Professional Documents
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THE ART OF
Watercolour T H E A R T M A G A Z I N E F O R W AT E R C O L O U R I S T S
FR : 7,50 € - BE : 8,80 € - CH : 15 FS - LU : 8,80 €- ES : 9,50 € - IT : 9 €- GR : 8,90 €- PT CONT. : 8,80 € - GB : £8,20 - NL : 9 € - DE. : 9,50 € - AT : 9 € - MA : 97 MAD
GUAN WEIXING
One of watercolour’s greatest
contemporary portraitists
and texture
QUARTERLY - JUNE-AUGUST 2011 - 7,50 €
ALSO INSIDE
Jean-Claude Papeix
Valériy Grachov
PAUL MARGOCSY ANDERS ZORN Eva Tomkins
Painting Sweden's master David Paskett
Australian birds watercolourist Jean-Louis Thibaut
EXPERT ADVICE: PAINTING WITH FIVE PRIMARY COLOURS - SOLUTIONS FOR OBTAINING CLEAN COLOUR MIXES
LIFE
A personal approach
AN ARTIST’S
to landscape painting
OVER THE COURSE OF HIS SIXTY-YEAR CAREER, THE AUSTRALIAN
ARTIST HAS DEVELOPED A TECHNIQUE BASED ON RESPECT FOR HIS
SUBJECT AND THE ADDITION OF GOUACHE TO HIS WATERCOLOURS.
Chris Krupinski
TWENTY-FIVE YEARS AGO, THIS AMERICAN ARTIST DISCOVERED
WATERCOLOUR. SINCE THEN, SHE HAS BEEN PATIENTLY ELABORATING
HIGHLY DETAILED AND COLOURFUL STILL LIFES, STRIKING IN THEIR
BOLD AND COMPLEX COMPOSITION, BASED ON THE CONTRAST
BETWEEN LIGHTS AND DARKS.
Y Your still lifes are above all remarkable for their elabo-
rate composition. How do you find this balance in your
paintings?
Before taking photos of my subject, I spend a lot of time think-
ing about colour and texture. Each element in my still lifes is
there for a reason and has a signification. For example, the
fabrics that I use play an important role in the general
composition. Another element that I take into account is the
relationship between the colour of the objects and that of the
fabric. For example, if I decide to use a fabric with red stripes,
I will complete my subject with red grapes and pomegran-
The impression one gets from your paintings is that it is
your treatment of light, in combination with your ideas
on tonal values, that bring unity to each of your
compositions…
Working with the differences in value is inherent to the way
I paint. I try to create depth and volume. Lighter values cre-