Professional Documents
Culture Documents
In April I was supposed to be in New York for the American launch of my new
book, whose subject, you may be amused to learn, is apocalyptic anxiety.
Obviously I didn’t go to New York. But I did have a book launch of sorts, in the
form of a Zoom webinar hosted by the bookstore where the irl event had been
scheduled to take place.
So one evening I sat in my living room in Dublin, while an editor I work with at
an American magazine sat in his living room in Brooklyn, and we both drank
our beers while having as free-flowing a conversation as the situation permitted.
The event was deemed a success, given the circumstances. But it was hard not to
experience a Zoom webinar as a somewhat flat and dispiriting substitute for a
real gathering, in just the same way that everything these days seems a flat and
dispiriting substitute for real life.
After the live-stream ended, I was sitting in front of my laptop with most of a
beer to finish. I felt a nervous energy coursing through me but had nowhere to
go. So I went onto Google Maps and parachuted into the exact location I should
have been that evening using the little yellow flailing man that summons up
Street View, Google’s immersive photographic panoramas of the world’s roads.
All of a sudden I was on Flatbush Avenue. It was a bright summer’s day and
there was traffic on the street – school buses and delivery trucks, vans and
yellow cabs. I could almost feel the heat coming off the pavement as I drifted
insubstantially northward towards Prospect Park, ghosting through oncoming
cars and ups trucks, idly looking out for a bar where we might have gone for
drinks once the launch wound down.
I opened another beer, and as the night deepened into early morning I found
myself returning to places I remembered from previous trips to New York,
places I would have revisited had I been there now. I wandered around the
Meatpacking District, trying to find the spot where, on my first trip to the city
20 years ago, a friend and I, after leaving a party, happened across an
abandoned sofa on a pier, which we sat on while smoking a joint and looking out
over the Hudson river as the sun came up. I made my way towards Chelsea, but
couldn’t find the pier, and wasn’t sure I would have recognised the place
anyway, not without the abandoned sofa.
In the following days, I found myself returning to Google Street View, haunting
the digitised landscape of my memory. It was an exercise in nostalgia, obviously,
but it was something else too. I was entering a kind of crude, 3d rendering of the
way the world used to be, open and accessible and alive. All those people out in
their shirt sleeves, their faces algorithmically blurred but unmasked, all those
cars and vans and trucks hustling people and goods from one place to another.
In the next few days, when I should have been in New York, I kept returning at
odd moments to the Street View version of the city, re-enacting walks I had once
taken, exploring neighbourhoods I half-remembered from previous trips,
wandering through the mists of memory.
You are not visiting a place you remember from your past; you are
visiting the past itself and a younger incarnation of yourself
One of the strangest aspects of life in our new viral reality is the relentless
sameness of every day. Hardly a day goes by when I don’t think at least once of
Estragon’s line in Samuel Beckett’s “Waiting for Godot”: “Nothing happens,
nobody comes, nobody goes, it’s awful!” In life, as in theatre, things happen in
the form of people coming and going, and one of the great pleasures of travel is
that it creates a sense of plot. Right now, like most of us, I am going nowhere.
Not only can I not go to New York, I can’t even go to the other side of Dublin.
There is no coming, no going, no event of any kind.
But there is a sense in which I have, in fact, been able to travel. Within the five-
kilometre radius around my home, to which I was confined for a number of
weeks, I began consciously to explore an area I have lived in for most of my life.
Taking advantage of the reduced traffic on Dublin’s roads, I cycled around the
quietened landscape of the city.
I live close to Phoenix Park, a huge inner-city park with long tree-lined avenues,
large wooded areas, lakes and wild deer. Before the virus struck, I had never
ventured very far into it. I had gone there mostly to visit the zoo or one of the
playgrounds with my kids, or for a brief run on one of its peripheral pathways.
Now, almost every day, I cycle around the park, discovering regions of its
sprawling interior I’d previously left untouched. There are ponds and streams I
had never seen before, paths I never knew existed, a large but unremarkable
house I had not known Winston Churchill lived in as a child.
Recently, having read in the Irish Times about a small dolmen, a stone tomb
that had been hidden away on the far side of the park since the Bronze Age, my
family and I went in search of it and eventually found it in an area whose
existence we were previously unaware of. Granted, it wasn’t exactly the Ishtar
Gate of Babylon. It was small enough for my children to sit on like a bench, and
unremarkable enough that we would have passed by without noticing it had we
not been looking out for it. But it was worth seeing, and the pleasure, in any
case, was in finding it.
I do miss the world beyond my radius: the old world, where I could visit foreign
cities and retrace my steps to familiar places. But I have learned, in the
meantime, to look for the foreign in the familiar. And I have learned that you
don’t have to go very far in order to find it. You don’t even have to leave your
neighbourhood.■