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  • Seamus ch5 p50 PDF

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    Armen Movsesyan
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    The document discusses modal pentatonic applications from Chapter 5, page 50 of "The Mastery of Modes & Pentatonics". It demonstrates switching between lydian and aeolian pentatonics to create contrast, mixing dominant and phrygian pentatonics, and includes practice with limitations or parameters. Additionally, it demonstrates the locrian, ionian, and dorian pentatonic scales.

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    The document discusses modal pentatonic applications from Chapter 5, page 50 of "The Mastery of Modes & Pentatonics". It demonstrates switching between lydian and aeolian pentatonics to create contrast, mixing dominant and phrygian pentatonics, and includes practice with limitations or parameters. Additionally, it demonstrates the locrian, ionian, and dorian pentatonic scales.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    6 views1 page

    Seamus ch5 p50 PDF

    Uploaded by

    Armen Movsesyan
    The document discusses modal pentatonic applications from Chapter 5, page 50 of "The Mastery of Modes & Pentatonics". It demonstrates switching between lydian and aeolian pentatonics to create contrast, mixing dominant and phrygian pentatonics, and includes practice with limitations or parameters. Additionally, it demonstrates the locrian, ionian, and dorian pentatonic scales.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Modal

    Pent
    atoni
    cAppl
    i
    cat
    ions Ch.5,pg.
    50
    5
    TheMastery
    ofModes&
    Pent
    atonics
    MODALPENTATONI
    C APPLI
    CATI
    ONS
    (
    begi
    nsat6:
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