Vocals Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's)

3 2
(Bass Pickup) (Sing 8vb)
A
3 3

         
 
     
Mmm Meand mis- sus

9
B
3
    
3
   
     
Jones Wegot a thing go- in' on

14
3 3
3
3

                         
Webothknow thatit'swrong Butit'smuchtoo strong to let it go now

18
C 3
3 3
          
3
             
3
Wemeetev-ery day at thesame caf - e Six- thir - ty andnooneknows

21 3 3
    
3 3
              
she'llbe there Hold-in' hands Mak-in' all kinds ofplans

24 3 3
     3        3   
       
3 3
Whilethejuke -box plays our fa - vor- ite song Me - ee and mis -sus, mis- sus Jones
2 Vocals Me&Mrs.Jones

27
D
  3      3  
3

3
    
    
3
Mis- sus Jones, mis - sus Jones Wegot a thing go-in' on

32 3 3

3
     3
   
          
Webothknow thatit'swrong, butit'smuch toostrong to let it go now

36
E
      
3
 3

3

            
    
3
Wegot-3ta be ex-tra care - ful That wedon't build ourhopesup too high

40
   3
  
3 3
       
            
  3
3 3 3 3
'Causeshe's got her own ob - li - ga - tions and so do I

43
     3
   
     
3

Me - ee and mis - sus, mis - sus

7
45
F
          3
   
    
3 3 3
Jones, Mis- sus Jones, mis -sus Jones, mis- sus Jones

54
G
     3                      
3 3
 
3 3 3
Well,it'stime for us to be leav - in' andithurts somuch, Ithurtsso muchin
Me&Mrs.Jones Vocals 3

H
               3  3        3 
57 3

     
3 3
side And now she'llgo her way andI'll go mine but to

60
     3  
   
3
     
  
3 3
mor - row we'll meet at the same place, the same time

  
61
              
   
3 3 3
Me - ee and mis- sus, mis- sus, mis -sus,

Open Vamp


I (Adlib 'Till End)
64 3

    

                 

3
mis - sus Jones

     
For Vamp Last X
66

          



rit.
 Trumpet II Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's)

 
(Bass Pickup)
4
  

A With Straight Mute

5
     3
    
                 
   
mp

(Vocals)
B C
9
 9 3   
 
      
3 3

           
mp mp

22
   3          
3

           
 
 
33 3 3
p cresc. mp f

D
      3  3
27

           
  
mp mf

      3  
     
32 3

    
3
mp
2 Trumpet II Me&Mrs.Jones

E
  3  
(Pull Mute)

36
 
3 3
 
             
mp

41
       
       
pp mp 3 3 f

F
   3
                 3
45

      
  
mf

 3 3           

49
     
   

3 3
sfz

 3   
        
51 3

        
3

  

f f


G 
     
   
54 3

      
f
Me&Mrs.Jones Trumpet II 3


H
58
 


    
      

61       

       
3 3
mf cresc. f

Open Vamp
I With Straight Mute
  
   
64
         
   
3
mp

 
For Vamp
  

66
    
      

Last X
   
68
    


rit.
 Michael Buble ver.
Trumpet I Me&Mrs.Jones
q = 68 (12/8 Feel - Swung e's)

 
(Bass Pickup)
4
  

A With Straight Mute


5
         
   
       

 3

mp

(Vocals)
B C
 9 3       
9 3 3

         
mp mp


                  
22 3

        
3 3 3 3
3
p cresc. mp f

D
27
           3  3
       

mp mf

      3   

3
 
32

      
3
mp
2 Trumpet I Me&Mrs.Jones

E   3   
(Pull Mute)
          
36 3

   
3

     
mp

41
       
      
3 3
pp mp f

F
         3  3
    
45
     
      
  
mf


 3 3           
49

       
3 3
sfz

51    
3
       3   3   
     
  
f f
Me&Mrs.Jones Trumpet I 3

G  
    
3
54
 
          
f

H      

  
58

      

61       

       
3 3
mf cresc. f
Open Vamp
I With Straight Mute
  
   
64
  
         
3
mp

For Vamp
     
66
    
     


Last X
   

68
   


rit.
 Michael Buble ver.
Trombone Me&Mrs.Jones
q = 68 (12/8 Feel - Swung e's)
A    
(Bass Pickup)
4 
   
mp

   
6             
  
3

(Vocals)
B
9 8 3
  
  
pp

18
C 3      3 
3


3
             
   
p mp mp

22             

      
 
3 3
p mp f

27
D           3
  3  
   
mp pp

 3  3
31
 3
 3   
        
3
mf mp
2 Trombone Me&Mrs.Jones

3 3
33
  
          3
      
3 3

3
36
E  
 3       3

        3
    
mp mp

40  (Pull Mute)

     

42
           
3 3
pp mp f

F     3  3

45             
           

mf sfz

 3  
       
49 3 
       

3
sfz

51  3    3 3
          
  
  
     
f f
Me&Mrs.Jones Trombone 3

G  
 3  
54      
      
        

3 3
f mf f

H   
58 
    
     


61             
       

3 3 3 3
mp cresc. mf cresc. f
Open Vamp
(Tacet 1st X)
64
I    
    
        
  
3
p

For Vamp
66
         
    

Last X 
68    

   

rit.
 Michael Buble ver.
Tenor Saxophone Me&Mrs.Jones
q = 68 (12/8 Feel - Swung e's)
A
4            
(Bass Pickup)
 
   
3
mp
(Vocals)
B
           8
7
     
3

pp

C   3   
3  
3
        
18

  
3

     
p mp mp

22
  
3
              
        
3 3 3 3 3
p p cresc. mp f

   

D 
3

            
27 3 3

      
mp pp

         3   
31 3 3

    
3
mf mp

3
  
3

   
33

3
        
3

  
3
2 Tenor Saxophone Me&Mrs.Jones

E   3  
3
   
36
      
  
mp mp

  3 
       
39 3

           
pp

  

43
     
      
   
3 3
mp f

 

3
  
        
F  
45    
          
     3

         
3 3 3 
mf f sfz mf

 3      3  

49
 3

 
 
 
          
 3
sfz f

       3   3

  
52

  
3
f

       3 
G 

54
              
3
 
f mf
 3
f
Me&Mrs.Jones Tenor Saxophone 3


58
H 
    
  

      


61
             
      
3 3 3 3
mf cresc. f
mp cresc.

Open Vamp
I (Tacet 1st X)
64
         

     
    
3

p


For Vamp

    
66

      


Last X
     

 
68

rit.
 Baritone Saxophone Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's)

A
  4            
(Bass Pickup)

  
3
mp
(Vocals)
B
           8
7

     
3


pp

C   3
 
18 3

         
3 3
       
  mp


   


p mp

  
22

                 
3 3
             
p mp f

D
 3    3  3  3
27

            
pp mf

32
    
3

      
   3 3

p mp

E

36

     
3
       
   
mp mp
2 Baritone Saxophone Me&Mrs.Jones

   3
39 3

        
   
 p cresc.

   
42

         
3 3

pp
  
mp
      f 

F
45
  3  3
            
      

         
mf
 sfz mf

 3
 3
49

   
   




   sfz


    
  
51 3

          
3 3
     
       
f f

G
      3
54

3
        
3
     
       

f mf  f
Me&Mrs.Jones Baritone Saxophone 3

H
    
58
       
   
  

      
61

     
3 3
       
3 3       
mp cresc. f

Open Vamp

I

(Tacet 1st X)
64
            

    
3

p

For Vamp

66
   
      


Last X
68
     
    
rit.
 Alto Saxophone Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's)

A
  4     
  
(Bass Pickup)

        
3
mp (Vocals)
B
        8
7
      
    
3

pp
C   3  
  3   
18
    
3

        
3
  
p mp mp
22
    
 
 
       

3
    
        
3 3 3 3
p p cresc. 3 mp f

D
 3  
3
          
27 3

         
mp pp
31
       
3 3
 3   
    
3
mf mp
3
           
  
3

33

3

     
3 3

E   3  
      
3   
36 3 3

      
 
mp mp V.S.
2 Alto Saxophone Me&Mrs.Jones

40
         
        
3 3
pp mp f

F
   
  
   
3
         
               3
45

    
3 3
mf 3 f sfz mf

 3
49
  3         
     
3
sfz

51  3          3   3


   
 
3
f f

54
G 
   
 3

      

  
       
3 3
f mf f

H    

  
 
58

     

            
61

     
3 3 3 3
mp cresc. mf cresc. f
Me&Mrs.Jones Alto Saxophone 3

Open Vamp
I
   
64 (Tacet 1st X)
  
     
 
    

3
p

For Vamp

66
   
      


Last X
     

68
  


rit.
 Keyboards Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's) Fender Rhodes

(Bass Pickup) Cmaj9 Fmaj9 Cmaj9 Fmaj9

      
  


       
  
mp
 
     
     

3 Cmaj9 Fmaj9 Cmaj9 Fmaj9

      
       
 
sim...
      
     

A Cmaj9 Fmaj9 Cmaj9 Fmaj9 Cmaj9 Fmaj9 Cmaj9

5
Fmaj9

                
(Vocals)
9
B Cmaj9 Fmaj9/G Cmaj9 Fmaj9/G Em7 Dm7
                
mp

Fmaj9/G Ebm7 Dm7 Fmaj7/G G9(#5) Cmaj9 Em7 E7/G#


13

                 
    
 
3
  3

C Am7 Em7
18
Ebm7
 Dm7
 Fmaj7/G G9(#5) Cmaj9 E7(#5)

              
 

3 mf
2 Keyboards Me&Mrs.Jones

Am7 Am(,7) Am7 Em7 D9 G9sus

22
     G13
               
mp cresc. mf mp 3 3 f

27
D Cmaj9 Fmaj9/G Cmaj9 Fmaj9/G C% Em7 Dm7 3 3

              
   
  
mp
 
3
3

  3 Dm7
31 G9sus
 Fmaj7/G G9(#5) Cmaj9 Em7 E7/G#
                         
3   
    mp

E Am7 Em7
36
Ebm7
 Dm7
 G9(#5) Cmaj9 E7(#5)  Am9 Am Am(,7) Am7
                    
 
3 cresc.

Em7 D9 G9sus To Pno. Piano

41
      
            
gli
ss.

pp mp 3 3 f

45
F Dbmaj9 Gbmaj9 Dbmaj9 Gbmaj9 Fm7 Em7
             

  
3
 3

Ebm7  3
 Ab9sus    3 Em9
48
  
            

         
   
   3  
 3 3  3
Me&Mrs.Jones Keyboards 3

Gbmaj7/A Ab9(#5) F7(#5#9) F7(#5b9)

Ebm9 3 Ab7(#5b9) Dbmaj9 3
50
        3
                   


G F7(#5#9)
54 Bbm7
  Em9 Ebm9
  3
 3

              
 3
   
   
  
   
mf 
f
f

58
H Bbm9 Fm7 Eb9
           

  

Gbmaj7/Ab
61
            
               
      
gli
s s.

3 3 3 3
mp cresc. f mp

Open Vamp
For Vamp

     
64
I Dbmaj9 Gbmaj9 Dbmaj9 Gbmaj9 Dbmaj9 Gbmaj9 Dbmaj9 Gbmaj9
   
                 



Last X
Dbmaj9 Gbmaj9 /A Dbmaj9
68

      
 

rit.
 Guitar Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's)

Blow!
(Bass Pickup) Cmaj9 Fmaj9 Cmaj9 Fmaj9 Cmaj9 Fmaj9 Cmaj9 Fmaj9
               
(End Solo)

  


(With Horns)
Fmaj9
  Cmaj9

Fmaj9
    
A
5 Cmaj9


       
            
3

 Fmaj9
  
Cmaj9 Fmaj9
7 Cmaj9  
    
 
          

(Vocals)
9
B Cmaj9 Fmaj9/G Cmaj9 Fmaj9/G Em7 Dm7
                
mp sim...

13 Fmaj9/G Ebm7 Dm7 Fmaj7/G G9(#5) Cmaj9 Em7 E7/G#

                    

C Am7 Em7
18
Ebm7
 Dm7
 Fmaj7/G G9(#5) Cmaj9 E7(#5)

                
3 mf

Am7 Am(,7) Am7 Em7 D9 G9sus

22
     G13
               
mp cresc. mf mp 3 3 f
2 Guitar Me&Mrs.Jones

(With Horns)
Fmaj9/G
       
D Cmaj9 Fmaj9/G
27 Cmaj9      C% Em7
              
mp
3 3 3 3
30 Dm7
  
   G9sus
3
  
    3 Dm7
      
     
   
  mp

33 Fmaj7/G G9(#5) Cmaj9 Em7 E7/G#

            

E Am7 Em7
36
Ebm7
 Dm7
 G9(#5) Cmaj9
 
E7(#5)
               
 
3

Am9 Am Am(,7) Am7 Em7 D9 G9sus

40
      
                
cresc. pp mp 3 3 f

45
F Dbmaj9 Gbmaj9 Dbmaj9 Gbmaj9 Fm7 Em7 Ebm7
               

  
3


Gbmaj7/A Ab9(#5) Ab7(#5b9)
49 Ab9sus Em9 Ebm9      
                
 
3 3
Me&Mrs.Jones Guitar 3

Dbmaj9
  
52          F7(#5#9)
 3
 
F7(#5b9)
 
  
     
 
3
 





  
  
  

 F7(#5#9)

G Bbm7
  Em9 Ebm9

3 
 
         
54

       

   
   
f mf
 3 3
f

58
H Bbm9 Fm7 Eb9
           

  

Gbmaj7/Ab
              
61

   
     
3 3 3 3
mp cresc. f
Open Vamp
 Gbmaj9  Dbmaj9
 Gbmaj9
   
           
64
I Dbmaj9  
    
             
3


For Vamp
Gbmaj9  Dbmaj9 Gbmaj9
    
 
66 Dbmaj9
    
   
         

Last X

Gbmaj9

/A
   Dbmaj9
68 Dbmaj9   

      
 


rit.
 Drums
Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's)

Cross-stick
 3 3 3

(Bass Pickup)
         
        
mp 3 3

3 3 3 3
2
           
              
3 3 sim...

A 3 3 3 3 3 3 3 3 3 3
5
                             
                 
     
3 3 3 3 sim... 3
(Vocals)
B  3 3 3 3 3 3 3  3
  3 3 3 3
9
                                   
                 
mp 3 3 3 3 3 3

3 3 3 3
12
           
         
(4)
    
3 3 sim...

15

            
(6) (7)

C 3 3 3 3 3 3 3 3
18
                       
     
 
   
   
   
3 3 3 3
sim...
2 Drums Me&Mrs.Jones

3 3 3 3
20
           
            
(6)

    
3
mf mp cresc.

3 3 3 3 3 3
24
                  
                     
mf 3 3 3 3
mp 3 3
f

D 3 3 3 3 3 3 3  3   3 3 3 3
27
                              
    
                       
mp 3 3 3 3 3 3

3 3 3 3
30
           
         
(4)
    
3 3 sim...
mp
33

            
(6) (7)

3
E 3 3 3 3 3 3 3
36
                       
                
3 3 3 3 sim...
3 
39
3

        
3
            
3 3 3 3

        
(6)
     

3 3 3 3 3
cresc. pp
Me&Mrs.Jones Drums 3


43 3 3 3

             

3 3
mp f

  
F
45         
 
         
           
    sim...

3
48      Fill
                 
(4) Fill


3
52   
 3

3

    
Fill
     
     
3 3

      
54
G
      3
     
Fill
            
 
f 3 3 3
mf f
H 3
58          Fill
                   
    
3 sim...


  3
 
61 3 3

                      


     
mp cresc. 3 3 3 f mp
4 Drums Me&Mrs.Jones

Open Vamp
I 3
                        
3 3 3 3 3 3 3
64

              
3 3 3 3 sim...

 
For Vamp
66

        
(4)



Last X


68

    
Fill

  

rit.
 Bass Me&Mrs.Jones Michael Buble ver.

q = 68 (12/8 Feel - Swung e's)

Fmaj9
 Cmaj9 Fmaj9 Cmaj9
       
3
            
3
 3 3
3
mf mp

Cmaj9 Fmaj9 Cmaj9 Fmaj9

 
     
3
     
   
3 3

A Cmaj9 Fmaj9
5
    
Cmaj9

Fmaj9 Fmaj9
   
3
Cmaj9
 
Cmaj9 Fmaj9

          
   
3
mp
(Vocals)
9
B Cmaj9 Fmaj9/G Cmaj9 Fmaj9/G Em7 Dm7 Fmaj9/G Ebm7
      
    
    

14 Dm7 Fmaj7/G G9(#5) Cmaj9 Em7 3

E7/G#

         

 

C Ebm7
Am7 Em7 Dm7 3 Fmaj7/G G9(#5) Cmaj9 E7(#5)
       
 
18
  
       

mf 
Am7 Am(,7) Am7 Em7 D9
22
 3
                    
 3 3
 3
     
 3
 
mp cresc. mf
2 Bass Me&Mrs.Jones

G9sus G13

25
 3 3
   
3

        
mp
      f mp

D Cmaj9
27 Fmaj9/G Cmaj9 Fmaj9/G C% Em7 Dm7
      
         

mp

31 G9sus Dm7 Fmaj7/G G9(#5)

  
3
       
       
3
mp

34 Cmaj9 3 Em7 E7/G#

        
   
 
3

E Ebm7
Am7 Em7 Dm7
3 3 G9(#5) Cmaj9 E7(#5)
36
    
       
3

            
 

D9
Am9 Am Am(,7) Am7 Em7 3
3
 
40
    3

             
 3 3
             
cresc. pp

G9sus
43
 3  3   
      
   
       3
mp f
Me&Mrs.Jones Bass 3

F Dbmaj9 Gbmaj9
Dbmaj9 Gbmaj9 Fm7 Em7 Ebm7 Ab9sus Em9
45
  

                 

 

Ebm9 Gbmaj7/A Ab9(#5) Ab7(#5b9) Dbmaj9 F7(#5#9) F7(#5b9)

          3    3
50
 3 3 
          
    

G  F7(#5#9)
3
54 Bbm7
  
Em9 Ebm9  
      
  
           
3 3
f mf f

H Bbm9
  Fm7 Eb9
                
     
58
   

 

Gbmaj7/Ab
61
       
 
3 3 3 3
                 
            3
mp cresc. f mp
Open Vamp
For Vamp

       
I Dbmaj9 Gbmaj9 Dbmaj9 Gbmaj9
Dbmaj9 Gbmaj9 Dbmaj9 Gbmaj9
64
        
  
 
  
 


 
  
 



Last X
Dbmaj9 Gbmaj9 /A Dbmaj9
68
      
  

rit.