COLORS

Notes on
Remote Observations of Abstract Temperament

Entheogen:
P. Cubensis Ecuador

Created: Sunday, August 03, 2008, 12:20:29 PM

Modified: Monday, September 27, 2010, 10:52:53 AM
Modified: Thursday, March 03, 2011, 10:53:01 PM

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When we say "color" it is extremely important to understand that we are not ascribing the idea of a color
so abstractly as to suggest that it should mean anything - at least not in a fixed way.

It is also important to understand that these 'ascriptions' only apply to the individual seer. Others may
ascribe qualities of color very differently.

Here “color” explains the quality or temperament of something, as an attribute compatible with someone.
It is a foundation useful only inasmuch as it is described by other qualities, the color itself having qualities
that cannot be explored. Material descriptions are difficult to come by and it takes a good 3-5 minutes for
the seer to form a complete idea in the mind. That idea is a combination of feelings that may include a
sense of substance, and sometimes even tastes or odors.

When viewing people, almost immediately will an image come to mind that may bring one to explaining-
or attempting to explain- some kind of 'object'. Except that the object is a precipitate of something else, a
collection of sensory data. The 'color' ascribed reports within a range or “frequency”. Because we say a
person is 'blue' doesn't mean it is whatever kind of 'blue' someone else thinks is being talked about. When
we say that Mrs. D or Mrs. T for example, are 'blue', we are ascribing a range or combination of tones in
the blue spectrum, each very unique and distinct and nearly impossible to describe accurately. We may
say that Mrs. D is an 'aqueous and translucent radiant blue (range), and Mrs. T is a fibrous and
crystalline blue (range). Each suggests a very unique set of character attributes.

For example, KA returned 'green'. On each viewing the color green was accompanied by an unrestrained
giggling. But it is not enough merely to say 'green' since that green has substance, tactility, mass,
translucence or opacity; one feels whether the 'green' is moist or dry, or solid or brittle (in KA’ case it was
very spongy-in fact exactly like a soft moist sponge).

It is extremely important to point out that some of the sensory data can be disturbing; the seer may
become overwhelmed by empathic reception, to a point forcing immediate retreat from the vision.
WHENEVER THIS HAPPENS IT IS IMPORTANT TO RECOGNIZE THE ATTRIBUTES ASSOCIATED
WITH THE SUBJECT AND IMMEDIATELY SHIFT, OR TERMINATE FOCUS, OR 'RETREAT'. FAILURE
TO 'RESET' CAN RESULT IN DANGEROUS OBSCESSION, MANIA, PANIC, OR WORSE.

With this understanding of 'color' we know look at general ascriptions of color and what they tend to
indicate. Again-understand that a particular color doesn't 'mean' anything specific except as it relates to a
host of other factors.

PINK: Pink is almost always associated with fear. By 'fear' we may also suggest a range of ideas,
including 'affectation', 'anxiety', 'timidity', 'wanting', crying, appeal, afraid. There is some combinations of
pink and blue that explain spirituality, embracing, peacefulness, love and innocence. What is important to
realize is that then is that a 'pink' fear, is totally different say, from a 'yellow' fear, which is otherwise
associated with loathing, or disgust, or absolute terror and trauma JP [f] is extremely pink - this
experience was somewhat emotional.

WHITE: Repose and death; Abandonment, apathy, or some extreme opposite. I will not comment too
much on 'whiteness' here except to say that when we associate white with purity, we only mean that
particular thing in its purest (non-material) state (“JP” [m] was DANGEROUSLY white and forced a
retreat)

RED: Red remarkably keeps its traditional association with passion. Where red is found depending on
its range and 'weight' it suggests perpetuity, outgoing, movement, mobility, force and conviction.
(Mrs. “C” is heavy in the red range; very pastel, dense and aqueous rock, like chalk or highly contrasted
brush strokes)

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YELLOW: Is almost never a good range to be in, esp. if combined with WHITE. This is not to say
yellow is bad, but when it emerges the seer must be on guard. The color yellow is associated with some
very disturbing sensory data related to the condition of human life on this planet.

Note: YELLOW AND GOLD ARE NOT THE SAME. GOLD IS A STATE THAT ONLY APPEARS
YELLOW-ISH.

BLUE: Note that 'blue' includes the entire range of blue, violet, lavender, purple or any hint of blue, and
usually is a VERY GOOD color to see. For one thing it is pleasant and fascinating to look at, and almost
always evokes a feeling that is indescribably pleasant. It is focused, hospitable, kind, organized, structural
and domestic (Both Mrs. T and Mrs. D, as well as “Burton” saw some AMAZING workings in this range!
These are all highly complex and organized individuals).

BLACK: The black range includes grey as well as silver. The only time black is bad is in relation to its
particular 'weight'-the kind of substantiality it has and how much of it there is. WM was a black silvery
goop that did not feel comfortable at all. It was very metallic, medicinal and in fact potentially explosive.
JB was a coal-like brittle mineral like flint that breaks off in shears. This does not in any way suggest
things bad. Both 'weights' suggest usefulness, chemicals, medicine; but also bitterness, tincture or
filtration, and -investigation. Other ideas experienced here were 'heat', flames, warmth, incubation, fire.

A side note: So far it seems that black is very sexual in some way that is not easy to describe.
Again- this has nothing to do with black especially because all of the colors have degrees of the same
kind of quality but in their own way.

GREEN: Not enough can be said for the wonderful green range. The most that can be said is no
more than a word - HUMOR. In the single case where it was strongest evoked giggling, though more like
the welling up of laughter. KA’ green was a big fluffy sponge.

BROWN: Another wonderful, MATERNAL and PATERNAL range. Mrs. M evoked a peculiar opal-
like 'object' or set of objects that were woody, pungent and yet, gem like. The density here is indefinable
as are the shapes. Hair (or some hair-like material) is somehow important here. She seemed like bundles
of some kind of hair that everyone could grab at and hold on to. Mrs. B returned fertile soil with a rich
dark texture. Both made me think of brownies. Mrs. W is similarly and very strangely beige and appears
as circular arcs of fibrous flesh upward to the left.

I could only compare this to Phalloid Primordia. With brown is also suggested VERY strong spirituality,
and maternity-WOMAN. But it is also Paternal though not necessarily male in the strict sense. This was a
very interesting range to look at. It is LITERALLY EARTH. All the things that came to mind here were
things like wood, help, caring, protection, culture, bosom,
also, 'Taurean', phallus, root, a bull.

END