Professional Documents
Culture Documents
Review Article
The Prince and the Utopia
S. Gregory*
Machiavelli passed away at the age of 59, a sad, dejected, and forgotten man.
“No one can say where the bones of Machiavelli rest, but modern Florence
has decreed him a stately monument in Santa Croce, by the side of her most
famous sons; recognizing that, whatever other nations may have found in his
works, Italy found in them the idea of her unity and the germs of her renaissance
among the nations of Europe” (Marriott, 2009:12).
As for Sir Thomas More, who was known for his seriousness, amiability
and humour and who “was not only one of the most cultured men in the
sixteenth century Europe, but also the prophet and apostle of a new civilization,”
(Desbruslais, 1978:108), he was born in London in 1478, just nine years after
the birth of Machiavelli. He was a page in the household of Archbishop Morton,
who sent him to Oxford. He was called to the Bar where he was eminently
successful. He became a Member of Parliament and Undersheriff of London.
While he was envoy to Flanders, began writing Utopia in Latin, finishing in
1516. He was appointed privy councilor of Henry VIII in 1518 and elected
speaker of the house of the Commons in 1523. He soon became Lord Chancellor
of England, the first layman to hold the office. He came into conflict with the
king by refusing to acknowledge the sovereign as sole head of the church, and
in 1532, he resigned his office. He was beheaded in 1535. “For himself, as he
declared on the gallows, he was, ‘a good servant of the king; but God’s first’”
(ibid). His canonization occurred four hundred years later and still later, he
was declared the patron saint of politicians and statesmen.
Machiavelli’s The Prince
In one of his letters to his friend Francesco Vettori, expressing his motives in
writing “The Prince”, Machiavelli writes, “I have composed a small book (work)
De Principatibus (about principalities), where I dive as deep as I can into
ideas about this subject, discussing the nature of princely rule, what forms it
takes, how these are acquired, how they are maintained, why they are lost”
(Hale, 1972:112).
The book begins with Machiavelli’s flattering letter to Lorenzo de’
Medici, the Magnificent, trying to win his favour (vainly, as was proved later)
where he gives him advice on how to be a successful ruler. Then he starts
talking about different kinds of principalities and their acquirements. According
to Machiavelli, hereditary principalities are easier to rule than the newly acquired
ones. When he talks of composite principalities which comprise the newly
acquired with the old, he asserts that there is bound to be a revolt from the
people in such states and so the prince must be prepared even to the extent of
killing his own supporters. When talking about the princes of those states,
acquired by one’s own arms and power, he says that once they have succeeded
The Prince and the Utopia 125
and were begun to be venerated, having destroyed those who were envious of
their abilities, they find lasting power, security, respect and prosperity. He also
talks of civic Principalities where the prince is elected either by the people or
by the aristocracy and observes that the former to be better. He then traces
the ecclesiastical principalities. It was Pope Alexander VI, who first established
a powerful church-state with money and army. Pope Julius, later increased its
power and Pope Leo made it more greater by his goodness and countless
virtues.
Machiavelli then moves on to discuss in general, the various ways in
which these states can organize themselves for attack or defense. A prince
should have personal command and captain his troops himself. Experience has
shown that only such princes achieve solid success and the mercenaries bring
nothing but loss. According to Machiavelli, wise princes would rather lose the
battle with their own army than with a battle with the help of auxiliaries. Cesare
Borgia was one who learnt a lesson from this mistake he made. Thus, a prince
should be independent, well versed in the art of war, well organized, well armed,
trained and have a knowledge of military strategy. Machiavelli asserts, “The
first way to lose one’s state is to neglect the art of war; the first way to win a
state is to be skilled in the art of war” (Machiavelli, 1973: 87). “As for intellectual
training, the prince should read history, studying the actions of eminent men to
see how they conducted themselves during war and to discover the reasons
for their victories or their defeat, so that one can avoid the latter and imitate the
former” (ibid: 89).
Then, Machiavelli talks about some of the qualities to be acquired by
the prince, so that he may be able to remain in power and without being defeated
by his enemies. First of all, the prince must learn how not to be virtuous and he
must know how to make use of it according to the need. He also should be
prudent enough to know how to escape from the evil reputation attached to
those vices that could lose him his state. A prince should have a reputation for
compassion but in order to keep his people loyal and united, he should be cruel
sometimes. A Prince is far better to be feared than to be loved if he cannot be
both. “For,” Machiavelli argues, “the bond of love is one which men, wretched
creatures that they are, break when it is to their advantage to do so; but fear is
strengthened by a dread of punishment which is always effective” (ibid: 97).
Not long after, he says, “because men are wretched creatures who would not
keep their word to you, you need not keep your word to them” (ibid: 100).
A prince should have a true friend or a true enemy. He should reveal
his support without any reservation in favour of one side against another. He
126 S. Gregory
should also show his esteem for talent, actively encouraging able men and
paying honour to eminent craftsmen. His citizens should be encouraged in their
business or trade or agriculture. He should entertain the subjects with shows
and festivals. Machiavelli ends his book with a prophetic note, in the form of an
appeal to liberate Italy from the barbarians. While talking about the secular
element in Renaissance culture as a new realism that beckoned toward the
modern outlook, Perry and others (2008: 313) rhetorically ask what else
Machiavalli’s new politics is but a politics of realism, dealing with the world as
he found it, rather than as it ought to be. This best summarises the tone behind
the portrayal of The Prince.
More’s ‘Utopia’ in comparison with Machiavelli’s “The Prince”
More’s Utopia is a kind of philosophical novel describing an ideal state on the
island of Utopia. Turner (More,1965: 7), in his translator’s introduction to More’s
Utopia, recollects the description given on the title page of the first edition of
the book (1516) as “it is a really splendid little book, as entertaining as it is
instructive”. Both More’s Utopia as well as Machiavelli’s The Prince are the
products of the same age. However, according to Copleston (2003: 320) “More
was unaquainted with The Prince, but his book was in part directed against the
idea of statecraft represented in Machiavelli’s work”.
More, in his Utopia, expresses his ideas through the mouthpiece of
one of the characters in his creation, as if it were nothing more than a novel.
His book is very satirical and humourous in nature. On the other hand, Machiavelli
comes openly with his political thought, making use of his practical experience
and historical facts. His presentation is serious, plain and direct. Similarly, More’s
Utopia, which is a “nowhere society”where peace and harmony prevails
everywhere, covers almost all spheres of life wheras political and military
measures are almost the sole objects of Machiavelli’s interest and he divorces
these almost wholly from religious, moral and social considerations, except to
the extent that the latter affect political expedients. According to Sabine (1951:
301), “he (Machiavelli) writes about nothing and thinks about nothing except
about politics, statecraft and the art of war.” Copleston (ibid) finds More’s
Utopia as “a curious work, combining a sharp criticism of contemporary social
and economic conditions, with an idealization of the simple moral life, which
was scarcely in harmony with the more worldly spirit of the time”. But
Machiavelli was more concerned with actual political life as he saw it and with
what is actually done rather than with what ought to be done from the moral
point of view. He was much more interested in the actual nature of the course
and in the concrete political life.
The Prince and the Utopia 127
ends his book saying “I cannot agree with everything that he said … But, I
freely admit that there are many features of the Utopian Republic which I
should like … to see adopted in Europe” (More: 1965: 132).
Critical Remarks
Both Machiavelli’s The Prince and More’s Utopia have been having definitely
a great impact in the evolution of political thought in the successive years.
Machiavelli’s The Prince, in some ways, the most effective and
interesting of all works of political philosophy, is in form merely one more piece
of advice to a ruler. Its analysis is confined to situations between a prince and
his people and between princes (or cities) themselves. His doctrine is more or
less like “live as the world lives”. It must be noted that the seemingly divergent
views in the political writings of Machiavelli can be reconciled only in the light
of his theory of man. He frequently remarks that men are in general bad and
that the wise ruler will construct his policies on this assumption. “Such a doctrine
is clearly an invitation to immortality”, Schmandt (1960: 191) asserts, and
continues to say that “its only purpose is to reduce the conduct of good men to
the standard of the worst”. The amorality of his doctrines was explained as a
result of the hopelessness of the Italian political situation. “It was so desperate
that Machiavelli was forced to prescribe poison, to use the words of the German
historian Leopold von Ranke” (Gilbert, 1973: 117).
From the time of its appearance, The Prince was regarded as a text
book for tyrants and an exposition of the principles of power politics. Schmandt
(1960: 188) says:
“Napoleon Bonaparte declared that Machiavelli’s writings were
the only political works worth reading. Mussolini considered
the Florentine, his spiritual and intellectual God Father and studied
his writings carefully. Hitler is reported to have kept a copy of
The Prince by his bed side”.
Power is necessary element in government but probably Machiavelli
would not have realized that it is only a means for the attainment of given ends
– ends that are determined by the nature of man. The force of the state must
be rightful force and the goodness or badness must be determined by its
conformity to moral norms and not solely by its success or lack of success in
achieving political victories as Machiavelli holds. However, one must be
conscious of the fact that Machiavelli was more interested in contemporary
Italian scene rather than working out any systematic political theory. His writings
are not of a detached philosopher but completely coloured by the above interest.
The Prince and the Utopia 129
poor, with two fifth of its population falling below the international poverty line
(Wikipedia, 2010), how else one could justify the demand of our politicla class
for lumpsome salaries, perks and benefits not to talk of their pompous life
style? Sabine (ibid: 303) gives a picture of Machiavelli in the following lines:
He has been represented as an utter cynic, an impassioned
patriot, an ardent nationalist, a political Jesuit, a convinced
democrat, and an unscrupulous seeker after the favour of
despots. In each of these views, incompatible as they are,
there is probably an element of truth … He was, perhaps, too
practical to be philosophically profound, but in politics, pure
and simple he had of all his contemporaries the greatest breadth
of view and the clearest insight into the general tendency of
European evolution.
More deserves a great appreciation for his strong criticism against
power politics. He exposes the political hypocrisy, which very much reflects
the contemporary reality, when he says that the criminals are made and then
punished. It could be a call for identifying the real criminals who go around
majestically, commanding full respect and honour, in the guise of political safety
net, while the poor and indignant class turns out to be the easy prey under the
iron hands of the law. It is a widely accepted dictum today that the cancer of
corruption has been eating the vitals of public morality, so much so, that the
corrupt are respected and the honest are neglected, as claimed by Zaveri, as
early as in 1984 (P.8). Such a situation definitely calls for a greater awareness
and demands a higher conscientisation among the people.
The satire in Utopia follows a pattern which might serve for any period
of economic mal-adjustment. Though More wrote his book in the sixteenth
century, it has a remarkable influence on the world of today, for it goes beyond
time and culture. It reflects the reality of today. The problems of unemployment,
poverty, crime, etc., which are subjected to analysis in Utopia are the same
problems that confront India even today. However, it is to be noted that the
Utopia does not attempt a final solution to all the problems of human society
but it contains an appeal addressed to all, that each one should try to do one’s
share to mend one’s own selves and ease the burden of one’s fellowmen to
improve mankind.
It is true that More in his book, talks of a place Nowhere, but he very
much likes his dream-land to become a reality. It clearly expresses More’s
dislike of an acquisitive society. To a world which is madly after money and
gold, it is a great blow that More presents a society which least bothers about
The Prince and the Utopia 131
such things and considers them as disgrace. On the other hand, the people in
such a place, are more concerned with one another’s welfare and happiness.
Intolerance is on the increase in the world and particularly in India. Parties,
groups and individuals are advocating the narrow view, inducing people to project
their own religion, caste or language in a manner which disregards the larger
interest. In such a situation, More’s religious toleration should open our eyes to
a wider horizon.
In Utopia, More (1965: 128) says: “Nobody owns anything, but
everyone is rich – for what greater wealth can there be than cheerfulness,
peace of mind and freedom from anxiety”. It is a well organized welfare state
which takes care of all men’s basic needs. However, it is to be noted that it
demands a higher price. For instance, everyone is obliged to wear the same
colourless clothes. Premarital sex is usually punished with enforced celibacy
for life and adultery brings slavery and if repeated, death. Personal liberty is
controlled to a great extent. No one can even travel about his own country
without a special permit and they have virtually no privacy. George Orwell’s
Nineteen Hundred and Eighty Four (2003), with its tele-screens in every room
and its slogan “Big brother is watching you” is merely a logical development
from the situation in Utopia: “Everyone has his eye on you, so you are practically
forced to get on with your job, and make some proper use of your spare time”.
On the other hand, the Utopians also practice Euthanesia, and the
women are treated as subordinates. They also have married clergy. However,
it is debatable how far More is serious when he talks of all these. For, he
himself, towards the end of his book, accepts that he cannot agree with
everything that is said about Utopia. According to Debruslais (1978: 188):
The truth of the matter is most likely that More did not intend to
offer us, in Utopia, a blue-print for a perfect society. He was
writing, in a realistic vein, of a place which had many
improvements to offer to a decadent and religiously intolerant
European society, but which could do with some enlightenment,
itself.
By this, More himself probably indicates the impossibility of a perfect society
in this world, but all the same encourages us to strive for a better society. He
himself is open for any change in his Utopia, if it is for better. As a citizen of
Utopia, he prays: “If I am wrong, and if some other religion or social system
would be better and more acceptable to Thee, I pray Thee in Thy goodness to
let me know it”. More was not in tolerance with the atheists. But with his
background and the culture and the mind of his time, probably he is not aware
132 S. Gregory
of the fact that one’s own conscience is the ultimate and Supreme being. In the
words of Copleston (Ibid: 320), “the great Christian humanist stood on the
threshold of the capitalistic development which was to run its course. Yet, in
due time, some, at any rate, of his ideas were to be fulfilled”.
Concluding Remarks
Today, people’s power is very much recognized. However, people are still not
well aware of the factors that very much affect their daily lives. Even some
educated people seem to ignore these things easily and some even hardly have
any knowledge of what is happening in our country. In such a situation, the
conscientisation of people at mass level and enkindling people’s force become
necessary. Surely, Machiavelli, by his patriotic spirit, and More by his
revolutionary vision stand as sources of inspiration for all to rise against all
obstructions that override the welfare of our people and of our country and
take it as a duty to bring into light the mean power-politics played by the petty
politicians. More’s agricultural society should be a guiding light for everyone in
one’s march towards a better India.
References
Primary Sources:
Machiavelli, Nicolo, 1973. The Prince. Trans. George Bull. Bungy:
Richard Clay Ltd.
More, Thomas. 1965. Utopia. Trans. Paul Turner. Middlesex: Penguin
Books
Secondary Sources
Copleston, Fredrick. 2003. A History of Philosophy. Vol. VIII. London:
Continuum International Publishing Group.