Professional Documents
Culture Documents
1. Key Issues/Problems
Brisk was popular in the 90’s, but had become stagnant and the low popularity was further
compounded with the economic recession. In 2009, sales of Brisk began to rise due to the
increased attraction of consumers to the ready-to-drink (RTD) tea category, which was driven by
the new trend of health and wellness. Although Brisk experienced this increase, they were still at
third position behind Arizona and Lipton. In late 2010, brand building director for Lipton Brisk,
Marisol Tamaro and PepsiCo. Vice president, Mary Barnard, had to decide how they would
reintroduce the Brisk brand to consumers. Although Lipton is positioned as a health product, they
wanted to position Brisk as a product with personality, or an attitude-based product.
As of 2010, television advertising was the major media used by Brisk and a number of its
competitors (Exhibit 4) to capture significant market share (Exhibit 1). However, an even more
important and useful metric would be to measure actual engagement with Brisk’s social media
(comments, likes and sharing, for example). Brisk had fallen behind in social media presence
compared to its competitors – Arizona, Snapple and SoBe (Exhibit 5). Their marketing goals were
to reintroduce the Brisk brand, convince Arizona drinkers to switch to Brisk, and generate positive
word of mouth by building their fan base (on Facebook and YouTube).
Brisk had not done much consumer-oriented marketing during the time it was stagnant, rather
they were more focused on trade agreements, product development and introduction of new
packaging. However, because sales were beginning to rise and the tea industry was growing,
PepsiCo. wanted to invest more heavily in Brisk. Not only that, but neither PepsiCo. nor its rival
Coca-Cola had the top market share in this sector, making it an even more appealing investment.
Barnard and Tamaro decided to target male millennials and Hispanics based on their preference
for heathy RTD drinks. The brand’s natural personality was male, so it made sense for them to go
for this target. The problem, though, was that because they had not done any recent consumer-
orientated marketing, people did not know what the brand stood for, and many even had
negative perceptions about the brand. When asked what they thought of Brisk, respondents used
words like “sweet” and “refreshing”, but they also said it was “fake” and “sugary” (Exhibit 6). So
accurate advertising was needed to reinstate the brand image amongst the consumers.
Retailers were unwilling to give up more shelf space for the new and unproved products and
wanted promotional support for these products as a guarantee that the purchased products
would be sold off quickly. After a failed social media campaign in 2010 (Pepsi Refresh Project)
that cost PepsiCo $20 million, Barnard and Tamaro decided to begin by showing a Super Bowl
commercial followed by an integrated campaign that would extend beyond the Super Bowl and
have a longer lasting impact on consumers. However, a tight timeline and a restricted budget
($12 million in 2011; Table B; Exhibit 7) only allowed them to choose one of the following two
options to continue the campaign: television advertising or a viral social media advertising
campaign. Both options have advantages and disadvantages, and because they could only choose
one, they had to consider which one would provide them with the best return.
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PepsiCo hired Mekanism to re-launch Brisk Iced Tea with a focus on redefining an attitude-based
image for the brand since Mekanism was the one-stop shop for creative ideas, production,
promotion and distribution.
“That’s Brisk Baby” Rebirth by making video ads that showcased the Claymation puppet
versions of popular celebrities and fictional characters such as Bruce Willis, Bruce Lee and
Rocky Balboa (Exhibit 2) to create the required buzz as in 1996. Although this time in 2011,
they could employ celebrities such as Mike Tyson or the cast of the movie Superbad, Ben Stiller
as Zoolander and Ryan Reynolds as the superhero (Exhibit 15).
The Brisk Brothers: Use the six Claymation characters – Brisk Brothers, each representing one
of the six flavors with a unique personality and bottle design of Brisk (Exhibit 16) so that the
brothers can create the expected creative mojo. The wise cracking brothers could host a show
in which they highlight and comment on the most “Brisk” content. They could engage directly
with the users and collect submissions from users and rate them as “Brisk” or “ Not Brisk”.
They could also engage with users directly on Facebook, YouTube or Twitter and create a
Facebook app that would allow users to create a Brisk Brother version of themselves and send
message to their friends.
Creative characters: The third possible option was to create advertisements by using black and
white puppet versions of popular actors who had portrayed number of iconic characters.
Example includes Will Ferrell as the actor who was visited by puppet versions of Ron Burgundy
of Anchorman, Frank “The Tank” Richard of Old School and Ricky Bobby of Talladega Nights
(Exhibit 17). Other celebrity possibilities included Jack Black, Al Pacino, John C. Riley, and John
Travolta.
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“Now that’s Brisk”: Use the black-and-white Claymation versions of popular celebrities or
characters, in tribute to the original 1990s Brisk campaign. These ads could be used to tell a
well-known story involving popular characters in a “Brisk” 30 second short-story format; in the
climax, the character would have his creative mojo revived by drinking Brisk. Examples
included The Hangover, Jersey Shore, Lost or Lollapalooza. (Exhibit 18). The campaign would
feature an interactive website in which users could create their own puppets, view galleries of
work from others and “Briskify” the things around them, thus promoting the product.
3. Recommendations
I recommend that Brisk should utilize a viral campaign to target consumers and increase Brisk
sales. One of the target audience, millennials are spending an increasing amount of time on social
media. Millennials are also known for their use of technology and involvement in social networks.
Not only that, but they also perceive social media and online content better than they do TV
advertising. It is less intrusive and the consumer actually wants to see the content posted in an
online viral marketing campaign. Despite the fact that TV is a much more standard approach and
may be perceived as less risky, it is also likely to be less effective, especially within the target
audience. Television advertising is also not likely to be seen by millennials, as they are tech savvy
and know how to skip the commercials. If they skip the commercials, they are likely not paying
attention to them. Not only is this because they are multitasking, but it is also because TV
commercials tend to be repetitive, uninteresting and invasive. With viral marketing, content is
shareable and allows consumers to express themselves (because “they are what they share”).
Users find online content more interesting because they can relate to it and can engage in
conversations with other consumers and the brand itself. This lets them see what others believe
about the brand, adding credibility. It also gives the brand a more personal and relatable feel than
do TV ads, which are cold and tend to just talk at the customer rather than with the customer. As a
brand appealing to Millennials, who are seekers of entertainment, it must use a modern and fun
way to communicate to them. If competitors are already present in Social Media, Brisk should also
be. If not, it could possibly create a negative perception for the Brisk brand as a boring, old school
brand that does not understand their true needs and interests. Also, this will much more certainly
meet their goal of attaining more Facebook likes. It would also have the added benefit of
increasing engagement with consumer, something that television advertising is much less likely to
do.
Because consumers are tech-savvy and interested in connecting with friends immediately and
frequently, Pepsi must consider the consumer views of this medium and how they are related to
both PepsiCo. and Brisk as brands. Using a viral marketing campaign based on the concept of The
“Brisk Brothers” will be Barnard and Tamaros’ best bet. By meeting the objectives of reintroducing
the Brisk brand, convincing Arizona drinkers to switch to Brisk, and generating positive word of
mouth, the Brisk team can improve both their brand and the brand of PepsiCo. as a whole. This is
true so long as they utilize customer perceptions and desires to create engaging content that is
both “likeable” and “shareable,” and receive assistance from powerful online influencers. This is
important for PepsiCo. because if consumers know that Brisk is one of its sub brands, it can have a
highly positive impact on PepsiCo. Consumers are very particular about their preference for either
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Pepsi or Coke. In this case, having a favorable opinion of Brisk could possibly result in a positive
effect for other products as well because it could give PepsiCo. the perception of being a more fun
and youthful company.
Proposed Contingency Plan: In the case of a failed viral ad, scope out the most controversial
influencer or trend of the moment, and explore an attention grabbing concept to display on Brisk’s
owned media to draw attention to the brand for a small price.