lexicogrammar; much less so for the
strata above or below it. Further, as I see it, this is one of the points where models
such as Fawcett’s (2000) or Martin’s (1992) differ from Halliday’s SFL. For the
former there are no systems at any other stratum than that of what he calls seman-
tics; for the latter, either there is no system network applicable to semantics as a
whole, or it is to be represented by taxonomies of already identified semantic
units.
24
For example, to name a very few: Fawcett, 1980; 1988; 2000; Halliday, 1961; 1966;
1969; 1973a; 1975; 1979; Hasan, 1983; 1987; 1989; 1996; 2009; Martin, 1992;
Matthiessen, 1995; 2007.
25
A fifth unit lower than MC would be seme, with categories such as entity, process,
quality, and so on. However until some description is attempted, it is going to
be difficult to decide whether this unit is needed at the semantic level: it is just
possible that lexis as delicate grammar can describe such units more economi-
cally without residual problems for semantics.
26
This would neither be claimed as ‘God’s Truth’ nor as a ‘Hocus Pocus’ theory
of language: simply a pro-tem ‘real picture of language’, offering an account of
some unit that may be said to possesses ‘descriptive adequacy’, until proven
wrong.
27
Semantic options are presented in small capitals to distinguish them from the
ordinary and non-technical uses of the same orthographic shape.
28
I make a consistent distinction between system and system network: a system net-
work is a logically related set of two or more individual systems. Individual systems
are viewed as ‘forming’ a system network as soon as two or more individual sys-
tems are logically related by concurrence and/or dependence. The complexity
of the system network increases as the relations of dependence and/or concur-
rence multiply.
29
Subject ellipsis may occur but only if an option explicitly calls for it.
30
The semantic description has two options not discussed before: affable which
contrasts with unctuous. Compare ‘we have to be very quiet’ (affable) with
‘we have to be very quiet, don’t we?’ (unctuous); and necessity as opposed to
possibility as opposed to prediction. These options are realized by choices in
the system of modality.
31
Note the absence of ‘descriptive adequacy’: the reason is simple. Descriptive
adequacy is what is being established by showing that the description has obser-
vational and explanatory adequacy.
The Meaning of ‘Not’ Is Not in ‘Not’ 301
32
This clearly leads us into the issue of ‘appliable linguistics’ (Halliday, 2005) – a
linguistic theory that is able to explain the efficacy of language in human life.
33
However, see Halliday and James (1993). Hardly, scarcely and other such items
do not easily co-occur with ‘not/n’t’ (? ‘He was not hardly happy’) though it is
fine to say ‘he was hardly not happy’ with two ‘negatives’ making a positive (= ‘he
was certainly happy’).
34
It seems likely that we can go furthest within grammar perhaps in ‘lexis as most
delicate grammar’ (Hasan, 1987b; Matthiessen, 1995; Tucker, 1998) but dis-
courses are not a series of lexical items, and encountered in a syntagm, even
lexical meaning is likely to display ‘shifts’ from its default meaning.
35
In fact it might be better to talk about ‘effectivity’ rather than ‘efficacy’; the latter,
with its ‘purr’ connotations gives the impression that the power of language
is benign. This is not necessarily the case: its power is neutral as to creation or
destruction; it can accomplish both equally effectively.
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