Moulin Rouge Ver.

Vocals Lady Marmalade Arr. Shaun Evans

q = 115 (Driving Soul)

    
  
            
     
Where's all my soul sis - ters Lem - me here y'all flow sis - ters Hey sis - ter, go sis - ter,
 
4

           
        

soul sis - ter, flow sis - ter He

   
Hey sis - ter, go sis - ter, soul sis - ter, flow sis - ter
7
A

                    
met Mar - mal - ade down in old Mou - lin Rouge Strut - in' her stuff on the street
     
                  
 
             
sat in her bou - doir while she fresh - ened up Boy drank all that Mag
Hey sis - ter, go sis - ter, soul sis - ter, flow sist - er Hey sis - ter, go sis - ter,

 
10

                         

 Shesaid 'Hel - lo, HeyJoe Youwan - na give it a go - oh - oh no'
      
                

no - ia wine All her black sat - in sheets, sudedes, darnkgreens, yeah
soul sis - ter, flow sis - ter

             
13
         
B

                  
Git - chy git - chy ya ya da da Git - chy git - chy ya ya here
             
17

         
     
         

Mo - ca cho - ca la ta ya ya Cre - ole la - dy Mar - mal ade
1.

 
22

      

         
                
Vou - lez vous cou - chez av - ec moi, cesoir? Vou - lez vous cou - chez av - ec moi? He

Copyright ©2006 - Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM

Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2 2.

 
Vocals
26

         

      
   
           
Vou - lez vous cou - chez av - ec moi, ce soir? Vou - lez vous cou - chez av - ec moi?

 
29
C

                       
Yeah yeah uh He come throught with the mon - ey and the gar - ter bags I let him

  
31

            
know a bout the cake straight up the gate Uh, We

                          
32

  
in - de - pen - dant wom - an, somemis - take usfor whores I'msay - in' why spendmine whenI canspendyours

                          
34


Dis - a - gree? Well, that's you and I'm sor - ry, I'm - ma keep play - in' these cats out like At - ari, Wear - in'

 
36

                    

i - deal shoes, get - tin' love from the dudes, Four bad ass chicks from the Mou - lin Rouge Uh,

 
38
D

      

   
  
Hey sis - ter, soul sis - ters Bet - ter get that dough, sis - ters

      
40


                 
 
We drinkwine with dia - monds inthe glass, by the case, themean - ing ofex - pen - sive taste, Youwan - na

 
42

        
                 
Gi - chy, gi - chy ya ya Mo - ca cho - ca - la - ta Cre - ole la - dy Mar - mal - ade
 3
      
Vocals
47
E

     
        

Mar - mal - ade La - dy Mar - mal - ade

        
51 
        
     
                
 
Mar - mal - ade Hey hey hey ah
Oh

                  
55
F

   
     
Touch of her skin feel - in' sil - ky smooth The col - our of caf - e au lait

  
58

                      

al - right Made the sav - age beast in side roar un - til he cried More,

 
61
 
G

        
               


more, more Now he's back home do - in' nine to five

      
65

         
            
Sleep - in' the grey flan - nel life But when he turns off to sleep the mem

 
68
 
H
          
   

      
 
        
           
- or - ies creep More, more, more Gi - chy, gi - chy ya ya da da

         
73
 
                      
Gi - chy gi - chy ya ya here Mo - ca cho - ca - la - ta ya ya

                 
77
          
    
Cre - ole la - dy Mar - mal - ade
4
 
Vocals
80
I

         

      
   
           
Vou - lez vous cou - chez av - ec moi, ce soir? Vou - lez vous cou - chez av - ec moi?

  
83

              

All my sis - ters, yeah Vou - lez vous cou - chez av - ec moi,

 
85

                    
ce soir? Vou - lez vous cou - chez av - ec moi, ce soir?

Open For Vocal Adlib/Solos

 
For Vamp Last X
88
J

                       


   
93
K
         
     
Cre - ole la - dy Mar - mal - ade

       3   3   3   3   

95

   







Ooh Ooh Yes, sir
 Moulin Rouge Ver.
Alto Sax (Trumpet) Lady Marmalade Arr. Shaun Evans
q = 115 (Driving Soul)

 3 2
  

A 2nd 
           
X Only
7
  
         

         
mp
11
 
  
All Xs B
        

mf f mf

16                  

        
f mf f sfz

1.
               
 
21

         
mf sfz

4
2.
26
C
   
            
mp
36
D
    

   

  


41
      
         
f sfz
47 
E
      

mf
Copyright ©2006 - Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
 Alto (Trumpet)
2

       
                           
55
F


mf

60
   
 4    

G
 

mf


71
H                   
        

mf f mf f

75             
I
8
       

mf f sfz

Open For Vocal Adlib/Solos For Vamp

J                 
88    
        
 
mf

Last X
92

    K 
    
        

f sfz
 Moulin Rouge Ver.
Trombone Lady Marmalade Arr. Shaun Evans
q = 115 (Driving Soul)
3 2
   

     
2nd X Only
7
A      
          

        
mp
11
All Xs
 
B   
         

             
mf f mf
16 
          
f mf f sfz

21  1.
              
          
mf sfz

4
2.
26
C
    
        
mp
36
D
     

  

 

41    
  
       
f sfz
47

E
        
mf

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2
Trombone
                
55
 
F
         
mf

60
 

4    

G
    

mf

71
H                 
          
mf f mf f

         
75
  
        
mf f sfz

80            
I
                

mf

84            
                 
Open For Vocal Adlib/Solos For Vamp
88

J        

            
           
mf

Last X
    
92
 
K
       
    
f sfz
 Moulin Rouge Ver.
Trumpet Lady Marmalade Arr. Shaun Evans
q = 115 (Driving Soul)
3 2
  

7
A 2nd X Only
          
 
           
mp

      
11  
All Xs B
  
           

mf f mf
16              
            
f mf f sfz
1.
21   
        
                    
mf sfz

4
2.
26
C

         
  
mp
  
36
D

           
  


41
  
         
 f sfz
47
E

 
      
mf
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2
Trumpet
55
F
               
          

mf

60 4
G
   
        

mf

71             
H


 
    

    

mf f mf f

75
        8
I
   
         
mf f sfz

Open For Vocal Adlib/Solos For Vamp

88
                   
J

          
mf

Last X
92      
K
   
         

f sfz
 Moulin Rouge Ver.
Tenor Saxophone Lady Marmalade Arr. Shaun Evans
q = 115 (Driving Soul)
3 2
  

7
A 2nd XOnly
           
         

 
mp
11 All Xs B    
      

         

   
mf f mf
16 
      
    
           
f mf f sfz
1.
              
21

         
mf sfz

4
2.
26
C
  
         
mp
36
D
  
        

41
    
         
f sfz
47
E
 
      
mf
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2
Tenor Saxophone
55
F                 
 
        
mf

60
   4     
G

   
mf

        
        
71
H

         
mf f mf f

  
75
       
         
mf f sfz

80
I
   
      
   

    

  


mf

84
   
    



  


Open For Vocal Adlib/Solos For Vamp
   
88
               
J

          
mf

Last X
 

K
92
       
       
f sfz
 Moulin Rouge Ver.
Bass Lady Marmalade Arr. Shaun Evans
q = 115 (Driving Soul)
3 Gm
   
 
C 
          
mf
7
        Gm     C  Cm
A Gm C
               

cresc.
12  
       
D7(#9) B Gm C Gm
        
   

f
16  
       
C Gm C
         

19 
Cm7 Gm
    


   



 

  

1.
22 Gm 
  C  Gm 
  C 
                    
2.
26  C 3         
Gm C Gm C Gm
                 
mf
33
               
C Gm C Gm C
      

38         
D Gm C Gm C
           


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2
Bass
42
    C
Gm 
Cm7 Gm
       
             
  
 
f

47 7  
E D7 F Gm C
                  
          
mf

57 Gm  C  Cm
              


60 D7(#9) D D7 /F
              
           
    

63   
G Gm C Gm C
       
               

mf

67 Cm D7(#9) D D7
                  
            

 3
Bass

71              
H Gm C Gm C
            

f

Cm
75 Gm  C  
                



78 8
Gm I
       
     
 

Open For Vocal Adlib/Solos For Vamp

88    
J Gm C Gm C
                  
      
f

Last X
K Cm7
92  Gm
      
     
     
    
     
rit.
 Moulin Rouge Ver.
Guitar Lady Marmalade Arr. Shaun Evans

q = 115 (Driving Soul) With Distortion

 3 Gm C

     
       


mf
7
A Gm C Gm C Cm
  
          


                  
 

12
B Gm cresc.
D7(#9) C Gm C
  
  

     
        

        


f
Cm7
17 Gm C
  Gm
      
             
   
 
                 

1.
22 Gm C Gm C
  
        
                 
2.
26 3
Gm C C Gm C Gm

 
mf
                       
33 C Gm C Gm C

   
               
38
D Gm C Gm C

  
               
Cm7
42 Gm C  Gm
      
           
  
                
f 
Copyright ©2006 - Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
 E           
2
Guitar
47   

 
mf

           
51
   
   


55
F Gm C Gm C
 
       
       

         
mf

59 Cm D7(#9) D D7 /F
 
  
    
 
           
63
G Gm C Gm C
 
       
mf
                 

67 Cm D7(#9) D D7
 
 


    

           
71
H Gm C Gm C
  
      
f
                 

Cm
75 Gm C
   Gm     
                
      
                
 3
Guitar

80
I Gm C Gm C
  
      
mf
                 

84 Gm C Gm C
  
      
                 

Open For Vocal Adlib/Solos

88
J Gm C Gm
 
      
f
                

For Vamp Last X

91 C
 
      


93 
K Cm7 Gm
 
      
               
  



rit.  
 Moulin Rouge Ver.
Drums Lady Marmalade Arr. Shaun Evans

q = 115 (Driving Soul)

                
  
   
mp mf
 
5
                           
A

         
        

                       

9

                  
 
cresc.

13                 
B

       
(4)
   
            
  
f sim...

17   
        
(6)
    
    

20         
  
















   

 1.
22                      
   
         
         
  
sim...

2.
26    
               
    
   
   
  
mf

Copyright ©2006 - Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM

Want a gig on a cruise ship? -- Visit WWW.CRUISESHIPGIGS.COM to learn how to book your own gig!
2 
                
Drums
30
C

       
(4)
        
   
sim...
34  
                
(6) (8)


38                 
D

       
(4)
        
        
sim...
42       
        
(6)
          
          
f
46   
E

           
    
   

   

mf
50

     
   

   

          
 

55                          
F

                        
     
mf

            
59         
                            
 

63              
G
                
     
                
mf
 3
Drums

                      
67              
                           
   


71                 
H

       
(4)
            
  
f sim...

75       
        
(6)
          
          

79      
I
                 
      
             

mf


84                 
                    
  
sim...
Open For Vocal Adlib/Solos

             
For Vamp
88
J

        
   
             
  
f sim...

 
Last X
92           
K

                 

 
          
rit.
 Keyboards Lady Marmalade Moulin Rouge Ver.
Arr. Shaun Evans

Organ/B-3 (Opt. Split: Sawtooth in L.H.) C

q = 115 (Driving Soul)
   3 Gm 

  
3        

 
  
mf
           
 

  
7
A Gm C 
Cm

 Gm C
 
        
             
    cresc.
 
          
        
      
Gm C Gm
 B   
D7(#9)
  
12   
 
 


 

                 
 

f
     
   
C Gm C
  
  
16  
 


        
 
        
         

 
Cm7
    Gm
  
19 
      
          
  

  
       

          
 

Copyright ©2006 - Shaun Evans Professional Entertainment Production - WWW.SHAUNEVANS.COM
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2
Keyboards
1.
Gm C Gm C
    
  
22   
   




  
                   
  
 
     

 
2.

 
26 3
Gm C C Gm C Gm
 
                       
mf
 3  

  
                       
  
 
33 C Gm C Gm C
   
             
 

    
               
 
 
38
D Gm C Gm C
  
             
 

   
               
 Cm7


  
Gm
42 Gm C      
(V.S. to Strings!!)
       
    
 


            
 

f

       

    
              
  
 
 Strings/Synth Strings
3
Keyboards

       

Gm7
47 
E Gm7

      
G7

        

      
        
  
     
       
mf
     

(To Organ/B-3) Organ/B-3
   
Gm

C Gm

   
53 Dsus
    
D7

F 
 
 

   

   
 
  
 
             

     
mf
 
    

C
 Cm 
D7(#9) D D7 /F
  
58  
    

   
 



  
  
            
     
Gm C Gm
  
  
63  G 
 


         
         
mf

                  
  
C Cm
 D7(#9)
 D
  
66  
   
D7


   

 




  
 
             
     
4
Keyboards
Gm C
 Gm

C
 
  
71  H   
  

f

  
                   
  
 
   

 

Gm C Cm
  
   
75  
  Gm   
(To Sawtooth Synth)
 
           



       

  
    
              

    
 

Sawtooth Synth
 
80
I Gm C Gm C
 
         

mf    
         
   

(To Organ/B-3)

 
84 Gm C Gm C

     
   
      
                
 
 Open For Vocal Adlib/Solos Keyboards
5
Organ/B-3
Gm C Gm
  
   
88  J 
 

 
f
 
                   
      
  
        
 

For Vamp Last X

C C

  
91 
  



       


Cm7

 
     
Gm
93  
K

     

 


       
 


  

      
 
       

  
    
rit.