The

Sound Of Silence
Disturbed

  = 84
arr. Marcos Paulo Baldi Goulart

    
 
    
Oboé

             
         
          
    
Piano 

     
 


Violino


      

  
Viola

          
Violoncelo 

      

 Hello darkness myold

Contrabaixo
    

5

 
Ob.

          
          
      
 
Pno.

   
Vln. 

    

       
Vla

Vc.      

    
friend I've come to talk with you a gain

Cb.

2
    

8

   
Ob.

              
  
         
   
 
Pno.

   
Vln. 

    

         
   
Vla

        
Vc.

    
Be cause a vi sion soft ly creeping Left its seeds while I was

Cb.

3
     

11

   
Ob.

       
              
        
        
Pno.

       
    
Vln. 

     
              
Vla

        
Vc.

     
sleeping And the vision that was planted in my brain

Cb.

4
     

15

 
Ob.

         
   
  
     
       
Pno.

    
Vln. 

     
     
Vla

Vc.
             

     
Still remains Whithin the sound of silence

Cb.

5
    

19

 
Ob.

         
    
      



 
Pno.

  
             



MI

Vln.


    
In rest lessdreams I walked a lone Na rrow streets of co bble

Vla

Vc.
    

    
legato

Cb.



6
    

22

   
Ob.

            
       
         
  
 
Pno.

      
         
FA#m RE LA

Vln.

   
stone 'Neath the ha lo of a street lamp

   
legato

Vla

       
legato 

Vc.

     
 


Cb.

7
    

25


Ob.

             
     

       
        
Pno.

 
       
          
  
RE LA RE

    
Vln.


       
I turne my co llar to the cold anddamp When my eyes were stabbed

Vla

     
       

Vc.

     
Cb.     

8
    

28

  
Ob.

     
            
 
    
       
Pno.

     
         LA
     
     
FA#m

Vln.

          
by the flash of a ne on light That split the night


Vla

         
Vc.      
      
Cb.     

9
    

31

      
 
Ob.

      


   
      
Pno.

    FA#m

          
MI

Vln.

     
And touched the sound of si lence


Vla

      
Vc. 

   
Cb.      

10
 
                   
34

Ob.

  
       
 And in the nak ed light I saw Ten thou sand peo ple, may be

    
            



 
Pno.


   
     



Vln.

  
    


Vla

       


Vc.

       


Cb.



11
     
          
37

Ob.

   
            
more Peo ple talk ing with out speaking

       
             
 
Pno.

      

     
Vln.

Vla  

     
Vc.  

Cb.
       

12
         
            

40

Ob.

 
           
 
Peo ple hearing without listening People writing songs that voices

     

       
          
Pno.

     
          
 
    
Vln.

Vla    

Vc.
    
 
 

      
Cb.  

13
      
             
 
44

Ob.

      
                   
never share And no one dare Disturb the sound of

   
     
           
Pno.

 
            

 

Vln.

          
 
     
Vla

     
Vc.  

    
Cb.        

14
 
             
48

      
Ob.

          
         
si lence Fools, said I, you do not know

  

           
          
Pno.

   

      
Vln.

 
     




Vla

    


Vc.

          



Cb.

 

15
    
               
51

Ob.

          
      
          
Silence like a cancer grows Hear my words that I might teach you

      

                 
           
Pno.


       

     
Vln.

Vla     

Vc.
       

         

Cb.

16
     
          
     
55

Ob.

       
             
        
 
Take my arms that I might reach you But my words, like silent

                
         
  
             
             
Pno.

    
         
 
       
Vln.

 
Vla  

Vc.
        

            
 
Cb.

17
             
      
    
59

Ob.

      
                     

raindrops fell And echoed in the wells of silence

             
           
          
            
Pno.

    
  
    
  
 

Vln.

            


 
Vla

          
Vc.  

           
Cb.
  

18
      
   
63

 
Ob.

       
             

           
         
Pno.


            
Vln.         

       
      



And the peo ple bowed and prayed To the neon god

Vla

          
 


Vc.

        
  


 
Cb.



19
    

67

    
Ob.

          
              

              
    
      
Pno.


          
Vln.        

     
 
they made And thesign flased out its warning

Vla

Vc.
       

  
     
Cb.
    

20
    

70

    
Ob.

             
         
       

  
  
  
      
Pno.

 
          
Vln.        

      

 
In the words that it was forming And the sign said,the

Vla

Vc.
    
  

      
Cb.        

21
    

73

      
Ob.

                
          
      
 


 







   
   
Pno.

   
                
      

 
Vln.

   
 
words of the prophets are written on the subway walls And tene ment

Vla

Vc.
      

    
       
 
Cb.

22
      

76

         
Ob.

            
             
      
        


    
Pno. rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ rit._ _ _ _ _

     
a tempo

 
          
       



rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

Vln.

        
  
   
halls And whispered in the sounds of silence

 
a tempo
rit._ _ _ _ _

Vla

        
   
rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ rit._ _ _ _ _ _ _
a tempo
Vc.

      
  
        
rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ rit._ _ _ _ _ _ _
a tempo
Cb.

rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ rit._ _ _ _ _ _ _
a tempo

23
   
         
81

 
Ob.

              
   



      


    
Pno.

  
         



Vln.


  
        


        
Vla

   


      
Vc.

    




Cb.

24
Oboé The Sound Of Silence
Disturbed

  
 
arr. Marcos Paulo Baldi Goulart

                     
 = 84

 And in the nak ed light I saw Ten thousand peo ple, may be more

              
        
38

Peo ple talk ing without speaking Peo ple hear ing with out listening People

                
           
 
42

writing songs that voices never share And noone dare Disturb the sound of

 
                     
48

silence Fools, said I, you do not know Silence like a can cer grows

            
        
53

Hear my words that I might teach you Take my arms that I might reach you

            
          

57

But my words, like silent raindrops fell And echo ed in the wells

      
    
       
62

of silence 
Piano The Sound Of Silence
Disturbed

  = 84  
arr. Marcos Paulo Baldi Goulart

        
         
          
           
    




         
                      
     
6

                 
  
      


         
          
 
       
  
12

        
                     

      
                   
        
18

          
   


 


                  
                     
 
24

        
       

 

    
       
 
               
      
    
30

           
           


   
            


        
           
36

                     
      


     
         
            
          
42

       
                 
      

                                    
                              
48


                          
                      

           
              

               

  
     
               
         
55

 
                 
        
          
       
       
              
   
 
                           
                               
  
62



                           
                        

2
                     
                  
       
        
        
        
70

                                 
               
      

        
                                    
   
77

  
             
 

   
rit._ _ _ _ _
rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

            
a tempo

  

3
 Violino The Sound Of Silence
Disturbed

  = 84 
arr. Marcos Paulo Baldi Goulart

                     
 
MI FA#m

               
In rest less dreams I walked a lone Narrow streets of co bble stone

          
23 RE LA RE LA

                
'Neath the ha lo of a street lamp I turne my co llar to the cold and damp

        
27 RE LA FA#m

      
When my eyes were stabbed by the flash of a ne on light That split the night

                       
31 MI FA#m

                            
And touched the sound of silence





 
41

              
              
 


  
54

             
         
 
64

       
    
       



And the peo ple bowed and prayed To the neon god they made
68

              
       
And the sign flased out its warning In the words that it was forming


72

        
And the sign said, the words of the prophets are written on the sub way walls

       
       
rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
75

And tene ment halls And whispered in the sounds of silence a tempo
rit._ _ _ _ _
  
        

82

2
 Viola The Sound Of Silence
Disturbed

      
arr. Marcos Paulo Baldi Goulart

                        
 = 84 legato




                           
      
34



        

        
   

47

              
            

57




                    
    
69

rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

  
       
  
80

rit._ _ _ _ _ _ _ 
a tempo
 Violoncelo The Sound Of Silence
Disturbed

 
           
arr. Marcos Paulo Baldi Goulart

         

 = 84

     
Hello darkness myold friend I'vecome to talk with you again

         



       
    
8

           
Because a vi sion soft ly creeping Left its seeds while I was sleeping

     
      
12


And the vision that was planted in my brain Still remains Whithin the

    
                        
legato


17

sound of silence 

                      
       
30



 
                         
43


                              
  
57



     
                       

71


rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
rit._ _ _ _ _ _ _
a tempo
Contrabaixo The Sound Of Silence
Disturbed


    
arr. Marcos Paulo Baldi Goulart

             
        
 = 84 legato



          
             
30



                     
         
42

 

                                      
      
54

   
                        
           
65



    
         
              
75

rit._ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 
rit._ _ _ _ _ _ _
a tempo