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A lifelong animal lover, Ross was always rescuing wounded animals and nursing them
back to health. As a kid growing up in Florida, this meant one rather strange addition to
the family: an alligator, which he attempted to nurse back to health in the Ross family
bathtub. Even in his adult life, Ross was always playing host to orphaned and injured
animals, including an epileptic squirrel that lived in his empty Jacuzzi.
Ross’s quiet voice and gentle demeanor were two of his most iconic traits, which makes
the fact that he spent 20 years in the United States Air Force and retired with the rank of
master sergeant all the more surprising. Basically, he was the guy who told everyone else
what to do.
Before he lent his dulcet voice to The Joy of Painting, Ross spent a lot of time yelling. "I
was the guy who makes you scrub the latrine, the guy who makes you make your bed, the
guy who screams at you for being late to work,” Ross once said. “The job requires you to
be a mean, tough person. And I was fed up with it. I promised myself that if I ever got
away from it, it wasn't going to be that way anymore."
Before he lent his dulcet voice to The Joy of Painting, Ross spent a lot of time yelling. "I
was the guy who makes you scrub the latrine, the guy who makes you make your bed, the
guy who screams at you for being late to work,” Ross once said. “The job requires you to
be a mean, tough person. And I was fed up with it. I promised myself that if I ever got
away from it, it wasn't going to be that way anymore."
In the early 1980s, as Alexander was preparing to retire, he asked Ross to take over
teaching his painting classes. Ross agreed, and set out to tour the country on his own in a
motor home, traveling and teaching people Alexander’s “wet-on-wet” technique. He told
his wife Jane that he’d try it out for one year, and if he didn’t make enough money, he
would return to Alaska.
It was during Ross’s time on the road that he adopted his iconic hairstyle. Since teaching
painting wasn’t an extremely lucrative profession, Ross learned to stretch every penny.
One way he did this was to save money on haircuts by getting his locks permed.
Though it was Alexander who got Ross started on his career path as an artist, it was
Kowalski—one of Ross’s students—who put him on the pop culture map. Kowalski, who
is often credited as the woman who "discovered" Ross, took a five-day instructional
course with Ross in 1982, and quickly became enamored with his calming voice and
positive messages.
In addition to newfound painting skills, Kowalski left the class with a new client: she
became Ross’s manager, helping him broker the deal for The Joy of Painting television
show with PBS, and later, a line of Bob Ross art supplies.
The Joy of Painting ran new seasons on PBS from 1983 to 1994, so even at public
broadcasting rates the show must have made Ross quite a bit of loot, right? Not quite.
Ross actually did the series for free; his income came from Bob Ross Inc.
Ross's company sold art supplies and how-to videotapes, taught classes, and even had a
troupe of traveling art instructors who roamed the world teaching painting. It's tough to
think of a better advertisement for these products than Ross's show.
How did Ross find the time to tape all of those shows for free? He could record a season
almost as fast as he could paint. Ross could bang out an entire 13-episode season of The
Joy of Painting in just over two days, which freed him up to get back to teaching lessons,
which is where he made his real money.
"We're like drug dealers,” Ross once said of the popularity of his painting technique.
“Come into town and get everybody absolutely addicted to painting. It doesn't take much
to get you addicted.”
Though he was undoubtedly a pop culture phenomenon, the art world didn’t exactly
embrace Ross. “People definitely know who he is," Kevin Lavin, a “struggling”
painter, told The New York Times in 1991. "In his own way, he is as famous as Warhol.”
"It is formulaic and thoughtless,” sculptor Keith Frank said of Ross’s work in the same
article. “Art as therapy."
“I am horrified by art instruction on television," added Abstract Expressionist Richard
Pousette-Dart, who passed away the following year. "It's terrible—bad, bad, bad. They are
just commercial exploiters, non-artists teaching other non-artists."
The New York Times paid a visit to Pearl Paint Company, an art supply store in New York
City, where an employee pointed to the “happy little corner" where they kept Ross’s
products. "We hide them," he admitted, "so as not to offend."
Bill Alexander was one of the artists who wasn’t thrilled with Ross’s success, even though
he had been his protégé. “He betrayed me," Alexander told The New York Times. "I
invented 'wet on wet.' I trained him and he is copying me—what bothers me is not just
that he betrayed me, but that he thinks he can do it better."
Though part of Ross’s appeal was his conversational tone, none of this talk of happy
accidents or other happy little things was ad libbed. “He told me he would lay in bed at
night and plan every word,” Kowalski once said. “He knew exactly what he was doing.”
Though you’d never know it from his painting technique, not all of Ross’s digits were
intact. He lost part of his left index finger when he was a kid in a woodworking accident
while working with his dad, who was a carpenter.
While trees and wildlife often helped bring Ross’s paintings to life, he rarely painted
people. In fact, he liked to keep his work as people-free as possible.
“I will tell you Bob’s biggest secret,” Kowalski told FiveThirtyEight. “If you notice, his
cabins never had chimneys on them. That’s because chimneys represented people, and he
didn’t want any sign of a person in his paintings.”
21. HE KEPT A TINY SQUIRREL IN HIS POCKET.
The Joy of Painting regularly featured a rotating cast of happy little animals, with a tiny
squirrel named Peapod probably getting the bulk of airtime. According to Ross, Peapod
liked to sit in his pocket.
On a few occasions, Ross’s son Steve subbed for his dad as a guest host. That same data
set discovered that Steve liked happy little lakes: 91 percent of Steve’s paintings featured
one (as opposed to Bob’s 34 percent).
25. HE MADE THREE COPIES OF EACH PAINTING YOU SEE IN THE JOY OF
PAINTING.
Ross shot 403 episodes of The Joy of Painting and made three near-exact copies of each
painting per episode. The first copy always hid off screen, and Ross referred to it while
the cameras rolled (none of his on-air paintings were spontaneous). Ross painted a third
copy when filming finished. This time, an assistant would stand behind him and snap
photos of each brushstroke; these pictures went into his how-to books.
26. HE DIDN’T GET A WHOLE LOT OF INTERVIEW REQUESTS.
For all his worldwide popularity, there aren’t a lot of interviews with Ross. It has nothing
to do with the artist being publicity-shy—it’s just that people rarely asked. “I never turn
down requests for interviews,” he once said. “I’m just rarely asked.”
Though some thought it was an April Fools’ joke, Nintendo had plans to create a series of
video games based on The Joy of Painting. Unfortunately, the project ran into production
problems pretty early on, so we’ll never know what might have been.
In 2001, Bob Ross Inc. media director Joan Kowalski told The New York Times how
people almost seemed embarrassed to admit that Ross’s voice was the perfect solution to
insomnia. “It's funny to talk to these people,'' she said. ''Because they think they're the
only ones who watch to take a nap. Bob knew about this. People would come up to him
and say, 'I don't want to hurt your feelings, but you've been putting me to sleep for 10
years.' He'd love it.''
Even today, Ross has become an ASMR star: On the ASMR thread on Reddit, “Bob Ross”
is listed as a common trigger. A video of Ross painting a mountain has a staggering 7.65
million views, with others regularly surpassing 2 or 3 million views. Of course, not all of
those are ASMR viewers, but a mounting online presence suggests they certainly deserve
some of the credit.
30. HE DIDN'T SELL HIS PAINTINGS.
In a 1991 interview with The New York Times, Ross claimed he'd made over 30,000
paintings since he was an 18-year-old stationed in Alaska with the Air Force. Yet he was
not one to hawk his own work. So what happened to them? When Ross died of lymphoma
in 1995, most of his paintings either ended up in the hands of charity or PBS.
“One of the questions that I hear over and over and over is, ‘What do we do with all these
paintings we do on television?’ Most of these paintings are donated to PBS stations across
the country,” he said. “They auction them off, and they make a happy buck with ‘em. So if
you’d like to have one, get in touch with your PBS station, cause … we give them to
stations all over the country to help them out with their fundraisers.”
The fact that Ross didn’t try and turn a profit from his own work doesn’t mean that you
can’t find one for sale. At one point, more than a dozen of his paintings hit the black
market when someone stole 13 reference paintings from Ross’s van during the show's
second season.
The Bob Ross Art Workshop in New Smyrna Beach, Florida is a must-visit destination for
Ross die-hards: In addition to offering art classes in Ross’s method, you’ll find a
collection of the artist’s original paintings.
34. YOU CAN VIEW MORE THAN 400 OF HIS WORKS IN ONE PLACE.
Two Inch Brush—named after Ross's brush of choice for the wet-on-wet technique—is
an unofficial database that organizes all 403 paintings from The Joy of Painting by season
and episode.